|
French Horns For My Lady
''French Horns for My Lady'' is an album by horn player Julius Watkins which was originally released on the Philips Records, Philips label in 1962.Smith, P. GJulius Watkins and the Evolution of the Jazz French Horn Genre accessed November 17, 2016Edwards, D., Eyries, P. and Callahan, MDiscography Preview for the Philips labelaccessed November 17, 2016 Track listing # "Temptation (Nacio Herb Brown and Arthur Freed song), Temptation" (Nacio Herb Brown, Arthur Freed) – 3:10 # "Suite bergamasque#"Clair de lune", Clair de Lune" (Claude Debussy) – 2:56 # "September Song" (Kurt Weill, Maxwell Anderson) – 2:52 # "Catana" (Alfred Newman (composer), Alfred Newman, Eddie DeLange) – 2:55 # "I'm a Fool to Want You" (Jack Wolf, Joel Herron. Frank Sinatra) – 3:00 # "Speak Low" (Weill, Ogden Nash) – 4:08 # "Nuages" (Django Reinhardt) – 3:42 # "The Boy Next Door (song), The Boy Next Door" (Hugh Martin, Ralph Blane) – 3:10 # "Mood Indigo" (Duke Ellington, Barney Bigard, Irving Mill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julius Watkins
Julius Watkins (October 10, 1921 – April 4, 1977) was an American jazz musician who played French horn. Described by AllMusic as "virtually the father of the jazz French horn", Watkins won the ''Down Beat'' critics poll in 1960 and 1961 for Miscellaneous Instrument. Life and career Watkins was born in Detroit, Michigan, United States. He began playing the French horn when he was nine years old. Watkins began his career in jazz playing the trumpet in the Ernie Fields Orchestra from 1943 to 1946. By the late 1940s, he had played some French horn solos on recording sessions led by Kenny Clarke and Babs Gonzales. After moving to New York City, Watkins studied for three years at the Manhattan School of Music. He started appearing in small-group jazz sessions, including two led by Thelonious Monk, featuring on "Friday the 13th" on the album ''Thelonious Monk and Sonny Rollins'' (1954). Watkins recorded with many other jazz musicians, including John Coltrane, Freddie Hubbard, Char ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I'm A Fool To Want You
"I'm a Fool to Want You" is a 1951 song composed by Frank Sinatra, Jack Wolf, and Joel Herron. Frank Sinatra co-wrote the lyrics and released the song as a Columbia Records single. The ballad is considered a pop and jazz standard. Background Frank Sinatra first recorded the song with the Ray Charles Singers on March 27, 1951, in an arrangement by Axel Stordahl in New York. It was the second song recorded at the sessions that began with "I Whistle a Happy Tune" and ended with "Love Me". It is commonly thought by many listeners that Sinatra was navigating his stormy marriage to Ava Gardner at the time, but Sinatra and Gardner didn't marry until November 7, 1951, nearly 8 months after the song was recorded. It is more likely that he was melancholy about his wife, Nancy's, refusal to grant him a divorce so he could marry Gardner and his guilt for the impact his very public affair with Gardner was having on his family, especially his three children. To complicate matters, his c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Home (When Shadows Fall)
"Home (When Shadows Fall)" is a song written by Harry Clarkson, Geoffrey Clarkson and Peter van Steeden in 1931. van Steeden had a hit with it in 1931. Cover versions *Peter van Steeden and His Orchestra (vocal by Dick Robertson - recorded for Victor Records (catalog No. 22868). A hit record in 1931. *Ruth Etting (1931) *Arthur Tracy - recorded in December, 1931 for Brunswick Records (catalog No. 6227). *Merle Johnston Orchestra with Smith Ballew (1931) *The Dorsey Brothers (1931) * Louis Armstrong recorded a popular version in 1932. He recorded it again in 1957 for his album ''Louis Under the Stars''. *Rudy Vallee (1932) * Gracie Fields (1932) *Jimmy Grier w/ Dick Webster (1932) *Mildred Bailey (1933) *Arthur Tracy (1938) *Jack Teagarden with Coleman Hawkins (1944) *Harry James Orchestra (1944) *Dick Haymes (1944) *Abe Lyman Orchestra with Frank Munn (1945) *Johnny Hartman with Erroll Garner (1949) * Billy Daniels (1949) *Nat King Cole (1950) *Muggsy Spanier (1950) *Jackie Glea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irving Mills
Irving Harold Mills (born Isadore Minsky; January 16, 1894 – April 21, 1985) was an American music publisher, musician, lyricist, and jazz artist promoter. He sometimes used the pseudonyms Goody Goodwin and Joe Primrose. Personal Mills was born to a Jewish family in Odessa, Russian Empire, although some biographies state that he was born on the Lower East Side of Manhattan in New York City. His father, Hyman Minsky (1868–1905), was a hat maker who had immigrated from Odessa to the United States with his wife Sofia ''(née'' Sophia Dudis; born 1870). Hyman died in 1905, forcing Irving and his brother, Jacob ''(aka'' "Jack"; 1891–1979), to work odd jobs including bussing at restaurants, selling wallpaper, and working in the garment industry. By 1910, Mills was listed as a telephone operator. Mills married Beatrice ("Bessie") Wilensky (1896–1976) in 1911 and they subsequently moved to Philadelphia. By 1918, Mills was working for publisher Leo Feist. His brother, Jack, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barney Bigard
Albany Leon "Barney" Bigard (March 3, 1906 – June 27, 1980) was an American jazz clarinetist known for his 15-year tenure with Duke Ellington. He also played tenor saxophone. Biography Bigard was born in New Orleans to Creole parents, Alexander and Emanuella Bigard. He had two brothers, Alexander Jr. and Sidney. His uncle, Emile Bigard, was a jazz violinist. He attended local schools and studied music and clarinet with Lorenzo Tio. In the early 1920s, he moved to Chicago, where he worked with King Oliver and others. During this period, much of his recording, including with clarinetist Johnny Dodds, was on tenor saxophone, which he played often with great lyricism, as on Oliver's " Someday Sweetheart". In December 1927, Bigard joined Duke Ellington's orchestra in New York. He played with Ellington until 1942. They played primarily at the Cotton Club until 1931, then toured almost nonstop for over a decade. With Ellington, he was the featured clarinet soloist, while also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's " Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multipl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mood Indigo
"Mood Indigo" is a jazz song with music by Duke Ellington and Barney Bigard and lyrics by Irving Mills. Composition Although Irving Mills—Jack Mills's brother and publishing partner—took credit for the lyrics, Mitchell Parish claimed in a 1987 interview that he had written the lyrics. The tune was composed for a radio broadcast in October 1930 and was originally titled "Dreamy Blues". It was "the first tune I ever wrote specially for microphone transmission", Ellington recalled. "The next day wads of mail came in raving about the new tune, so Irving Mills put a lyric to it." Renamed "Mood Indigo", it became a jazz standard." The main theme was provided by Bigard, who learned it in New Orleans, Louisiana from his clarinet teacher Lorenzo Tio, who called it a "Mexican Blues". Ellington's arrangement was first recorded by his band for Brunswick on October 17, 1930. It was recorded twice more in 1930. These recordings included Arthur Whetsel (trumpet), Tricky Sam Nanton ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ralph Blane
Ralph Blane (July 26, 1914 – November 13, 1995) was an American composer, lyricist, and performer. Life and career Blane was born Ralph Uriah Hunsecker in Broken Arrow, Oklahoma. He attended Tulsa Central High School. He studied singing with Estelle Liebling in New York City. He began his career as a radio singer for NBC in the 1930s before turning to Broadway, where he was featured in ''New Faces of 1936'' (1936), ''Hooray for What!'' (1937), and ''Louisiana Purchase'' (1940). In 1940 he formed a vocal quartet ("The Martins") with his friend Hugh Martin which performed on radio and in nightclubs. Martin and Blane formed a songwriting partnership. Together they wrote music and lyrics to '' Best Foot Forward'' (1941) and ''Three Wishes for Jamie'' (1952). The duo penned many American standards for the stage and MGM musicals. The team's best-known songs include " The Boy Next Door", "Have Yourself a Merry Little Christmas" and " The Trolley Song", all written for the 1944 film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hugh Martin
Hugh Martin (August 11, 1914 – March 11, 2011) was an American musical theater and film composer, arranger, vocal coach, and playwright. He was best known for his score for the 1944 MGM musical ''Meet Me in St. Louis'', in which Judy Garland sang three Martin songs, " The Boy Next Door," " The Trolley Song," and "Have Yourself a Merry Little Christmas." The last of these has become a Christmas season standard in the United States and around the English-speaking world. Martin became a close friend of Garland and was her accompanist at many of her concert performances in the 1950s, including her appearances at the Palace Theater. Early life Martin was born in Birmingham, Alabama, the son of Ellie Gordon (Robinson) and Hugh Martin Sr., an architect. He attended Birmingham-Southern College where he studied music. He was a member of the Beta Beta Chapter of the Alpha Tau Omega fraternity. Career Martin wrote the music, and in some cases the lyrics, for five Broadway musicals: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Boy Next Door (song)
"The Boy Next Door" is a 1944 popular song by Hugh Martin and Ralph Blane. It was introduced in the musical film ''Meet Me in St. Louis,'' where it was performed by Judy Garland to an arrangement of Conrad Salinger conducted by Georgie Stoll. It has been praised as a perfect example of how to advance story and reveal a character’s emotions efficiently on screen. In 1954, Vic Damone sang it in the first minutes of the film ''Athena''. It has subsequently become a popular standard, performed by many artists. It is sometimes performed and recorded under the title "The Girl Next Door". Other recordings *Judy Garland - recorded for Decca Records (catalog No. 23362) on April 20, 1944, using essentially the same soundtrack arrangement but with a shortened orchestral interlude. *Jo Stafford (1945). * Frank Sinatra - '' Songs for Young Lovers'' (1954, Capitol) and '' All Alone'' (1962, Reprise) *Vic Damone (1954). * Don Fagerquist - ''Portrait of a Great Jazz Artist'' (1956). * Sarah V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Django Reinhardt
Jean Reinhardt (23 January 1910 – 16 May 1953), known by his Romani nickname Django ( or ), was a Romani-French jazz guitarist and composer. He was one of the first major jazz talents to emerge in Europe and has been hailed as one of its most significant exponents. With violinist Stéphane Grappelli, Reinhardt formed the Paris-based Quintette du Hot Club de France in 1934. The group was among the first to play jazz that featured the guitar as a lead instrument. Reinhardt recorded in France with many visiting American musicians, including Coleman Hawkins and Benny Carter, and briefly toured the United States with Duke Ellington's orchestra in 1946. He died suddenly of a stroke in 1953 at the age of 43. Reinhardt's most popular compositions have become standards within gypsy jazz, including " Minor Swing", "Daphne", "Belleville", "Djangology", "Swing '42", and " Nuages". Jazz guitarist Frank Vignola says that nearly every major popular-music guitarist in the world has been ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nuages
"Nuages" () is one of the best-known compositions by Django Reinhardt. He recorded at least thirteen versions of the tune, which is a jazz standard and a mainstay of the gypsy swing repertoire. English and French lyrics have been added to the piece which was originally an instrumental work. The title translated into English is "Clouds", but the adaptation with English lyrics is titled "It's the Bluest Kind of Blues". In 1940, Django made two recordings of Nuages in F major, and with a clarinet melody. (Some later recordings are in G major, perhaps to suit the violin.) Unhappy with the first recording, Reinhardt added a second clarinet, creating a renowned arrangement for the December 1940 recording. Reinhardt's 1946 recording (as can be heard in the sample) is in the key of G major. A final recording was made at a 1953 session just before he died, where we hear Django with only Maurice Vander on piano, Pierre Michelot on bass, and Jean-Louis Viale on drums. He was using an elect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Django Reinhardt")