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Garlands (album)
''Garlands'' is the debut album by the Scottish alternative rock band Cocteau Twins. It was released on 10July1982 by the record label 4AD. It peaked in the top 5 of the UK Independent Albums Chart, and received support from BBC Radio 1 radio host John Peel. Background ''Garlands'' is the only album the band recorded with original bassist Will Heggie. Prior to the album the band recorded a four-track session for John Peel in June 1982 including "Wax and Wane" and "Garlands". A second John Peel session in January 1983 was included as bonus tracks on the cassette and CD release of ''Garlands''. Cindy Sharp of Cindytalk provided backing vocals on "Dear Heart", "Hearsay Please" and "Hazel". Martin C. Strong noted that the album was "hastily recorded" but also featured an "interesting fusion of monochromatic rhythms, textured guitar distortion, and early sampling technology." The album's sound was described in ''The Rough Guide to Rock'' as "a blend of ominous pulsating bass ...
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Cocteau Twins
Cocteau Twins was a Scottish rock band active from 1979 to 1997. They were formed in Grangemouth by Robin Guthrie (guitars, drum machine) and Will Heggie (bass), adding Elizabeth Fraser (vocals) in 1981 and replacing Heggie with multi-instrumentalist Simon Raymonde in 1983. The group earned critical praise for their ethereal, effects-laden sound and the soprano vocals of Fraser, whose lyrics often eschew any recognisable language. They pioneered the 1980s alternative subgenre of dream pop. After signing with the British record label 4AD in 1982, they released their debut album '' Garlands'' later that year. The addition of Raymonde in 1983 solidified their final lineup, which produced their biggest hit in the UK, " Pearly-Dewdrops' Drops", peaking at No. 29 on the UK Singles Chart. In 1988, Cocteau Twins signed with Capitol Records in the United States, distributing their fifth album, ''Blue Bell Knoll'', through a major label in the country. After the 1990 release of their ...
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Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-of ...
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Sounds (magazine)
''Sounds'' was a UK weekly pop/rock music newspaper, published from 10 October 1970 to 6 April 1991. It was known for giving away posters in the centre of the paper (initially black and white, then colour from late 1971) and later for covering heavy metal (especially the new wave of British heavy metal (NWOBHM)) and punk and Oi! music in its late 1970s–early 1980s heyday. History It was produced by Spotlight Publications (part of Morgan Grampian), which was set up by John Thompson and Jo Saul with Jack Hutton and Peter Wilkinson, who left ''Melody Maker'' to start their own company. ''Sounds'' was their first project, a weekly paper devoted to progressive rock and described by Hutton, to those he was attempting to recruit from his former publication, as "a leftwing ''Melody Maker''". ''Sounds'' was intended to be a weekly rival to titles such as ''Melody Maker'' and ''New Musical Express'' (''NME''). ''Sounds'' was one of the first music papers to cover punk. Mick Middl ...
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Under The Radar (magazine)
''Under the Radar'' is an American music magazine that features interviews with accompanying photo-shoots. Each issue includes opinion and commentary of the indie music scene as well as reviews of books, DVDs, and albums. The magazine posts web-exclusive interviews and reviews on its website. Items are reviewed based on a rating system in which each album, book, and DVD receives a rating from 1 to 10. The magazine has been in publication since late 2001 and is issued three times per year. The magazine was founded by co-publishers (and husband and wife) Mark Redfern and Wendy Lynch Redfern, who were married on June 2, 2007 and currently run the magazine. Mark is the magazine's Senior Editor and writes many of the magazine's articles. Wendy is the Creative Director and lays out each issue. She is also a music photographer and conducts photo-shoots for the magazine, including many of its covers. Contents It was the first American magazine to interview the following non-American ...
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Rolling Stone
''Rolling Stone'' is an American monthly magazine that focuses on music, politics, and popular culture. It was founded in San Francisco, California, in 1967 by Jann Wenner, and the music critic Ralph J. Gleason. It was first known for its coverage of rock music and political reporting by Hunter S. Thompson. In the 1990s, the magazine broadened and shifted its focus to a younger readership interested in youth-oriented television shows, film actors, and popular music. It has since returned to its traditional mix of content, including music, entertainment, and politics. The first magazine was released in 1967 and featured John Lennon on the cover and was published every two weeks. It is known for provocative photography and its cover photos, featuring musicians, politicians, athletes, and actors. In addition to its print version in the United States, it publishes content through Rollingstone.com and numerous international editions. Penske Media Corporation is the current ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Gui ...
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The Pink Opaque
''The Pink Opaque'' is a 1986 compilation album by Scottish alternative rock band Cocteau Twins, composed of tracks recorded between 1982 and 1985. A joint release by the UK-based 4AD and the American Relativity Records, it was their first official U.S. release. History After signing to 4AD in 1982, Cocteau Twins released three albums and five EPs between the autumn of 1982 and January 1985. Despite not having American distribution, the band gained popularity there through college radio, particularly with the 1984 single "Pearly Dewdrops' Drops." The American label Relativity Records distributed their albums on license from 4AD. Rather than reissuing all of the band's releases to that point, it was decided that the compilation ''The Pink Opaque'' would be issued instead, as a sampler of the Twins' output up through early 1985. ''The Pink Opaque'' is also significant in 4AD's history, as it was the label's first CD release. Track listing #"The Spangle Maker" (4:40) — from ...
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Peppermint Pig
"Peppermint Pig" is a song by Scottish alternative rock band Cocteau Twins. It was released as both a single and 12" EP on 4 April 1983 by record label 4AD. Musically, the material was similar to their previous release, the 1982 EP ''Lullabies''. It was the last release to feature original bassist Will Heggie. Background ''Peppermint Pig'' marked the only time that Cocteau Twins used an outside producer for one of their recordings, with production handled by Alan Rankine of Associates. The group were dissatisfied with the results. Robin Guthrie described the EP as "shit" in a 1983 interview with ''Sounds'', claiming it was "a bad mixture—bad song, bad producer, bad band." Elizabeth Fraser simply described the material as "all we had at the time". Release "Peppermint Pig" was originally released as a limited-edition 7-inch single, featuring two tracks, "Peppermint Pig" and "Laugh Lines". A 12-inch EP was also released, including an extended mix of "Peppermint Pig", ...
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Stars And Topsoil
''Stars and Topsoil – A Collection (1982–1990)'' is a compilation album by the Scottish band Cocteau Twins, released on the 4AD label on October 16, 2000. The album featured tracks released during the group's time on 4AD between 1982 and 1990, covering every Cocteau Twins album from '' Garlands'' through '' Heaven or Las Vegas''. The collection reached number sixty-three on the UK Albums Chart. Track listing All songs written by Elizabeth Fraser, Robin Guthrie and Simon Raymonde; except where indicated. # "Blind Dumb Deaf" (Fraser, Guthrie, Will Heggie) - 3:47 # "Sugar Hiccup" (Fraser, Guthrie) - 3:41 # "My Love Paramour" (Fraser, Guthrie) - 3:38 # " Pearly-Dewdrops' Drops" - 4:11 # "Lorelei" - 3:43 # "Pandora" - 5:26 # "Aikea-Guinea" - 3:57 # "Pink Orange Red" - 4:38 # "Pale Clouded White" - 4:59 # "Lazy Calm" (Fraser, Guthrie) - 6:34 # "The Thinner The Air" (Fraser, Guthrie) - 3:16 # "Orange Appled" - 2:50 # "Cico Buff" - 3:46 # "Carolyn's Fingers" - 3:06 # "Fifty-Fif ...
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BBC Sessions (Cocteau Twins Album)
''BBC Sessions'' is an album of BBC studio recordings by the band Cocteau Twins released in 1999 by Bella Union in the UK and Rykodisc in the USA. The album spanned the band's career from the early 1980s through the 1990s. Much of the first disk was taken from a series of early 1980s Peel sessions. The second disk contained several tracks recorded during the group's performance on the 1980s Radio 1 series ''Saturday Live''. The compilation peaked at No. 87 on the UK Albums Chart. Track listing Disc one ; John Peel Session, 15 July 1982 # "Wax and Wane" – 3:50 # "Garlands" – 4:19 # "Alas Dies Laughing" – 3:29 # "Feathers-Oar-Blades" – 2:19 ; John Peel Session, 31 January 1983 # "Hearsay Please" – 4:23 # "Dear Heart" – 3:37 # "Blind Dumb Deaf" – 3:41 # "Hazel" – 3:22 ; John Peel Session, 4 October 1983 # "The Tinderbox (Of A Heart)" – 4:46 # " Strange Fruit" (Billie Holiday cover written by Abel Meeropol) – 1:52 # "Hitherto" – 3:57 # "From the Flagsto ...
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The Scream (album)
''The Scream'' is the debut studio album by British rock band Siouxsie and the Banshees, released on 13 November 1978 by Polydor Records. The album is considered a landmark recording: its innovative combination of angular guitar with a bass-led rhythm and machine-like drums played mostly on toms, made it a pioneering work of the post-punk genre. ''The Scream'' was met with widespread acclaim and was hailed by critics as an original musical development in rock music. It has been cited as a key influence on a number of succeeding post-punk, noise rock and alternative rock acts, including Joy Division, Killing Joke, the Cure, Big Black, Sonic Youth, the Jesus and Mary Chain, Faith No More and Massive Attack. Background In late 1977 and early 1978, Siouxsie and the Banshees received major press coverage but failed to secure a recording deal. A fan undertook a graffiti campaign in London, spraying the walls of the major record companies with the words "Sign the Banshees: do it now ...
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Colleges Within Universities In The United Kingdom
Colleges within universities in the United Kingdom can be divided into two broad categories: those in federal universities such as the University of London, which are primarily teaching institutions joined in a federation, and residential colleges in universities following (to a greater or lesser extent) the traditional collegiate pattern of Oxford and Cambridge, which may have academic responsibilities but are primarily residential and social. The legal status of colleges varies widely, both with regard to their corporate status and their status as educational bodies. London colleges are all considered 'recognised bodies' with the power to confer University of London degrees and, in many cases, their own degrees. Colleges of Oxford, Cambridge, Durham and the University of the Highlands and Islands (UHI) are 'listed bodies', as "bodies that appear to the Secretary of State to be constituent colleges, schools, halls or other institutions of a university". Colleges of the plate glass ...
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