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Gandingan 07
The gandingan is a Philippine set of four large, hanging gongs used by the Maguindanao as part of their kulintang ensemble. When integrated into the ensemble, it functions as a secondary melodic instrument after the main melodic instrument, the kulintang. When played solo, the gandingan allows fellow Maguindanao to communicate with each other, allowing them to send messages or warnings via long distances. This ability to imitate tones of the Maguindanao language using this instrument has given the gandingan connotation: the “talking gongs.” Description The instrument is usually described as four, large, shallow-bossed, thin-rimmed gongs, vertically hung, either from a strong support such as a tree limb or housed in a strong wooden framed stand. The gongs are arranged in graduated fashion in pairs with knobs of the lower-pitched gongs facing each other and the higher-pitched gongs doing the same. Normally, the lower-pitched gongs would be situated on the left side and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percussion Instrument
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cym ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gandingan 05
The gandingan is a Philippine set of four large, hanging gongs used by the Maguindanao as part of their kulintang ensemble. When integrated into the ensemble, it functions as a secondary melodic instrument after the main melodic instrument, the kulintang. When played solo, the gandingan allows fellow Maguindanao to communicate with each other, allowing them to send messages or warnings via long distances. This ability to imitate tones of the Maguindanao language using this instrument has given the gandingan connotation: the “talking gongs.” Description The instrument is usually described as four, large, shallow-bossed, thin-rimmed gongs, vertically hung, either from a strong support such as a tree limb or housed in a strong wooden framed stand. The gongs are arranged in graduated fashion in pairs with knobs of the lower-pitched gongs facing each other and the higher-pitched gongs doing the same. Normally, the lower-pitched gongs would be situated on the left side and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gongs
A gongFrom Indonesian and ms, gong; jv, ꦒꦺꦴꦁ ; zh, c=鑼, p=luó; ja, , dora; km, គង ; th, ฆ้อง ; vi, cồng chiêng; as, কাঁহ is a percussion instrument originating in East Asia and Southeast Asia. Gongs are a flat, circular metal disc that is typically struck with a mallet. They can be small or large in size, and tuned or can require tuning. The earliest mention of gongs can be found in sixth century Chinese records, which mentioned the instrument to have come from a country between Tibet and Burma. The term ''gong'' ( jv, ꦒꦺꦴꦁ) originated in the Indonesian island of Java. Scientific and archaeological research has established that Burma, China, Java and Annam were the four main gong manufacturing centres of the ancient world. The gong found its way into the Western World in the 18th century, when it was also used in the percussion section of a Western-style symphony orchestra. A form of bronze cauldron gong known as a restin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gandingan
The gandingan is a Philippine set of four large, hanging gongs used by the Maguindanao as part of their kulintang ensemble. When integrated into the ensemble, it functions as a secondary melodic instrument after the main melodic instrument, the kulintang. When played solo, the gandingan allows fellow Maguindanao to communicate with each other, allowing them to send messages or warnings via long distances. This ability to imitate tones of the Maguindanao language using this instrument has given the gandingan connotation: the “talking gongs.” Description The instrument is usually described as four, large, shallow-bossed, thin-rimmed gongs, vertically hung, either from a strong support such as a tree limb or housed in a strong wooden framed stand. The gongs are arranged in graduated fashion in pairs with knobs of the lower-pitched gongs facing each other and the higher-pitched gongs doing the same. Normally, the lower-pitched gongs would be situated on the left side and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agung
The agung is a set of two wide-rimmed, vertically suspended gongs used by the Maguindanao, Maranao, Sama-Bajau and Tausug people of the Philippines as a supportive instrument in kulintang ensembles. The agung is also ubiquitous among other groups found in Palawan, Panay, Mindoro, Mindanao, Sabah, Sulawesi, Sarawak and Kalimantan as an integral part of the agung orchestra. Description The agung is a large, heavy, wide-rimmed gong shaped like a kettle gong. of the agung produces a bass sound in the kulintang orchestra and weighs between 13 and 16 pounds, but it is possible to find agungs weigh as low as 5 pounds or as high as 20 or 30 pounds each, depending on the metal (bronze, brass or iron) used to produce them. Though their diameters are smaller than the gandingan's, at roughly to in length, they have a much deeper turned-in ''takilidan'' (rim) than the latter, with a width of 12 to 13 inches (330 mm) including the knob.Cadar, Usopay H., and Robert Garfias. " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tiruray People
The Teduray are a Filipino ethnic group. They speak the Tiruray language. There were 103,139 of them in 2010. Their name may have come from words ''tew,'' meaning people, and d''uray,'' referring to a small bamboo hook and a line used for fishing. The Tiruray (Teduray) culture was studied at length in the 1960s by anthropologist Stuart A. Schlegel. Schlegel spent two years as a participant/observer among a group who lived in and was sustained by the rainforest. He was profoundly moved by the egalitarian society he witnessed, and went on to write several books and papers on the subject, including ''Wisdom of the Rainforest: The Spiritual Journey of an Anthropologist.'' Ancestral land The Teduray ancestral homeland is considered sacred. The Teduray, together with the indigenous Lambangian people, originate from the Agusan, Davao and Lanao regions, the province of Bukidnon, and in the cities of Davao and Zamboanga. The Teduray, Lambiangan, and Manobo have jointly applied for recog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Subanon People
The Subanon (also spelled Subanen or Subanun) is an indigenous group to the Zamboanga peninsula area, particularly living in the mountainous areas of Zamboanga del Sur and Misamis Occidental, Mindanao Island, Philippines. The Subanon people speak Subanon languages. The name is derived from the word ''soba'' or ''suba'', a word common in Sulu, Visayas, and Mindanao, which means "river", and the suffix ''-nun'' or ''-non'', which indicates a locality or place of origin. Accordingly, the name ''Subanon'' means "a person or people of the river". These people originally lived in the low-lying areas. However, due to disturbances and competitions from other settlers like the Moros, and migrations of Cebuano speakers to the coastal areas attracted by the inviting land tenure laws, further pushed the Subanon into the interior. The Subanon are traditionally farmers and regularly move from one location to another to clear more forest for fields. They cultivate crops, with rice as the most ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tausūg People
The Tausūg or Suluk ( tsg, Tau Sūg), are an ethnic group of the Philippines and Malaysia. A small population can also be found in the northern part of North Kalimantan, Indonesia. The Tausūg are part of the wider political identity of Muslims of Mindanao, Sulu and Palawan. Most of the Tausūg have converted into the religion of Islam whose members are now more known as the Moro group, who constitute the third largest ethnic group of Mindanao, Sulu and Palawan. The Tausugs originally had an independent state known as the Sultanate of Sulu, which once exercised sovereignty over the present day provinces of Basilan, Palawan, Sulu, Tawi-Tawi, Zamboanga City, North Kalimantan and the eastern part of the Malaysian state of Sabah (formerly North Borneo). Etymology "Tausug" ( tsg, Tau Sūg) means "the people of the current", from the word ''tau'' which means "man" or "people" and ''sūg'' (alternatively spelled ''sulug'' or ''suluk'') which means " eacurrents". The term ''Tausūg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maranao
The Maranao people (Maranao: mәranaw Filipino: ''Maranaw''), also spelled Meranao, Maranaw, and Mëranaw, is the term used by the Philippine government to refer to the southern indigenous people who are the "people of the lake", a predominantly-Muslim Lanao province region of the Philippine island of Mindanao. They are known for their artwork, weaving, wood, plastic and metal crafts and epic literature, the Darangen. They are ethnically and culturally closely related to the Iranun, and Maguindanao, all three groups being denoted as speaking Danao languages and giving name to the island of Mindanao. Etymology The name "Maranao" (also spelled "Meranao", "Meranaw", or "Maranaw") means "people of the lake" (''lanaw'' or ''ranaw'', archaic ''danaw'', means "lake" in the Maranao language). This is in reference to Lake Lanao, the predominant geographic feature of the ancestral homeland of the Maranao people. The original endonym of the ancestral Maranao is believed to be "I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gandingan 07
The gandingan is a Philippine set of four large, hanging gongs used by the Maguindanao as part of their kulintang ensemble. When integrated into the ensemble, it functions as a secondary melodic instrument after the main melodic instrument, the kulintang. When played solo, the gandingan allows fellow Maguindanao to communicate with each other, allowing them to send messages or warnings via long distances. This ability to imitate tones of the Maguindanao language using this instrument has given the gandingan connotation: the “talking gongs.” Description The instrument is usually described as four, large, shallow-bossed, thin-rimmed gongs, vertically hung, either from a strong support such as a tree limb or housed in a strong wooden framed stand. The gongs are arranged in graduated fashion in pairs with knobs of the lower-pitched gongs facing each other and the higher-pitched gongs doing the same. Normally, the lower-pitched gongs would be situated on the left side and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Forrest (navigator)
Thomas Forrest (c. 1729 – c. 1802) was a Scottish navigator who worked for the British East India Company. Life He appears to have served for some time in the Royal Navy, and to have been a midshipman in 1745. Passages in his own writings show that he was employed in Indian waters from 1753 almost continuously. He implies that during part of the Seven Years' War he was on the ''Elizabeth'', in the squadron under Admiral Charles Steevens; but this cannot be verified from the pay-book. In 1762 Forrest had command of a Company ship. In 1770 he was engaged in forming the new settlement at Balambangan which had been recommended by Alexander Dalrymple, and in 1774 he led an exploring mission in the direction of New Guinea. He sailed on 9 December in the ''Tartar'', a '' garay'' boat from Sulu of about ten tons burden, with two English officers and a crew of eighteen Malays. In this, accompanied during part of the time by two small boats, he pushed his explorations as far as Geelvi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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