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Francis Haskell
Francis James Herbert Haskell, (7 April 1928 – 18 January 2000) was an English art historian, whose writings placed emphasis on the social history of art. He wrote one of the first and most influential patronage studies, ''Patrons and Painters''. Early life and education Haskell was born on 7 April 1928. He was the son of Arnold Haskell, an influential ballet critic and writer and Vera Saitzoff, daughter of a Russian industrialist. His first language was French, the language shared by his parents, and he was fluent in English, French and Italian. From ages 5 to 8, Francis attended the Lycée Français Charles de Gaulle in London, and then at Eton College. In 1948, after serving in the Royal Army Educational Corps, Haskell matriculated into King's College, Cambridge. He read history before switching to English, and among his tutors were Eric Hobsbawm and Dadie Rylands. At Cambridge, he was a member of the semi-secretive Cambridge Apostles society, a debating club largely reserv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dadie Rylands
George Humphrey Wolferstan Rylands (23 October 1902 – 16 January 1999), known as Dadie Rylands, was a British literary scholar and theatre director. Rylands was born at the Down House, Tockington, Gloucestershire, to Thomas Kirkland Rylands, a land agent, and Bertha Nisbet Wolferstan (née Thomas). His grandfather was the Liberal politician Peter Rylands. Educated at Eton College and King's College, Cambridge, he was a Fellow of King's from 1927 until his death. While at Cambridge, he became a friend of John Maynard Keynes, also a student and Fellow at King’s. He also befriended Cecil Beaton there. As well as studying Shakespeare, he was actively involved in the theatre. He directed and acted in many productions for The Marlowe Society, and was chairman of the Cambridge Arts Theatre from 1946 to 1982. Rylands' 1939 Shakespeare anthology ''Ages of Man'' was the basis of John Gielgud's Ages of Man (play), one-man show of the same title. Though Rylands specialised in di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthony Blunt
Anthony Frederick Blunt (26 September 1907 – 26 March 1983), styled Sir Anthony Blunt KCVO from 1956 to November 1979, was a leading British art historian and Soviet spy. Blunt was professor of art history at the University of London, director of the Courtauld Institute of Art, and Surveyor of the Queen's Pictures. His 1967 monograph on the French Baroque painter Nicolas Poussin is still widely regarded as a watershed book in art history.Shone, Richard and Stonard, John-Paul, eds. ''The Books that Shaped Art History'', Introduction. London: Thames & Hudson, 2013. His teaching text and reference work ''Art and Architecture in France 1500–1700'', first published in 1953, reached its fifth edition in a slightly revised version by Richard Beresford in 1999, when it was still considered the best account of the subject. In 1964, after being offered immunity from prosecution, Blunt confessed to having been a spy for the Soviet Union. He was considered to be the "fourth man" of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cambridge
Cambridge ( ) is a university city and the county town in Cambridgeshire, England. It is located on the River Cam approximately north of London. As of the 2021 United Kingdom census, the population of Cambridge was 145,700. Cambridge became an important trading centre during the Roman and Viking ages, and there is archaeological evidence of settlement in the area as early as the Bronze Age. The first town charters were granted in the 12th century, although modern city status was not officially conferred until 1951. The city is most famous as the home of the University of Cambridge, which was founded in 1209 and consistently ranks among the best universities in the world. The buildings of the university include King's College Chapel, Cavendish Laboratory, and the Cambridge University Library, one of the largest legal deposit libraries in the world. The city's skyline is dominated by several college buildings, along with the spire of the Our Lady and the English Martyrs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fitzwilliam Museum
The Fitzwilliam Museum is the art and antiquities museum of the University of Cambridge. It is located on Trumpington Street opposite Fitzwilliam Street in central Cambridge. It was founded in 1816 under the will of Richard FitzWilliam, 7th Viscount FitzWilliam (1745–1816), and comprises one of the best collections of antiquities and modern art in western Europe. With over half a million objects and artworks in its collections, the displays in the museum explore world history and art from antiquity to the present. The treasures of the museum include artworks by Monet, Picasso, Rubens, Vincent van Gogh, Rembrandt, Cézanne, Van Dyck, and Canaletto, as well as a winged bas-relief from Nimrud. Admission to the public is always free. The museum is a partner in the University of Cambridge Museums consortium, one of 16 Major Partner Museum services funded by Arts Council England to lead the development of the museums sector. Foundation and buildings The museum was founded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas Poussin
Nicolas Poussin (, , ; June 1594 – 19 November 1665) was the leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a small group of Italian and French collectors. He returned to Paris for a brief period to serve as First Painter to the King under Louis XIII and Cardinal Richelieu, but soon returned to Rome and resumed his more traditional themes. In his later years he gave growing prominence to the landscape in his paintings. His work is characterized by clarity, logic, and order, and favors line over color. Until the 20th century he remained a major inspiration for such classically-oriented artists as Jacques-Louis David, Jean-Auguste-Dominique Ingres and Paul Cézanne. Details of Poussin's artistic training are somewhat obscure. Around 1612 he traveled to Paris, where he studied under minor masters and completed his earliest surviving works. Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Art Collections Fund
Art Fund (formerly the National Art Collections Fund) is an independent membership-based British charity, which raises funds to aid the acquisition of artworks for the nation. It gives grants and acts as a channel for many gifts and bequests, as well as lobbying on behalf of museums and galleries and their users. It relies on members' subscriptions and public donations for funds and does not receive funding from the government or the National Lottery. Since its foundation in 1903 the Fund has been involved in the acquisition of over 860,000 works of art of every kind, including many of the most famous objects in British public collections, such as Velázquez's ''Rokeby Venus'' in the National Gallery, Picasso's '' Weeping Woman'' in the Tate collection, the Anglo-Saxon Staffordshire Hoard in Birmingham Museum and Art Gallery and the medieval Canterbury Astrolabe Quadrant in the British Museum. History The original idea for an arts charity can be traced to a lecture given by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wallace Collection
The Wallace Collection is a museum in London occupying Hertford House in Manchester Square, the former townhouse of the Seymour family, Marquesses of Hertford. It is named after Sir Richard Wallace, who built the extensive collection, along with the Marquesses of Hertford, in the 18th and 19th centuries. The collection features fine and decorative arts from the 15th to the 19th centuries with important holdings of French 18th-century paintings, furniture, arms and armour, porcelain and Old Master paintings arranged into 25 galleries. It is open to the public and entry is free. It was established in 1897 from the private collection mainly created by Richard Seymour-Conway, 4th Marquess of Hertford (1800–1870), who left both it and the house to his illegitimate son Sir Richard Wallace (1818–1890), whose widow Julie Amelie Charlotte Castelnau bequeathed the entire collection to the nation. The collection opened to permanent public view in 1900 in Hertford House, and remain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British School At Rome
The British School at Rome (BSR) is an interdisciplinary research centre supporting the arts, humanities and architecture. History The British School at Rome (BSR) was established in 1901 and granted a UK Royal Charter in 1912. Its mission is "to promote knowledge of and deep engagement with all aspects of the art, history and culture of Italy by scholars and fine artists from Britain and the Commonwealth, and to foster international and interdisciplinary exchange."Wallace-Hadrill, A., 2001. ''The British School at Rome: One Hundred Years'', London: British School at Rome Following the International Exhibition of Art in Rome in 1911, the site of the Edwin Lutyens-designed British Pavilion in the Valle Giulia was granted to the UK on condition that it be used exclusively as a British research centre for archaeology, history and the fine arts. In 1916, after significant adaptation by Lutyens, the BSR moved into what is still its home. In 2002, a purpose-built lecture theatre an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ashmolean Museum
The Ashmolean Museum of Art and Archaeology () on Beaumont Street, Oxford, England, is Britain's first public museum. Its first building was erected in 1678–1683 to house the cabinet of curiosities that Elias Ashmole gave to the University of Oxford in 1677. It is also the world's second university museum, after the establishment of the Kunstmuseum Basel in 1661 by the University of Basel. The present building was built between 1841 and 1845. The museum reopened in 2009 after a major redevelopment, and in November 2011, new galleries focusing on Egypt and Nubia were unveiled. In May 2016, the museum also opened redisplayed galleries of 19th-century art. History Broad Street The museum opened on 24 May 1683, with naturalist Robert Plot as the first keeper. The building on Broad Street (later known as the Old Ashmolean) is sometimes attributed to Sir Christopher Wren or Thomas Wood. Elias Ashmole had acquired the collection from the gardeners, travellers, and collectors Joh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
University Of Oxford
, mottoeng = The Lord is my light , established = , endowment = £6.1 billion (including colleges) (2019) , budget = £2.145 billion (2019–20) , chancellor = The Lord Patten of Barnes , vice_chancellor = Louise Richardson , students = 24,515 (2019) , undergrad = 11,955 , postgrad = 12,010 , other = 541 (2017) , city = Oxford , country = England , coordinates = , campus_type = University town , athletics_affiliations = Blue (university sport) , logo_size = 250px , website = , logo = University of Oxford.svg , colours = Oxford Blue , faculty = 6,995 (2020) , academic_affiliations = , The University of Oxford is a collegiate research university in Oxf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art History
Art history is the study of aesthetic objects and visual expression in historical and stylistic context. Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today, art history examines broader aspects of visual culture, including the various visual and conceptual outcomes related to an ever-evolving definition of art. Art history encompasses the study of objects created by different cultures around the world and throughout history that convey meaning, importance or serve usefulness primarily through visual representations. As a discipline, art history is distinguished from art criticism, which is concerned with establishing a relative artistic value upon individual works with respect to others of comparable style or sanctioning an entire style or movement; and art theory or "philosophy of art", which is concerned with the fundamental nature of art. One branch of this area of study is aesthetics, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
