G. D. Madgulkar
Gajānan Digambar Mādguḷkar (1 October 1919 – 14 December 1977) was a Marāthi poet, lyricist, writer and actor from India. He is popularly known in his home state of Mahārāshtra by just his initials as Ga Di Mā (गदिमा). He was awarded Sangeet Natak Akademi Award in 1951 and Padma Shri in 1969. He has written 157 screen plays and over 2000 songs in his career. He was called Ādhunik Valmiki (the modern Valmiki) of current era due to his composition of Geet Rāmāyan (lit. Ramayana in Songs) as the most notable work. 2019 is celebrated as his Birth Century year. Government of Maharashtra hosts various events and festivals to grace the occasion. Career Madgulkar wrote poetry, short stories, novels, autobiographies and scripts, dialogues and lyrics for Marathi as well as Hindi movies. His poems have been adapted to a wide range of musical forms such as ''Sugam-Sangeet'' (light music), '' Bhāwa-Geet'' (emotional songs), ''Bhakti-Geet'' (devotional songs), and '' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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:Template:Infobox Writer/doc
Infobox writer may be used to summarize information about a person who is a writer/author (includes screenwriters). If the writer-specific fields here are not needed, consider using the more general ; other infoboxes there can be found in :People and person infobox templates. This template may also be used as a module (or sub-template) of ; see WikiProject Infoboxes/embed for guidance on such usage. Syntax The infobox may be added by pasting the template as shown below into an article. All fields are optional. Any unused parameter names can be left blank or omitted. Parameters Please remove any parameters from an article's infobox that are unlikely to be used. All parameters are optional. Unless otherwise specified, if a parameter has multiple values, they should be comma-separated using the template: : which produces: : , language= If any of the individual values contain commas already, add to use semi-colons as separators: : which produces: : , ps ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Further Reading '', 2003
{{disambiguation ...
Further or Furthur may refer to: * ''Furthur'' (bus), the Merry Pranksters' psychedelic bus *Further (band), a 1990s American indie rock band *Furthur (band), a band formed in 2009 by Bob Weir and Phil Lesh * ''Further'' (The Chemical Brothers album), 2010 * ''Further'' (Flying Saucer Attack album), 1995 * ''Further'' (Geneva album), 1997, and a song from the album * ''Further'' (Richard Hawley album), 2019 * ''Further'' (Solace album), 2000 * ''Further'' (Outasight album), 2009 * "Further" (VNV Nation song), a song by VNV Nation *"Further", a song by Longview from the album ''Mercury Mercury commonly refers to: * Mercury (planet), the nearest planet to the Sun * Mercury (element), a metallic chemical element with the symbol Hg * Mercury (mythology), a Roman god Mercury or The Mercury may also refer to: Companies * Merc ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dhumal (actor)
Anant Balwant Dhumal (29 March 1914 – 13 February 1987), popularly known as Dhumal, was an actor in Bollywood films known for playing character roles. He acted in many movies and was active from the mid 1940s till the late 1980s. He started his acting career from Marathi theatre, which paved way for Marathi cinema and later he moved to Hindi cinema, where he mostly played comedy roles and later in his career, character roles. He worked in notable films such as ''Howrah Bridge'' (1958), ''Bombai Ka Babu'' (1960), ''Kashmir Ki Kali'' (1964), ''Gumnaam'' (1965), ''Do Badan'' (1966), ''Love in Tokyo'' (1966) and '' Benaam'' (1974). Career His career in acting began when he joined a drama company, where he served drinks and washed utensils. There would be occasions when artistes playing minor roles failed to turn up; this would give the spot boys an opportunity to fill in for them. This was how Dhumal landed up with bit roles in plays. During this period, he met P. K. Atre and Na ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Chittaranjan Kolhatkar
Chittaranjan Cintamanrav Kolhatkar ( mr, चित्तरंजन चिंतामणराव कोल्हटकर; 15 January 1923 – 25 October 2009) was an Indian film and theatre actor. Born in 1923 in the Amravati district of Maharashtra, Kolhatkar began his film career in 1944, appearing in the film ''Garibanche Rajya''. His theatre debut was in ''Bhavbandhan'' written by Ram Ganesh Gadkari.Paranjpe, ShailendraVeteran Marathi actor Kolhatkar dies at 86 '' DNA'', 26 October 2009. Politically, Kolhatkar was a firm supporter of the Hindu nationalist political ideology Hindutva. He appeared in more than 100 films. Kolhatkar was admitted to the Dinanath Mangeshkar Hospital in Pune on 13 October 2009 after suffering a fall during his evening walk. On 25 October, he suffered a heart attack and died, aged 86. Works ; As actor * ''Mohityanchi Manjula'' (Film, 1963) * ''Ashroonchi Zhali Phule ''Ashroonchi Zhali Phule'', also known as ''Ashrunchi Jhali Phule'' (Engl ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Raja Paranjpe
Rajabhau Dattatraya Paranjpe (24 April 1910 – 9 February 1979), known as Raja Paranjape, was an Indian actor, director, producer and writer in the Marathi film and Hindi film Hindi cinema, popularly known as Bollywood and formerly as Bombay cinema, refers to the film industry based in Mumbai, engaged in production of motion pictures in Hindi language. The popular term Bollywood, is a portmanteau of "Bombay" (fo ... industries. He started to produce Marathi films under the banner named Gajraj with Madgulkar and Phadake. The super-hit Hindi film, ''Mera Saaya'', was a remake of his Marathi film, ''Pathlaag''. Career In a career spanning 40 years, Paranjape was associated with about 80 Marathi and Hindi films. Films as director (29 titles) Films as actor (20 titles) References External links * * https://web.archive.org/web/20130424005744/http://www.rajaparanjapepratishthan.org/index.html * https://www.flickr.com/photos/rashid_ashraf/43991175431/in/dateposted ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Raja Gosavi
''Raja'' (; from , IAST ') is a royal title used for South Asian monarchs. The title is equivalent to king or princely ruler in South Asia and Southeast Asia. The title has a long history in South Asia and Southeast Asia, being attested from the Rigveda, where a ' is a ruler, see for example the ', the "Battle of Ten Kings". Raja-ruled Indian states While most of the Indian salute states (those granted a gun salute by the British Crown) were ruled by a Maharaja (or variation; some promoted from an earlier Raja- or equivalent style), even exclusively from 13 guns up, a number had Rajas: ; Hereditary salutes of 11-guns : * the Raja of Pindrawal * the Raja of Morni * the Raja of Rajouri * the Raja of Ali Rajpur * the Raja of Bilaspur * the Raja of Chamba * the Raja of Faridkot * the Raja of Jhabua * the Raja of Mandi * the Raja of Manipur * the Raja of Narsinghgarh * the Raja of Pudukkottai * the Raja of Rajgarh * the Raja of Sangli * the Raja of Sailana * the Raja ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hansa Wadkar
Hansa Wadkar (1923–1971) was a Marathi and Hindi film and stage actress of Indian cinema. She started her acting career at the age of thirteen years, as a heroine in the bilingual film ''Vijaychi Lagne'' (1936). Wadkar went on to make a name for herself working in the reputable film companies like Bombay Talkies, Prabhat Film Company and National Studios. Her career defining role was in Vishnupant Damle's ''Sant Sakhu'' (1941) where she enacted the role of the female saint Sakhu. Her other memorable roles were in the Tamasha genre films like Lokshahir Ram Joshi (1947), termed as the "Classic Marathi Tamasha musical". ''Sangtye Aika'' (1959) was another of Marathi cinema's "best known Tamasha film" along with Ram Joshi. She thus acted in two of Marathi cinema's biggest hits ''Lokshahir Ramjoshi'' and ''Sangtye Aika''. The title "Sangtye Aika" (You Ask, I Tell) was used by Wadkar for her autobiography compiled in 1971. The autobiography was initially serialised in the Marathi m ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Lokshahir Ram Joshi
''Lokshahir Ram Joshi'' (People's Poet Ram Joshi) also called ''Matawala Shair Ram Joshi'' in Hindi, is a 1947 Marathi language, Marathi biopic film of the poet Ram Jagannath Joshi, Ram Joshi, written by G. D. Madgulkar, directed by Baburao Painter and co-directed by V. Shantaram. Shantaram had given the direction to Painter but had to complete the film when Painter fell ill during production. Produced under the Rajkamal Kalamandir banner, it is also referred to as ''Lok Shahir Ramjoshi''. The story writer was G.D. Madgulkar, who is cited as the "first specialist film writer" in Marathi cinema. This film was his first "full-fledged writing assignment", wherein he wrote the story, screenplay, dialogue and lyrics. It was also his debut as a screenplay writer. The film starred Jayaram Shiledar as Ram Joshi and Hansa Wadkar as Baya. The rest of the cast included Shakuntala Paranjpye, Parashuram, Sudha Apte and G. D. Madgulkar. The film, termed as the "Classic Marathi Tamasha musical ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Baburao Pendharkar
Baburao Pendharkar (22 June 18968 November 1967), was an Indian actor, director, film producer and writer. Personal life Baburao Pendharkar was born on 22 June 1896 in Kolhapur in a Brahmin family. Born to Radhabai and her patron Dr Gopal Pendharkar, Baburao was related to quite a few film personalities in Indian film industry. His younger brother Bhalji Pendharkar was a famous film director, producer and writer. Other famous names in family included half-brother Master Vinayak, Radhabai's son after she married Karnataki, cousin V. Shantaram, son of Kamalabai, Radhabai's younger sister. Baburao married Shree Kumudini and had two sons and daughters each with her. He died on November 8, 1967 in Bombay aged 71. Film career Baburao started his career in the era of silent film A silent film is a film with no synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting o ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Do Aankhen Barah Haath
''Do Aankhen Barah Haath'' () is a 1957 Indian Hindi-language drama film directed by V. Shantaram, who also starred. It is considered to be one of the classics of Hindi cinema and is based on humanistic psychology. It won a Silver Bear at the 8th Berlin International Film Festival and a Golden Globe Award in the new category Samuel Goldwyn International Film Award for best film produced outside of the United States. The film is also remembered for the song "Aye Maalik Tere Bande Hum", sung by Lata Mangeshkar and written by Bharat Vyas. The inspiration for this movie was a real experiment conducted by Maurice Frydman, who refused to have his name credited at the end of the film. He went so far as to tell the movie maker, V Shantaram, that he would sue him in court if his name were to appear anywhere in the credits. This incident is related in an interview of David Godman, who talks about Maurice Frydman's extraordinary life and connection to India. The film was inspired by the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Toofan Aur Deeya
''Toofan Aur Deeya (Storm and Lamp)'' is a 1956 Bollywood film directed by Prabhat Kumar and starring Satish Vyas, Nanda, Rajendra Kumar, Vatsala Deshmukh, Shanta Kumari, Krishna Kumar, Keshavrao Date, and Ulhas. Plot Summary of Toofan Aur Diya The film depicts a period in our society, not so long past when the postcard was a trusted and cheap means of communication and the cycle the most common mode of commuting; when people were sensitive to the sufferings of others in their neighborhood and faith was the rule rather than the exception in social relationships. The film relates the inspiring story of a boy Sadanand and his sister Nandini who endeavor to live with honor after their father(poet Milind Madhav) died in penury. Many people who were uprooted from familiar surroundings following the partition of the country and had to endure numerous struggles to survive, rebuild their lives, and bring up their families in new surroundings will be able to identify themselve ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jeewan Jyoti (1953 Film)
''Jeewan Jyoti'' is a 1953 Indian Hindi-language film directed by Mahesh Kaul. It is the debut film of the lead actors Shammi Kapoor & Chand Usmani. It also stars Shashikala. Plot Cast * Shammi Kapoor as Shyam Sundar "Shammi" * Chand Usmani as Kishori * Shashikala as Leela * Leela Mishra as Ganga * Dulari (actress), Dulari as Jamna * Nazir Hussain as Dr. Abdul Hamid * Moni Chatterjee as Master Dinanath Soundtrack References External links * 1953 films 1950s Hindi-language films Films scored by S. D. Burman Indian drama films 1953 drama films Indian black-and-white films {{1950s-Hindi-film-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |