|
Gaelic Ireland
Gaelic Ireland ( ga, Éire Ghaelach) was the Gaelic political and social order, and associated culture, that existed in Ireland from the late prehistoric era until the 17th century. It comprised the whole island before Anglo-Normans conquered parts of Ireland in the 1170s. Thereafter, it comprised that part of the country not under foreign dominion at a given time (i.e. the part beyond The Pale). For most of its history, Gaelic Ireland was a "patchwork" hierarchy of territories ruled by a hierarchy of kings or chiefs, who were chosen or elected through tanistry. Warfare between these territories was common. Occasionally, a powerful ruler was acknowledged as High King of Ireland. Society was made up of clans and, like the rest of Europe, was structured hierarchically according to class. Throughout this period, the economy was mainly pastoral and money was generally not used. A Gaelic Irish style of dress, music, dance, sport and art can be identified, with Irish art later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaelic Ireland
Gaelic Ireland ( ga, Éire Ghaelach) was the Gaelic political and social order, and associated culture, that existed in Ireland from the late prehistoric era until the early 17th century. It comprised the whole island before Anglo-Normans conquered parts of Ireland in the 1170s. Thereafter, it comprised that part of the country not under foreign dominion at a given time (i.e. the part beyond The Pale). For most of its history, Gaelic Ireland was a "patchwork" hierarchy of territories ruled by a hierarchy of kings or chiefs, who were chosen or elected through tanistry. Warfare between these territories was common. Occasionally, a powerful ruler was acknowledged as High King of Ireland. Society was made up of clans and, like the rest of Europe, was structured hierarchically according to class. Throughout this period, the economy was mainly pastoral and money was generally not used. A Gaelic Irish style of dress, music, dance, sport and art can be identified, with Irish art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irish Clothing
The clothing culture of Ireland is an interesting aspect of the country. Irish clothes are generally very well-made and have a long history of significance attached to them. Aran jumpers were invented in the early 20th century, and are not a historical part of Irish culture. There is no such thing as a Clan Aran. Irish Tweed is a woven fabric incorporating mutli-coloured neps - scraps of wool said originally to have been swept from the floor under the looms at the end of the day, and incorporated into the next day's weaving. In the past, much weaving was done in the home, with the fabric being delivered to a broker. Today, a few mills exist around Ireland which re-create this tweed in the traditional manner. Donegal is the heartland of Irish tweed and Donegal tweed is better known than other Irish tweeds. History Little is known about Irish apparel before the twelfth century. Historians believe that the early inhabitants of Ireland dressed in wool cloth, although some argue th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Protohistory Of Ireland
The prehistory of Ireland included a protohistorical period, when the literate cultures of Greece and Rome began to take notice of it, and a further proto-literate period of ogham epigraphy, before the early historical period began in the 5th century. Attempts have been made to reconstruct the political developments of this period by reference to early medieval Irish genealogical texts. Ireland in Classical literature Early references Classical writers occasionally refer to Ireland under a variety of names, but these references contain little reliable information. For example, Diodorus Siculus claims that the ''Prettanoi'' of the island of ''Iris'' eat human flesh. Strabo, who calls the island ''Ierne'', repeats the accusation, adding that they consider it honourable to eat their dead fathers, and openly have sex with their mothers and sisters (although he is sceptical about his sources). Pomponius Mela calls it ''Iuverna'' and says that, although the climate is unfavourable ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Beith-Luis-Nin
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ogham
Ogham (Modern Irish: ; mga, ogum, ogom, later mga, ogam, label=none ) is an Early Medieval alphabet used primarily to write the early Irish language (in the "orthodox" inscriptions, 4th to 6th centuries AD), and later the Old Irish language (scholastic ogham, 6th to 9th centuries). There are roughly 400 surviving orthodox inscriptions on stone monuments throughout Ireland and western Britain, the bulk of which are in southern Munster. The largest number outside Ireland are in Pembrokeshire, Wales. The vast majority of the inscriptions consist of personal names. According to the High Medieval ''Bríatharogam'', the names of various trees can be ascribed to individual letters. For this reason, ogam is sometimes known as the Celtic tree alphabet. The etymology of the word ''ogam'' or ''ogham'' remains unclear. One possible origin is from the Irish ''og-úaim'' 'point-seam', referring to the seam made by the point of a sharp weapon. Origins It is generally thought that th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ogham Inscription
Roughly 400 known ogham inscriptions are on stone monuments scattered around the Irish Sea, the bulk of them dating to the fifth and sixth centuries. Their language is predominantly Primitive Irish, but a few examples record fragments of the Pictish language. Ogham itself is an Early Medieval form of alphabet or cipher, sometimes known as the "Celtic Tree Alphabet". A number of different numbering schemes are used. The most widespread is CIIC, after R. A. Stewart Macalister, R. A. S. Macalister (''Corpus Inscriptionum Insularum Celticarum'', Latin for "Text corpus, corpus of Insular Celtic inscriptions"). This covers the inscriptions known by the 1940s. Another numbering scheme is that of the Celtic Inscribed Stones Project, CISP, based on the location of the stones; for example CIIC 1 = CISP INCHA/1. Macalister's (1945) numbers run from 1 to 507, including also Latin and Runic inscriptions, with three additional added in 1949. Ziegler lists 344 Gaelic ogham inscriptions known ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seanchaí
A seanchaí ( or – plural: ) is a traditional Gaelic storyteller/historian. In Scottish Gaelic the word is (; plural ). The word is often anglicised as shanachie ( ). The word ''seanchaí'', which was spelled ''seanchaidhe'' (plural ''seanchaidhthe'') before the Irish-language spelling reform of 1948, means a bearer of "old lore" (''seanchas''). In the Gaelic culture, long lyric poems which were recited by bards (''filí''; ''filidhe'' in the original pre-1948 spelling) in a tradition echoed by the ''seanchaithe''. Traditional art ''Seanchaithe'' were servants to the heads of the lineages and kept track of important information for them: laws, genealogies, annals, literature, etc. After the destruction of Gaelic civilization in the 1600s as a result of the English conquests, these more formal roles ceased to exist and the term ''seanchaí'' came to be associated instead with traditional storytellers from the lower classes. The ''seanchaithe'' made use of a range of story ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oral Tradition
Oral tradition, or oral lore, is a form of human communication wherein knowledge, art, ideas and cultural material is received, preserved, and transmitted orally from one generation to another. Vansina, Jan: ''Oral Tradition as History'' (1985), reported statements from present generation which "specifies that the message must be oral statements spoken, sung or called out on musical instruments only"; "There must be transmission by word of mouth over at least a generation". He points out, "Our definition is a working definition for the use of historians. Sociologists, linguists or scholars of the verbal arts propose their own, which in, e.g., sociology, stresses common knowledge. In linguistics, features that distinguish the language from common dialogue (linguists), and in the verbal arts features of form and content that define art (folklorists)."Ki-Zerbo, Joseph: "Methodology and African Prehistory", 1990, ''UNESCO International Scientific Committee for the Drafting of a Gene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Celtic Polytheism
Ancient Celtic religion, commonly known as Celtic paganism, was the religion of the ancient Celtic peoples of Europe. Because the ancient Celts did not have writing, evidence about their religion is gleaned from archaeology, Greco-Roman accounts (some of it hostile and probably not well-informed), and literature from the early Christian period. Green, Miranda (2012). "Chapter 25: The Gods and the supernatural", ''The Celtic World''. Routledge. pp.465–485 Celtic paganism was one of a larger group of Iron Age polytheistic religions of Europe. It varied by region and over time, but underlying this were "broad structural similarities" Cunliffe, Barry (1997). ''The Ancient Celts''. Oxford and New York: Oxford University Press. p. 184. and "a basic religious homogeneity" among the Celtic peoples. The names of over two hundred Celtic deities have survived (see list of Celtic deities), although it is likely that many of these were alternative names, regional names or titles for the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Insular Art
Insular art, also known as Hiberno-Saxon art, was produced in the post-Roman era of Great Britain and Ireland. The term derives from ''insula'', the Latin term for "island"; in this period Britain and Ireland shared a largely common style different from that of the rest of Europe. Art historians usually group Insular art as part of the Migration Period art movement as well as Early Medieval Western art, and it is the combination of these two traditions that gives the style its special character. Most Insular art originates from the Irish monastic movement of Celtic Christianity, or metalwork for the secular elite, and the period begins around 600 with the combining of Celtic and Anglo-Saxon styles. One major distinctive feature is interlace decoration, in particular the interlace decoration as found at Sutton Hoo, in East Anglia. This is now applied to decorating new types of objects mostly copied from the Mediterranean world, above all the codex or book. The finest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anglo-Saxon Art
Anglo-Saxon art covers art produced within the Anglo-Saxon period of English history, beginning with the Migration period style that the Anglo-Saxons brought with them from the continent in the 5th century, and ending in 1066 with the Norman Conquest of England, whose sophisticated art was influential in much of northern Europe. The two periods of outstanding achievement were the 7th and 8th centuries, with the metalwork and jewellery from Sutton Hoo and a series of magnificent illuminated manuscripts, and the final period after about 950, when there was a revival of English culture after the end of the Viking invasions. By the time of the Conquest the move to the Romanesque style is nearly complete. The important artistic centres, in so far as these can be established, were concentrated in the extremities of England, in Northumbria, especially in the early period, and Wessex and Kent near the south coast. Anglo-Saxon art survives mostly in illuminated manuscripts, Anglo-S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Celtic Art
Celtic art is associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to the modern period, as well as the art of ancient peoples whose language is uncertain, but have cultural and stylistic similarities with speakers of Celtic languages. Celtic art is a difficult term to define, covering a huge expanse of time, geography and cultures. A case has been made for artistic continuity in Europe from the Bronze Age, and indeed the preceding Neolithic age; however archaeologists generally use "Celtic" to refer to the culture of the European Iron Age from around 1000 BC onwards, until the conquest by the Roman Empire of most of the territory concerned, and art historians typically begin to talk about "Celtic art" only from the La Tène culture, La Tène period (broadly 5th to 1st centuries BC) onwards. Early Celtic art is another term used for this period, stretching in Britain to about 150 AD. The Early Medieval art of Britain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.png "Click for more on -> The Beith-Luis-Nin")
_(14760479206).jpg "Click for more on -> Ogham")
.jpg "Click for more on -> Celtic Art")