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Galina Stepanenko
Galina Olegovna Stepanenko (russian: Галина Олеговна Степаненко; born 12 June 1966) is a Russian ballet teacher. She is a former ''prima ballerina'' of the Bolshoi Ballet, and since 2013 has been head of the Bolshoi's ballet troupe. Biography Born in Moscow on 12 June 1966, Stepanenko studied rhythmic gymnastics, studying to the first grade and receiving an invitation to the Olympic Reserve School. In 1976 she entered the Moscow Academic Choreographic School, studying under Professor Sofia Golovkina, and graduating with honours in 1984. During her studies she danced several main roles in the school's performances: as Swanhilda in ''Coppélia'', Lise in ''La fille mal gardée'', and the soloist in the ''Paquita grand pas classique''. Between 1984 and 1988 Stepanenko was a soloist of the ensemble, studying under . In 1988 Stepanenko joined the troupe of the Stanislavski and Nemirovich-Danchenko Theatre, spending two years there under the tutelage of Nin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spartacus (ballet)
''Spartacus'' (russian: «Спартак», Spartak) is a ballet by Aram Khachaturian (1903–1978). The work follows the exploits of Spartacus, the leader of the slave uprising against the Romans known as the Third Servile War, although the ballet's storyline takes considerable liberties with the historical record. Khachaturian composed ''Spartacus'' in 1954, and was awarded a Lenin Prize for the composition that same year. It was first staged in Leningrad on 27 December 1956, as choreographed by Leonid Yakobson, for the Kirov Theatre of Opera and Ballet (Mariinsky Theatre), where it stayed in repertory for many years, but only with qualified success since Yakobson abandoned conventional ''pointe'' in his choreography. Yakobson restaged his version for the Bolshoi in 1962 and it was part of the Bolshoi's 1962 tour to New York. The ballet received its first staging at the Bolshoi Theatre, Moscow in 1958, choreographed by Igor Moiseyev; however it was the 1968 production, choreograp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theme And Variations (ballet)
''Theme and Variations'' is a ballet choreographed by George Balanchine to the final movement of Tchaikovsky's Orchestral Suite No. 3. The ballet was made for Ballet Theatre (now American Ballet Theatre), and premiered on November 26, 1947, at the City Center 55 Street Theater, with the two leads danced by Alicia Alonso and Igor Youskevitch. The ballet was well-received and was revived by other ballet companies. In 1970, Balanchine incorporated the choreography of ''Theme and Variations'' to ''Suite No. 3'' (now titled '' Tschaikovsky Suite No. 3''), performed by the New York City Ballet. Production Balanchine's ''Theme and Variations'' is set to the final movement of Tchaikovsky's Orchestral Suite No. 3. It was commissioned by Lucia Chase for Ballet Theatre (now American Ballet Theatre). The sets and costumes of the original production were designed by Woodman Thompson. The ballet is plotless and abstract. Like ''Ballet Imperial'' (now titled '' Tschaikovsky Piano Concerto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Konstantin Sergeyev
Konstantin Mikhaylovich Sergeyev (russian: Константин Михайлович Сергеев; 5 March 1910 (20 February Old Style) – 1 April 1992) was a Russian danseur, artistic director and choreographer for the Kirov Theatre. When the Kirov Ballet returned to Leningrad from Perm (where it had been moved during the war) Sergeyev became the head choreographer of the company. His first major work was to restage Prokofiev's ''Cinderella'', which is still performed in the present day. His teachers at Leningrad State Choreographic Institute: Mariya Kojukhova, Vladimir Ponomaryov, Viktor Semyonov (Marina Semyonova's first husband). His first wife Feya Balabina was a prima ballerina of the Kirov ballet, as was his second wife Natalia Dudinskaya. He danced with Dudinskaya at the 1946 premiere of his ''Cinderella'' production for the Kirov.Sergey Prokofiev. Sergei Prokofiev: Autobiography, Articles, Reminiscences. University Press of the Pacific Honolulu, 2000, p.290. Galina ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Minkus
Ludwig Minkus (russian: link=no, Людвиг Минкус), also known as Léon Fyodorovich Minkus (23 March 1826, Vienna – 7 December 1917, Vienna), was a Jewish-Austrian composer of ballet music, a violin virtuoso and teacher. Minkus is noted for the music he composed while serving as the official Composer of Ballet Music to the St. Petersburg Imperial Theatres in Russia. During his long career, he wrote for the original works and numerous revivals staged by the renowned Ballet Masters Arthur Saint-Léon and Marius Petipa. Among the composer's most celebrated compositions was his score for '' La source'' (1866; composed jointly with Léo Delibes), ''Don Quixote'' (1869); and ''La Bayadère'' (1877). Minkus also wrote supplemental material for insertion into already existing ballets. The most famous and enduring of these pieces is the ''Grand Pas classique'' from the ballet ''Paquita'', which was added by Marius Petipa especially for a revival of the ballet staged for the ben ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Bayadère
''La Bayadère'' ("the temple dancer") ( ru. «Баядерка», ''Bayaderka'') is a ballet, originally staged in four acts and seven tableaux by French choreographer Marius Petipa to the music of Ludwig Minkus. The ballet was staged especially for the benefit performance of the Russian ''Prima ballerina'' Ekaterina Vazem, who created the principal role of Nikiya. ''La Bayadère'' was first presented by the Imperial Ballet at the Imperial Bolshoi Kamenny Theatre in St. Petersburg, Russia, on . From the first performance the ballet was universally hailed by contemporary critics as one of the choreographer Petipa's supreme masterpieces, particularly the scene from the ballet known as ''The Kingdom of the Shades'', which became one of the most celebrated pieces in all of classical ballet. By the turn of the 20th century, ''The Kingdom of the Shades'' scene was regularly extracted from the full-length work as an independent showpiece, and it has remained so to the present day. Nea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolphe Adam
Adolphe Charles Adam (; 24 July 1803 – 3 May 1856) was a French composer, teacher and music critic. A prolific composer for the theatre, he is best known today for his ballets ''Giselle'' (1841) and '' Le corsaire'' (1856), his operas ''Le postillon de Lonjumeau'' (1836) and ''Si j'étais roi'' (1852) and his Christmas carol "Minuit, chrétiens!" (Midnight, Christians, 1844, known in English as "O Holy Night"). Adam was the son of a well-known composer and pianist, but his father did not wish him to pursue a musical career. Adam defied his father, and his many operas and ballets earned him a good living until he lost all his money in 1848 in a disastrous bid to open a new opera house in Paris in competition with the Opéra and Opéra-Comique. He recovered, and extended his activities to journalism and teaching. He was appointed as a professor at the Paris Conservatoire, France's principal music academy. Together with his older contemporary Daniel Auber and his teacher Adrien ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giselle
''Giselle'' (; ), originally titled ''Giselle, ou les Wilis'' (, ''Giselle, or The Wilis''), is a romantic ballet (" ballet-pantomime") in two acts with music by Adolphe Adam. Considered a masterwork in the classical ballet performance canon, it was first performed by the Ballet du Théâtre de l'Académie Royale de Musique at the Salle Le Peletier in Paris on 28 June 1841, with Italian ballerina Carlotta Grisi as Giselle. It was an unqualified triumph. It became hugely popular and was staged at once across Europe, Russia, and the United States. The ghost-filled ballet tells the tragic, romantic story of a beautiful young peasant girl named Giselle and a disguised nobleman named Albrecht, who fall in love, but when his true identity is revealed by his rival, Hilarion, Giselle goes mad and dies of heartbreak. After her death, she is summoned from her grave into the vengeful, deadly sisterhood of the Wilis, the ghosts of unmarried women who died after being betrayed by their lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yury Grigorovich
Yury Nikolayevich Grigorovich (russian: Ю́рий Никола́евич Григоро́вич; born 2 January 1927 in Leningrad) is a Soviet and Russian dancer and choreographer who dominated the Russian ballet for 30 years. Grigorovich was born into a family connected with the Imperial Russian Ballet. He graduated from the in 1946 and danced as a soloist of the until 1962. His staging of |
Pyotr Ilyich Tchaikovsky
Pyotr Ilyich Tchaikovsky , group=n ( ; 7 May 1840 – 6 November 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. He wrote some of the most popular concert and theatrical music in the current classical repertoire, including the ballets '' Swan Lake'' and ''The Nutcracker'', the ''1812 Overture'', his First Piano Concerto, Violin Concerto, the ''Romeo and Juliet'' Overture-Fantasy, several symphonies, and the opera ''Eugene Onegin''. Although musically precocious, Tchaikovsky was educated for a career as a civil servant as there was little opportunity for a musical career in Russia at the time and no system of public music education. When an opportunity for such an education arose, he entered the nascent Saint Petersburg Conservatory, from which he graduated in 1865. The formal Western-oriented teaching that he received there set him apart from composers of the contemporary nati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Quixote (ballet)
''Don Quixote'' is a ballet in three acts, based on episodes taken from the famous novel ''Don Quixote de la Mancha'' by Miguel de Cervantes. It was originally choreographed by Marius Petipa to the music of Ludwig Minkus and first presented by Moscow's Bolshoi Ballet on . Petipa and Minkus revised the ballet into a more elaborate and expansive version in five acts and eleven scenes for the Mariinsky Ballet, first presented on at the Imperial Bolshoi Kamenny Theatre of St. Petersburg. All modern productions of the Petipa/Minkus ballet are derived from the version staged by Alexander Gorsky for the Bolshoi Theatre of Moscow in 1900, a production the ballet master staged for the Imperial Ballet of St. Petersburg in 1902. History Earlier versions The two chapters of the novel that the ballet is mostly based on were first adapted for the ballet in 1740 by Franz Hilverding in Vienna, Austria. In 1768, Jean Georges Noverre mounted a new version of ''Don Quixote'' in Vienna to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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