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Gallantry may refer to: * military courage or bravery * Chivalry * Warrior ethos * Knightly Piety * the quality of being Galant, an ideal of upper-class grandiose or high living and refined merriment that arose in the Baroque period * Proper behaviour in upper-class social environments, especially during the early modern period, see courtly manner, adoration, gracious hospitality, Courtesy, pious and courtly love Courtly love ( oc, fin'amor ; french: amour courtois ) was a medieval European literary conception of love that emphasized nobility and chivalry. Medieval literature is filled with examples of knights setting out on adventures and performing vari ... * ''Gallantry'' (opera), a one-act opera by composer Douglas Moore See also * * Gallant (other) {{disambig ...
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Courage
Courage (also called bravery or valor) is the choice and willingness to confront agony, pain, danger, uncertainty, or intimidation. Valor is courage or bravery, especially in battle. Physical courage is bravery in the face of physical pain, hardship, even death, or threat of death; while moral courage is the ability to act rightly in the face of popular opposition, shame, scandal, discouragement, or personal loss. The classical virtue of fortitude (''andreia, fortitudo'') is also translated "courage", but includes the aspects of perseverance and patience. In the Western tradition, notable thoughts on courage have come from philosophers Socrates, Plato, Aristotle, Aquinas, and Kierkegaard, as well as Christian beliefs and texts. In the Hindu tradition, mythology has given many examples of bravery, valor and courage, with examples of both physical and moral courage exemplified. In the Eastern tradition, the Chinese text ''Tao Te Ching'' offers a great deal of thoughts on cou ...
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Chivalry
Chivalry, or the chivalric code, is an informal and varying code of conduct developed in Europe between 1170 and 1220. It was associated with the medieval Christianity, Christian institution of knighthood; knights' and gentlemen's behaviours were governed by chivalrous social codes. The ideals of chivalry were popularized in medieval literature, particularly the literary cycles known as the Matter of France, relating to the legendary companions of Charlemagne and his men-at-arms, the paladins, and the Matter of Britain, informed by Geoffrey of Monmouth's ''Historia Regum Britanniae'', written in the 1130s, which popularized the legend of King Arthur and his knights of the Round Table. All of these were taken as historically accurate until the beginnings of modern scholarship in the 19th century. The code of chivalry that developed in medieval Europe had its roots in earlier centuries. It arose in the Carolingian Empire from the idealisation of the cavalryman—involving mili ...
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Warrior Ethos
The Soldier's Creed is a standard by which all United States Army personnel are expected to live. All U.S. Army enlisted personnel are taught the Soldier's Creed during basic training, and recite the creed in public ceremonies at the conclusion of training. Both the Soldier's Creed and the Noncommissioned Officer's Creed are required knowledge at enlisted promotion boards to compete for the rank of sergeant and above, as well as 'Soldier of the Month' boards. It is also common practice to recite the Soldier's Creed at the graduation ceremony from Army ROTC. Unlike the United States Uniformed Services Oath of Office, U.S. Uniformed Services Oath of Office or the Oath of enlistment, Oath of Enlistment, the Soldier's Creed is not a legally-binding oath and can be affirmed by both commissioned officers and enlisted soldiers. History The current version of the Soldier's Creed is a product of the 'Warrior Ethos' program authorized by the then Chief of Staff of the United States Army, Ar ...
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Knightly Piety
Knightly Piety refers to a specific strand of Christian belief espoused by knights during the Middle Ages. The term comes from ''Ritterfrömmigkeit'', coined by Adolf Waas in his book ''Geschichte der Kreuzzüge''. Many scholars debate the importance of knightly piety, however it is apparent as an important part of the chivalric ethos based on its appearance within the Geoffroi de Charny's "Book of Chivalry" as well as much of the popular literature of the time. Origins A relationship between Christ and warrior is first seen in secular sources dating back to Carolingian times. This is evident within the ''chansons de geste'' or songs of heroic deeds. Both the ''Chanson de Roland'' and the ''Chanson de Guillaume'' demonstrate Christian themes in their tales of the fight against the nonbeliever. Both have elements of an earthly as well as a spiritual fight. Thus by the time of the Chivalric Codes Christianity is already firmly entrenched within the warrior classes. Keen dedicates much ...
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Galant
The galant style was an 18th-century movement in music, visual arts and literature. In Germany a closely related style was called the '' empfindsamer Stil'' (sensitive style). Another close relative is rococo style. The galant style was drawn in opposition to the strictures of the Baroque style, emphasizing light elegance in place of the Baroque's dignified seriousness and high grandeur. Music In music, the galant emphasis was on simplicity, immediacy of appeal, and elegance. Fashion In fashion, galant featured perfumed handkerchiefs and powdered wigs for both sexes. The fantastic exotic asymmetry of bizarre silk Bizarre silks are a style of figured silk fabrics popular in Europe in the late 17th and early 18th centuries. Bizarre silks are characterized by large-scale, asymmetrical patterns featuring geometrical shapes and stylized leaves and flowers, infl ... patterns were symptomatic of galant tastes. References External links {{wiktionary-inline 18th century in art 1 ...
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Court (royal)
A royal court, often called simply a court when the royal context is clear, is an extended royal household in a monarchy, including all those who regularly attend on a monarch, or another central figure. Hence, the word "court" may also be applied to the coterie of a senior member of the nobility. Royal courts may have their seat in a designated place, several specific places, or be a mobile, itinerant court. In the largest courts, the royal households, many thousands of individuals comprised the court. These courtiers included the monarch or noble's camarilla and retinue, household, nobility, clergy, those with court appointments, bodyguards, and may also include emissaries from other kingdoms or visitors to the court. Prince étranger, Foreign princes and foreign nobility in exile may also seek refuge at a court. Near East, Near Eastern and Far East, Far Eastern courts often included the harem and Concubinage, concubines as well as eunuchs who fulfilled a variety of functions. ...
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Adoration
Adoration is respect, reverence, strong admiration, or love in a certain person, place, or thing. The term comes from the Latin ''adōrātiō'', meaning "to give homage or worship to someone or something". Ancient Rome In classical Rome, adoration was primarily an act of homage or worship, which, among the Romans, was performed by raising the hand to the mouth, kissing it and then waving it in the direction of the adored object. The devotee had his head covered, and after the act turned himself round from left to right. Sometimes he kissed the feet or knees of the images of the gods themselves, and Saturn and Hercules were adored with the head bare. By a natural transition the homage, at first paid to divine beings alone, came to be paid to monarchs. Thus the Greek and Roman emperors were adored by bowing or kneeling, laying hold of the imperial robe, and presently withdrawing the hand and pressing it to the lips, or by putting the royal robe itself to the lips. Ancient Middle E ...
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Hospitality
Hospitality is the relationship between a guest and a host, wherein the host receives the guest with some amount of goodwill, including the reception and entertainment of guests, visitors, or strangers. Louis de Jaucourt, Louis, chevalier de Jaucourt describes hospitality in the as the virtue of a great soul that cares for the whole universe through the ties of humanity.Jaucourt, Louis, chevalier de"Hospitality" The Encyclopedia of Diderot & d'Alembert Collaborative Translation Project. Translated by Sophie Bourgault. Ann Arbor: Michigan Publishing, University of Michigan Library, 2013. Trans. of , vol. 8. Paris, 1765. Hospitality is also the way people treat others, that is, the service of welcoming and receiving guests for example in hotels. Hospitality plays a fundamental role to augment or decrease the volume of sales of an organization. Hospitality ethics is a discipline that studies this usage of hospitality. Etymology Derives from the Arab , meaning "host", "gues ...
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Courtesy
Courtesy (from the word ''courteis'', from the 12th century) is gentle politeness and courtly manners. In the Middle Ages in Europe, the behaviour expected of the nobility was compiled in courtesy books. History The apex of European courtly culture was reached in the Late Middle Ages and the Baroque period (i.e. roughly the four centuries spanning 1300–1700). The oldest courtesy books date to the 13th century, but they become an influential genre in the 16th, the most influential of them being ''Il Cortegiano'' (1508), which not only covered basic etiquette and decorum but also provided models of sophisticated conversation and intellectual skill. The royal courts of Europe did, of course, persist well into the 18th century (and to some limited extent to the present day), but in the 18th century, the notion of ''courtesy'' was replaced by that of ''gallantry'', referring to an ideal emphasizing the display of affected sensitivity in direct contrast with the ideals of self-den ...
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Piety
Piety is a virtue which may include religious devotion or spirituality. A common element in most conceptions of piety is a duty of respect. In a religious context piety may be expressed through pious activities or devotions, which may vary among countries and cultures. Etymology The word piety comes from the Latin word ''pietas'', the noun form of the adjective ''pius'' (which means "devout" or "dutiful"). Classical interpretation ''Pietas'' in traditional Latin usage expressed a complex, highly valued Roman virtue; a man with ''pietas'' respected his responsibilities to gods, country, parents, and kin. In its strictest sense it was the sort of love a son ought to have for his father. Aeneas's consistent epithet in Virgil and other Latin authors is ''pius'', a term which connotes reverence toward the gods and familial dutifulness. At the fall of Troy, Aeneas carries to safety his father, the lame Anchises, and the Lares and Penates, the statues of the household gods. In addr ...
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Courtly Love
Courtly love ( oc, fin'amor ; french: amour courtois ) was a medieval European literary conception of love that emphasized nobility and chivalry. Medieval literature is filled with examples of knights setting out on adventures and performing various deeds or services for ladies because of their "courtly love". This kind of love is originally a literary fiction created for the entertainment of the nobility, but as time passed, these ideas about love changed and attracted a larger audience. In the high Middle Ages, a "game of love" developed around these ideas as a set of social practices. "Loving nobly" was considered to be an enriching and improving practice. Courtly love began in the ducal and princely courts of Aquitaine, Provence, Champagne, ducal Burgundy and the Norman Kingdom of Sicily at the end of the eleventh century. In essence, courtly love was an experience between erotic desire and spiritual attainment, "a love at once illicit and morally elevating, passionate and ...
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Gallantry (opera)
''Gallantry'' is a one-act opera by composer Douglas Moore. The work is a parody of soap opera, complete with sung commercial interruptions. The work uses an English-language libretto by Arnold Sundgaard. The opera premiered in a double bill with Dominick Argento's ''The Boor'' on March 19, 1958, in New York City at the former Brander Matthews Theater on 117th Street, located between Amsterdam Avenue and Morningside Drive. It was produced by Columbia University School of Music with a student cast. It has been staged over more than forty years by other university opera programs in the United States and Canada. The first professional opera company to stage ''Gallantry'' was the Detroit Opera, which presented the work in a double bill with Gian Carlo Menotti's '' The Medium'' in January 1962. ''Gallantry'' was adapted by Moore for television and was broadcast by CBS on August 30, 1962, in a program which also included a presentation of Wallingford Riegger's ballet ''Parallels''. ...
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