Gaetano Capocci
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Gaetano Capocci
Gaetano Capocci (16 October 1811 – 11 January 1898) was a composer, organist and maestro. Capocci was born in Rome. As a boy he studied the organ under Sante Pascoli, organist of St. Peter's Basilica, Rome, and he completed his musical studies under Valentino Fioravanti and Francesco Cianciarelli. In 1831 he was granted a diploma as organist by the Accademia Nazionale di Santa Cecilia, and, in 1833, he received a diploma in the art of composition. Almost immediately he was appointed organist of the Basilica di Santa Maria Maggiore, in 1839. In 1855 he was appointed ''maestro direttore'' of the Cappella Pia of the Lateran, where he worked for the remainder of his life. Solely devoted to church music, Capocci composed numerous masses and motets. He also wrote two oratorios, ''Battista'' and ''Assalonne''. His chief fame rested on his ''Responsori'' for Holy Week. At San Salvatore in Lauro he taught castrati Alessandro Moreschi and Giovanni Cesari Giovanni Cesari (25 June 1843 – ...
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Maestro
Maestro (; from the Italian ''wikt:maestro#Italian, maestro'' , meaning "wikt:master, master" or "teacher") is an honorific title of respect (plural: maestros or maestri). The term is most commonly used in the context of Western classical music and opera, in line with the ubiquitous use of List of Italian musical terms used in English#Musical direction, Italian musical terms. In music The word ''maestro'' is most often used in addressing or referring to conducting, conductors. Less frequently, one might refer to respected composers, Performing arts#Music, performers, impresarios, musicologists, and music education, music teachers. In the world of Italian opera, the title is also used to designate a number of positions within the orchestra and company that have specific duties during rehearsal and performance. These include: * Maestro sostituto or maestro collaboratore: musicians who act as ''répétiteurs'' and assistant conductors during performances. * Maestro concertatore, t ...
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Castrati
A castrato (Italian, plural: ''castrati'') is a type of classical male singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice is produced by castration of the singer before puberty, or it occurs in one who, due to an endocrinological condition, never reaches sexual maturity. Castration before puberty (or in its early stages) prevents the larynx from being transformed by the normal physiological events of puberty. As a result, the vocal range of prepubescence (shared by both sexes) is largely retained, and the voice develops into adulthood in a unique way. Prepubescent castration for this purpose diminished greatly in the late 18th century. Methods of castration used to terminate on the onset of puberty varied. Methods involved using opium to medically induce a coma, then submerging the boy into an ice or milk bath where the procedure of either severing the vas deferens (similar to a vasectomy), twisting the testicles until they atrophied, or comp ...
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Musicians From Rome
A musician is a person who composes, conducts, or performs music. According to the United States Employment Service, "musician" is a general term used to designate one who follows music as a profession. Musicians include songwriters who write both music and lyrics for songs, conductors who direct a musical performance, or performers who perform for an audience. A music performer is generally either a singer who provides vocals or an instrumentalist who plays a musical instrument. Musicians may perform on their own or as part of a group, band or orchestra. Musicians specialize in a musical style, and some musicians play in a variety of different styles depending on cultures and background. A musician who records and releases music can be known as a recording artist. Types Composer A composer is a musician who creates musical compositions. The title is principally used for those who write classical music or film music. Those who write the music for popular songs may be ...
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1898 Deaths
Events January–March * January 1 – New York City annexes land from surrounding counties, creating the City of Greater New York as the world's second largest. The city is geographically divided into five boroughs: Manhattan, Brooklyn, Queens, The Bronx and Staten Island. * January 13 – Novelist Émile Zola's open letter to the President of the French Republic on the Dreyfus affair, ''J'Accuse…!'', is published on the front page of the Paris daily newspaper ''L'Aurore'', accusing the government of wrongfully imprisoning Alfred Dreyfus and of antisemitism. * February 12 – The automobile belonging to Henry Lindfield of Brighton rolls out of control down a hill in Purley, London, England, and hits a tree; thus he becomes the world's first fatality from an automobile accident on a public highway. * February 15 – Spanish–American War: The USS Maine (ACR-1), USS ''Maine'' explodes and sinks in Havana Harbor, Cuba, for reasons never fully establish ...
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1811 Births
Events January–March * January 8 – An unsuccessful slave revolt is led by Charles Deslondes, in St. Charles and St. James Parishes, Louisiana. * January 17 – Mexican War of Independence – Battle of Calderón Bridge: A heavily outnumbered Spanish force of 6,000 troops defeats nearly 100,000 Mexican revolutionaries. * January 22 – The Casas Revolt begins in San Antonio, Spanish Texas. * February 5 – British Regency: George, Prince of Wales becomes prince regent, because of the perceived insanity of his father, King George III of the United Kingdom. * February 19 – Peninsular War – Battle of the Gebora: An outnumbered French force under Édouard Mortier routs and nearly destroys the Spanish, near Badajoz, Spain. * March 1 – Citadel Massacre in Cairo: Egyptian ruler Muhammad Ali kills the last Mamluk leaders. * March 5 – Peninsular War – Battle of Barrosa: A French attack fails, on a larger Anglo-Portuguese-Sp ...
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Filippo Capocci
Filippo Capocci (11 May 1840 – 25 July 1911) was an Italian organist and composer. Biography Born in Rome, Capocci was trained in organ and harmony by his father Gaetano (1811-1898) and in 1861 received a piano diploma from the Accademia di Santa Cecilia in Rome. In 1875, he was appointed organist of the Archbasilica of St. John Lateran. In 1898, he took over from his father as choirmaster at the Basilica. He also served in the Roman churches of St. Ignatius and St. Mary of Montserrat. Unlike his father, Filippo Capocci adhered to nineteenth-century musical aesthetics, avoiding the theatrical style, and dedicated himself to a style of performance and composition similar to that of the French organist Alexandre Guilmant. His opportunity for wider recognition came in 1881 with the inaugural concert for the new Merklin organ at the Church of St. Louis of France. By this time, thanks to his friendship with Guilmant, the world's largest churches opened their doors to Capocci. ...
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Giovanni Cesari
Giovanni Cesari (25 June 1843 – 10 March 1904) was an Italian singer with a ''soprano acuto'', or high soprano voice. Together with Alessandro Moreschi, Domenico Salvatori and Domenico Mustafà, Cesari was a famous castrato singer of the late 19th century. Born in the town of Frosinone, he was dropped off at an orphanage in 1852 by his parents. Here he started his musical education under the direction of Gaetano Capocci, financed by the Sistine Chapel. He was then admitted, upon completing his studies, as a soprano to the Sistine Chapel Choir at the age of 17 in 1861. Cesari was overall a remarkable soprano, and although he possessed a veiled voice, he was a master of song with an optimal intonation and an exquisite trill. In addition to being a soprano at the Sistine Chapel Choir, he was also director of sacred music at several churches of Rome (Santa Lucia al Gonfalone, Santo Spirito in Sassia, etc.), and he used to arrange concerts in Rome. In 1896 he was promoted to vice- ...
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Alessandro Moreschi
Alessandro Moreschi (11 November 1858 – 21 April 1922) was an Italian chorister of the late 19th century and the only castrato to make solo recordings. Early life Alessandro Moreschi was born on 11 November 1858 to Luigi Lorenzo Moreschi (1840–1897) and Rosa Maria Potelli, a Roman Catholic family in the town of Monte Compatri in the Papal States, near Frascati (Lazio). It is possible that he was born with an inguinal hernia, for which castration was still thought to be a cure in 19th-century Italy. Another possibility is that he was castrated later, around 1865, which would have been more in line with the centuries-old practice of castrating vocally talented boys well before puberty. In any case, much later in life, he referred to his enjoyment of singing as a boy in the chapel of the Madonna del Castagno, just outside his native town.Clapton, p. 62 Early career It seems likely that Moreschi's singing abilities came to the notice of Nazareno Rosati, formerly a member of the S ...
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San Salvatore In Lauro
San Salvatore in Lauro is a Catholic church in central Rome, Italy. It is located on a piazza of the same name in the rione Ponte. It stands on Via Vecchiarelli, just south of the Lungotevere Tor di Nona and north of via dei Coronari. Within Rome, the church is also known as St. Jesus. It is the " national church" of the ''marchigiani'', the inhabitants of the Marche region of Italy (the population of each of Italy's regions was counted as a "nation" before Italian unification). The current protector of this '' titulus'' is Cardinal-Deacon Angelo Comastri. The first church at the site dates to the 11th century; while the present building was constructed in the 16th century on designs of the Bolognese Ottaviano Mascherino. The main altarpiece and cupola are painted by Ludovico Rusconi Sassi. In the chapels are works of art by Antoniazzo Romano, Camillo Rusconi, François Duquesnoy, Alessandro Turchi and a ''Nativity'' by Pietro da Cortona. The refectory has a series of Manneris ...
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Valentino Fioravanti
Valentino Fioravanti (11 September 1764 – 16 June 1837) was a celebrated Italian composer of ''opera buffas''. Fioravanti was born in Rome. One of the best ''opera buffa'' composers between Domenico Cimarosa and Gioacchino Rossini, he was especially popular in Naples, and was the first in Italy to introduce spoken dialogue in the French manner in his works, sometimes using the Neapolitan dialect. His works included some 70 operas, the most famous being ''Le cantatrici villane'' from 1799. He died, aged 72, in Capua. His eldest son, Giuseppe Fioravanti, was a successful opera singer, and his younger son, Vincenzo Fioravanti (1799–1877), also became a celebrated opera buffa composer, writing 35 stage works. His grandsons, Valentino (1827–79) and Luigi (1829–87), had successful opera careers, both as basso buffos. Works The following appear in the extensive list of works by Fiorvanti which appear in Sadie. *''Camilla'' *''Il furbo contr'il furbo'' *''Il fabbro Parig ...
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Holy Week
Holy Week ( la, Hebdomada Sancta or , ; grc, Ἁγία καὶ Μεγάλη Ἑβδομάς, translit=Hagia kai Megale Hebdomas, lit=Holy and Great Week) is the most sacred week in the liturgical year in Christianity. In Eastern Churches, which includes Eastern Orthodox, Eastern Catholic and Eastern Lutheran traditions, Holy Week occurs the week after Lazarus Saturday and starts on the evening of Palm Sunday. In the denominations of the Western Christianity, which includes the Roman Catholicism, Lutheranism, Moravianism, Anglicanism, Methodism and Reformed Christianity, it begins with Palm Sunday and concludes on Easter Sunday. For all Christian traditions it is a moveable observance. In Eastern Rite Churches, Holy Week starts after 40 days of Lent and two transitional days, namely Saturday of Lazarus (Lazarus Saturday) and Palm Sunday. In the Western Christian Churches, Holy Week falls on the last week of Lent or Sixth Lent Week. Holy Week begins with the commemoratio ...
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Oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as w ...
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