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Frank-ly Speaking
''Frank-ly Speaking'' is an album by American jazz pianist Horace Parlan featuring performances recorded in the U.S. in 1977 and released on the Danish-based SteepleChase label.SteepleChase Records catalog accessed September 23, 2010. Reception The review by Ken Dryden awarded the album 4 stars, stating that "the playing is inspired throughout the date by everyone involved".Dryden, K. accessed September 23, 2010.Track listing # "Frank-ly Speaking" (Horace Parlan) - ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horace Parlan
Horace Parlan (January 19, 1931 – February 23, 2017) was an American pianist and composer known for working in the hard bop and post-bop styles of jazz. In addition to his work as a bandleader Parlan was known for his contributions to the Charles Mingus recordings ''Mingus Ah Um'' and ''Blues & Roots''. Early life He was born in Pittsburgh, Pennsylvania, United States. In his birth year, Parlan was stricken with polio, resulting in the partial crippling of his right hand. The handicap contributed to his development of a particularly "pungent" left-hand chord voicing style, while comping with highly rhythmic phrases with the right. Later life and career Between 1952 and 1957, he worked in Washington D.C. with Sonny Stitt, then spent two years with Mingus' Jazz Workshop. In 1973, Parlan moved to Copenhagen, Denmark. He later settled in the small village of Rude in southern Zealand. In 1974, he completed a State Department tour of Africa with Hal Singer. His later work, suc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tony Inzalaco
Anthony Frank "Tony" Inzalaco, Jr. (born January 14, 1938) is an American jazz drummer. Inzalaco was born in Passaic, New Jersey. He obtained bachelor's and master's degrees from the Manhattan School of Music, and was active in the United States from 1959 to 1968, performing and/or recording with Vinnie Burke, Jaki Byard, Donald Byrd, Chris Connor, Maynard Ferguson, Jim Hall, Roger Kellaway, Morgana King, Lee Konitz, Morris Nanton, Duke Pearson, Benny Powell, Buddy Rich, Charlie Shavers, Johnny Smith, Billy Taylor, and Ben Webster. In 1968 he moved to Germany, where he lived until 1978 as member of the bands of Kurt Edelhagen and Eugen Cicero. While in Germany he worked with Benny Bailey, Don Byas, Kenny Clarke and Francy Boland, Kenny Drew, Art Farmer, Dizzy Gillespie, Dexter Gordon, Johnny Griffin, Peter Herbolzheimer, Carmen McRae, Sal Nistico, Horace Parlan, Fritz Pauer, Oscar Peterson, Idrees Sulieman, Ben Webster again, Jiggs Whigham, Jimmy Woode, and Leo Wrigh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
SteepleChase Records Albums
Steeplechase may refer to: * Steeplechase (horse racing), a type of horse race in which participants are required to jump over obstacles * Steeplechase (athletics), an event in athletics that derives its name from the steeplechase in horse racing * Steeplechase (composition), a jazz standard by Bebop alto saxophonist Charlie Parker * Steeplechase (dog agility), an event in dog agility * Steeplechase (roller coaster) **Steeplechase (Blackpool Pleasure Beach) racing rollercoaster ** Steeplechase Park, a New York City amusement park from 1897 to 1964, named for its racing rollercoaster ** Steeplechase Pier, a former Atlantic City, New Jersey, Boardwalk attraction destroyed in the 1944 Great Atlantic Hurricane ** The Steeplechase, a former Kennywood Park attraction which existed for two seasons, 1903-1904. * ''Steeplechase'' (video game), a 1975 arcade game released by Atari * SteepleChase Records, a Danish jazz label * Steeplechase Building, in Las Vegas, part of the Boardwalk Hote ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral music sett ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al Harewood
Al Harewood (June 3, 1923 – March 13, 2014) was an American jazz drummer and teacher, born in Brooklyn. As a musician Harewood worked with many jazz musicians including the J.J. Johnson/ Kai Winding group, the Art Farmer/ Gigi Grice band, David Amram, Betty Carter, and the Curtis Fuller- Benny Golson Sextet. He played on many jazz recordings under the leadership of Lou Donaldson, Horace Parlan, Ike Quebec, Dexter Gordon and Grant Green and had a long association with saxophonist Stanley Turrentine from 1959 onwards. He died in March 2014 at the age of 90. Discography With *''[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or by other names), is the largest and lowest-pitched bowed (or plucked) string instrument in the modern symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the , and is featured in concertos, solo, and |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recogniz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Foster (jazz Musician)
Frank Benjamin Foster III (September 23, 1928 – July 26, 2011) was an American tenor and soprano saxophonist, flautist, arranger, and composer. Foster collaborated frequently with Count Basie and worked as a bandleader from the early 1950s.Profile AllMusic; accessed June 21, 2017. In 1998, Howard University awarded Frank Foster with the Benny Golson Jazz Master Award. Early life and education Foster was born in Cincinnati, Ohio, United States, and educated at Wilberforce University. In 1949, he moved to Detroit, Michigan, where he joined the local jazz scene, playing with musicians such as Wardell Gray. Career Drafted into the U.S. Army in 1951, Foster served in Korea with the 7th Infantry Division where he fought alongside (although unknowingly) future collaborator Shawn ‘Thunder’ Wallace. Upon finishing his military service in 1953 he joined Count Basie's big band. Foster contributed both arrangements and original compositions to Count Basie's band including the sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Strozier
Frank R. Strozier Jr. (born June 13, 1937) is a jazz alto saxophonist. Strozier was born in Memphis, Tennessee, where he learned to play piano. In 1954, he moved to Chicago, where he performed with Harold Mabern, George Coleman, and Booker Little (like Strozier, they were from Memphis). He recorded with the MJT + 3 from 1959 to 1960 and led sessions for Vee-Jay Records. After moving to New York, Strozier was briefly with the Miles Davis Quintet in 1963 (between the tenures of Hank Mobley and George Coleman) and also gigged with Roy Haynes. After moving to Los Angeles, he worked with Chet Baker, Shelly Manne, and the Don Ellis big band. Returning to New York in 1971, he worked with Keno Duke's Jazz Contemporaries, the New York Jazz Repertory Company, Horace Parlan, and Woody Shaw. Discography As leader * ''Fantastic Frank Strozier'' (Vee-Jay, 1960) * '' Long Night'' ( Jazzland, 1961) * '' March of the Siamese Children'' (Jazzland, 1962) * '' Remember Me'' (SteepleChase, 1977) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and '' fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Jordan
Irving Sidney "Duke" Jordan (April 1, 1922 – August 8, 2006) was an American jazz pianist. Biography Jordan was born in New York and raised in Brooklyn where he attended Boys High School. An imaginative and gifted pianist, Jordan was a regular member of Charlie Parker's quintet during 1947–48, which also featured Miles Davis. He participated in Parker's Dial sessions in late 1947 that produced "Dewey Square", "Bongo Bop", "Bird of Paradise", and the ballad " Embraceable You". These performances are featured on '' Charlie Parker on Dial''. Jordan had a long solo career from the mid-1950s onwards, although for a period in the mid-1960s he drove a taxi in New York. After periods accompanying Sonny Stitt and Stan Getz, he performed and recorded in the trio format. His composition, "Jordu", became a jazz standard when trumpeter Clifford Brown adopted it into his repertoire. Beginning in 1978, he lived in Copenhagen, Denmark, having recorded an extensive sequence of albums for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
