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François-Louis Français
François-Louis Français (1814–1897), also known as Louis Français, was a French painter, lithographer and illustrator who became one of the most commercially successful landscape painters of the 19th century. A former pupil of Jean Gigoux, Gigoux, he began his career by studying lithography and wood engraving, becoming a prolific illustrator and print-maker. His work as an illustrator is to be found in around forty books and numerous magazines from the late 1830s to the 1860s. Français also produced a large number of pen and ink drawings, enhanced by sepia, notable for their attention to detail and for their technical adroitness and conciseness.Laurence Pauchet-Warlop, Jane Turner (editor) (2000), ''The Grove Dictionary of Art, From Monet to Cézanne, Late 19th-century French Artists'', Oxford University Press, New York, Français is associated with the Barbizon School of painting, a movement to represent art in nature in a Romanticism, Romantic, Realism (art movement), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Gigoux
Jean François Gigoux (6 January 1806, Besançon – 11 December 1894, Paris) was a French painter, lithographer, illustrator and art collector. Biography His father, Claude Étienne Gigoux, was a blacksmith, originally from Seveux (Haute-Saône). He began his artistic studies at the , then transferred to the École des Beaux-Arts of Paris in 1828, where he studied with Théodore Géricault and Jean-Baptiste-Camille Corot, who helped him finance a study trip to Italy. In 1831, he had his debut at the Salon. In 1833, he became a contributor to '' Le Magasin pittoresque''. Two years later, he created several hundred woodcuts for ''Gil Blas'' by Alain-René Lesage, which brought him a great deal of notoriety. He was named a Chevalier in the Legion of Honour in 1842. Several of his students became well-known; notably Henri Baron, Léopold Flameng and François-Louis Français. Despite his professional successes, he may be best remembered for taking Ewelina Hańska, the widow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francais Le Diable A Paris P40
French ( or ) is a Romance language of the Indo-European family. It descended from the Vulgar Latin of the Roman Empire, as did all Romance languages. French evolved from Gallo-Romance, the Latin spoken in Gaul, and more specifically in Northern Gaul. Its closest relatives are the other langues d'oïl—languages historically spoken in northern France and in southern Belgium, which French (Francien) largely supplanted. French was also influenced by native Celtic languages of Northern Roman Gaul like Gallia Belgica and by the ( Germanic) Frankish language of the post-Roman Frankish invaders. Today, owing to France's past overseas expansion, there are numerous French-based creole languages, most notably Haitian Creole. A French-speaking person or nation may be referred to as Francophone in both English and French. French is an official language in 29 countries across multiple continents, most of which are members of the ''Organisation internationale de la Francophonie'' (OI ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François-Louis Français - Les Peintres Au Vaux-de-Cernay
François-Louis or François Louis may refer to: *François Louis, Prince of Conti (1664–1709), French nobleman *François Louis, Count of Harcourt (1623–1694) French nobleman *François Louis, inventor of the aulochrome, a musical instrument People with the given name *François Louis Bourdon (1758–1797), French politician *François-Louis Cailler (1796–1852), first Swiss producer of chocolate *François-Louis de Pourroy de Lauberivière (1711–1740), fifth bishop of the diocese of Quebec *François Louis de Rousselet, Marquis de Châteaurenault (1637–1716), French vice-admiral, maréchal, and governor of Brittany *François-Louis Français (1814–1897), French painter *François-Louis Ganshof (1895–1980), Belgian medievalist *François-Louis Laporte, comte de Castelnau (1810–1880), French naturalist *François-Louis Lessard (1860–1927), Canadian general *François-Louis Perne (1772–1832), French composer and musicographer *François-Louis Tremblay François-L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Salon
The Salon (french: Salon), or rarely Paris Salon (French: ''Salon de Paris'' ), beginning in 1667 was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world. At the 1761 Salon, thirty-three painters, nine sculptors, and eleven engravers contributed. Levey, Michael. (1993) ''Painting and sculpture in France 1700–1789''. New Haven: Yale University Press, p. 3. From 1881 onward, it has been managed by the Société des Artistes Français. Origins In 1667, the royally sanctioned French institution of art patronage, the Académie royale de peinture et de sculpture (a division of the Académie des beaux-arts), held its first semi-public art exhibit at the Salon Carré. The Salon's original focus was the display of the work of recent graduates of the École des Beaux-Arts, which was created by Cardinal Mazarin, chief minister of France, in 1648. Exhibition at the Salo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exposition Universelle (1855)
The Exposition Universelle of 1855 was an International Exhibition held on the Champs-Élysées in Paris from 15 May to 15 November 1855. Its full official title was the Exposition Universelle des produits de l'Agriculture, de l'Industrie et des Beaux-Arts de Paris 1855. Today the exposition's sole physical remnant is the Théâtre du Rond-Point des Champs-Élysées designed by architect Gabriel Davioud, which originally housed the Panorama National. History The exposition was a major event in France, then newly under the reign of Emperor Napoleon III. It followed London's Great Exhibition of 1851 and attempted to surpass that fair's Crystal Palace with its own Palais de l'Industrie. The arts displayed were shown in a separate pavilion on Avenue Montaigne. There were works from artists from 29 countries, including French artists François Rude, Ingres, Delacroix and Henri Lehmann, and British artists William Holman Hunt and John Everett Millais. However, Gustave Courbet, having h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl Girardet
Karl Girardet (born Charles Girardet; 7 May 1813, in Le Locle – 24 April 1871, in Versailles) was a Swiss painter and illustrator, who lived and worked mostly in Paris. After beginning his career as a landscape painter, he became a renowned history painter as well as a confidant to King Louis Philippe I and an official court painter.Sylvain Bauhofer (1998): Life Girardet was born on 7 May 1813 in Le Locle, now in the canton of Neuchâtel, Switzerland, as the eldest son of engraver Charles Samuel Girardet, His brothers Paul and Édouard also became artists. After 1822, he lived in Paris, where he studied painting with Léon Cogniet, and began his career as a genre painter. On a study trip to Switzerland in 1833–35, he made the acquaintance of the aristocratic painter Maximilien de Meuron, by whose influence he obtained commissions for two panoramas of Lausanne. In 1836, he presented his first exhibits in the Salon of Paris and started working as a copyist for the French ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Jacques Bourassé
Jean-Jacques Bourassé (22 December 1813, Ste.-Maure (Indre-et-Loire), France—4 October 1872, Tours) was a French Roman Catholic priest, archaeologist and historian. He made his preparatory studies for the priesthood in Paris. In 1835, he taught the natural sciences at the preparatory seminary of Tours, where he began a course of archaeology that soon attracted attention. The results achieved by him in a comparatively new field of research were such as to entitle him to be considered a veritable pioneer in France of the science of Christian archaeology. In 1884 he became professor at the grand séminaire and held the chair of dogmatic theology there for six years. He then discontinued teaching in order to devote himself entirely to the preparation of his various archæological works. Among the productions published by him the best known are: ''Archéologie Chrétienne'' (1841); ''Les Cathédrales de France'' (1843); ''Les plus belles églises du monde'' (1857); ''Recherches his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bibliothèque Nationale De France
The Bibliothèque nationale de France (, 'National Library of France'; BnF) is the national library of France, located in Paris on two main sites known respectively as ''Richelieu'' and ''François-Mitterrand''. It is the national repository of all that is published in France. Some of its extensive collections, including books and manuscripts but also precious objects and artworks, are on display at the BnF Museum (formerly known as the ) on the Richelieu site. The National Library of France is a public establishment under the supervision of the Ministry of Culture. Its mission is to constitute collections, especially the copies of works published in France that must, by law, be deposited there, conserve them, and make them available to the public. It produces a reference catalogue, cooperates with other national and international establishments, and participates in research programs. History The National Library of France traces its origin to the royal library founded at t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Célestin Nanteuil
Célestin-François Nanteuil-Lebœuf, known as Célestin Nanteuil, (11 July 1813 – 6 September 1873) was a French painter, engraver and illustrator closely tied to the Romantic movement in France. He was born in Rome of French parents who were part of Joseph Bonaparte's entourage. Nanteuil entered the École des Beaux-Arts in 1827, where he studied under Eustache-Hyacinthe Langlois, and then worked in the studio of Dominique Ingres. In 1848, he was made Director of Académie des beaux-arts and later became the curator of the Musée des beaux-arts in Dijon. Université de Liège Collections artistiquesCélestin NANTEUIL (Rome, 1813 - Marlotte, 1873) Retrieved 27 July 2012 . He died in Bourron-Marlotte at the age of 60. His elder brother, Charles-François, was a noted sculptor who won the Prix de Rome The Prix de Rome () or Grand Prix de Rome was a French scholarship for arts students, initially for painters and sculptors, that was established in 1663 during the reign of L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Baron
Henri Charles Antoine Baron (23 June 1816, in Besançon – 11 September 1885, in Geneva) was a French genre painter, engraver and illustrator. Biography He studied art with Jean Gigoux, who heavily influenced his work. His debut at the Salon came in 1840. He would exhibit there frequently and win numerous medals. In 1846, the Duke of Aumale commissioned him to paint a decorative panel, depicting Chantilly in the 16th century, for the Duke's room at the Château de Chantilly. Four years later, his painting of a scene from the ballet '' Les Noces de Gamache'', by Louis Milon, was purchased by the state. His regular trips to Italy inspired many of his works. In 1852, he married Octavie Bovy, daughter of the Swiss sculptor and engraver, . As a result of this familial connection, he was hired to participate in the restoration of the decorations at the Château de Gruyères ( Canton de Fribourg). He was also a regular participant of the Salon in Lyon. After 1862, he was an acti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tony Johannot
Antoine Johannot, known commonly as Tony Johannot (9 November 1803 – 4 August 1852), was a French engraver, illustrator and painter. Biography He was born in Offenbach am Main. His father, François Johannot (c. 1760–1838), owned a silk factory in Germany, where the family had fled after the revocation of the Edict of Nantes. He was a painter who was involved in the development of lithography in France. The two older brothers of Tony, Charles and Alfred, were engravers, and Alfred also worked as a painter and draughtsman. Tony learnt engraving from his brothers and helped Alfred produce illustrations of books by James Fenimore Cooper and Walter Scott. Tony came to prefer wood-engraving, but resumed etching in 1845. His historical paintings were exhibited at the Paris Salon for the first time in 1831. He became an illustrator much prized for his elegance, his diversity, and the lively character of his drawings, which were converted to engravings either by himself or by suc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
