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Genesis 1983–1998
''Genesis 1983–1998'' is a box set of four studio albums by Genesis. It was released on 1 October 2007 in Europe & Japan by Virgin/EMI and on 20 November 2007 North America by Atlantic/Rhino. The 5-CD/5-DVD box set includes newly remixed versions of the albums ''Genesis'', '' Invisible Touch'', ''We Can't Dance'', and '' ...Calling All Stations...''. The fifth pair of discs includes B-side songs. Each bonus DVD features audio versions of the albums in 5.1 surround sound, as well as videos for songs from that album and its corresponding tour, new interviews, and photo galleries. Audio formats In the European and Japanese releases of this box set, the CDs are hybrid SACD/CDs. The SACD layer is a multichannel surround sound remix. In the Canadian and U.S. releases of this box set, standard CDs with no SACD layer are included.Explained in interview with producer and remixer Nick Davis, at http://www.genesis-news.com/genesis/reviews/sacds/interview-with-nick-davis.htm In all ve ...
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Genesis (band)
Genesis are an English rock band formed at Charterhouse School, Godalming, Surrey, in 1967. The band's most commercially successful line-up consisted of keyboardist Tony Banks, bassist/guitarist Mike Rutherford and drummer/singer Phil Collins. The 1970s line-up, featuring singer Peter Gabriel and guitarist Steve Hackett, was among the pioneers of progressive rock. The group were formed by five Charterhouse pupils, including Banks, Rutherford, Gabriel, and Anthony Phillips, and named by former Charterhouse pupil Jonathan King, who arranged for them to record several singles and their debut album ''From Genesis to Revelation'' in 1968. After splitting from King, the band began touring, signed with Charisma Records and became a progressive rock band on ''Trespass'' (1970). Following Phillips' departure, Genesis recruited Collins and Hackett and recorded ''Nursery Cryme'' (1971). Their live shows began to feature Gabriel's theatrical costumes and performances. '' Foxtrot'' ( ...
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Surround Sound
Surround sound is a technique for enriching the fidelity and depth of sound reproduction by using multiple audio channels from speakers that surround the listener ( surround channels). Its first application was in movie theaters. Prior to surround sound, theater sound systems commonly had three ''screen channels'' of sound that played from three loudspeakers (left, center, and right) located in front of the audience. Surround sound adds one or more channels from loudspeakers to the side or behind the listener that are able to create the sensation of sound coming from any horizontal direction (at ground level) around the listener. The technique enhances the perception of sound spatialization by exploiting sound localization: a listener's ability to identify the location or origin of a detected sound in direction and distance. This is achieved by using multiple discrete audio channels routed to an array of loudspeakers. Surround sound typically has a listener location ( sweet sp ...
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The Carpet Crawlers
"The Carpet Crawlers" is a song by the English progressive rock band Genesis, recorded for their sixth studio album ''The Lamb Lies Down on Broadway''. Mike Rutherford and Tony Banks wrote most of the music, with the help of Peter Gabriel. Lyrically, the song tells the section of the album's story whereby Rael, the lead character, finds himself in a red carpeted corridor surrounded by kneeling people slowly crawling towards a wooden door. Rael dashes by them towards the door and goes through it. Behind the door is a table with a candlelit feast on it, and behind that, a spiral staircase that leads upwards out of sight. The complex symbolism of Peter Gabriel's lyrics has been interpreted as referring to the fertilisation journey or as describing a scene inspired by Gnosticism in which humanity is misled by the 'callers': instead of the promise of heaven, the carpet crawlers find death and rebirth to a hellish environment. The song was released in April 1975 as the album's sec ...
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Just A Job To Do
''Genesis'' is the twelfth studio album by English rock band Genesis, released on 3 October 1983 by Charisma and Virgin Records in the UK and by Atlantic Records in the US and Canada. Following the band's tour in support of their 1982 live album ''Three Sides Live'', Genesis took an eight-month break before they regrouped in the spring of 1983 to record a new album. It is their first written and recorded in its entirety at their studio named The Farm in Chiddingfold, Surrey, and the songs were developed through jam sessions in the studio with nothing written beforehand. Hugh Padgham returned as their engineer. ''Genesis'' was the group's greatest commercial success at the time of release, becoming the band's third straight album to reach on the UK Albums Chart. It also reached No. 9 on the US ''Billboard'' 200, where it sold over 4 million copies. Five singles were released between 1983 and 1984; "Mama" was the lead single and remains the highest charting Genesis single in t ...
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Taking It All Too Hard
"Taking It All Too Hard" is the sixth track from the 1983 album ''Genesis'' by Genesis. It is known for Tony Banks' work on his Yamaha CP-70 electric piano. It included the eighth track from the album, "Silver Rainbow," as the B-side. Background No music video was made for this single, and the song has never been performed live by the band. This was the last single for the band until the band's only No. 1 Billboard Hot 100 hit, " Invisible Touch", in 1986. ''Cash Box'' said that "Collins’ versatile vocals help make this song another potential mega-hit." Personnel * Phil Collins Philip David Charles Collins (born 30 January 1951) is an English singer, musician, songwriter, record producer and actor. He was the drummer and lead singer of the rock band Genesis and also has a career as a solo performer. Between 1982 and ... – drums, percussion, vocals * Tony Banks – keyboards * Mike Rutherford – guitars, bass Chart performance The single was only released in th ...
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Illegal Alien (song)
"Illegal Alien" is a song by English rock band Genesis. It was written by members Tony Banks, Phil Collins, and Mike Rutherford, produced by all three alongside Hugh Padgham, and released as the third single from their self-titled 1983 album in January 1984. The song's lyrics, inspired by the band's troubles with getting visas to reenter the United States while on tour, tell the satirical story of an illegal immigrant facing obstacles in the process of trying to move to the United States. Its accompanying music video depicts the members of Genesis as a group of Mexican men unsuccessfully attempting to get their passports approved, and shows them in ponchos and sombreros. "Illegal Alien" reached number 46 on the UK Singles Chart, and number 44 on the ''Billboard'' Hot 100. In retrospective reviews, "Illegal Alien" and its music video received largely negative reception, with critics describing both as racist and stereotypical. Genesis performed the song live throughout their ...
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Home By The Sea
"Home by the Sea" and "Second Home by the Sea" is a suite of two songs by English rock band Genesis. It first appeared on their eponymous album in 1983. The lyrics were written by keyboardist Tony Banks and the music was written by the whole band. Lyrically, the song is about a burglar who breaks into a house only to find it is haunted. The burglar is captured by the ghosts, who force him to listen to their stories for the rest of his life. "Home by the Sea" became a chart hit in New Zealand, peaking at number four in November 1986. Background The piece was written at a point in Genesis' career when they were transitioning from progressive rock to a more streamlined, new style. As such, it combines simple pop hooks with an extended section more characteristic of progressive rock into one two-part piece. Played together, "Home by the Sea" and "Second Home by the Sea" are over eleven minutes long. In an interview, Phil Collins noted the track as an example of how the band often ...
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That's All (Genesis Song)
"That's All" is a song by English rock band Genesis. It is a group composition and appears as the second track on their 1983 album ''Genesis''. It was the album's second single after "Mama". On June 17, 1993, MCA Records re-issued and re-released the song as a CD and "HiQ" cassette single. The U.S. single reached No. 6 in early 1984, making it their first ''Billboard'' Hot 100 Top 10 hit; it included "Second Home by the Sea" as the B-side. The UK single featured " Taking It All Too Hard" as the flipside, and reached No. 16. Also released was a 12-inch single that included a live version of "Firth of Fifth" from 1981. As the band's first break into the ''Billboard'' Hot 100 Top 10, the song is included in ''Rock Song Index: The 7500 Most Important Songs for the Rock and Roll Era''. Background and recording The song was intended as an attempt to write a simple pop song with a melody in the style of the Beatles. Phil Collins acknowledged in a subsequent interview that the song a ...
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Mama (Genesis Song)
"Mama" is a song by the English rock band Genesis, released as the first single in 1983 from their self-titled album. It is recognisable for its harsh drum machine introduction composed by Mike Rutherford, which leads into minimalist synthesizer lines in a minor tonality and finally Phil Collins' reverb-laden voice. It remains the band's most successful single in the UK, peaking at No. 4 on the UK Singles Chart. It also made the top 10 in Switzerland, Austria, Norway, Ireland and the Netherlands. It was less popular in the US, only reaching No. 73 on the ''Billboard'' Hot 100. A 1992 re-release of the single managed to reach the Top 40 in Germany. The song resurfaced in 2007 as part of the Turn It On Again tour, albeit transposed down a whole tone to account for the deepening of Phil Collins' voice. Theme The song's theme involves a young man's longing for a particular sex worker. On the DVD ''The Genesis Songbook'', the band and producer Hugh Padgham revealed that the ins ...
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Nick Davis (music Producer)
Nick Davis is an English sound engineer and record producer who is best known for his work with the band Genesis. He has also produced solo albums for several members of Genesis, as well as for other bands.Nick Davis Discography at Discogs.
Discogs.com, Retrieved 24 July 2013.


Discography


Record producer

Davis has produced or served as a sound engineer for the following albums: *: '''', ''
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Dolby Digital
Dolby Digital, originally synonymous with Dolby AC-3, is the name for what has now become a family of audio compression technologies developed by Dolby Laboratories. Formerly named Dolby Stereo Digital until 1995, the audio compression is lossy (except for Dolby TrueHD), based on the modified discrete cosine transform (MDCT) algorithm. The first use of Dolby Digital was to provide digital sound in cinemas from 35 mm film prints; today, it is also used for applications such as TV broadcast, radio broadcast via satellite, digital video streaming, DVDs, Blu-ray discs and game consoles. The main basis of the Dolby AC-3 multi-channel audio coding standard is the modified discrete cosine transform (MDCT), a lossy audio compression algorithm. It is a modification of the discrete cosine transform (DCT) algorithm, which was first proposed by Nasir Ahmed in 1972 and was originally intended for image compression. The DCT was adapted into the modified discrete cosine transform (MD ...
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Dolby Digital, DTS, SDDS)
Dolby Laboratories, Inc. (often shortened to Dolby Labs and known simply as Dolby) is an American company specializing in audio noise reduction, audio encoding/compression, spatial audio, and HDR imaging. Dolby licenses its technologies to consumer electronics manufacturers. History Dolby Labs was founded by Ray Dolby (1933–2013) in London, England, in 1965. In the same year, he invented the Dolby Noise Reduction system, a form of audio signal processing for reducing the background hissing sound on audio tape recordings. His first U.S. patent on the technology was filed in 1969, four years later. The method was first used by Decca Records in the UK. He moved the company headquarters to the United States (San Francisco, California) in 1976. The first product Dolby Labs produced was the Dolby 301 unit which incorporated Type A Dolby Noise Reduction, a compander-based noise reduction system. These units were intended for use in professional recording studios. Dolby was ...
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