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Gallerie Dell'Accademia
The Gallerie dell'Accademia is a museum gallery of pre-19th-century art in Venice, northern Italy. It is housed in the Scuola della Carità on the south bank of the Grand Canal, within the sestiere of Dorsoduro. It was originally the gallery of the Accademia di Belle Arti di Venezia, the art academy of Venice, from which it became independent in 1879, and for which the Ponte dell'Accademia and the Accademia boat landing station for the '' vaporetto'' water bus are named. The two institutions remained in the same building until 2004, when the art school moved to the Ospedale degli Incurabili. History Early history The Accademia di Belle Arti di Venezia was founded on 24 September 1750; the statute dates from 1756.Accademia di belle arti di Venezia, 1750–2010. Cenni storici (in Italian) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dorsoduro
Dorsoduro is one of the six sestiere (Venice), sestieri of Venice, in northern Italy. Dorsoduro includes the highest land areas of the city and also Giudecca island and Isola Sacca Fisola. Its name derives from the Italian language, Italian for "hard back", due to its comparatively high, stable, rocky land. History The original heart of the area was the Giudecca Canal, along which buildings were constructed from the sixth century. By the eleventh century, settlement had spread across to the Grand Canal of Venice, Grand Canal, while later religious buildings including the Basilica of Santa Maria della Salute and the Zattere quay are now its main landmarks. In the nineteenth century the Accademia di Belle Arti di Venezia, Accademia was set up in Dorsoduro and the Ponte dell'Accademia linked it to San Marco (sestiere of Venice), San Marco, making it an expensive area, popular with foreign residents. The western quarter end and the Giudecca, became industrialised around this time. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scuole Grandi Of Venice
The Scuole Grandi (literally 'Great Schools', plural of ) were confraternity or sodality institutions in Venice, Italy. They were founded as early as the 13th century as charitable and religious organizations for the laity. These institutions had a key role in the history and development of music. The first groups of bowed instrument players named were born there in the early 16th century. Membership and responsibilities Unlike the trade guilds or the numerous Scuole Piccole of Venice, Scuole Piccolo of Venice, the Scuole Grandi included persons of many occupations, although citizenship was required. Unlike the rigidly aristocratic Venetian governmental Great Council of Venice, which for centuries only admitted a restricted number of Nobility, noble families, membership in the Scuole Grandi was open to all citizens, and did not permit nobles to gain director roles. Citizens could include persons in the third generation of residency in the island republic, or persons who had paid t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Bordone
Paris Bordone (Paris Paschalinus Bordone; 5 July 1500 – 19 January 1571) was an Italian painter of the Venetian Renaissance who, despite training with Titian, maintained a strand of Mannerist complexity and provincial vigor. Biography Bordone was born in Treviso, but had moved to Venice by late adolescence. He apprenticed briefly and unhappily (according to Vasari) with Titian. Vasari may have met the elder Bordone. Bordone's works of the 1520s include the ''Holy Family'' in Florence, ''Sacra Conversazione with Donor'' (Glasgow), and ''Holy Family with St. Catherine'' (Hermitage Museum). The ''St. Ambrose and a Donor'' (1523) is now in the Pinacoteca di Brera. In 1525–26, Bordone painted an altarpiece for the church of S. Agostino in Crema, a ''Madonna with St. Christopher and St George'' (now in the Palazzo Tadini collection at Lovere). A second altarpiece, ''Pentecost'', is also in the Pinacoteca di Brera. In 1534–35, he painted his large-scale masterpiece for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernardo Bellotto
Bernardo Bellotto (c. 1721/2 or 30 January 172117 November 1780), was an Italians, Italian urban Landscape art, landscape Painting, painter or ''vedutista'', and printmaker in etching famous for his Veduta, ''vedute'' of European cities – Dresden, Vienna, Turin, and Warsaw. He was the student and nephew of the renowned Giovanni Antonio Canal, known as Canaletto, and sometimes used the latter's illustrious name, signing himself as Bernardo Canaletto. In Germany and Poland, Bellotto called himself by his uncle's name, Canaletto. This caused some confusion, however Bellotto’s work is more sombre in color than Canaletto's and his depiction of clouds and shadows brings him closer to Dutch painting. Bellotto's style was characterized by elaborate representation of architectural and natural vistas, and by the specific quality of each place's lighting. It is plausible that Bellotto, and other Venetian masters of ''vedute'', may have used the camera obscura in order to achieve super ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Bellini
Giovanni Bellini (; c. 1430 – 29 November 1516) was an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters. He was raised in the household of Jacopo Bellini, formerly thought to have been his father, but now that familial generational relationship is questioned.; An older brother, Gentile Bellini was more highly regarded than Giovanni during his lifetime, but the reverse is true today. His brother-in-law was Andrea Mantegna. Giovanni Bellini was considered to have revolutionized Venetian painting, moving it toward a more sensuous and colouristic style. Through the use of clear, slow-drying oil paints, Giovanni created deep, rich tints and detailed shadings. His sumptuous colouring and fluent, atmospheric landscapes had a great effect on the Venetian painting school, especially on his pupils Giorgione and Titian. The Bellini (cocktail), Bellini cocktail is named in his honour. Life Early career Giovanni Bellini was born in Veni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gentile Bellini
Gentile Bellini (c. 1429 – 23 February 1507) was an Italian painter of the Venetian painting, school of Venice. He came from Venice's leading family of painters, and, at least in the early part of his career, was more highly regarded than his younger brother Giovanni Bellini - a reversal of the situation today. From 1474, he was the official portrait artist for the Doge of Venice, Doges of Venice. In addition to his portraits, he painted a number of very large works with multitudes of figures, especially for the Scuole Grandi of Venice, wealthy confraternities that were very important in Venetian patrician (post-Roman Europe), patrician social life.Hartt, 397-398 In 1479 he was sent to Constantinople by the Venetian government when the Ottoman Sultan Mehmed II requested an artist; he returned the next year. Thereafter a number of his subjects were set in the East, and he is one of the founders of the Orientalism, Orientalist tradition in Western painting. His Portrait of Mehm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Bellini
Jacopo Bellini (c. 1400 – c. 1470) was one of the founders of the Renaissance style of painting in Venice and northern Italy. His sons Gentile and Giovanni Bellini, and his son-in-law Andrea Mantegna, were also famous painters. Few of Bellini's paintings still exist, but his surviving sketch-books (one in the British Museum and one in the Louvre) show an interest in landscape and elaborate architectural design and are his most important legacy. His surviving works show how he accommodated linear perspective to the decorative patterns and rich colors of Venetian painting. Biography Born in Venice, Jacopo had probably been a pupil of Gentile da Fabriano, who was then in Venice. In 1411–1412 he was in Foligno, where with Gentile he worked at the Palazzo Trinci frescoes. In 1423 Bellini was in Florence, where he knew the new works by Brunelleschi, Donatello, Masolino da Panicale and Masaccio. In 1424 he opened a workshop in Venice, which he ran right up until his death, and whi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lazzaro Bastiani
Lazzaro Bastiani (1429 – 5 April 1512) was an Italian painter of the Renaissance, active mainly in Venice. He was born in Padua. He is first recorded as a painter in Venice by 1460 in a payment for an altarpiece of San Samuele, for the Procuratori di San Marco. In 1462 he was paid at the same rate as Giovanni Bellini. In 1470, he was a member of the Scuola di San Girolamo in Venice. In the 1480s he worked with Gentile Bellini for the Scuola Grande di San Marco. He painted a ''Coronation of the Virgin'' (Gallerie dell'Accademia); a ''Nativity'' (1477); and a ''St. Anthony on the Nut Tree''. In 1508 he was called upon, with his pupil Vittore Carpaccio, to estimate paintings of Giorgione for the Fondaco dei Tedeschi. Lazzaro Bastiano, Madonna and Child in painted frame with 11 Spritelli, c1465, Gemäldegalerie, Berlin.jpg, Maria mit dem Kind in einem bemalten Rahmen mit zwölf Spiritelli, ca. 1465, Gemäldegalerie, Berlin Lazzaro Bastiani - Funeral of St Jerome - WGA1490.jp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leandro Bassano
Leandro Bassano (10 June 1557 – 15 April 1622), also called Leandro dal Ponte, was an Italian artist from Bassano del Grappa who was awarded a knighthood by the Doge of Venice. He was the younger brother of artist Francesco Bassano the Younger and third son of artist Jacopo Bassano. Their father took his surname from their town of Bassano del Grappa, and trained his sons as painters. Education and early career Leandro studied with his brothers in their father's workshop. After Francesco opened a workshop in Venice before 1575, Leandro took over the studio in Bassano del Grappa. Leandro followed in the tradition of his father's religious works, but also became independently well known as a portrait painter. By around 1575, Leandro had become an important assistant to his father. His father wanted Leandro to carry on the studio in Bassano del Grappa. Shortly after their father died, his brother Francesco committed suicide. Move to Venice Leandro moved to Venice, taking over th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Bassano
Jacopo Bassano (c. 1510 – 14 February 1592), known also as Jacopo dal Ponte, was an Italian painter who was born and died in Bassano del Grappa near Venice, and took the village as his surname. Having trained in the workshop of his father, Francesco the Elder, he painted mostly religious paintings, landscapes, and genre scenes. Indeed, he often treated biblical themes in the manner of rural genre scenes, representing peasants, animals, and the agrarian landscape with great accuity. Bassano's pictures were very popular in Venice and, eventually, throughout Europe. His four sons: Francesco Bassano the Younger, Giovanni Battista da Ponte, Leandro Bassano, and Girolamo da Ponte, also became artists and followed him closely in style and subject matter. Life Jacopo Bassano was born around 1510 in the town of Bassano del Grappa, located about 65 km from the city of Venice. His father, Francesco il Vecchio, was a locally successful painter who had established a family worksh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni D'Alemagna
Giovanni d'Alemagna (; born Johannes Alamanus; 9 July 1450) was a Venetian renaissance painter of German ancestry, active in Italy, with his brother-in-law Antonio Vivarini on religious paintings in Venice and Padua, that are preserved in the named cities together with those of Vivarini. Biography Giovanni d'Alemagna is remembered above all for the work done in Venice, characterized by decorative forms that recall Nordic influence. Between 1430 and 1435 he created a cycle called Stories of Christ, which are still exhibited at the Ca' d'Oro. According to Ridolfo and Zanetti, Giovanni and Antonio Vivarini flourished about the year 1440, where they adduce authority for an altar-piece in San Pantalon, which bears the inscription of Zuane e Antonio da Muran pense 1444. Although it is difficult to distinguish the two artists' contributions, Giovanni is associated with the St Jerome (1444), which carries the signature 'Johannes'. This painting suggests that Giovanni's work was ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
