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Frari
The Basilica di Santa Maria Gloriosa dei Frari, usually just called the Frari, is a church located in the Campo dei Frari at the heart of the San Polo district of Venice, Italy. The largest church in the city, it has the status of a minor basilica. The church is dedicated to the Assumption of Mary. The imposing edifice is built of brick, and is one of the city's three notable churches still mostly retaining their Venetian Gothic appearance. In common with many Franciscan churches, the exterior is rather plain, even on the front facade. The exterior also features a bell tower that was fixed in the early 2000s after going through structural problems. The interior is notable for many very grand wall monuments to distinguished Venetians buried in the church, including a number of Doges and the painter Titian. Many of these are important works in the history of Venetian sculpture, and the many paintings include two large and important altarpieces by Titian, the ''Assumption of the V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frari
The Basilica di Santa Maria Gloriosa dei Frari, usually just called the Frari, is a church located in the Campo dei Frari at the heart of the San Polo district of Venice, Italy. The largest church in the city, it has the status of a minor basilica. The church is dedicated to the Assumption of Mary. The imposing edifice is built of brick, and is one of the city's three notable churches still mostly retaining their Venetian Gothic appearance. In common with many Franciscan churches, the exterior is rather plain, even on the front facade. The exterior also features a bell tower that was fixed in the early 2000s after going through structural problems. The interior is notable for many very grand wall monuments to distinguished Venetians buried in the church, including a number of Doges and the painter Titian. Many of these are important works in the history of Venetian sculpture, and the many paintings include two large and important altarpieces by Titian, the ''Assumption of the V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frari (Venice) Nave Left - Altar Of Madona Di Ca'Pesaro
The Basilica di Santa Maria Gloriosa dei Frari, usually just called the Frari, is a church located in the Campo dei Frari at the heart of the San Polo district of Venice, Italy. The largest church in the city, it has the status of a minor basilica. The church is dedicated to the Assumption of Mary. The imposing edifice is built of brick, and is one of the city's three notable churches still mostly retaining their Venetian Gothic appearance. In common with many Franciscan churches, the exterior is rather plain, even on the front facade. The exterior also features a bell tower that was fixed in the early 2000s after going through structural problems. The interior is notable for many very grand wall monuments to distinguished Venetians buried in the church, including a number of Doges and the painter Titian. Many of these are important works in the history of Venetian sculpture, and the many paintings include two large and important altarpieces by Titian, the ''Assumption of the V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Assumption Of The Virgin (Titian)
The ''Assumption of the Virgin'' or ''Frari Assumption'', popularly known as the ''Assunta'', is a large altarpiece panel painting in oils by the Italian Renaissance artist Titian, painted in 1515–1518. It remains in the position it was designed for, on the high altar of the Frari, Basilica di Santa Maria Gloriosa dei Frari or Frari church in Venice. It is the largest altarpiece in the city, with the figures well over life-size, necessitated by the large church, with a considerable distance between the altar and the congregation. The images above and below are not Titian's work, they are by Palma Vecchio. It marked a new direction in Titian's style, that reflected his awareness of the developments in High Renaissance painting further south, in Florence and Rome, by artists including Raphael and Michelangelo. The agitated figures of the Apostles marked a break with the usual meditative stillness of saints in Venetian painting, in the tradition of Giovanni Bellini and others. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante Alighieri, Dante's ''Paradiso (Dante), Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frari Triptych
The Frari Triptych or Pesaro Triptych is a 1488 oil on panel triptych painting by Giovanni Bellini. It is signed and dated 1488 on the centre of the Virgin Mary's throne, though it may have taken several years to produce, meaning he started it in 1485. On the reverse is a label dating its completion more precisely, to 15 February 1488. It is in the basilica di Santa Maria Gloriosa dei Frari in Venice. Its central scene is the Madonna and Child enthroned with two angel musicians, flanked to the left by saint Nicholas of Bari and saint Peter and to the right by saint Mark (patron of Venice) and saint Benedict. The work's division into compartments is rather old-fashioned and may have been explicitly demanded by the commissioner, but Bellini uses this to his advantage, integrating the painted architecture with the frame, which he designed himself. This develops the illusionism of his San Giobbe Altarpiece, again placing the Virgin in a deep blue mantle on a high marble throne, using ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venetian Gothic
Venetian Gothic is the particular form of Italian Gothic architecture typical of Venice, originating in local building requirements, with some influence from Byzantine architecture, and some from Islamic architecture, reflecting Venice's trading network. Very unusually for medieval architecture, the style is both at its most characteristic in secular buildings, and the great majority of survivals are secular. The best-known examples are the Doge's Palace and the Ca' d'Oro. Both feature loggias of closely spaced small columns, with heavy tracery with quatrefoil openings above, decoration along the roofline, and some coloured patterning to plain wall surfaces. Together with the ogee arch, capped with a relief ornament, and ropework reliefs, these are the most iconic characteristics of the style. Ecclesiastical Gothic architecture tended to be less distinctively Venetian, and closer to that in the rest of Italy. The beginning of the style probably goes back no further than the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pesaro Madonna
The ''Pesaro Madonna'' ( it, Pala Pesaro) (better known as the Madonna di Ca' Pesaro) is a painting by the late Italian Renaissance master Titian, commissioned by Jacopo Pesaro, whose family acquired in 1518 the chapel in the Frari Basilica in Venice for which the work was painted, and where it remains today. Jacopo was Bishop of Paphos, in Cyprus, and had been named commander of the papal fleet by the Borgia pope, Alexander VI. This painting recalls one of Titian's earliest paintings ''Jacopo Pesaro being presented by Pope Alexander VI to Saint Peter'', c. 1510-11, text. Aesthetics Titian shows his patron in a devotional pose, kneeling before the Virgin and presented to her by Saint Peter. Prominently displayed on the step is Saint Peter's key; its diagonal plane, leading toward the Virgin, parallels that of Jacopo. The Virgin's position at the top of the steps alludes to her celestial role as ''Madonna della Scala ''(Madonna of the Stairs) and as the Stairway to Heaven. Titian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Canova
Antonio Canova (; 1 November 1757 – 13 October 1822) was an Italian Neoclassical sculptor, famous for his marble sculptures. Often regarded as the greatest of the Neoclassical artists,. his sculpture was inspired by the Baroque and the classical revival, and has been characterised as having avoided the melodramatics of the former, and the cold artificiality of the latter.Jean Martineau & Andrew Robinson, ''The Glory of Venice: Art in the Eighteenth Century.'' Yale University Press, 1994. Print. Life Possagno In 1757, Antonio Canova was born in the Venetian Republic city of Possagno to Pietro Canova, a stonecutter, and Maria Angela Zardo Fantolini.. In 1761, his father died. A year later, his mother remarried. As such, in 1762, he was put into the care of his paternal grandfather Pasino Canova, who was a stonemason, owner of a quarry, and was a "sculptor who specialized in altars with statues and low reliefs in late Baroque style". He led Antonio into the art of sculpt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Foscari
Francesco Foscari (19 June 1373 – 1 November 1457) was the 65th Doge of the Republic of Venice from 1423 to 1457. His reign, the longest of all Doges in Venetian history, lasted 34 years, 6 months and 8 days, and coincided with the inception of the Italian Renaissance. Biography His grave. Francesco Foscari was born in 1373, as the oldest son of Nicolò Foscari and his wife Cateruzia Michiel. The Foscari family had been of only moderate importance, but had managed to become one of the few noble families that secured a hereditary place in the Great Council of Venice after the so-called '' Serrata'' ("Closing") of the Great Council, and had begun to rise in prominence throughout the 14th century. Francesco's ancestors began holding high public office, and his father Nicolò even became a member of the powerful Council of Ten. Francesco served the Republic of Venice in numerous official capacities—as ambassador, president of the Council of Forty, member of the Council of Ten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Celega
Jacopo Celega (died before 30 March 1386) was a fourteenth-century Italian architect. Little is known of Calegna's biography, but some of his work remains today. Around 1330 he took over construction of the Venetian church Basilica di Santa Maria Gloriosa dei Frari The Basilica di Santa Maria Gloriosa dei Frari, usually just called the Frari, is a church located in the Campo dei Frari at the heart of the San Polo district of Venice, Italy. The largest church in the city, it has the status of a minor basil ... – normally referred to only as the Frari – work that was finished by his son Pier Paolo in 1396. References Republic of Venice architects 1380s deaths Year of birth unknown Year of death uncertain {{Italy-architect-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Polo
San Polo ( vec, San Poło) is the smallest and most central of the six sestieri of Venice, northern Italy, covering 86 acres (35 hectares) along the Grand Canal. It is one of the oldest parts of the city, having been settled before the ninth century, when it and San Marco formed part of the Realtine Islands. The sestiere is named for the Church of San Polo. The district has been the site of Venice's main market since 1097, and connected to the eastern bank of the Grande Canal by the Rialto bridge since the thirteenth century. The western part of the quarter is now known for its churches, while the eastern part, sometimes just called the ''Rialto'', is known for its palaces and smaller houses. Attractions in San Polo include the Rialto Bridge, the Church of San Giacomo di Rialto (according to legend the oldest in the city), the Campo San Polo with the Church of San Polo, the House of Goldoni, the Church of Santa Maria Gloriosa dei Frari, the Church of San Rocco a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altarpiece
An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation. Many altarpieces have been removed from their church settings, and often from their elaborate sculpted frameworks, and are displayed as more simply framed paintings in museums and elsewhere. History Origins and early development Altarpieces seem to have begun to be used during the 11th century, with the possible exception of a few earlier examples. The reasons and forces that led to the developme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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