Galbi (song)
"Galbi" (Hebrew: גלבי, Arabic: ) is an Arabic Musical poem by Yemenite Aharon Amram that was sung by Israeli Yemenite singer Ofra Haza and others. The 1988 remix of the song, taken from the album ''Shaday'', was issued as the follow-up to Haza's worldwide chart hit "Im Nin'Alu (Played in Full Remix)". History Both "Im Nin'Alu" and "Galbi" were originally recorded for the 1984 album ''Yemenite Songs'' (also known as ''Fifty Gates of Wisdom''), containing modern versions of traditional Yemeni Jewish songs, recorded with drum machines and synthesizers but still with comparatively traditional arrangements and instruments, including strings, woodwind and brass, as well as distinctive percussion like Yemeni tin and tambala. Remixes Contrary to popular belief, "Im Nin'Alu" was not the first track from the ''Yemenite Songs'' album to be remixed for the dancefloor - in fact it was the other way around. "Galbi" was the first remix to be issued in Israel in 1984 on the Hed Arzi label, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ofra Haza
Bat-Sheva Ofra Haza ( he, בת-שבע עפרה חזה; 19 November 1957 – 23 February 2000), known as Ofra Haza (), was an Israeli singer, songwriter, actress, and Grammy Award-nominated recording artist commonly known in the Western world as " The Israeli Madonna", or "Madonna of the East". Her voice has been described as a "tender" mezzo-soprano. Of Mizrahi Jewish ( Yemenite-Jewish) descent, Haza's music is known as a mixture of traditional Middle Eastern and commercial singing styles, fusing elements of Eastern and Western instrumentation, orchestration and dance-beat, as well as lyrics from Mizrahi and Jewish folk tales and poetry. By the late 1980s, Haza was an internationally successful artist, achieving large success in Europe and the Americas and appearing regularly on MTV. During her singing career, she earned many platinum and gold discs and her music proved highly popular in the club scene. By the 1990s, she regularly featured in movie soundtracks, such as that o ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jewish
Jews ( he, יְהוּדִים, , ) or Jewish people are an ethnoreligious group and nation originating from the Israelites Israelite origins and kingdom: "The first act in the long drama of Jewish history is the age of the Israelites""The people of the Kingdom of Israel and the ethnic and religious group known as the Jewish people that descended from them have been subjected to a number of forced migrations in their history" and Hebrews of historical History of ancient Israel and Judah, Israel and Judah. Jewish ethnicity, nationhood, and religion are strongly interrelated, "Historically, the religious and ethnic dimensions of Jewish identity have been closely interwoven. In fact, so closely bound are they, that the traditional Jewish lexicon hardly distinguishes between the two concepts. Jewish religious practice, by definition, was observed exclusively by the Jewish people, and notions of Jewish peoplehood, nation, and community were suffused with faith in the Jewish God, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pascal Gabriel
Pascal Gabriel (born 15 December 1956) is a Belgian-born musician based in London, England and Paris, France. Background Pascal Gabriel's musical career began in 1977 in the punk rock band The Razors (bass guitar). He left Belgium for London in 1979. During the early 1980s, he had spells in various experimental groups, including art-school band Church of Friendly Valley with scratch video artist George Barber, and an electronic project whose only performance was in a supermarket. He formed a duo with guitarist Danny Kustow, as well as touring as a percussionist with the Tom Robinson Band, before starting to pick up work as a freelance sound engineer in various London studios, earning a reputation for innovative remixes for artists such as Marc Almond (Soft Cell) and Yello. In 1983 he had his first release, with two experimental tracks on the Touch cassette ''T2 Meridians One'', alongside future collaborator Simon Fisher Turner, before beginning to concentrate on studio work. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bob Kraushaar
Bob Kraushaar is an English pop music record producer specializing in mixing. Kraushaar has mixed and produced commercially successful songs and albums for numerous British and international artists. His first industry appointment was as runner for Trevor Horn. He graduated to tape-operating at Marcus Studios but moved back to the SARM Studios when they expanded and equipped with SSLs. His first chart success came with Johnny Hates Jazz, and he was soon known as a mixing specialist having made his mark with ZTT artists such as Propaganda and Art of Noise. SARM's associated ZTT label was outputting multiple 12-inch singles requiring alternative versions, and many of these were mixed by Kraushaar. He went on to work with Paul McCartney, ABC, The Human League, Erasure, and perhaps his most regular client, Pet Shop Boys. 1985 saw Kraushaar mixing "Intermission (The Gods are Bored)", a track on Anne Pigalle's album ''Everything Could Be So Perfect''. His first UK No. 1 chart credit f ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Netherlands
) , anthem = ( en, "William of Nassau") , image_map = , map_caption = , subdivision_type = Sovereign state , subdivision_name = Kingdom of the Netherlands , established_title = Before independence , established_date = Spanish Netherlands , established_title2 = Act of Abjuration , established_date2 = 26 July 1581 , established_title3 = Peace of Münster , established_date3 = 30 January 1648 , established_title4 = Kingdom established , established_date4 = 16 March 1815 , established_title5 = Liberation Day , established_date5 = 5 May 1945 , established_title6 = Kingdom Charter , established_date6 = 15 December 1954 , established_title7 = Caribbean reorganisation , established_date7 = 10 October 2010 , official_languages = Dutch , languages_type = Regional languages , languages_sub = yes , languages = , languages2_type = Recognised languages , languages2_sub = yes , languages2 = , demonym = Dutch , capital = Amsterdam , largest_city = capital , ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pump Up The Volume (song)
"Pump Up the Volume" is the only single by British recording act MARRS. Recorded and released in 1987, it was a number-one hit in many countries and is regarded as a significant milestone in the development of British acid house music and music sampling. The song derives its title directly from a lyrical sample from " I Know You Got Soul", a hit single by labelmates Eric B. & Rakim, released months prior in that same year. The single was the product of an uneasy collaboration between electronic group Colourbox and alternative rock band A.R. Kane, two groups signed to the independent label 4AD. The link-up was suggested by label founder Ivo Watts-Russell after the two groups had independently sounded him out about the possibility of releasing a commercially oriented dance record, inspired by the American house music that was starting to make an impact on the UK chart. When the M, A, R, R, S project was first released early in 1987, the popularity of the style of the song had alr ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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M/A/R/R/S
MARRS (stylised M, A, R, R, S) were a 1987 recording collective formed by the groups A.R. Kane and Colourbox, which only released one commercial disc. It became "a one-hit wonder of rare influence" because of their international hit " Pump Up the Volume", which was their only single. History MARRS started in 1987 as an intended collaboration between the groups A.R. Kane and Colourbox, with additional input from DJs Chris "C.J." Mackintosh and Dave Dorrell. However, instead of working together, the two groups ended up recording a track each, then turning it over to the other for additional input. Of the two pieces completed, one, "Anitina", was an A.R. Kane track with drum programming by Colourbox's Steve Young. The other, "Pump Up the Volume", was a propulsive Martyn Young track constructed largely of samples, including one of A.R. Kane's guitars. The record was released under the alias MARRS, an acronym derived from the forenames of the five 4AD artists involved in the proje ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Paid In Full (Eric B
Paid in Full may refer to: Music * Paid in Full Entertainment, a record label * ''Paid in Full'' (album), a 1987 hip-hop album by Eric B. & Rakim ** "Paid in Full" (Eric B. & Rakim song), a 1987 song from the above album * "Paid in Full" (Sonata Arctica song), a 2007 metal song by Sonata Arctica from the album ''Unia'' * ''Paid in Full'' (soundtrack), the soundtrack to the 2002 film Film and theatre * ''Paid in Full'' (play), a 1908 play by Eugene Walter Eugene Ferdinand Walter, Jr. (November 30, 1921 – March 29, 1998) was an American screenwriter, poet, short-story author, actor, puppeteer, gourmet chef, cryptographer, translator, editor, costume designer and well-known raconteur. During his y ... ** ''Paid in Full'' (1919 film), a 1919 film based on the 1908 play * ''Paid in Full'' (1914 film), a lost 1914 silent film drama * ''Paid in Full'' (1950 film), directed by William Dieterle * ''Paid in Full'' (2002 film), directed by Charles Stone III Other * In law and ac ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Eric B
The given name Eric, Erich, Erikk, Erik, Erick, or Eirik is derived from the Old Norse name ''Eiríkr'' (or ''Eríkr'' in Old East Norse due to monophthongization). The first element, ''ei-'' may be derived from the older Proto-Norse ''* aina(z)'', meaning "one, alone, unique", ''as in the form'' ''Æ∆inrikr'' explicitly, but it could also be from ''* aiwa(z)'' "everlasting, eternity", as in the Gothic form ''Euric''. The second element ''- ríkr'' stems either from Proto-Germanic ''* ríks'' "king, ruler" (cf. Gothic ''reiks'') or the therefrom derived ''* ríkijaz'' "kingly, powerful, rich, prince"; from the common Proto-Indo-European root * h₃rḗǵs. The name is thus usually taken to mean "sole ruler, autocrat" or "eternal ruler, ever powerful". ''Eric'' used in the sense of a proper noun meaning "one ruler" may be the origin of ''Eriksgata'', and if so it would have meant "one ruler's journey". The tour was the medieval Swedish king's journey, when newly elected, to s ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Coldcut
Coldcut are an English electronic music duo composed of Matt Black and Jonathan More. Credited as pioneers for pop sampling in the 1980s, Coldcut are also considered the first stars of UK electronic dance music due to their innovative style, which featured cut-up samples of hip-hop, soul, funk, spoken word and various other types of music, as well as video and multimedia. According to '' Spin'', "in '87 Coldcut pioneered the British fad for 'DJ records'". Coldcut's records first introduced the public to pop artists Yazz and Lisa Stansfield, through which these artists achieved pop chart success. In addition, Coldcut has remixed and created productions on tracks by the likes of Eric B & Rakim, James Brown, Queen Latifah, Eurythmics, INXS, Steve Reich, Blondie, The Fall, Pierre Henry, Nina Simone, Fog, Red Snapper, and BBC Radiophonic Workshop. Beyond their work as a production duo, Coldcut are the founders of Ninja Tune, an independent record label in London, England (with ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |