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Frau Minne
Frau Minne (''vrowe minne'') is a personification of courtly love in Middle High German literature. She is frequently addressed directly in Minnesang poetry, usually by the pining lover complaining about his state, but she appears also in the longer Minnerede poems, and in prose works. A rare allegorical painting of ca. 1400, showing Frau Minne presiding over suffering lovers having their hearts torn from their breasts, was discovered in a guild house in Zurich in 2009. Frau Minne is sometimes referred to as the “goddess” of romantic love who instils in people feelings of passion and passionate behavior, which is differentiated from other religiously celebrated kinds of love such as Buddhist compassion or Christian charity (agape In Christianity, agape (; ) is "the highest form of love, charity" and "the love of God for man and of man for God". This is in contrast to philia, brotherly love, or philautia, self-love, as it embraces a deep and profound sacrificial lov ...
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Allegory
As a literary device or artistic form, an allegory is a narrative or visual representation in which a character, place, or event can be interpreted to represent a hidden meaning with moral or political significance. Authors have used allegory throughout history in all forms of art to illustrate or convey complex ideas and concepts in ways that are comprehensible or striking to its viewers, readers, or listeners. Writers and speakers typically use allegories to convey (semi-)hidden or complex meanings through symbolic figures, actions, imagery, or events, which together create the moral, spiritual, or political meaning the author wishes to convey. Many allegories use personification of abstract concepts. Etymology First attested in English in 1382, the word ''allegory'' comes from Latin ''allegoria'', the latinisation of the Greek ἀλληγορία (''allegoría''), "veiled language, figurative", which in turn comes from both ἄλλος (''allos''), "another, different ...
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Courtly Love
Courtly love ( oc, fin'amor ; french: amour courtois ) was a medieval European literary conception of love that emphasized nobility and chivalry. Medieval literature is filled with examples of knights setting out on adventures and performing various deeds or services for ladies because of their "courtly love". This kind of love is originally a literary fiction created for the entertainment of the nobility, but as time passed, these ideas about love changed and attracted a larger audience. In the high Middle Ages, a "game of love" developed around these ideas as a set of social practices. "Loving nobly" was considered to be an enriching and improving practice. Courtly love began in the ducal and princely courts of Aquitaine, Provence, Champagne, ducal Burgundy and the Norman Kingdom of Sicily at the end of the eleventh century. In essence, courtly love was an experience between erotic desire and spiritual attainment, "a love at once illicit and morally elevating, passionate ...
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Middle High German Literature
Middle High German literature refers to literature written in German between the middle of the 11th century and the middle of the 14th. In the second half of the 12th century, there was a sudden intensification of activity, leading to a 60-year "golden age" of medieval German literature referred to as the ''mittelhochdeutsche Blütezeit'' (). This was the period of the blossoming of ''Minnesang'', MHG lyric poetry, initially influenced by the French and Provençal tradition of courtly love song. The same sixty years saw the composition of the most important courtly romances. again drawing on French models such as Chrétien de Troyes, many of them relating Arthurian material. The third literary movement of these years was a new revamping of the heroic tradition, in which the ancient Germanic oral tradition can still be discerned, but tamed and Christianized and adapted for the court. Historical overview The vernacular literature of the Old High German period, written in abbeys an ...
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Minnesang
(; "love song") was a tradition of lyric- and song-writing in Germany and Austria that flourished in the Middle High German period. This period of medieval German literature began in the 12th century and continued into the 14th. People who wrote and performed ''Minnesang'' were known as ''Minnesänger'' (), and a single song was called a ''Minnelied'' (). The name derives from '' minne'', the Middle High German word for love, as that was ''Minnesang'''s main subject. The ''Minnesänger'' were similar to the Provençal troubadours and northern French '' trouvères'' in that they wrote love poetry in the tradition of courtly love in the High Middle Ages. Social status In the absence of reliable biographical information, there has been debate about the social status of the ''Minnesänger''. Some clearly belonged to the higher nobility – the 14th century Codex Manesse includes songs by dukes, counts, kings, and the Emperor Henry VI. Some ''Minnesänger'', as indicated by th ...
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Minnerede
The Minnerede is a form of late medieval rhyming speech. In contrast to the shorter Minnelieder in canzonal form, it was not sung but spoken. Most of the texts have only a few hundred verses, the Minnereden, which is assigned to around 600 texts in German studies,  but also extensive texts (so-called large forms) such as 'Die Minneburg', 'Die Minnelehre' by , 'The Hunt' by Hadamar von Laber and 'Mörin' by counted. The rhyming couplet verse is predominant, but there are also some strophic minnereden. Many Minnereden are reflections on courtly love (German: Minne) held in first-person form or narratives of allegorical As a literary device or artistic form, an allegory is a narrative or visual representation in which a character, place, or event can be interpreted to represent a hidden meaning with moral or political significance. Authors have used allegory t ... events and dreams, the focus of which is the unfulfilled desire of the Minnenden. Background The oldest surviv ...
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Compassion
Compassion motivates people to go out of their way to relieve the physical, mental or emotional pains of others and themselves. Compassion is often regarded as being sensitive to the emotional aspects of the suffering of others. When based on notions such as fairness, justice and interdependence, it may be considered rational in nature. The word "compassion" comes from Middle English, and derives from Old French, via ecclesiastical Latin compassio(n- ), from compati (‘suffer with’). Compassion involves "feeling for another" and is a precursor to empathy, the "feeling as another" capacity (as opposed to sympathy, the "feeling towards another"). In common parlance, active compassion is the desire to alleviate another's suffering. Compassion involves allowing ourselves to be moved by suffering, and experiencing the motivation to help alleviate and prevent it. An act of compassion is defined by its helpfulness. Qualities of compassion are patience and wisdom; kindness and pe ...
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Agape
In Christianity, agape (; ) is "the highest form of love, charity" and "the love of God for man and of man for God". This is in contrast to philia, brotherly love, or philautia, self-love, as it embraces a deep and profound sacrificial love that transcends and persists regardless of circumstance. The verb form goes as far back as Homer, translated literally as affection, as in "greet with affection" and "show affection for the dead". Other ancient authors have used forms of the word to denote love of a spouse or family, or affection for a particular activity, in contrast to eros (an affection of a sexual nature). In the New Testament, it allegedly refers to the covenant love of God for humans, as well as the human reciprocal love for God; the term necessarily extends to the love of one's fellow human beings. Some contemporary writers have sought to extend the use of ''agape'' into non-religious contexts. The concept of ''agape'' has been widely examined within its Christ ...
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Personifications
Personification occurs when a thing or abstraction is represented as a person, in literature or art, as a type of anthropomorphic metaphor. The type of personification discussed here excludes passing literary effects such as "Shadows hold their breath", and covers cases where a personification appears as a character in literature, or a human figure in art. The technical term for this, since ancient Greece, is prosopopoeia. In the arts many things are commonly personified. These include numerous types of places, especially cities, countries and the four continents, elements of the natural world such as the months or Four Seasons, Four Elements, Four Winds, Five Senses, and abstractions such as virtues, especially the four cardinal virtues and seven deadly sins, the nine Muses, or death. In many polytheistic early religions, deities had a strong element of personification, suggested by descriptions such as "god of". In ancient Greek religion, and the related ancient Roman re ...
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