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Gaea (Bolcom)
''Gaea'', for Two Pianos Left Hand and Orchestra, also simply called ''Concerto for Two Pianos Left Hand'', is a concert piece by the American composer William Bolcom, written for Leon Fleisher and Gary Graffman. The composition, which received its first performance in Baltimore in April 1996, is constructed in such a way that it can be performed in one of three ways, with either piano part alone with reduced orchestra, or with both piano parts and the two reduced orchestras combined into a full orchestra. The piece was one of several that could fully or partially trace their origin to the loss of use in Fleisher's right hand in 1965, according to Fleisher'Kennedy Center biography See also * List of compositions by William Bolcom *List of works for piano left-hand and orchestra This is a list of concertos and concertante works for piano left-hand and orchestra. The first piano solo was an arrangement by Johannes Brahms of the Chaconne from Johann Sebastian Bach's Partita for ...
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William Bolcom
William Elden Bolcom (born May 26, 1938) is an American composer and pianist. He has received the Pulitzer Prize, the National Medal of Arts, a Grammy Award, the Detroit Music Award and was named 2007 Composer of the Year by Musical America. He taught composition at the University of Michigan from 1973 until 2008. He is married to mezzo-soprano Joan Morris. Early life and education Bolcom was born in Seattle, Washington. At age 11, he entered the University of Washington to study composition privately with George Frederick McKay and John Verrall and piano with Madame Berthe Poncy Jacobson. "He later studied with Darius Milhaud at Mills College while working on his Master of Arts degree, with Leland Smith at Stanford University while working on his D.M.A., and with Olivier Messiaen at the Paris Conservatoire, where he received the 2ème Prix de Composition". Career Bolcom won the Pulitzer Prize for music in 1988 for '' 12 New Etudes for Piano''. In the fall of 1994, he was named ...
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Leon Fleisher
Leon Fleisher (July 23, 1928 â€“ August 2, 2020) was an American classical pianist, conductor and pedagogue. He was one of the most renowned pianists and pedagogues in the world. Music correspondent Elijah Ho called him "one of the most refined and transcendent musicians the United States has ever produced". Born in San Francisco, Fleisher began playing piano at the age of four, and began studying with Artur Schnabel at age nine. He was particularly well known for his interpretations of the two piano concertos of Brahms and the five concertos of Beethoven, which he recorded with George Szell and the Cleveland Orchestra. With Szell, he also recorded concertos by Mozart, Grieg, Schumann, Franck, and Rachmaninoff. In 1964, he lost the use of his right hand due to a neurological condition eventually diagnosed as focal dystonia, forcing him to focus on the repertoire for the left hand, such as Ravel's ''Piano Concerto for the Left Hand'' and many compositions written for him. I ...
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Gary Graffman
Gary Graffman (born October 14, 1928) is an American classical pianist, teacher and administrator. Early life Graffman was born in New York City to Russian-Jewish parents. Having started piano at age 3, Graffman entered the Curtis Institute of Music at age 7 in 1936 as a piano student of Isabelle Vengerova. After graduating from Curtis in 1946, he made his professional solo debut with conductor Eugene Ormandy and the Philadelphia Orchestra. From 1946 to 1948, he studied at Columbia University. In 1949, Graffman won the Leventritt Competition. He then furthered his piano studies with Rudolf Serkin at the Marlboro Music Festival and informally with Vladimir Horowitz. In 1954, he returned to Columbia to perform Edward MacDowell's Piano Concerto No. 2 under Leopold Stokowski at the university's bicentennial concert. Initial work Upon graduation he played with numerous orchestras and performed concerts and recitals internationally. Over the next three decades, he toured and recorded ...
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List Of Compositions By William Bolcom
This is a list of compositions by American composer William Bolcom. By genre Operas * ''McTeague'' (1991–92) * '' A View from the Bridge'' (1997–98) * '' A Wedding'' (2003) * '' Dinner at Eight'' (2016) Symphonies * Symphony No. 1 (1957) * Symphony No. 2 ''Oracles'' (1964) * Symphony No. 3 ''Symphony for Chamber Orchestra'' (1979) * Symphony No. 4 (1986) * Symphony No. 5 (1989) * Symphony No. 6 (1996–1997) * Symphony No. 7 (2002) * Symphony No. 8 (2005) * Symphony No. 9 (2012) * Symphony No. 1 for band (2008) Concertos * Piano Concerto (1976) * Violin Concerto in D (1983) * Fantasia Concertante (1984) * Clarinet Concerto (1988) * Flute Concerto ''Lyric Concerto'' (1992–1993) * Concerto for Two Pianos Left Hand ''Gaea'' (1996) * Concerto Grosso for Saxophone Quartet and Orchestra (2000) * Romanza (2009) * Trombone Concerto (2016) * Concerto for Soprano Saxophone and Band (2016) * 2nd Piano Concerto (2019) Piano * Miscellaneous rags (24) * Three Ghost Rags (1970) ...
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List Of Works For Piano Left-hand And Orchestra
This is a list of concertos and concertante works for piano left-hand and orchestra. The first piano solo was an arrangement by Johannes Brahms of the Chaconne from Johann Sebastian Bach's Partita for Violin No. 2, BWV 1004, published in 1878. The Russian composer-pianist Alexander Scriabin composed the first original solo left-hand piece, Prelude and Nocturne for the left hand, Op. 9, in 1894. The best known left-hand concerto is the Piano Concerto for the Left Hand in D by Maurice Ravel, which was written for Paul Wittgenstein between 1929 and 1930. Wittgenstein, who lost his right arm in World War I, commissioned a number of such works around that time, as did Otakar Hollmann. More recently, Gary Graffman has commissioned a number of left-hand concertos. List Works for the right hand only Works for piano right-hand only also exist, but there are far fewer of them than for left-hand only. Concertante works involving piano right-hand include: * Henri Cliquet-Pleyel (1894â ...
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Compositions By William Bolcom
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work *Composition (Peeters), ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction *Compositions (album), ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions Hist ...
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1996 Compositions
File:1996 Events Collage.png, From left, clockwise: A bomb explodes at Centennial Olympic Park in Atlanta, set off by a radical anti-abortionist; The center fuel tank explodes on TWA Flight 800, causing the plane to crash and killing everyone on board; Eight people die in a blizzard on Mount Everest; Dolly the Sheep becomes the first mammal to have been cloned from an adult somatic cell; The Port Arthur Massacre occurs on Tasmania, and leads to major changes in Australia's gun laws; Macarena, sung by Los del Río and remixed by The Bayside Boys, becomes a major dance craze and cultural phenomenon; Ethiopian Airlines Flight 961 crash-ditches off of the Comoros Islands after the plane was hijacked; the 1996 Summer Olympics are held in Atlanta, marking the Centennial (100th Anniversary) of the modern Olympic Games., 300x300px, thumb rect 0 0 200 200 Centennial Olympic Park bombing rect 200 0 400 200 TWA FLight 800 rect 400 0 600 200 1996 Mount Everest disaster rect 0 200 30 ...
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Concertos For Piano Left-hand And Orchestra
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three-movement structure, a slow movement (e.g., lento or adagio) preceded and followed by fast movements (e.g. presto or allegro), became a standard from the early 18th century. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such as Giuseppe Torelli started to publish their concertos. A few decades later, Venetian composers, such as Antonio Vivaldi, had written hundreds of violin concertos, while also producing solo concertos for other instruments such as a cello or a woodwind instrument, and concerti grossi for a group of soloists. The first keyboard concertos, such as George Frideric Handel's organ concertos and Johann Sebastian ...
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