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Full Cold Moon
''Full Cold Moon'' is a compilation album by American synthpop project, Cold Cave. It was released on May 13, 2014, through project leader Wesley Eisold's own record label, Heartworm Press. The album features the band's limited edition singles that were released through Heartworm Press and Deathwish, Inc., in chronological order. The release of the album was announced on April 21, 2014, through Cold Cave's official Instagram page. Critical reception Ian Cohen of Pitchfork wrote that "the album collects the singles to create an account of the imperfect progress of someone trying to take back control of his life." He also stated: "''Full Cold Moon'' is more honest in the sense that Eisold is asking himself harder questions than he did on songs like Underworld USA," while also further adding that the listeners' appreciation for the album "would be inversely proportional to their appreciation of ''Cherish the Light Years''." PopMatters critic John Paul stated: "Spanning the whol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cold Cave
Cold Cave is the moniker for the music of Wesley Eisold, described as a "collage of darkwave, noise, and synthpop." A number of reviewers note the affinity with early 1980s post-punk and early synthpop, in particular Joy Division and New Order. History Formation Cold Cave was founded in 2007 by Wesley Eisold, former vocalist of hardcore groups Give Up the Ghost (previously known as American Nightmare), Some Girls. and Heartworm Press founder. Cold Cave represents Eisold's first venture into instrumentation. Eisold was born with one hand which led him to electronic music. ''Love Comes Close'' (2007–2010) After initial releases on Dais Records, Hospital Productions, What's Your Rupture?, and Eisold's own Heartworm Press, he signed to Matador Records, who re-released his self-released debut album, ''Love Comes Close'', on November 3, 2009. ''Cherish the Light Years'' (2011–2012) In April 2011 Matador Records released his second album, ''Cherish the Light Years''. In July ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pitchfork Media
''Pitchfork'' (formerly ''Pitchfork Media'') is an American online music publication (currently owned by Condé Nast) that was launched in 1995 by writer Ryan Schreiber as an independent music blog. Schreiber started Pitchfork while working at a record store in suburban Minneapolis, and the website earned a reputation for its extensive coverage of indie rock music. It has since expanded and covers all kinds of music, including pop. Pitchfork was sold to Condé Nast in 2015, although Schreiber remained its editor-in-chief until he left the website in 2019. Initially based in Minneapolis, Pitchfork later moved to Chicago, and then Greenpoint, Brooklyn. Its offices are currently located in One World Trade Center alongside other Condé Nast publications. The site is best known for its daily output of music reviews but also regularly reviews reissues and box sets. Since 2016, it has published retrospective reviews of classics, and other albums that it had not previously reviewed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2014 Compilation Albums
Fourteen or 14 may refer to: * 14 (number), the natural number following 13 and preceding 15 * one of the years 14 BC, AD 14, 1914, 2014 Music * 14th (band), a British electronic music duo * ''14'' (David Garrett album), 2013 *''14'', an unreleased album by Charli XCX * "14" (song), 2007, from ''Courage'' by Paula Cole Other uses * ''Fourteen'' (film), a 2019 American film directed by Dan Sallitt * ''Fourteen'' (play), a 1919 play by Alice Gerstenberg * ''Fourteen'' (manga), a 1990 manga series by Kazuo Umezu * ''14'' (novel), a 2013 science fiction novel by Peter Clines * ''The 14'', a 1973 British drama film directed by David Hemmings * Fourteen, West Virginia, United States, an unincorporated community * Lot Fourteen, redevelopment site in Adelaide, South Australia, previously occupied by the Royal Adelaide Hospital * "The Fourteen", a nickname for NASA Astronaut Group 3 * Fourteen Words, a phrase used by white supremacists and Nazis See also * 1/4 (other) * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
God Made The World
"God Made the World" is a song by American synthpop act Cold Cave. It was released in 2013 as a single through Heartworm Press — a publishing company and a record label founded by Wesley Eisold of Cold Cave. The release is a part of the series of singles released by Cold Cave in 2013. Alongside the other 2013 singles, it was included in ''Full Cold Moon'' compilation album in 2014. The lyrics of the song were etched on the b-side of the 7" vinyl release. The digital version of the single also featured an instrumental track titled, "Dandelion." Critical reception Harley Brown of Pitchfork labeled the single as "best new track," writing: "“God” is a fitting sermon of love indeed, a tentatively uplifting departure from Eisold’s industrial-strength “Oceans With No End” single. New wave-y guitars act as the sinew holding Eisold’s thin, aching murmurs to a racing beat that nearly runs away from him." ''Fact'' magazine described the song as "an exercise in Factory Rec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oceans With No End
"Oceans with No End" is a single by the American synthpop band Cold Cave. The single was released in 2013 through Deathwish Inc. — a label co-founded by Jacob Bannon of Converge. "Oceans with No End" was also the first release from the band following the death of former Cold Cave contributor Justin Benoit. Critical reception In his track review, Ian Cohen of Pitchfork wrote that "the track draws from ''Cherish the Light Years'' potent and extremely loud alchemy of goth-rock Gothic rock (also called goth rock or simply goth) is a style of rock music that emerged from post-punk in the United Kingdom in the late 1970s. The first post-punk bands which shifted toward dark music with gothic overtones include Siouxsie an ... and jock-jams." He also stated: "Befitting its lower-stakes release, "Oceans with No End" is a little more brittle and streamlined than "The Great Pan Is Dead", but it regardless captures that all-consuming sense of ambition and yearning contained within th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Quietus
''The Quietus'' is a British online music and pop culture magazine founded by John Doran and Luke Turner. The site is an editorially independent publication led by Doran with a group of freelance journalists and critics. Content ''The Quietus'' primarily features writings on music and film, as well as interviews with a wide range of notable artists and musicians. The magazine also occasionally includes pieces on literature, graphic novels, architecture, and TV series. The website is edited by John Doran, who claims that it caters for "the intelligent music fan between the age of 21 and, well, 73". Its staff list includes former writers for publications such as '' Melody Maker'', '' Select'', ''NME'' and '' Q'', including journalist David Stubbs, BBC Radio 1 DJ Steve Lamacq, Professor Simon Frith and Simon Price among others. Among its best known columns is its "Baker's Dozen," in which artists select 13 personal favourite albums. Content from the site's interviews have been ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synth-pop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Darkwave
Dark wave (also typeset as darkwave) is a music genre that emerged from the new wave and post-punk movement of the late 1970s. Dark wave compositions are largely based on minor key tonality and introspective lyrics and have been perceived as being dark, romantic and bleak, with an undertone of sorrow. The genre embraces a range of styles including cold wave,Schilz, Andrea: ''Flyer der Schwarzen Szene Deutschlands: Visualisierungen, Strukturen, Mentalitäten.'' Waxmann Verlag, 2010, , p. 84. ethereal wave, gothic rock,Uecker, Susann: ''Mit High-Heels im Stechschritt'', Hirnkost Verlag, 2014, neoclassical dark wave and neofolk. In the 1980s, a subculture developed primarily in Europe alongside dark wave music, whose followers were called ''wavers'' or ''dark wavers''. In some countries such as Germany, the movement also included fans of gothic rock (so-called ''trad-goths''). 1980s: Origins Since the 1980s, SPEX. Musik zur Zeit: ''Classified Ad by German distribution com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
PopMatters
''PopMatters'' is an international online magazine of cultural criticism that covers aspects of popular culture. ''PopMatters'' publishes reviews, interviews, and essays on cultural products and expressions in areas such as music, television, films, books, video games, comics, sports, theater, visual arts, travel, and the Internet. History ''PopMatters'' was founded by Sarah Zupko, who had previously established the cultural studies academic resource site PopCultures. ''PopMatters'' launched in late 1999 as a sister site providing original essays, reviews and criticism of various media products. Over time, the site went from a weekly publication schedule to a five-day-a-week magazine format, expanding into regular reviews, features, and columns. In the fall of 2005, monthly readership exceeded one million. From 2006 onward, ''PopMatters'' produced several syndicated newspaper columns for McClatchy-Tribune News Service. By 2009 there were four different pop culture related col ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Instagram
Instagram is a photo and video sharing social networking service owned by American company Meta Platforms. The app allows users to upload media that can be edited with filters and organized by hashtags and geographical tagging. Posts can be shared publicly or with preapproved followers. Users can browse other users' content by tag and location, view trending content, like photos, and follow other users to add their content to a personal feed. Instagram was originally distinguished by allowing content to be framed only in a square (1:1) aspect ratio of 640 pixels to match the display width of the iPhone at the time. In 2015, this restriction was eased with an increase to 1080 pixels. It also added messaging features, the ability to include multiple images or videos in a single post, and a Stories feature—similar to its main competitor Snapchat—which allowed users to post their content to a sequential feed, with each post accessible to others for 24 hours. As of Janu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthpop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exclaim!
''Exclaim!'' is a Canadian music and entertainment publisher based in Toronto, which features in-depth coverage of new music across all genres with a special focus on Canadian and emerging artists. The monthly Exclaim! print magazine publishes 7 issues per year, distributing over 103,000 copies to over 2,600 locations across Canada. The magazine has an average of 361,200 monthly readers and their website, exclaim.ca, has an average of 675,000 unique visitors a month. History ''Exclaim!'' began as a discussion among campus and community radio programmers at Ryerson's CKLN-FM in 1991. It was started by then-CKLN programmer Ian Danzig, together with other programmers and Toronto musicians. The goal of the publication was to support great Canadian music that was otherwise going unheralded. The group worked through 1991 to produce their first issue in April 1992, with monthly issues being produced since. Ian Danzig has been the publisher of the magazine since its start. James Keast ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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