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Franny Beecher
Francis Eugene Beecher (September 29, 1921 – February 24, 2014) was the lead guitarist for Bill Haley & His Comets from 1954 to 1962, and is best remembered for his innovative guitar solos combining elements of country music and jazz. He composed the classics "Blue Comet Blues", "Goofin' Around", "Week End", "The Catwalk", and "Shaky" when he was the lead guitarist for Bill Haley and the Comets. He continued to perform with surviving members of the Comets into 2006. In 2012, the Rock and Roll Hall of Fame inducted Beecher as a member of the Comets by a special committee, aimed at correcting the previous mistake of not inducting the Comets with Bill Haley. Career By the time Beecher became associated with Bill Haley, he had already had a lengthy career as a guitarist, having performed and recorded with the Benny Goodman Orchestra, which he joined in 1948, at a time Goodman was experimenting with music in the bebop idiom. He also worked with other big bands, with singer and f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norristown, Pennsylvania
Norristown is a municipality with home rule status and the county seat of Montgomery County, Pennsylvania Montgomery County is a county in the Commonwealth of Pennsylvania. It is the third-most populous county in Pennsylvania and the 73rd-most populous county in the United States. As of the 2020 census, the population of the county was 856,55 ..., United States, in the Philadelphia metropolitan area. Located along the Schuylkill River, approximately from the Philadelphia city limits, Norristown had a population of 34,324 as of the 2010 U.S. Census. It is the fourth most populous municipality in the county and second most populous borough in Pennsylvania. It is the largest non-township municipality in Montgomery County and is located southeast of Allentown, Pennsylvania, Allentown and northwest of Philadelphia, the sixth largest city in the United States. History The area where Norristown sits was originally owned by the family of Isaac Norris (statesman), Isaac N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Danny Cedrone
Donato Joseph "Danny" Cedrone (June 20, 1920 – June 17, 1954) was an American guitarist and bandleader, best known for his work with Bill Haley & His Comets on their epochal "Rock Around the Clock" in 1954. Career Cedrone was born in Jamesville, New York. Cedrone's musical career began in the 1940s, but he came into his own in the early 1950s, first as a session guitarist hired by what was then a country and western musical group based out of Chester, Pennsylvania called Bill Haley and His Saddlemen. In 1951, Cedrone played lead on their recording of " Rocket 88" which is considered one of the first acknowledged rock and roll recordings. At around this time, Cedrone formed his own group, The Esquire Boys and this is believed to be one of the reasons he never joined Haley's group as a full-time member. In 1952, Cedrone played lead guitar on Haley's version of "Rock the Joint", and his swift guitar solo, which combined a jazz-influenced first half followed by a lightning-fast d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roulette Records
Roulette Records was an American record company and label founded in 1957 by George Goldner, Joe Kolsky, Morris Levy and Phil Kahl, with creative control given to producers and songwriters Hugo Peretti and Luigi Creatore. Levy was appointed director. The label had known ties to New York City mobsters. Levy ran the label with an iron fist. In 1958 Roost Records was purchased. Goldner subsequently bowed out of his partnership interest in Roulette and, to cover his gambling debts, sold his record labels Tico, Rama, Gee and—years later—End and Gone to Levy, who grouped them into Roulette. Peretti and Creatore later left Roulette and worked as freelance producers for RCA Records throughout the 1960s. They co-founded Avco Records in 1969. In 1971 Roulette took over the catalog of Jubilee Records. History During the late 1950s, Roulette scored hits by Buddy Knox, Jimmy Bowen, The Playmates, Jimmie Rodgers, Ronnie Hawkins and The Delicates as well as releasing albums by Pearl Bailey, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Week End 45 The Kingsmen 1958
A week is a unit of time equal to seven days. It is the standard time period used for short cycles of days in most parts of the world. The days are often used to indicate common work days and rest days, as well as days of worship. Weeks are often mapped against yearly calendars, but are typically not the basis for them, as weeks are not based on astronomy. The modern seven-day week can be traced back to the Babylonians, who used it within their calendar. Other ancient cultures had different week lengths, including ten in Egypt and an eight-day week for Etruscans. The Etruscan week was adopted by the Ancient Romans, but they later moved to a seven-day week, which had spread across Western Asia and the Eastern Mediterranean. In 321 AD, Emperor Constantine officially decreed a seven-day week in the Roman Empire, including making Sunday a public holiday. This later spread across Europe, then the rest of the world. In English, the names of the days of the week are Monday, Tuesday ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
East West Records
East West Records (stylized as east''west'') is a record label formed in 1955, distributed and owned by Warner Music Group, headquartered in London, England. History Upon its creation in 1955 by Atlantic Records, the label had one hit with the Kingsmen's "Week End" and went into hibernation until 1990, when Atlantic revamped the imprint as EastWest Records America. In America, Atlantic senior VP Sylvia Rhone was appointed Chair/CEO of the fledgling label. Under Rhone's leadership, EastWest Records America shot to mega success with several multiplatinum acts such as En Vogue, Pantera, Yo-Yo, Adina Howard, Das EFX, Snow, Gerald Levert, AC/DC, The Rembrandts, Dream Theater, Missy Elliott and MC Lyte. EastWest also distributed other imprints, such as Interscope Records, Motor Jams Records, Mecca Don Records and The Gold Mind Inc. Meanwhile, over at the Electric Lighting Station in London (headquarters of WEA International in the United Kingdom) artists such as The Beloved (band) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rip It Up (Little Richard Song)
"Rip It Up" is a rock and roll song written by Robert Blackwell and John Marascalco. In June 1956, Specialty Records released it as a single by Little Richard with "Ready Teddy" as the B-side. The song reached the top position on the ''Billboard'' Rhythm & Blues Records chart as well as number 17 on the magazine's broader Billboard Hot 100. The version peaked at number 30 in the UK Singles Chart. The tenor saxophone solo is by Lee Allen. Also in 1956, Bill Haley and his Comets released a version of the song. Their version reached number 25 on the Hot 100, and number four in the UK Singles Chart. The song, which was recorded at J&M Recording Studio in New Orleans, is included as a full-length performance by Earl Palmer with guest vocalist Ivan Neville and house band in the 2005 documentary film '' Make It Funky!'', which presents a history of New Orleans music and its influence on rhythm and blues, rock and roll, funk and jazz Jazz is a music genre that originated in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
See You Later Alligator
"See You Later, Alligator" is a 1950s rock and roll song written and first recorded by American singer-songwriter Bobby Charles. The song was a Top Ten hit for Bill Haley and His Comets in 1956 in the United States, reaching no. 6 on ''Billboard'' and ''CashBox''. In the UK, the single peaked at no. 7. History Originally entitled "Later, Alligator", the song, based on a 12-bar blues chord structure (141541), was written by Louisiana songwriter Robert Charles Guidry and first recorded by him under his professional name "Bobby Charles" in 1955. His recording was released on Chess Records under the title "Later, Alligator" as 1609 in November 1955 backed with "On Bended Knee". Guidry, a Cajun musician, adopted a New Orleans-influenced blues style for the recording. The melody of the song was borrowed from bluesman Guitar Slim's "Later for You, Baby" which was recorded in 1954. Guidry also wrote "Walking to New Orleans", which was recorded by Fats Domino. The song was also recorded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
