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Gail Colson
Gail Colson is a retired music manager, whose company Gailforce Management Ltd. represented clients including Peter Gabriel (until December 1989), The Pretenders, Morrissey (briefly), Alison Moyet and Peter Hammill. Colson initially worked as personal assistant to the record producer, Shel Talmy, then joined Tony Stratton-Smith at Charisma Records, as label manager and joint managing director. She left to form her own company in the late 1970s, and retired in 2012. She served on the advisory board of Music Managers Forum. Her other clients included Random Hold, whose first album was produced by Hammill at her instigation, and the record producer, Stephen Street. Hammill has stated that: References

{{DEFAULTSORT:Colson, Gail British music managers British women Living people Year of birth missing (living people) ...
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Music Manager
A talent manager (also known as an artist manager, band manager or music manager) is an individual who guides the professional career of entertainer, artists in the entertainment industry. The responsibility of the talent manager is to oversee the day-to-day business affairs of an artist; advise and counsel talent concerning professional matters, long-term plans and personal decisions which may affect their career.MusicBizAdvice Q&A
January 2008
An artist manager is also a person responsible for hiring and managing the employees in a company. The roles and responsibilities of a talent manager vary slightly from industry to industry, as do the Commission (remuneration), commissions to which the manager is entitled. For example, a music mana ...
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Tony Stratton-Smith
Tony Stratton-Smith (29 October 1933 – 19 March 1987) was an English rock music manager, and entrepreneur. He founded the London-based record label Charisma Records in 1969 and managed rock groups such as the Nice, Van der Graaf Generator and Genesis. Career Stratton-Smith was born in Birmingham, England. He started his career as a sports journalist, mainly reporting on football for the ''Daily Sketch'' and the ''Daily Express'', and while at the Express including being assigned to cover the Manchester United v Red Star Belgrade European Cup match in Yugoslavia. However their chief soccer correspondent Henry Rose pulled rank and decided to go instead. The aircraft bringing back the team, officials and press crashed in what became known as the Munich Air Disaster and Rose was one of the fatalities. Later on he began being influenced by The Beatles, in particular their manager Brian Epstein and decided to enter the music business. One of the earliest bands he managed were the L ...
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British Women
History of women in the United Kingdom covers the social, cultural and political roles of women in Britain over the last two millennia. Medieval Medieval England was a patriarchal society and the lives of women were heavily influenced by contemporary beliefs about gender and authority. However, the position of women varied according to factors including their social class; whether they were unmarried, married, widowed or remarried; and in which part of the country they lived. Henrietta Leyser argues that women had much informal power in their homes and communities, although they were of officially subordinate to men. She identifies a deterioration the status of women in the Middle Ages, although they retained strong roles in culture and spirituality. Significant gender inequities persisted throughout the period, as women typically had more limited life-choices, access to employment and trade, and legal rights than men. After the Norman invasion, the position of women in soc ...
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British Music Managers
British may refer to: Peoples, culture, and language * British people, nationals or natives of the United Kingdom, British Overseas Territories, and Crown Dependencies. ** Britishness, the British identity and common culture * British English, the English language as spoken and written in the United Kingdom or, more broadly, throughout the British Isles * Celtic Britons, an ancient ethno-linguistic group * Brittonic languages, a branch of the Insular Celtic language family (formerly called British) ** Common Brittonic, an ancient language Other uses *''Brit(ish)'', a 2018 memoir by Afua Hirsch *People or things associated with: ** Great Britain, an island ** United Kingdom, a sovereign state ** Kingdom of Great Britain (1707–1800) ** United Kingdom of Great Britain and Ireland (1801–1922) See also * Terminology of the British Isles * Alternative names for the British * English (other) * Britannic (other) * British Isles * Brit (other) * Briton (d ...
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Sofa Sound
Peter Joseph Andrew Hammill (born 5 November 1948) is an English musician and recording artist. He was a founder member of the progressive rock band Van der Graaf Generator. Best known as a singer/songwriter, he also plays guitar and piano and produces his own recordings and occasionally those of other artists. In 2012, he was recognised with the Visionary award at the first Progressive Music Awards. Biography Early life Peter Hammill was born in Ealing, West London, and moved with his family to Derby when he was 12. He attended Beaumont College and Manchester University, where he studied Liberal Studies in Science. Hammill has stated that his grandfather was originally from Pakistan. Early career Hammill's solo career has coexisted with Van der Graaf Generator's activities. The band was offered a contract by Mercury Records in 1968, that only Hammill signed. When Van der Graaf Generator broke up in 1969 he wanted to record his first solo album. In the summer of 1969 Hammill h ...
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Stephen Street
Stephen Brian Street (born 29 March 1960 in Hackney, London) is an English music producer best known for his work with The Smiths, The Cranberries and Blur. Street collaborated with Morrissey on his debut album ''Viva Hate'' following the split of The Smiths. More recently he has worked with Kaiser Chiefs, Babyshambles and The Courteeners. For a time, he was managed by Gail Colson's company Gailforce Management. In February 2020, Street received the award for Outstanding Contribution to UK Music at the Music Producer's Guild Awards. Career Early career Street began his musical career in the late 1970s playing in various bands around London. He played bass in the new wave ska/pop group, Bim, with future Neneh Cherry/Massive Attack producer Cameron McVey. The band were featured in the ''Listen to London'' documentary film. Street started at Island Records' Fallout Shelter Studio in 1982 firstly as an "in-house assistant" and then as an "in-house engineer". The Smiths and ...
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Random Hold
Random Hold were a British rock band, originally active between 1977 and 1980, with a reformed band under the same name active between 1981 and 1982. History The first line-up featured David Ferguson (keyboards) and David Rhodes (guitar and vocals), plus Simon Ainley (guitars and vocals), Bill MacCormick (bass) and David Leach (drums). After a handful of gigs and record label interest, the band signed to Polydor Records. In late 1976, Dulwich College schoolmates David Ferguson (keyboards) and David Rhodes (guitar) formed a musical unit together, after attending a gig by the band 801, featuring Phil Manzanera (also a Dulwich College alumnus) and Brian Eno. The two Davids felt that 801 was too mainstream, underused the talents of its members, and that they could do better themselves. The duet initially bore the name "Manscheinen", playing in an experimental/electronic genre. Another Dulwich alumnus, Simon Ainley (Eric Smith Explosion, 801), joined on guitar in April 1978, and t ...
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Music Managers Forum
The Music Managers Forum (MMF) is the world's largest professional membership organisation representing music managers. At present the MMF membership stands at over 950 managers based in the UK with global businesses and a wider network of 2700 managers in the USA. History and governance Founded in 1992 at the In the City conference in Manchester and formally incorporated in January 1993 as The Managers Forum Ltd. The co-chairs at the time Diane Wagg and Stephen Budd appointed Annabella Coldrick as CEO in January 2016. Music Managers Forum appoints new CEO. Following a change in governance, in July 2017 a round of board elections was held. Designed to increase diversity and inclusivity, the new rules mean the board must rotate annually. Board members are now elected to serve only a fixed three-year term, and at least five members will be required to stand down each year. During 2017’s board elections, Stephen Budd stepped down as co-chair, with Diane Wagg becoming the sole-c ...
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Charisma Records
Charisma Records (also known as The Famous Charisma Label) was a British record label founded in 1969 by former journalist Tony Stratton-Smith. He had previously acted as manager for rock bands such as The Nice, the Bonzo Dog Band and Van der Graaf Generator. Gail Colson was label manager and joint managing director. The label's most successful acts were Genesis, Peter Gabriel, Julian Lennon, and Monty Python. The first release was an LP by Rare Bird, in (probably) November 1969, and this group gave Charisma its first hit single, Sympathy, in early 1970. (Sympathy was a reworking of Giazotto's 'reconstruction' of Albinoni's Adagio.) Charisma's first UK label was a distinctive magenta scroll design (though it is generally referred to in record collecting circles as "pink scroll") – magenta was the colour that Stratton Smith chose to represent the label, and this was reflected in his later horseracing colours, red for Manchester United, green for Brazil, and magenta for Charis ...
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Shel Talmy
Sheldon Talmy (born August 11, 1937) is an American record producer, songwriter and arranger, best known for his work in the UK in the 1960s with the Who, the Kinks and many others. Talmy arranged and produced hits such as "You Really Got Me" by the Kinks, "My Generation" by the Who, and "Friday on My Mind" by the Easybeats. He also played guitar or percussion on some of his productions. Early career Sheldon Talmy was born in Chicago, Illinois, United States, and from an early age he was interested both in music (early rock, rhythm and blues, folk music and country music) as well as the technology of the recording studio. At the age of 13, Talmy appeared regularly on the popular NBC-TV television show ''Quiz Kids'', a question-and-answer program from Chicago. He told Chris Ambrose of '' Tokion Magazine'', "What it did for me was that I absolutely knew that this was the business I wanted to be in." He graduated from Fairfax High School in Los Angeles in June 1955, the same hig ...
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Music Manager
A talent manager (also known as an artist manager, band manager or music manager) is an individual who guides the professional career of entertainer, artists in the entertainment industry. The responsibility of the talent manager is to oversee the day-to-day business affairs of an artist; advise and counsel talent concerning professional matters, long-term plans and personal decisions which may affect their career.MusicBizAdvice Q&A
January 2008
An artist manager is also a person responsible for hiring and managing the employees in a company. The roles and responsibilities of a talent manager vary slightly from industry to industry, as do the Commission (remuneration), commissions to which the manager is entitled. For example, a music mana ...
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Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ...
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