Frank Mullings
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Frank Mullings
Frank Mullings (10 May 1881 – 19 May 1953) was a leading English tenor with Sir Thomas Beecham's Beecham Opera Company and its successor, the British National Opera Company, during the 1910s and 1920s. Blessed with a strong stage presence and a voice that provoked varying reactions from critics, his repertoire included such taxing dramatic parts as Tristan in ''Tristan und Isolde'', Radames in ''Aida'', the title role in '' Otello'', and Canio in '' Pagliacci.'' The limitations of early microphones meant that his voice was not always recorded successfully, although the British National Opera Company website notes that playing the recordings at 80 rpm produces a more reliable result.Mullings on Divineart.com
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Covent Garden
Covent Garden is a district in London, on the eastern fringes of the West End, between St Martin's Lane and Drury Lane. It is associated with the former fruit-and-vegetable market in the central square, now a popular shopping and tourist site, and with the Royal Opera House, itself known as "Covent Garden". The district is divided by the main thoroughfare of Long Acre, north of which is given over to independent shops centred on Neal's Yard and Seven Dials, while the south contains the central square with its street performers and most of the historical buildings, theatres and entertainment facilities, including the London Transport Museum and the Theatre Royal, Drury Lane. The area was fields until briefly settled in the 7th century when it became the heart of the Anglo-Saxon trading town of Lundenwic, then abandoned at the end of the 9th century after which it returned to fields. By 1200 part of it had been walled off by the Abbot of Westminster Abbey for use as arable l ...
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Manchester
Manchester () is a city in Greater Manchester, England. It had a population of 552,000 in 2021. It is bordered by the Cheshire Plain to the south, the Pennines to the north and east, and the neighbouring city of Salford to the west. The two cities and the surrounding towns form one of the United Kingdom's most populous conurbations, the Greater Manchester Built-up Area, which has a population of 2.87 million. The history of Manchester began with the civilian settlement associated with the Roman fort ('' castra'') of ''Mamucium'' or ''Mancunium'', established in about AD 79 on a sandstone bluff near the confluence of the rivers Medlock and Irwell. Historically part of Lancashire, areas of Cheshire south of the River Mersey were incorporated into Manchester in the 20th century, including Wythenshawe in 1931. Throughout the Middle Ages Manchester remained a manorial township, but began to expand "at an astonishing rate" around the turn of the 19th century. Manchest ...
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Royal Manchester College Of Music
The Royal Manchester College of Music (RMCM) was a tertiary level conservatoire in Manchester, north-west England. It was founded in 1893 by the German-born conductor Sir Charles Hallé in 1893. In 1972, the Royal Manchester College of Music amalgamated with the Northern School of Music to form the Royal Northern College of Music. History The Royal Manchester College of Music was founded in 1893 by Sir Charles Hallé who assumed the role as Principal. For a long period of time Hallé had argued for Manchester's need for a ''conservatoire'' to properly train the local talent.Thomason, Geoffrey. “Hallé’s other project – the RMCM”. Manchester Memoirs, being the memoirs and proceedings of the Manchester Literary & Philosophical Society: Vol.149 (2010-2011), pp.104-123. The RMCM opened in 1893 in a former club building on the corner of Ducie Grove and Ducie Street, near Oxford Road. The building was adapted for use as a college by the architects Salomons and Steinthal, a ...
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Birmingham School Of Music
The Royal Birmingham Conservatoire is a music school, drama school and concert venue in Birmingham, England. It provides professional education in music, acting, and related disciplines up to postgraduate level. It is a centre for scholarly research and doctorate-level study in areas such as performance practice, composition, musicology and music history. It is the only one of the nine conservatoires in the United Kingdom that is also part of a faculty of a university, in this case Arts, Design and Media at Birmingham City University. It is a member of the Federation of Drama Schools, and a founder member of Conservatoires UK. The conservatoire houses a 500-seat concert hall and other performance spaces including a recital hall, organ studio, and a dedicated jazz club. It was founded in 1886 as the Birmingham School of Music, the first music school to be established in England outside London. History The Royal Birmingham Conservatoire was founded in 1886 as the Birmingham S ...
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Victoria University Of Wellington
Victoria University of Wellington ( mi, Te Herenga Waka) is a university in Wellington, New Zealand. It was established in 1897 by Act of Parliament, and was a constituent college of the University of New Zealand. The university is well known for its programmes in law, the humanities, and some scientific disciplines, and offers a broad range of other courses. Entry to all courses at first year is open, and entry to second year in some programmes (e.g. law, criminology, creative writing, architecture, engineering) is restricted. Victoria had the highest average research grade in the New Zealand Government's Performance Based Research Fund exercise in both 2012 and 2018, having been ranked 4th in 2006 and 3rd in 2003.
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Hector Berlioz
In Greek mythology, Hector (; grc, Ἕκτωρ, Hektōr, label=none, ) is a character in Homer's Iliad. He was a Trojan prince and the greatest warrior for Troy during the Trojan War. Hector led the Trojans and their allies in the defense of Troy, killing countless Greek warriors. He was ultimately killed in single combat by Achilles, who later dragged his dead body around the city of Troy behind his chariot. Etymology In Greek, is a derivative of the verb ἔχειν ''ékhein'', archaic form * grc, ἕχειν, hékhein, label=none ('to have' or 'to hold'), from Proto-Indo-European *'' seɡ́ʰ-'' ('to hold'). , or as found in Aeolic poetry, is also an epithet of Zeus in his capacity as 'he who holds verything together. Hector's name could thus be taken to mean 'holding fast'. Description Hector was described by the chronicler Malalas in his account of the ''Chronography'' as "dark-skinned, tall, very stoutly built, strong, good nose, wooly-haired, good beard, sq ...
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La Damnation De Faust
''La damnation de Faust'' (English: ''The Damnation of Faust''), Op. 24 is a work for four solo voices, full seven-part chorus, large children's chorus and orchestra by the French composer Hector Berlioz. He called it a "''légende dramatique''" ( dramatic legend). It was first performed at the Opéra-Comique in Paris on 6 December 1846. Background and composition history The French composer was inspired by a translation of Goethe's dramatic poem ''Faust'' and produced a musical work that, like the masterpiece on which it is based, defies easy categorisation. Conceived at various times as a free-form oratorio and as an opera (Berlioz ultimately called it a "légende dramatique") its travelogue form and cosmic perspective have made it an extreme challenge to stage as an opera. Berlioz himself was eager to see the work staged, but once he did, he conceded that the production techniques of his time were not up to the task of bringing the work to dramatic life. Most of the work ...
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John Cawte Beaglehole
John Cawte Beaglehole (13 June 1901 – 10 October 1971) was a New Zealand historian whose greatest scholastic achievement was the editing of James Cook's three journals of exploration, together with the writing of an acclaimed biography of Cook, published posthumously. He had a lifelong association with Victoria University College, which became Victoria University of Wellington, and after his death it named the archival collections after him. Early life and career Beaglehole was born and grew up in Wellington, New Zealand, the second of the four sons of David Ernest Beaglehole, a clerk, and his wife, Jane Butler. His younger brother was Ernest Beaglehole, who became a psychologist and ethnologist. John was educated at Mount Cook School and Wellington College before being enrolled at Victoria University College, Wellington of the University of New Zealand, which later became an independent university, and where he subsequently spent most of his academic career. After his grad ...
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Italian Opera
Italian opera is both the art of opera in Italy and opera in the Italian language. Opera was born in Italy around the year 1600 and Italian opera has continued to play a dominant role in the history of the form until the present day. Many famous operas in Italian were written by foreign composers, including Handel, Gluck and Mozart. Works by native Italian composers of the 19th and early 20th centuries, such as Rossini, Bellini, Donizetti, Verdi and Puccini, are amongst the most famous operas ever written and today are performed in opera houses across the world. Origins ''Dafne'' by Jacopo Peri was the earliest composition considered opera, as understood today. Peri's works, however, did not arise out of a creative vacuum in the area of sung drama. An underlying prerequisite for the creation of opera proper was the practice of monody. Monody is the solo singing/setting of a dramatically conceived melody, designed to express the emotional content of the text it carries, whic ...
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Neville Cardus
Sir John Frederick Neville Cardus, CBE (2 April 188828 February 1975) was an English writer and critic. From an impoverished home background, and mainly self-educated, he became ''The Manchester Guardian''s cricket correspondent in 1919 and its chief music critic in 1927, holding the two posts simultaneously until 1940. His contributions to these two distinct fields in the years before the Second World War established his reputation as one of the foremost critics of his generation. Cardus's approach to cricket writing was innovative, turning what had previously been largely a factual form into vivid description and criticism; he is considered by contemporaries to have influenced every subsequent cricket writer. Although he achieved his largest readership for his cricket reports and books, he considered music criticism as his principal vocation. Without any formal musical training, he was initially influenced by the older generation of critics, in particular Samuel Langford and ...
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Rutland Boughton
Rutland Boughton (23 January 187825 January 1960) was an English composer who became well known in the early 20th century as a composer of opera and choral music. He was also an influential communist activist within the Communist Party of Great Britain (CPGB). His oeuvre includes three symphonies, several concertos, part-songs, songs, chamber music and opera (which he called "music drama" after Wagner). His best known work was the opera ''The Immortal Hour''. His ''Bethlehem'' (1915), based on the Coventry Nativity Play and notable for its choral arrangements of traditional Christmas carols, also became very popular with choral societies worldwide. Among his many works, the prolific Boughton composed a complete series of five operas of Arthurian mythos, written over a period of thirty-five years: ''The Birth of Arthur'' (1909), ''The Round Table'' (1915–16), ''The Lily Maid'' (1933–34), ''Galahad'' (1943–44) and ''Avalon'' (1944–45). Other operas by Boughton include ...
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