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Gamelan Surakarta
Gamelan surakarta A typical large, double gamelan in contemporary solo (Surakarta) will include, in the sléndro set, one saron panerus (or saron peking), two saron barung, one or two saron demung, one gendér panerus, one gender barung, one slenthem (or "gender panembung"), one bonang panerus and one bonang barung (each with twelve gongs), one gambang kayu, one siter or celempung, one rebab, one suling, one pair of kethuk and kempyang, one set of three to five kenong, one set of three to five kempul, one to three gong suwukan, and one gong ageng. The complementary set of pelog instruments will include two each of gender panerus, gender barung, gambang and siter or celempung, the first of each pair tuned to the pelog bem subset of five tones (tones 1,2,3,5,6), the second to the pelog barang subset of five tones (2,3,5,6,7). The pelog bonang will each have fourteen gongs. The slendro and pelog gamelan will usually share the drums (kendang), including one each of ketipung, k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gamelan Ceremonial Munggang, Kraton Surakarta
Gamelan () ( jv, ꦒꦩꦼꦭꦤ꧀, su, ᮌᮙᮨᮜᮔ᮪, ban, ᬕᬫᭂᬮᬦ᭄) is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of percussive instruments. The most common instruments used are metallophones played by mallets and a set of hand-played drums called ''kendhang/Kendang'', which register the beat. The kemanak (a banana-shaped idiophone) and gangsa (another metallophone) are commonly used gamelan instruments in Bali. Other instruments include xylophones, bamboo flutes, a bowed instrument called a ''rebab'', a zither-like instrument ''siter'' (in Javanese ensemble) and vocalists named '' sindhen'' (female) or ''gerong'' (male).Sumarsam (1998)''Introduction to Javanese Gamelan'' Middletown. Although the popularity of gamelan has declined since the introduction of pop music, gamelan is still commonly played in many traditional ceremonies and other modern activities in Indonesia, both at f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kempyang
The kempyang and ketuk are two instruments in the gamelan ensemble of Indonesia, generally played by the same player, and sometimes played by the same player as the kenong. They are important beat-keepers in the colotomic structure of the gamelan. Depending on the structure, they play different, repeating patterns every gongan. Not all structures use the kempyang, but the kempyang is never played without the ketuk. They are shaped like bonang, but are generally placed in their own frame (''rancak''). The kempyang is pitched higher (about one octave, although it depends if they are in the pelog or slendro set. Both have a central boss like the bonang, but the kempyang has a rounder top (like the higher bonangs), while the ketuk has a flat top (like the lower bonangs). In the common numerical notation, kempyang strokes are marked by "-" while the ketuk is marked by "+". The ketuk pattern is used to classify longer gendhing types, where it refers to the number of ketuk strokes i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keplok
Keplok is a style of clapping used in Javanese gamelan. The clapping is in a specific interlocking rhythmic pattern and is performed by the gerong when they are not singing. It is usually associated with the lively ciblon (Surakarta) or batangan (Yogyakarta) drumming. Usually one person claps on the on-beats while another claps on the off-beats, and then another pair clap a similar pattern at half the tempo. This interlocking pattern is similar to the imbal patterns played on the saron. Keplok is often performed along with senggakan Alok is an Indian given name of Sanskrit origin. People with the given name Alok * Alok (DJ) (born 1991), Brazilian DJ and music producer *Alok Bhargava (born 1954), Indian-American econometrician * Alok R. Chaturvedi, Professor of Information Syst .... Further reading *Pickvance, Richard (2005). ''A Gamelan Manual: A Player's Guide to the Central Javanese Gamelan'', p. 213. . Gamelan instruments Gamelan theory Body percussion {{Indone ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerongan
''Gerong'' ( jv, ꦒꦼꦫꦺꦴꦁ, translit=gerong) is the Javanese verb meaning "to sing in a chorus." ''Penggerong'' is the proper name of a member of the chorus, but often the word gerong is used to refer to the unison male chorus that sings with the gamelan. The chorus or the melody may also be called the gerongan. The gerong generally sings in distinct sections of a gamelan composition. Certain standard texts in Javanese poetic meters of various structures are used in many compositions; some are based in Javanese poetic forms known as macapat. Some pieces have specific texts written for them, but this is often a special treatment. Female singers are referred to as ''pesindhen'', and may sing in a separate group, a combined group with the men, or as a solo female voice, with or without a male chorus. A gerong part is different from that of a single female singer sindhen, in that the chorus must sing together, and is generally more connected to the steady pulse of the under ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bonang Panembung
The bonang is an Indonesian musical instrument used in the Javanese gamelan. It is a collection of small gongs (sometimes called "kettles" or "pots") placed horizontally onto strings in a wooden frame (''rancak''), either one or two rows wide. All of the kettles have a central boss, but around it the lower-pitched ones have a flattened head, while the higher ones have an arched one. Each is tuned to a specific pitch in the appropriate scale; thus there are different bonang for pelog and slendro. They are typically hit with padded sticks (''tabuh''). This is similar to the other cradled gongs in the gamelan, the kethuk, kempyang, and kenong. Bonang may be made of forged bronze, welded and cold-hammered iron, or a combination of metals. In addition to the gong-shaped form of kettles, economical bonang made of hammered iron or brass plates with raised bosses are often found in village gamelan, in Suriname-style gamelan, and in some American gamelan. In central Javanese gamelan th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slentho
The slentho (also spelled slento) is a musical instrument of the gamelan. It is similar to the saron family of instruments, and would be its lowest member (pitched one octave below the saron demung). Like those instruments, it has (typically) seven keys in the same arrangement, over a resonator box, and is hit with a wooden mallet (''tabuh''). However, unlike the other sarons, the center of its keys have a boss similar to that of a bonang. The slentho usually has the same notes as the slenthem The slenthem (also slentem or gender panembung) is an Indonesian metallophone which makes up part of a Javanese gamelan orchestra. The slenthem is part of the gendér family. It consists of a set of bronze keys comprising a single octave: ther ..., but a brighter, louder sound. The slentho is no longer a common instrument in the gamelan, having largely been replaced by the slenthem. It does, however, continue to be used in older sets of gamelan, in which it may be used in preference to th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gambang Gangsa
A gambang, properly called a gambang kayu ('wooden gambang') is a xylophone-like instrument used among people of Indonesia in gamelan and kulintang, with wooden bars as opposed to the metallic ones of the more typical metallophones in a gamelan. A largely obsolete instrument, the gambang gangsa, is a similar instrument made with metal bars. Gambang kayu The bars of the instrument are made of a se wood, generally teak. It also found in ironwood (kayu besi). The bars mounted in a deep wooden case that serves as a resonator. Instruments typically have 17-21 keys that are easily removed, and are kept in place by having a hole through which a nail is placed. Generally a full gamelan has two sets, one gambang pelog and the other one gambang slendro. A pair of long thin mallets (''tabuh''), made of flexible water buffalo horn tipped with felt, are used to play the instrument. Gambangs are generally played in parallel octaves (gembyang). Occasionally, other styles of playing are employed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kendang
Kendang or Gendang ( jv, ꦏꦼꦤ꧀ꦝꦁ, translit=Kendhang, su, ᮊᮨᮔ᮪ᮓᮀ, translit=Kendang, ban, ᬓᬾᬦ᭄ᬤᬂ, translit=Kendang, Tausug/Bajau Maranao: ''Gandang'', Bugis: ''Gendrang'' and Makassar: ''Gandrang'' or ''Ganrang'' ) is a two-headed drum used by people from the Indonesian Archipelago. Kendang is one of the primary instruments used in the Gamelan ensembles of Javanese, Sundanese, and Balinese, the Kendang ensemble as well as various Kulintang ensembles in Indonesia, Brunei, Malaysia, Singapore, and the Philippines. It is constructed in a variety of ways by different ethnic groups. It is a relation to the Indian mridangam double-headed drum. Overview The typical double-sided membrane drums are known throughout Maritime Southeast Asia and India. One of the oldest image of kendang can be found in ancient temples in Indonesia, especially the ninth century Borobudur and Prambanan temple. Among the Javanese, Sundanese, and Balinese, the has one ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum
The drum is a member of the percussion group of musical instruments. In the Hornbostel-Sachs classification system, it is a membranophone. Drums consist of at least one membrane, called a drumhead or drum skin, that is stretched over a shell and struck, either directly with the player's hands, or with a percussion mallet, to produce sound. There is usually a resonant head on the underside of the drum. Other techniques have been used to cause drums to make sound, such as the thumb roll. Drums are the world's oldest and most ubiquitous musical instruments, and the basic design has remained virtually unchanged for thousands of years. Drums may be played individually, with the player using a single drum, and some drums such as the djembe are almost always played in this way. Others are normally played in a set of two or more, all played by the one player, such as bongo drums and timpani. A number of different drums together with cymbals form the basic modern drum kit. Uses ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pelog
Pelog ( su, ᮕᮦᮜᮧᮌ᮪, translit=Pélog /pelog/, jv, ꦥꦺꦭꦺꦴꦒ꧀, ban, ᬧᬾᬮᭀᬕ᭄, translit=Pélog /pelok/) is one of the essential tuning systems used in gamelan instruments that has heptatonic scale. The other, older, scale commonly used is called ''slendro''. ''Pelog'' has seven notes, but many gamelan ensembles only have keys for five of the pitches. Even in ensembles that have all seven notes, many pieces only use a subset of five notes, sometimes the additional 4th tone is also used in a piece like western accidentals. Etymology Pelog is a Javanese term for one of the scales in gamelan. In Javanese, the term is said to be a variant of the word ''pelag'' meaning "fine" or "beautiful". Tuning Since the tuning varies so widely from island to island, village to village, and even among ''gamelan'', it is difficult to characterize in terms of intervals. One rough approximation expresses the seven pitches of Central Javanese ''pelog'' as a subset ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gong Ageng
The gong ageng (or gong gedhe in Ngoko Javanese, means large gong) is an Indonesian musical instrument used in the Javanese gamelan. It is the largest of the bronze gongs in the Javanese and Balinese gamelan orchestra and the only large gong that is called ''gong'' in Javanese.Lindsay, Jennifer (1992). ''Javanese Gamelan'', p.10-11. . "The largest phrase of a gamelan melody is marked by the deepest sounding and largest instrument, the large gong or ''gong ageng''....The ''gong ageng'' is made of bronze..." Unlike the more famous Chinese or Turkish tam-tams, Indonesian gongs have fixed, focused pitch, and are dissimilar to the familiar crash cymbal sound. It is circular, with a conical, tapering base of diameter smaller than gong face, with a protruding polished boss where it is struck by a padded mallet. Gongs with diameter as large as have been created in the past, but gongs larger than about are more common especially to suit the budget of educational institutions.Wasisto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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