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Fue
is the Japanese word for bamboo flute, and refers to a class of flutes native to Japan. come in many varieties, but are generally high-pitched and made of a bamboo called . The most popular of the is the . Categorization are traditionally broken up into two basic categories – the transverse flute and the end-blown flute. Transverse flutes are held to the side, with the musician blowing across a hole near one end; end-blown flutes are held vertically and the musician blows into one end. History The earliest may have developed from pitch pipes known as in Chinese.Malm, William P. Traditional Japanese Music and Musical Instruments. 1959. Rev. ed. Otowa: Kodansha International, 2000. The instrument eventually made its way over to Japan from China in the 5th century, becoming prevalent during the Nara Period. Soon after the introduction of instruments, members of the Fuke sect of Zen Buddhism Zen ( zh, t=禪, p=Chán; ja, text= 禅, translit=zen; ko, text=선, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bamboo
Bamboos are a diverse group of evergreen perennial flowering plants making up the subfamily Bambusoideae of the grass family Poaceae. Giant bamboos are the largest members of the grass family. The origin of the word "bamboo" is uncertain, but it probably comes from the Dutch or Portuguese language, which originally borrowed it from Malay or Kannada. In bamboo, as in other grasses, the internodal regions of the stem are usually hollow and the vascular bundles in the cross-section are scattered throughout the stem instead of in a cylindrical arrangement. The dicotyledonous woody xylem is also absent. The absence of secondary growth wood causes the stems of monocots, including the palms and large bamboos, to be columnar rather than tapering. Bamboos include some of the fastest-growing plants in the world, due to a unique rhizome-dependent system. Certain species of bamboo can grow within a 24-hour period, at a rate of almost an hour (equivalent to 1 mm every 90 seco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Komabue
The ("Koma flute") is a transverse bamboo flute, a fue that is used in traditional Japanese court music. Construction The ''komabue'' is typically constructed from bamboo. It is a transverse flute with six finger-holes. It is 36 cm, shorter than the '' ryuteki'' flute. Use The ''komabue'' is used in both Gagaku and Komagaku ''Komagaku'' ( 高麗楽) is a form of Gagaku (traditional Japanese court music) form arranged in the Heian period mainly based on Koguryeo music and sankangaku (the music of the Three Kingdoms of Korea and is often played as a dance accompaniment .... Historically the Oga family of musicians in Japan specialized in the ''komabue''.Marett,A. Musica Asiatica Vol. 5 Published by CUP Archive, p.210 References {{Traditional Japanese musical instruments Side-blown flutes Gagaku Japanese musical instruments Bamboo flutes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Komabue Fue
The ("Koma flute") is a transverse flute, transverse bamboo flute, a fue that is used in traditional Japanese court music. Construction The ''komabue'' is typically constructed from bamboo. It is a transverse flute with six finger-holes. It is 36 cm, shorter than the ''ryuteki'' flute. Use The ''komabue'' is used in both Gagaku and Komagaku. Historically the Oga family of musicians in Japan specialized in the ''komabue''.Marett,A. Musica Asiatica Vol. 5 Published by CUP Archive, p.210 References {{Traditional Japanese musical instruments Side-blown flutes Gagaku Japanese musical instruments Bamboo flutes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hichiriki
The is a double reed Japanese used as one of two main melodic instruments in Japanese music. It is one of the "sacred" instruments and is often heard at Shinto weddings in Japan. Its sound is often described as haunting. According to scholars, the emerged after the 12th century when the popularity of the Chinese melodies in Japan called waned. Description Although a double reed instrument like the oboe, the has a cylindrical bore and thus its sound is similar to that of a clarinet. It is difficult to play due in part to the double reed configuration. It is made of a piece of bamboo that measures with a flat double reed inserted which makes a loud sound. Pitch and ornamentation (most notably bending tones) are controlled largely with the embouchure. The instrument is particularly noted for the ("salted plum seasoning"), a kind of pitch-gliding technique. The is the most widely used of all instruments in and it is used in all forms of music aside from poetry recitat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
:Category:Japanese Words And Phrases ...
{{Commons Words and phrases by language Words Words Words A word is a basic element of language that carries an objective or practical meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shinobue
The ''shinobue'' (kanji: 篠笛; also called ''takebue'' (kanji: 竹笛) in the context of Japanese traditional arts) is a Japanese transverse flute or fue that has a high-pitched sound. It is found in hayashi and nagauta ensembles, and plays important roles in noh and kabuki theatre music. It is heard in Shinto music such as ''kagura-den'' and in traditional Japanese folk songs. There are two styles: ''uta'' (song) and ''hayashi'' (festival). The uta is properly tuned to the Western scale, and can be played in ensembles or as a solo instrument. See also * Ryuteki *Bamboo musical instruments Bamboos natural hollow form makes it an obvious choice for many musical instruments. Overview Bamboo has been used to create a variety of instruments including flutes, mouth organs, saxophones, trumpets, drums, xylophones. Flutes There are num ... External linksRon Korb's Asian Flute Gallery(features description and drawing of the Shinobue and other Japanese flutes)(features articl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shinobue 3types
The ''shinobue'' (kanji: 篠笛; also called ''takebue'' (kanji: 竹笛) in the context of Japanese traditional arts) is a Japanese transverse flute or fue that has a high-pitched sound. It is found in hayashi and nagauta ensembles, and plays important roles in noh and kabuki theatre music. It is heard in Shinto music such as ''kagura-den'' and in traditional Japanese folk songs. There are two styles: ''uta'' (song) and ''hayashi'' (festival). The uta is properly tuned to the Western scale, and can be played in ensembles or as a solo instrument. See also * Ryuteki *Bamboo musical instruments Bamboos natural hollow form makes it an obvious choice for many musical instruments. Overview Bamboo has been used to create a variety of instruments including flutes, mouth organs, saxophones, trumpets, drums, xylophones. Flutes There are num ... External linksRon Korb's Asian Flute Gallery(features description and drawing of the Shinobue and other Japanese flutes)(features article ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hayashi (music)
A is a group of performers who provide musical accompaniment for Japanese ''Nō'' or ''kabuki'' theatre, ''yose'' () performances of '' rakugo'', or a festival. In ''Nō'', the ''hayashi'' sit along the rear of the stage, facing the audience and fully visible. A distinct and separate group of performers from the chorus, they are purely instrumentalists; the type of instruments featured and the order in which they sit on stage follow established practices. The leftmost performer plays a small ''taiko'', set on a stand before him, with two drumsticks. To his right is the ''ōtsuzumi'' hip drum, followed by the ''kotsuzumi'' shoulder drum, and the Noh flute (''nōkan'' or simply '' fue''). In ''kabuki'', a number of shamisen players are added, along with, depending on the play, ''taiko'' drums of various sizes, various types of flutes, and other instruments, including a myriad of devices for sound effects. The kabuki ''hayashi'' is generally located in a small room just off-stage, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nohkan
The is a high pitched, Japanese transverse bamboo flute, or . It is commonly used in traditional Imperial Noh and Kabuki theatre. The nohkan flute was created by Kan'ami and his son Zeami in the 15th century, during the time when the two were transforming the Noh theatre forms Dengaku and Sarugaku. Construction The nohkan or ''fue' '' ("flute") is made of split and tapered strips of smoked bamboo (''susudake'') or burned bamboo (''yakidake''), glued together to form a tapering conical bore. The smoking carbonizes the bamboo and preserves it. The split strips of bamboo are reversed to place the hard bamboo surface on the inside for improved acoustics. Some modern versions of nohkan use an interior coating of tempera paint for this. The strips are then glued together, bound with thin strips of twisted cherry bark (''kabamaki'') and lacquered to make the conical tube. The result is a keyless tube of 39.1 cm with an average bore width of 1.7 cm and there are 7 finger hole ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ryūteki
The is a Japanese transverse '' fue'' made of bamboo. It is used in gagaku, the Shinto classical music associated with Japan's imperial court. The sound of the ''ryūteki'' is said to represent the dragons which ascend the skies between the heavenly lights (represented by the '' shō'') and the people of the earth (represented by the '' hichiriki''). The ryūteki is one of the three flutes used in gagaku, in particular to play songs of Chinese style. The pitch is lower than that of the ''komabue'' and higher than that of the ''kagurabue''. The ''ryūteki'' is held horizontally, has seven holes, and has a length of and an inner diameter of . Unlike the western flute, the holes are not covered by the fingertips, rather, the fleshy part of the finger is used. This allows for better control of "half-holing" techniques and chromatic notes, by simply raising the finger slightly above the holes. Hans Werner Henze calls for this instrument for his '' El Cimarrón'', and Karlheinz S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
