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Gardzienice Centre For Theatre Practices
Centre for Theatre Practices "Gardzienice" was founded in 1977 by Włodzimierz Staniewski, and formally registered in 1978. The name comes from the village where the theatre is located. The group gained international critical acclaim, and is classified as an experimental anthropological theater. In 1997 the association established the Academy for Theatre Practices. This carries out numerous projects: research, arts, music, and cultural investigation into the humanities. Włodzimierz Staniewski was a former collaborator of Jerzy Grotowski, and in his choice of just such an isolated environment, Staniewski may have been inspired by his work with Grotwoski in Brzezinka, but with an important difference: rather than emphasising an isolating escape from urban existence, Gardzienice represented for him a pursuit of integrative existence within a community, albeit of a different sort. From the outset, Gardzienice sought to work with the local people, taking interaction with them as b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Włodzimierz Staniewski
Włodzimierz Staniewski (born in 1950 in Bardo, Poland) is a Polish theatre and film director, founder and director of the Gardzienice Centre for Theatre Practices. Author of international programmes, actor training, essays, and plays. Awards *1990: Diploma from the minister of foreign affairs for the Gardzienice Centre for Theatre Practices for its contribution to promoting Polish culture abroad *1991: Konrad Swinarski Award for Włodzimierz Staniewski and the group for the establishment and activity of the Gardzienice Centre for Theatre Practices *1999: First prize for the performance "Metamorfozy" / "Metamorphoses" based on Apuleius, at the MESS International Theatre Festival in Sarajevo *2002: Knight's Cross of the Order of Polonia Restituta *2005: Silver Medal for Merit to Culture – Gloria Artis *Meritorious Activist of Culture The honorary badge Meritorious Activist of Culture ( pl, Zasłużony Działacz Kultury) was a departmental decoration of Poland in Arts awarded b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alternative Theatre
Fringe theatre is theatre that is produced outside of the main theatre institutions, and that is often small-scale and non-traditional in style or subject matter. The term comes from the Edinburgh Festival Fringe.Kemp, Robert, ''More that is Fresh in Drama'', Edinburgh Evening News, 14 August 1948 In London, the fringe are small-scale theatres, many of them located above pubs, and the equivalent to New York's Off-Off-Broadway theatres and Europe's "free theatre" groups. In unjuried theatre festivals, also known as fringe festivals or open-access festivals, all submissions are accepted, and sometimes the participating acts may be chosen by lottery, in contrast to juried festivals in which acts are selected based on their artistic qualities. Unjuried festivals (such as the Edinburgh Fringe, Edmonton Fringe Festival, Adelaide Fringe, and Fringe World) permit artists to perform a wide variety of works. History In 1947, eight theatre companies showed up at the Edinburgh Internationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerzy Grotowski
Jerzy Marian Grotowski (; 11 August 1933 – 14 January 1999) was a Polish theatre director and theorist whose innovative approaches to acting, training and theatrical production have significantly influenced theatre today. He was born in Rzeszów, in southeastern Poland, in 1933 and studied acting and directing at the Ludwik Solski Academy of Dramatic Arts in Kraków and Russian Academy of Theatre Arts in Moscow. He debuted as a director in 1957 in Kraków with Eugène Ionesco's play ''Chairs'' and shortly afterward founded a small laboratory theatre in 1959 in the town of Opole in Poland. During the 1960s, the company began to tour internationally and his work attracted increasing interest. As his work gained wider acclaim and recognition, Grotowski was invited to work in the United States and left Poland in 1982. Although the company he founded in Poland closed a few years later in 1984, he continued to teach and direct productions in Europe and America. However, Grotowski b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Schechner
Richard Schechner is University Professor Emeritus at the Tisch School of the Arts, New York University, and editor of ''TDR: The Drama Review''. Biography Richard Schechner received his Bachelor of Arts degree from Cornell University in 1956, a Master's degree from the University of Iowa two years later, and a PhD from Tulane University in 1962. He edited ''The Drama Review'', formerly the ''Tulane Drama Review'', from 1962 to 1969; and again from 1986 to the present. Schechner went on to become one of the founders of the Performance Studies department of the Tisch School of the Arts, New York University. He founded The Performance Group of New York in 1967 and was its artistic director until 1980, when TPG changed its name to The Wooster Group. The home of both TPG and TWG is the Performing Garage in New York's SoHo district, a building acquired by Schechner in 1968. That year Schechner signed the "Writers and Editors War Tax Protest" pledge, vowing to refuse tax payments in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zygmunt Konieczny
Zygmunt Konieczny (born 3 January 1937) is a Polish composer of Musical theatre, theatre and film music. Zygmunt Konieczny spent his childhood in the village of Szczyrzyc. He debuted in the 1950s in the cabaret Piwnica pod Baranami in Kraków. Since then Konieczny composed many pieces for film, theater performances and singers such as Ewa Demarczyk and Joanna Słowinska, Joanna Słowińska. He lives in Kraków. He won the 2003 Georges Delerue Award for his score of the film ''Pornografia (film), Pornografia''. Famous songs *''Grande Valse Brillante'' *''Karuzela z madonnami'' *''Wyzwolenie'' (1976) *''Noc Listopadowa'' (1977) References External linksHomepage (in Polish) * 1937 births Living people Polish composers Polish film score composers Male film score composers Georges Delerue Award winners Sung poetry of Poland Place of birth missing (living people) {{Poland-composer-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alternative Theatre
Fringe theatre is theatre that is produced outside of the main theatre institutions, and that is often small-scale and non-traditional in style or subject matter. The term comes from the Edinburgh Festival Fringe.Kemp, Robert, ''More that is Fresh in Drama'', Edinburgh Evening News, 14 August 1948 In London, the fringe are small-scale theatres, many of them located above pubs, and the equivalent to New York's Off-Off-Broadway theatres and Europe's "free theatre" groups. In unjuried theatre festivals, also known as fringe festivals or open-access festivals, all submissions are accepted, and sometimes the participating acts may be chosen by lottery, in contrast to juried festivals in which acts are selected based on their artistic qualities. Unjuried festivals (such as the Edinburgh Fringe, Edmonton Fringe Festival, Adelaide Fringe, and Fringe World) permit artists to perform a wide variety of works. History In 1947, eight theatre companies showed up at the Edinburgh Internationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre In Poland
In common with other European countries, the most frequent and most popular form of theatre in Poland is dramatic theatre, based on the existence of relatively stable artistic companies. It is above all a theatre of directors, who decide on the form of its productions and the appearance of individual scenes. There is no strict division in Poland between theatre and film directors and actors, therefore many stage artists are known to theatre goers from films of Andrzej Wajda, for example: Wojciech Pszoniak, Daniel Olbrychski, Krystyna Janda, Jerzy Radziwiłowicz, and from films of Krzysztof Kieślowski, actors such as Jerzy Stuhr, Janusz Gajos and others. Alongside the many types of dramatic theatre whose basis is literature, there are in Poland historic forms of theatre in which spoken word is not the most important means of expression, e.g., visual theatre popular against state censorship, musical theatre, theatre of movement, etc. An equal popularity is being gained by theatr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
