Franz Tscherne
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Franz Tscherne
Franz Tscherne (born 3 December 1964 in Graz) is an Austrian actor and film director. He has been on the stage of major and renowned theaters in Switzerland, Germany and Austria such as Zurich, Basel, Düsseldorf, Stuttgart, Frankfurt, Berlin, Munich and Vienna since the age of 19, playing many important parts of his genre from Shakespeare, Goethe, Molière and Goldoni to Horvath and Schnitzler under directors as famous as August Everding, Hans Hollmann, Hellmuth Matiasek, Rudolf Noelte, Robert Lepage and Leander Haußmann. Apart from his stage performances, Franz Tscherne has worked in numerous film and TV productions, including ''Radetzky March'' by Axel Corti, ''Inspector Rex'' and since recently he has devoted himself also increasingly to musical theater playing, inter alia, the part of Perchik in the musical ''Fiddler on the Roof'' directed by Stefan Soltesz at the Aalto Theatre in Essen. With the Munich Philharmonic he was the narrator in the concert performance of Lortzingâ ...
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Graz
Graz (; sl, Gradec) is the capital city of the Austrian state of Styria and second-largest city in Austria after Vienna. As of 1 January 2021, it had a population of 331,562 (294,236 of whom had principal-residence status). In 2018, the population of the Graz larger urban zone (LUZ) stood at 652,654, based on principal-residence status. Graz is known as a college and university city, with four colleges and four universities. Combined, the city is home to more than 60,000 students. Its historic centre ('' Altstadt'') is one of the best-preserved city centres in Central Europe. In 1999, the city's historic centre was added to the UNESCO list of World Heritage Sites and in 2010 the designation was expanded to include Eggenberg Palace (german: Schloss Eggenberg) on the western edge of the city. Graz was designated the Cultural Capital of Europe in 2003 and became a City of Culinary Delights in 2008. Etymology The name of the city, Graz, formerly spelled Gratz, most likely stems ...
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Leopold Hager
Leopold Hager (born 6 October 1935, Salzburg) is an Austrian conductor known for his interpretations of works by the Viennese Classics (Haydn, Mozart, Beethoven and Schubert). Hager studied piano, organ, harpsichord, conducting, and composition at the Salzburg Mozarteum (1949–1957). He was appointed assistant conductor at the Stadttheater Mainz (1957–1962) and, after conducting the Linz Landestheater (1962–1964), he was appointed first conductor of the Cologne Opera (1964–1965). He then served as Generalmusikdirektor in Freiburg im Breisgau (1965–1969), chief conductor of the Mozarteum Orchestra and of the Landestheater in Salzburg (1969–1981). In October 1976 he debuted at the Metropolitan Opera in New York, conducting ''Le nozze di Figaro''. He also appeared as a guest conductor with other opera houses as well as orchestras in Europe (Berlin Philharmonic, Vienna Philharmonic) and the United States. In 1981, he became music director of the Orchestre Symphonique de ...
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Austrian Male Film Actors
Austrian may refer to: * Austrians, someone from Austria or of Austrian descent ** Someone who is considered an Austrian citizen, see Austrian nationality law * Austrian German dialect * Something associated with the country Austria, for example: ** Austria-Hungary ** Austrian Airlines (AUA) ** Austrian cuisine ** Austrian Empire ** Austrian monarchy ** Austrian German (language/dialects) ** Austrian literature ** Austrian nationality law Austrian nationality law details the conditions by which an individual is national of Austria. The primary law governing these requirements is the Nationality Law, which came into force on 31 July 1985. Austria is a member state of the Europ ... ** Austrian Service Abroad ** Music of Austria **Austrian School, Austrian School of Economics * Economists of the Austrian school of economic thought * The Pirc Defence, Austrian Attack, Austrian Attack variation of the Pirc Defence chess opening. See also

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Opéra National Du Rhin
The Opéra national du Rhin is an opera company which performs in Alsace, eastern France. It includes the Opéras in Strasbourg, in Mulhouse, where the Ballet de l'Opéra national du Rhin, also known as the Ballet Du Rhin, is based, and in Colmar, with its Opéra Studio, a training centre for young singers. Thee organisation has held the status of "national opera" since 1997. The Orchestre philharmonique de Strasbourg and the Orchestre symphonique de Mulhouse are the usual orchestras of this institution. History The first opera house opened in Strasbourg in 1701 in a converted granary. After a fire and temporary locations, a new Théâtre municipal opened in the Place Broglie in 1821. This building was virtually gutted during the German bombardment of 1870, but it was rebuilt in identical style, re-opening in 1873.Pitt, C. "Strasbourg", ''The New Grove Dictionary of Opera.'' Macmillan, London & New York, 1997. During the German era up to 1919, several eminent conductors held po ...
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Teatro Carlo Felice
The Teatro Carlo Felice is the principal opera house of Genoa, Italy, used for performances of opera, ballet, orchestral music, and recitals. It is located on the side of Piazza De Ferrari. The hall is named for King Carlo Felice, and dates from 24 December 1824, when the Most Excellent Department of Theatres was established. On 31 January 1825, local architect Carlo Barabino submitted his design for the opera house which was to be built on the site of the church of San Domenico. The Dominican friars were moved elsewhere without delay or ceremony, and the first stone of the new building was laid on 19 March 1826. The inaugural performance of Bellini's ''Bianca e Fernando'' took place on 7 April 1828, even though the structure and decoration were not quite finished. The auditorium accommodated an audience of about 2,500 in five tiers (each with 33 boxes), a gallery above, and standing room in the orchestra pit. The acoustics were considered among the best of the time. For ne ...
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La Fenice
Teatro La Fenice (, "The Phoenix") is an opera house in Venice, Italy. It is one of "the most famous and renowned landmarks in the history of Italian theatre" and in the history of opera as a whole. Especially in the 19th century, La Fenice became the site of many famous operatic premieres at which the works of several of the four major bel canto era composers – Rossini, Bellini, Donizetti, Verdi – were performed. Its name reflects its role in permitting an opera company to "rise from the ashes" despite losing the use of three theatres to fire, the first in 1774 after the city's leading house was destroyed and rebuilt but not opened until 1792; the second fire came in 1836, but rebuilding was completed within a year. However, the third fire was the result of arson. It destroyed the house in 1996 leaving only the exterior walls, but it was rebuilt and re-opened in November 2004. In order to celebrate this event the tradition of the Venice New Year's Concert started. Hist ...
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Ariadne Auf Naxos
(''Ariadne on Naxos''), Op. 60, is a 1912 opera by Richard Strauss with a German libretto by Hugo von Hofmannsthal. The opera's unusual combination of elements of low commedia dell'arte with those of high opera seria points up one of the work's principal themes: the competition between high and low art for the public's attention. First version (1912) The opera was originally conceived as a 30-minute divertissement to be performed at the end of Hofmannsthal's adaptation of Molière's play ''Le Bourgeois gentilhomme.'' Besides the opera, Strauss provided incidental music to be performed during the play. In the end, the opera occupied ninety minutes, and the performance of play plus opera occupied over six hours. It was first performed at the Hoftheater Stuttgart on 25 October 1912, directed by Max Reinhardt. The combination of the play and opera proved to be unsatisfactory to the audience: those who had come to hear the opera resented having to wait until the play finished. ...
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Prinzregententheater
The Prinzregententheater, or, as it was called in its first decades, the Prinz-Regenten-Theater, in English the Prince Regent Theatre, is a concert hall and opera house on Prinzregentenplatz in the Bavarian capital of Munich, Germany. Building and History Initiated by Ernst von Possart, the theatre was built in the Prinzregentenstrasse (Munich), Prinzregentenstrasse as a festival hall for the operas of Richard Wagner near an area where a similar project of King Ludwig II of Bavaria, Ludwig II had failed some decades before. Named after Luitpold, Prince Regent of Bavaria, the building was designed by Max Littmann and opened 21 August 1901 with a production of ''Die Meistersinger von Nürnberg'' by Richard Wagner. Like the Bayreuth Festspielhaus, the auditorium was designed to Wagner’s specifications, but an amphitheater has replaced the box (theatre), loges. After the destruction of the National Theatre (Munich), Nationaltheater during World War II, the Prinzregententheater ho ...
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Viktor Ullmann
Viktor Ullmann (1 January 1898, in Český Těšín, Teschen – 18 October 1944, in KZ Auschwitz-Birkenau) was a Silesia-born Austrians, Austrian composer, conductor and pianist. Biography Viktor Ullmann was born on 1 January 1898 in Český Těšín, Těšín (Teschen), which belonged then to Silesia in the Austro-Hungarian Empire and is now divided between Cieszyn in Poland and Český Těšín in the Czech Republic. Both his parents were from families of Jewish descent, but had converted to Roman Catholicism before Viktor's birth. As an assimilated Jew, his father, Maximilian, was able to pursue a career as a professional officer in the army of the Austro-Hungarian Empire. In World War I he was promoted to colonel and ennobled. One writer has described Ullmann's milieu in these terms: "Like such other assimilated German-speaking Czech Jews as Franz Kafka, Kafka and Gustav Mahler, Mahler, Ullmann lived a life of multiple estrangements, cut off from Czech nationalism, German ...
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Ulf Schirmer
Ulf Schirmer (born 1959) is a German conductor and opera house administrator. Born in Eschenhausen, Lower Saxony, Schirmer studied at the Bremen Conservatory, and also at the Hochschule für Musik und Theater Hamburg, with György Ligeti, Christoph von Dohnányi and Horst Stein. He worked as an assistant to Lorin Maazel and conducted at the Wiener Staatsoper productions of Luciano Berio's ''Un re in ascolto'', Arnold Schoenberg's ''Erwartung'', and Alexander Glazunov's ''Raymonda''. From 1988 to 1991, Schirmer was Generalmusikdirektor (GMD) of the city of Wiesbaden, serving as artistic director of symphonic concerts and opera and ballet at the Hessisches Staatstheater Wiesbaden. He conducted Hans Werner Henze's '' Das verratene Meer'' in 1990. In 1999, he conducted the premiere of Gerd Kühr's opera ''Tod und Teufel'' at the Grazer Oper. His other work in opera has included conducting the first staged production of ''Szenen aus dem Leben der Heiligen Johanna'' by Walter Braunfe ...
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Arthur Honegger
Arthur Honegger (; 10 March 1892 – 27 November 1955) was a Swiss composer who was born in France and lived a large part of his life in Paris. A member of Les Six, his best known work is probably ''Antigone'', composed between 1924 and 1927 to the French libretto by Jean Cocteau based on the tragedy ''Antigone'' by Sophocles. It premiered on 28 December 1927 at the Théâtre Royal de la Monnaie with sets designed by Pablo Picasso and costumes by Coco Chanel. However, his most frequently performed work is probably the orchestral work ''Pacific 231'', which was inspired by the sound of a steam locomotive. Biography Born Oscar-Arthur Honegger (the first name was never used) to Swiss parents in Le Havre, France, he initially studied harmony with Robert-Charles Martin (to whom he dedicated his first published work and violin in Le Havre. After studying for two years at the Zurich Conservatory, he enrolled in the Paris Conservatoire from 1911 to 1918, studying with both Charl ...
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Marcello Viotti
Marcello Viotti (29 June 195416 February 2005) was a Swiss classical music conductor, best known for opera. Viotti was born in Vallorbe, in the French-speaking region of Switzerland, to Italian parents. He studied cello, piano and singing at the Conservatory of Lausanne. Wolfgang Sawallisch was a mentor to Viotti and encouraged him to begin his career in the theatre. As a young conductor, Viotti honed his craft with the International Orchestra of the Jeunesses Musicales in the Italian town of Fermo, and also with a wind ensemble. His interpretation of Robert Schumann's 4th Symphony helped him win the 1982 Gino Marinuzzi Competition. During the 1980s and 1990s Viotti was a director at several opera houses in Europe. These included three years as artistic director of the Stadttheater in Lucerne, a post as music director of the Turin opera, and three years as Generalmusikdirector of Bremen (1990–1993). He held guest conducting posts at the Vienna State Opera, the Deutsche Oper B ...
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