Gasp! (TV Series)
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Gasp! (TV Series)
Zomby is a British electronic musician who began releasing music in 2007. He has released music on several labels, including Hyperdub, Werk Discs, and 4AD. Zomby's influences include oldschool jungle music and Wiley's eskibeat sound. Career Zomby's first major release was the ''Zomby EP'' in 2008 on the Hyperdub label. This was followed in the same year by the full-length album, '' Where Were U in '92?''—the title both a reference M.I.A.'s song "XR2" and an homage to the rave scene of the early 1990s. This was reflected by the music which was a mixture of chiptune-inflected UK garage style with the more upbeat, ravey stylings of breakbeat house. Zomby used equipment from the period to record the album, such as the Akai S2000 sampler and Atari ST computer. In 2009, he released a subsequent collection of tracks, ''One Foot Ahead of the Other''. In 2011, Zomby signed to 4AD Records, on which he released ''Dedication'', also in 2011. In a four-star review in '' The Gu ...
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Dubstep
Dubstep is a genre of electronic dance music that originated in South London in the early 2000s. The style emerged as a UK garage offshoot that blended 2-step rhythms and sparse dub production, as well as incorporating elements of broken beat, grime, and drum and bass.Reynolds, S.(2012),''Energy Flash: A Journey Through Rave Music and Dance Culture,'' Perseus Books; Reprint edition (5 January 2012), pages 511–516, (). In the United Kingdom, the origins of the genre can be traced back to the growth of the Jamaican sound system party scene in the early 1980s. Dubstep is generally characterised by the use of syncopated rhythmic patterns, prominent basslines, and a dark tone. In 2001, this underground sound and other strains of garage music began to be showcased and promoted at London's night club Plastic People, at the "Forward" night (sometimes stylised as FWD>>), and on the pirate radio station Rinse FM, which went on to be considerably influential to the developme ...
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Where Were U In '92?
''Where Were U In '92?'' is the debut studio album by British electronic producer Zomby, released in 2008 by Werk Discs. The album's title refers to the opening line from the M.I.A. song "XR2" and is a homage to the rave scene of the early 1990s, reflected by Zomby's mixture of his usual chiptune-inflected UK garage style with the more upbeat, rave stylings of breakbeat house. Zomby used equipment from the period, such as the Akai S2000 sampler and Atari ST The Atari ST is a line of personal computers from Atari Corporation and the successor to the Atari 8-bit family. The initial model, the Atari 520ST, had limited release in April–June 1985 and was widely available in July. It was the first pers ... computer. Track listing References 2008 debut albums Dubstep albums Werk Discs albums Zomby albums {{2000s-electronic-album-stub ...
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Double Album
A double album (or double record) is an audio album that spans two units of the primary medium in which it is sold, typically either records or compact disc. A double album is usually, though not always, released as such because the recording is longer than the capacity of the medium. Recording artists often think of double albums as being a single piece artistically; however, there are exceptions such as John Lennon's ''Some Time in New York City'' (which consisted of one studio record and one live album packaged together) and OutKast's ''Speakerboxxx/The Love Below'' (effectively two solo albums, one by each member of the duo). Since the advent of the compact disc, albums are sometimes released with a bonus disc featuring additional material as a supplement to the main album, with live tracks, studio out-takes, cut songs, or older unreleased material. One innovation was the inclusion of a DVD of related material with a compact disc, such as video related to the album or DVD-A ...
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Spooky (house Music Duo)
Spooky are a British electronic music production and DJ duo consisting of Duncan Forbes and Charlie May. History They debuted with '' Gargantuan'' in 1993 after signing to Guerilla Records. In 1995 and 1996, they released three EPs (''Clank'', ''Stereo'' and ''Shunt'') on their own Generic Records label, followed quickly in mid-1996 by their second album, ''Found Sound''. Two singles from this album were released: "Fingerbobs" and "Bamboo". Charlie May collaborated with Sasha on his 1999 '' Xpander'' EP and 2000's " Scorchio", and in 2002 he co-produced some tracks on Sasha's '' Airdrawndagger'' album. The same year saw the release of "Belong", the first Spooky single on Deviant Records, which Sasha later used on his mix album '' Involver''. A white label single, "Andromeda", was released in 2003 A single entitled "Strange Addiction" was given a limited release in 2005 on Spooky's new self-owned label, spooky.uk.com. "Strange Addiction" featured in a trailer for ''The Gre ...
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Keith Jarrett
Keith Jarrett (born May 8, 1945) is an American jazz and classical music pianist and composer. Jarrett started his career with Art Blakey and later moved on to play with Charles Lloyd and Miles Davis. Since the early 1970s, he has also been a group leader and solo performer in jazz, jazz fusion, and classical music. His improvisations draw from the traditions of jazz and other genres, including Western classical music, gospel, blues, and ethnic folk music. His album, ''The Köln Concert'', released in 1975, became the best-selling piano recording in history. In 2008, he was inducted into the Down Beat Jazz Hall of Fame in the magazine's 73rd Annual Readers' Poll. In 2003, Jarrett received the Polar Music Prize and was the first recipient to be recognized with prizes for both contemporary and classical music. In 2004, he received the Léonie Sonning Music Prize. In February 2018, Jarrett suffered a stroke and has been unable to perform since. A second stroke, in May 2018, left ...
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The Guardian
''The Guardian'' is a British daily newspaper. It was founded in 1821 as ''The Manchester Guardian'', and changed its name in 1959. Along with its sister papers ''The Observer'' and ''The Guardian Weekly'', ''The Guardian'' is part of the Guardian Media Group, owned by the Scott Trust. The trust was created in 1936 to "secure the financial and editorial independence of ''The Guardian'' in perpetuity and to safeguard the journalistic freedom and liberal values of ''The Guardian'' free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for ''The Guardian'' the same protections as were built into the structure of the Scott Trust by its creators. Profits are reinvested in journalism rather than distributed to owners or shareholders. It is considered a newspaper of record in the UK. The editor-in-chief Katharine Viner succeeded Alan Rusbridger in 2015. Since 2018, the paper's main news ...
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Dedication (Zomby Album)
''Dedication'' is the second studio album by British electronic producer Zomby, released on 11 July 2011 through 4AD. The album's first single "Natalia's Song" was embroiled in controversy in early 2012. Electronic producer Reark claims he wrote the loop that comprises the main portion of the song in 2007, and that he was not credited by Zomby for his contribution; in response, 4AD later amended the track credits to include Reark's name. Critical reception ''Dedication'' received positive reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 79, based on 28 reviews, indicating "generally favorable reviews". Dave Simpson of '' The Guardian'' gave note of the "pensive, thought-provoking sadness" throughout the record's production, highlighting the melodies as being reminiscent of the "dark, inverted negative synthpop of the Human League and the "minimal pianos and b ...
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4AD Records
4AD is a British record label owned by Beggars Group. It was founded in London under the name "Axis" (after the Hendrix album) by Ivo Watts-Russell and Peter Kent in 1980 as an imprint of Beggars Banquet Records. The name was changed to 4AD after the release of the label's first four singles. Later that year, Watts-Russell and Kent purchased the label from Beggars Banquet to become an independent record label, and Kent sold his share to Watts-Russell a year later. The label gained prominence in the 1980s for releasing albums from alternative rock, post-punk, gothic rock, and dream pop artists, such as Bauhaus, Cocteau Twins, Modern English, Dead Can Dance, Clan of Xymox, Pixies, Throwing Muses, Belly and Watts-Russell's own musical project This Mortal Coil. In 1987, the label scored an international hit with the dance music single " Pump Up the Volume" by the one-off project MARRS. 4AD continued to have success in the 1990s and 2000s, with releases from The Breeders, Lush, R ...
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Atari ST
The Atari ST is a line of personal computers from Atari Corporation and the successor to the Atari 8-bit family. The initial model, the Atari 520ST, had limited release in April–June 1985 and was widely available in July. It was the first personal computer with a bitmapped color GUI, using a version of Digital Research's GEM (desktop environment), GEM from February 1985. The Atari 1040ST, released in 1986 with 1 MB of RAM, was the first home computer with a cost-per-kilobyte of less than US$1. "ST" officially stands for "Sixteen/Thirty-two", referring to the Motorola 68000's 16-bit computing, 16-bit external bus and 32-bit computing, 32-bit internals. The system was designed by a small team led by Shiraz Shivji. Alongside the Macintosh, Amiga, Apple IIGS, and Acorn Archimedes, the ST is part of a mid-1980s generation of computers with 16- or 32-bit processors, 256 Kilobyte, KB or more of RAM, and computer mouse, mouse-controlled graphical user interfaces. The ST was ...
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Sampler (musical Instrument)
A sampler is an electronic or digital musical instrument which uses sound recordings (or " samples") of real instrument sounds (e.g., a piano, violin, trumpet, or other synthesizer), excerpts from recorded songs (e.g., a five-second bass guitar riff from a funk song) or found sounds (e.g., sirens and ocean waves). The samples are loaded or recorded by the user or by a manufacturer. These sounds are then played back by means of the sampler program itself, a MIDI keyboard, sequencer or another triggering device (e.g., electronic drums) to perform or compose music. Because these samples are usually stored in digital memory, the information can be quickly accessed. A single sample may often be pitch-shifted to different pitches to produce musical scales and chords. Often samplers offer filters, effects units, modulation via low frequency oscillation and other synthesizer-like processes that allow the original sound to be modified in many different ways. Most samplers have Mult ...
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Akai
Akai ( ja, 赤井, ) is a Hong Kong manufacturer of consumer electronics. It was founded as Akai Electric Company Ltd in Tokyo, Japan, in 1946. Grande Holdings in Hong Kong purchased the Akai brand, and now distributes various electronic products such as LED TV, washing machines, clothes dryers, air conditioners and smart phones, through collaborations with other electronics companies bearing relevant expertise. inMusic Brands in the United States took over Akai's brand, starting the ‘Akai Professional’ label, that distributes high-end audio electronics products. Corporate history Akai was founded by Masukichi Akai and his son, Saburo Akai (who died in 1973) as , a Japanese manufacturer in 1929 or 1946. Although reliable sources are not yet found, according to the several sourceskotobank.jp :ja:Akai Professional), Masukichi Akai established ''Akai Press Industry'' in 1923, then his son, Saburo Akai established ''Akai Electric Company Ltd.'' in 1946, and Masukichi served ...
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Breakbeat Hardcore
Breakbeat hardcore (also referred to as hardcore rave or oldskool hardcore) is a music genre of the very early 1990s that spawned from the UK rave scene. It combines four-on-the-floor rhythms with breakbeats usually sampled from hip hop. In addition to the inclusion of breakbeats, the genre also features shuffled drum machine patterns, hoover, and other noises originating from new beat, sounds from acid house and bleep techno, and often upbeat house piano riffs and vocals. History Early 1990s: origins The rave scene expanded rapidly in the very early 1990s, both at clubs up and down the country including Labrynth, Shelley's Laserdome, The Eclipse, and Sanctuary Music Arena, and large raves in Warehouses and in the open air attracting 20–50,000 whether put on legally from promoters such as Fantazia and Raindance, or unlicensed by free party sound systems such as Spiral Tribe. Breakbeat hardcore drew its melting pot of sound from a vast array of influences – ...
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