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Gausbert De Puicibot
Jausbert de Puycibot was a Limousin troubadour of the early thirteenth century ( fl. 1220–1231). Fifteen of his works have survived (fourteen of them ''cansos''), most of them conventional, but with a few that are expressive of "true feeling". According to some sources, Jausbert was a monk, ''lo Monge de Poicibot''. The poem ''S'eu vos voill tan gen lauzar'' had long been attributed to him, though doubts have arisen due to its appearance in a collection of poems by the Monge de Montaudo. He probably wrote the ''sirventes'' (servant song) that, together with another by Bertran de Preissac, forms a ''tenso'' (dispute) in which the two troubadours debate the merits of old and young women. Jausbert supports ''las joves'' (the youth), while Bertran ''las vielhas'' (the aged). ''Era quan l'ivernz nos laissa'' ''E par la fuoilla en la vaissa'' ''E il lauzellet chanton c'uns no s'en laissa,'' ''Fas sirventes ses biaissa,'' ''Mas uns malastrucs m'afaissa,'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lemosin
Limousin (French name, ; oc, lemosin, ) is a dialect of the Occitan language, spoken in the three departments of Limousin, parts of Charente and the Dordogne in the southwest of France. The first Occitan documents are in an early form of this dialect, particularly the '' Boecis'', written around the year 1000. Limousin is used primarily by people over age 50 in rural communities. All speakers speak French as a first or second language. Due to the French single language policy, it is not recognised by the government and therefore considered endangered by the linguistic community. A revivalist movement around the Félibrige and the Institut d'Estudis Occitans is active in Limousin (as well as in other parts of Occitania). Differences from Languedocien Most speakers and academics consider Limousin to be a dialect of Occitan. For more detailed information on this question, see the section on Occitan dialects and codification. The following reproduces the first article of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Troubadour
A troubadour (, ; oc, trobador ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female troubadour is usually called a ''trobairitz''. The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to the Italian and Iberian Peninsulas. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, ''trovadorismo'' in Galicia and Portugal, and that of the trouvères in northern France. Dante Alighieri in his ''De vulgari eloquentia'' defined the troubadour lyric as ''fictio rethorica musicaque poita'': rhetorical, musical, and poetical fiction. After the "classical" period around the turn of the 13th century and a mid-century resurgence, the art of the troubadours declined in the 14th century and around the time of the Black Death (1348) it died out. The texts of troubadou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Floruit
''Floruit'' (; abbreviated fl. or occasionally flor.; from Latin for "they flourished") denotes a date or period during which a person was known to have been alive or active. In English, the unabbreviated word may also be used as a noun indicating the time when someone flourished. Etymology and use la, flōruit is the third-person singular perfect active indicative of the Latin verb ', ' "to bloom, flower, or flourish", from the noun ', ', "flower". Broadly, the term is employed in reference to the peak of activity for a person or movement. More specifically, it often is used in genealogy and historical writing when a person's birth or death dates are unknown, but some other evidence exists that indicates when they were alive. For example, if there are wills attested by John Jones in 1204, and 1229, and a record of his marriage in 1197, a record concerning him might be written as "John Jones (fl. 1197–1229)". The term is often used in art history when dating the career ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canso (song)
The ''canso'' or ''canson'' or ''canzo'' () was a song style used by the troubadours. It was, by far, the most common genre used, especially by early troubadours, and only in the second half of the 13th century was its dominance challenged by a growing number of poets writing ''coblas esparsas''. The ''canso'' became, in Old French, the ''grand chant'' and, in Italian, the ''canzone''. Structure A ''canso'' usually consists of three parts. The first stanza is the ''exordium'', where the composer explains his purpose. The main body of the song occurs in the following stanzas, and usually draw out a variety of relationships with the ''exordium''; formally, aside from the ''envoi''(''s''), which are not always present, a ''canso'' is made of stanzas all having the same sequence of verses, in the sense that each verse has the same number of metrical syllables. This makes it possible to use the same melody for every stanza. The sequence can be extremely simple, as in ''Can vei la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monk
A monk (, from el, μοναχός, ''monachos'', "single, solitary" via Latin ) is a person who practices religious asceticism by monastic living, either alone or with any number of other monks. A monk may be a person who decides to dedicate their life to serving other people and serving God, or to be an ascetic who voluntarily chooses to leave mainstream society and live their life in prayer and contemplation. The concept is ancient and can be seen in many religions and in philosophy. In the Greek language, the term can apply to women, but in modern English it is mainly in use for men. The word ''nun'' is typically used for female monastics. Although the term ''monachos'' is of Christian origin, in the English language ''monk'' tends to be used loosely also for both male and female ascetics from other religious or philosophical backgrounds. However, being generic, it is not interchangeable with terms that denote particular kinds of monk, such as cenobite, hermit, anchor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monge De Montaudo
The (Lo) Monge de Montaudon (meaning "monk of Montaudon") ( fl. 1193–1210Gaunt and Kay, Appendix I, 287.), born Pèire de Vic, was a nobleman, monk, and troubadour from the Auvergne, born at the castle of Vic-sur-Cère near Aurillac, where he became a Benedictine monk around 1180.Aubrey, 17. According to his '' vida'', he composed "couplets while he was in the monastery and ''sirventes'' on subjects that were popular in the region."Egan, 70. Life The Monge requested and received the priory of Montaudon from the abbot of Aurillac. Montaudon may be identified with Montauban or perhaps with a ''Mons Odonis'' southeast of Clermont. He became so popular with local nobility that he was taken from his monastery to serve them, receiving honours and gifts in return. In this way he greatly improved the state of his priorate and, upon his request, was released from his monastic vocation by his abbot to follow Alfonso II of Aragon, whose vassal the viscount of Carlat and lord of Vic w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sirventes
The ''sirventes'' or ''serventes'' (), sometimes translated as "service song", was a genre of Old Occitan lyric poetry practiced by the troubadours. The name comes from ''sirvent'' ('serviceman'), from whose perspective the song is allegedly written. Sirventes usually (possibly, always) took the form of parodies, borrowing the melody, metrical structure and often even the rhymes of a well-known piece to address a controversial subject, often a current event. The original piece was usually a canso, but there are sirventes written as contrafacta of (at least) sestinas and pastorelas. They were always opinionated, being either highly complimentary or, more often, oozing with vitriol; however, these features are not unique to the sirventes, so a piece can be positively identified as one only if its nature is explicitly stated in the text (which it often is) or the original piece it is based on has been preserved (which is also often the case: for a parody to work, it had to target a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bertran De Preissac
Bertran or Bertrán is a given name. Notable people with the name include: *Bertran Carbonel (1252–1265), Provençal troubadour * Bertran d'Alamanon (1229–1266), Provençal knight, troubadour, an official, diplomat, and ambassador of the court of the Count of Provence * Bertran de Born (1140–1215), baron from the Limousin in France, and one of the major Occitan troubadours of the twelfth century *Bertran de Born lo Filhs (1179–1233), Limousin knight and troubadour *Bertran de Gourdon (1209–1231), the lord of Gourdon, knight, and troubadour * Bertran del Pojet ( fl. 1222), Provençal castellan and troubadour *Bertran Folcon d'Avignon (1202–1233), Provençal nobleman and troubadour *Marc Bertrán Vilanova (born 1982), Spanish footballer *Pierre Bertran de Balanda (1887–1946), French horse rider See also *Barneville-la-Bertran Barneville-la-Bertran is a commune in the Calvados department in the Normandy region of north-western France. The inhabitants of the commune a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenso
A ''tenso'' (; french: tençon) is a style of troubadour song. It takes the form of a debate in which each voice defends a position; common topics relate to love or ethics. Usually, the tenso is written by two different poets, but several examples exist in which one of the parties is imaginary, including God (Peire de Vic), the poet's horse (Gui de Cavalhon) or his cloak (Bertran Carbonel). Closely related, and sometimes overlapping, genres include: * the ''partimen'', in which more than two voices discuss a subject * the ''cobla esparsa'' or ''cobla exchange'', a tenso of two stanzas only * the ''contenson'', where the matter is eventually judged by a third party. Notable examples *Marcabru and Uc Catola''Amics Marchabrun, car digam'' possibly the earliest known example. *Cercamon and Guilhalmi''Car vei finir a tot dia'' another candidate for the earliest known example. *Raimbaut d'Aurenga and Giraut de Bornelh''Ara·m platz, Giraut de Borneill'' where major exponents of the two ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Da Barberino
Francesco di Neri di Ranuccio, known better as Francesco da Barberino (1264–1348), was a Tuscan notary, doctor of law and author. He first went to Florence to study in 1281. Between 1303 and 1314 and again between 1315 and 1317, he was exiled from the city on account of his Ghibelline political leanings. He worked for a time as a diplomat for Venice and passed his exile at courts in Provence, France and Spain. After his return to Florence, he gained respect as a notary and lawyer, but was not admitted to political office until the last three years of his life. He is best known for two didactic works on virtue, the ''Documenti d'amore'' for men and the ''Reggimento e costume di donna'' for women, written in a mixture of prose and verse in both Tuscan and Latin. They are notable for their citations of other authors from classical antiquity to his own time, including numerous vernacular authors not known from any other source. Life Francesco was born into a noble family in Barbe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
13th-century French Troubadours
The 13th century was the century which lasted from January 1, 1201 ( MCCI) through December 31, 1300 ( MCCC) in accordance with the Julian calendar. The Mongol Empire was founded by Genghis Khan, which stretched from Eastern Asia to Eastern Europe. The conquests of Hulagu Khan and other Mongol invasions changed the course of the Muslim world, most notably the Siege of Baghdad (1258), the destruction of the House of Wisdom and the weakening of the Mamluks and Rums which, according to historians, caused the decline of the Islamic Golden Age. Other Muslim powers such as the Mali Empire and Delhi Sultanate conquered large parts of West Africa and the Indian subcontinent, while Buddhism witnessed a decline through the conquest led by Bakhtiyar Khilji. The Southern Song dynasty would begin the century as a prosperous kingdom but would eventually be invaded and annexed into the Yuan dynasty of the Mongols. The Kamakura Shogunate of Japan would be invaded by the Mongols. Goryeo resiste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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