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Fun In Acapulco (soundtrack)
''Fun in Acapulco'' is the seventh soundtrack album by American singer and musician Elvis Presley, released on RCA Victor Records in mono and stereo, LPM/LSP 2756, in December 1963. It is the soundtrack to the 1963 film of the same name starring Presley. Recording sessions took place at Radio Recorders in Hollywood on January 22 and 23 and February 27, 1963; and at RCA Studio B in Nashville, Tennessee, on May 26 and 28, 1963. It peaked at number three on the ''Billboard'' Top Pop Albums chart. Content The third of his tropical "travelogue films" for Paramount Pictures (after ''Blue Hawaii'' and ''Girls! Girls! Girls!'') finds Elvis frolicking in Mexico. The established stable of songwriters for Presley delivered songs to match, with titles like "Marguerita", "El Toro", "You Can't Say No In Acapulco", and "The Bullfighter Was A Lady". Included as well was the 1937 standard "Guadalajara" by Pepe Guízar. With the change from the normal routine, and with the addition of brass ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elvis Presley
Elvis Aaron Presley (January 8, 1935 – August 16, 1977), or simply Elvis, was an American singer and actor. Dubbed the "Honorific nicknames in popular music, King of Rock and Roll", he is regarded as Cultural impact of Elvis Presley, one of the most significant cultural figures of the 20th century. His energized interpretations of songs and sexually provocative performance style, combined with a singularly potent mix of influences across color lines during a civil rights movement, transformative era in race relations, led him to both great success and Cultural impact of Elvis Presley#Danger to American culture, initial controversy. Presley was born in Tupelo, Mississippi, and relocated to Memphis, Tennessee, with his family when he was 13 years old. His music career began there in 1954, recording at Sun Records with producer Sam Phillips, who wanted to bring the sound of African-American music to a wider audience. Presley, on rhythm acoustic guitar, and accompanied by lead ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recording Session
The term studio recording means any recording made in a studio, as opposed to a live recording, which is usually made in a concert venue or a theatre, with an audience attending the performance. Studio cast recordings In the case of Broadway musicals, the term studio cast recording applies to a recording of the show which does not feature the cast of either a stage production or film version of the show. The practice has existed since before the advent of Broadway cast albums in 1943. That year the songs from Rodgers and Hammerstein's ''Oklahoma!'', performed by the show's cast, were released on a multi-record 78-RPM album by American Decca. (London original cast albums have existed since the early days of recording, however, and there are recordings in existence of excerpts from such shows as ''The Desert Song'', '' Sunny'', and ''Show Boat'', all performed by their original London stage casts.) History Before 1943, musicals were recorded in the U.S. with what might be ter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythm And Blues
Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated in African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to urban African Americans, at a time when "urbane, rocking, jazz based music ... ith aheavy, insistent beat" was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of relationships, economics, and aspirations. The term "rhythm and blues" has undergone a number of shifts in meaning. In the early 1950s, it was frequently applied to blues records. Starting in the mid-1950s, after this style of music co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mexico (Elvis Presley Song)
"Mexico" is a song written by Sid Tepper and Roy C. Bennett and originally recorded by Elvis Presley for the 1963 Paramount picture '' Fun in Acapulco''. It also appeared on the soundtrack album for the movie. Released as a single (with "You Can't Say No in Acapulco" on the opposite side) outside the United States, it reached number 23 in West Germany in 1964. Composition The song was written by Sid Tepper and Roy C. Bennett. Recording Elvis Presley recorded the song for the film '' Fun in Acapulco'' on January 22, 1963, at Radio Recorders in Hollywood. The recording sessions featured Barney Kessel and Scotty Moore on guitar, Tiny Timbrell on guitar and mandolin, Ray Siegel on bass, D.J. Fontana Dominic Joseph Fontana (March 15, 1931 – June 13, 2018) was an American musician best known as the drummer for Elvis Presley for 14 years. In 1955, he was hired to play drums for Presley, which marked the beginning of a 15-year relationshi ... and Hal Blaine on drums, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Essential 60s Masters II
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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