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Fürstenfeld Abbey
Fürstenfeld Abbey (german: Kloster Fürstenfeld, ) is a former Cistercian monastery in Fürstenfeldbruck (formerly known simply as Bruck), Bavaria, Germany. It is situated about 25 km north-west of Munich. The abbey was one of the household monasteries of the Wittelsbachs. The abbey church of the Assumption of the Virgin Mary is held to be a masterpiece of the late Baroque in southern Germany. History In 1256, Louis II, Duke of Bavaria (Louis the Severe) killed his first wife, Marie of Brabant (1226–1256) on suspicion of adultery (which later turned out to be unfounded), the penance for which, as imposed by Pope Alexander IV, was the foundation of a monastery. The first foundation at Seldental, at Tal near Aibling, in 1258, was afterwards moved to the present site near the town of Bruck in 1263. Papal permission for the new foundation to be settled by Cistercian monks from Aldersbach Abbey had been obtained as early as 1256, but was not confirmed by the Bishop of Fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cistercian
The Cistercians, () officially the Order of Cistercians ( la, (Sacer) Ordo Cisterciensis, abbreviated as OCist or SOCist), are a Catholic religious order of monks and nuns that branched off from the Benedictines and follow the Rule of Saint Benedict, as well as the contributions of the highly-influential Saint Bernard of Clairvaux, known as the Latin Rule. They are also known as Bernardines, after Saint Bernard himself, or as White Monks, in reference to the colour of the "cuculla" or cowl (choir robe) worn by the Cistercians over their habits, as opposed to the black cowl worn by Benedictines. The term ''Cistercian'' derives from ''Cistercium,'' the Latin name for the locale of Cîteaux, near Dijon in eastern France. It was here that a group of Benedictine monks from the monastery of Molesme founded Cîteaux Abbey in 1098, with the goal of following more closely the Rule of Saint Benedict. The best known of them were Robert of Molesme, Alberic of Cîteaux and the English ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederick I Of Austria (Habsburg)
Frederick the Fair (german: Friedrich der Schöne) or the Handsome (c. 1289 – 13 January 1330), from the House of Habsburg, was the duke of Austria and Styria from 1308 as well as the anti-king of Germany from 1314 until 1325 and then co-king until his death. Background Frederick was born in Vienna, the second son of King Albert I of Germany by his wife Elisabeth of Gorizia-Tyrol, a scion of the Meinhardiner dynasty, and thereby a grandson of the first Habsburg king of Germany Rudolph I. Duke of Austria Still a minor, he and his elder brother Rudolph III had been vested with the duchies of Austria and Styria by their father in 1298. Upon Rudolph's early death in 1307 and the assassination of his father in 1308, he became the ruler of the Austrian and Styrian duchies on behalf of himself and his younger brothers. The royal title held by his father and grandfather however passed to Count Henry VII of Luxembourg, who was elected by six of seven votes, contrived by the mighty Arc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Egid Quirin Asam
Egid Quirin Asam (1 September 1692 – 29 April 1750) was a German plasterer, sculptor, architect, and painter. He was active during the Late Baroque and Rococo periods. Born in Tegernsee, Bavaria, Asam worked mainly together with his brother, the architect and painter Cosmas Damian Asam. Because of this, their common work is often attributed to the Asam Brothers. Asam died in Mannheim, Baden-Württemberg. Biography Egid Quirin Asam was born on September 1, 1692, in Tegernsee, Bavaria. He was baptized on September 1, 1692.Hitchcock (1968), p. 232. His father was Hans Georg Asam (1649–1741) and his mother was Maria Theresia Asam. Two of his siblings were Cosmas Damian Asam and Maria Salome Asam. Major works The Asam Brothers, singularly and together, were very prolific artists. Some of their major works were: Bavaria *Aldersbach— Monastery Church of Mariae Himmelfahrt ( stucco of swirling garlands and capitals and pillars in the Italian Baroque tradition) *Benedi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cosmas Damian Asam
Cosmas Damian Asam (29 September 1686 – 10 May 1739) was a German painter and architect during the late Baroque period. Born in Benediktbeuern, he lived in Rome from 1711 to 1713 to study at the Accademia di San Luca with Carlo Maratta. In 1713, Asam won the Academy's first prize for his drawing of ''Miracle of Saint Pio''. In Germany, he worked with his brother Egid Quirin, a sculptor and stucco worker, on building and decorating entirely new churches (such as the Asam Church in Munich) or redesigning churches in the Baroque style (Regensburg— Benedictine Monastery Church of St. Emmeram). Their joint projects are often attributed to the "Asam Brothers". Cosmas Damian died in Munich. Major works The Asam Brothers, singularly and together, were very prolific artists. They typically worked for Benedictine monasteries, though they occasionally took secular commissions. Cosmas Damian's altar depicting The Vision of St. Benedict in Weltenburg— Monastery Chu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asam Brothers
The Asam brothers (Cosmas Damian Asam and Egid Quirin Asam) were sculptors, workers in stucco, painters, and architects, who worked mostly together and in southern Germany. They are among the most important representatives of the German late Baroque. Life Cosmas Damian Asam and his brother Egid Quirin Asam were two of the nine children of Hans Georg Asam (1649–1711), the resident painter in Benediktbeuern Abbey. Both were apprentices under their father. After the death of his father in 1711, Cosmas Damian traveled to Rome, sponsored by the abbot of Tegernsee, in order to receive further education there. Presumably his brother accompanied him on this trip. The works of Giovanni Lorenzo Bernini made a profound impression on Cosmas Damian, and in 1713 he received the first prize of the Accademia di San Luca in the presence of the Pope. In 1716 Egid Quirin finished his training under the Munich court sculptor Andreas Faistenberger. After their return from Italy, the brothers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Appiani
Francesco Appiani (January 29, 1704 – 1792) was an Italian painter of the late-Baroque period, active mainly in Rome and Perugia. Biography Appiani was born in Ancona. He was a pupil of Domenico Simonetti, and then later moved to Rome to study under Francesco Trevisani, Francesco Mancini, and Giovanni Paolo Pannini. entry by Francesco Santi, Dizionario Biografico degli Italiani - Volume 3 (1961) He mainly worked in Perugia. Among his works, are a ''Death of San Domenico'' painted for the church of San Sisto Vecchio. He is known for his altarpiece in the . He also painted lunettes for a church of a Benedictine convent dedicated to fal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choir (architecture)
A choir, also sometimes called quire, is the area of a church or cathedral that provides seating for the clergy and church choir. It is in the western part of the chancel, between the nave and the sanctuary, which houses the altar and Church tabernacle. In larger medieval churches it contained choir-stalls, seating aligned with the side of the church, so at right-angles to the seating for the congregation in the nave. Smaller medieval churches may not have a choir in the architectural sense at all, and they are often lacking in churches built by all denominations after the Protestant Reformation, though the Gothic Revival revived them as a distinct feature. As an architectural term "choir" remains distinct from the actual location of any singing choir – these may be located in various places, and often sing from a choir-loft, often over the door at the liturgical western end. In modern churches, the choir may be located centrally behind the altar, or the pulpit. The back-choir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
War Of The Spanish Succession
The War of the Spanish Succession was a European great power conflict that took place from 1701 to 1714. The death of childless Charles II of Spain in November 1700 led to a struggle for control of the Spanish Empire between his heirs, Philip of Anjou and Charles of Austria, and their respective supporters, among them Spain, Austria, France, the Dutch Republic, Savoy and Great Britain. Related conflicts include the 1700–1721 Great Northern War, Rákóczi's War of Independence in Hungary, the Camisards revolt in southern France, Queen Anne's War in North America and minor trade wars in India and South America. Although weakened by over a century of continuous conflict, Spain remained a global power whose territories included the Spanish Netherlands, large parts of Italy, the Philippines, and much of the Americas, which meant its acquisition by either France or Austria potentially threatened the European balance of power. Attempts by Louis XIV of France and William III o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kloster Fürstenfeld Church Of The Assumption Of The Virgin Mary
Kloster is the German and Scandinavian word for monastery. It may also refer to: Places * Kloster, Styria * Kloster, Denmark * Kloster, Sweden * Klošter, settlement in Slovenia People * Asbjørn Kloster (1823–1876), Norwegian social reformer * Chuck Klosterman (b. 1972), American author and essayist * Knut Kloster (b. 1929), Norwegian shipping magnate, grandson of Lauritz * Lauritz Kloster (1870–1952), Norwegian shipping magnate, grandfather of Knut * Robert Kloster (1905–1979), Norwegian museum director and art historian Other * ''Das Kloster'', a collection of magical and occult texts compiled by Johann Scheible See also * Klosters Klosters is a Swiss village in the Prättigau, politically part of the municipality of Klosters-Serneus, which belongs to the political district Prättigau/Davos in the canton of Graubünden. In 2021, the municipality shortened its name to Kl ... * Closter (other) {{Disambiguation, geo, surname Norwegian-language surname ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Antonio Viscardi
Giovanni Antonio Viscardi (27 December 1645 – 9 September 1713) was a Swiss architect of the baroque, who worked mostly in Bavaria. Biography Giovanni Antonio Viscardi was born in San Vittore, Grisons. He was descended from a family which provided several architects who had worked in Bavaria, Styria and Mainz. He started his career as a Superintendent to Enrico Zuccalli before 1675; in 1678 he was appointed master mason and in 1685 chief architect. Dismissed in 1689, Viscardi worked as an independent architect until he became Zuccalli's successor as chief architect of the Bavarian court in 1706 with the Austrian occupation of Bavaria; he died, aged 67, in Munich, while still in office. Chief works * Mariahilfkirche at Freystadt Abbey (1700–08) * New church of St. Mary of Fürstenfeld Abbey (1701-?) (completed in 1747).) * Schäftlarn Abbey * Expansion of Benediktbeuern Abbey * Expansion of the Palace of Nymphenburg The Nymphenburg Palace (german: Schloss Nymphen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Architecture
Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the early 17th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. It reached its peak in the High Baroque (1625–1675), when it was used in churches and palaces in Italy, Spain, Portugal, France, Bavaria and Austria. In the Late Baroque period (1675–1750), it reached as far as Russia and the Spanish and Portuguese colonies in Latin America. About 1730, an even more elaborately decorative variant called Rococo appeared and flourished in Central Europe. Baroque architects took the basic elements of Renaissance architecture, including domes and colonnades, and made them higher, grander, more decorated, and more dramatic. The interior effects were often achieved with the use of ''quadratura'', or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cloister Fuerstenfeld Portal
A cloister (from Latin ''claustrum'', "enclosure") is a covered walk, open gallery, or open arcade running along the walls of buildings and forming a quadrangle or garth. The attachment of a cloister to a cathedral or church, commonly against a warm southern flank, usually indicates that it is (or once was) part of a monastic foundation, "forming a continuous and solid architectural barrier... that effectively separates the world of the monks from that of the serfs and workmen, whose lives and works went forward outside and around the cloister." Cloistered (or ''claustral'') life is also another name for the monastic life of a monk or nun. The English term ''enclosure'' is used in contemporary Catholic church law translations to mean cloistered, and some form of the Latin parent word "claustrum" is frequently used as a metonymic name for ''monastery'' in languages such as German. History of the cloister Historically, the early medieval cloister had several antecedents: the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
