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Franciabigio
Franciabigio (1482 – 24 January 1525) was an Italian painter of the Florentine Renaissance. His true name may have been Francesco di Cristofano; he is also referred to as either Marcantonio Franciabigio or Francia Bigio. Life and career He was born in Florence, and initially worked under Albertinelli until about 1506. In 1505 he befriended Andrea del Sarto; and by the next year, the two painters set up common shop in the Piazza del Grano. Franciabigio paid much attention to anatomy and perspective, and to the proportions of his figures, though these are often squat in form. He had a large stock of artistic knowledge, and was at first noted for diligence. He was proficient in fresco and Vasari claimed that he surpassed all his contemporaries in this method. It is in his portraits, and not his religious paintings and frescoes, that his painting gathers naturalistic power. As years went on, and he received frequent commissions for all sorts of public painting for festive occasio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franciabigio 001
Franciabigio (1482 – 24 January 1525) was an italy, Italian Painting, painter of the Florentine Renaissance. His true name may have been Francesco di Cristofano; he is also referred to as either Marcantonio Franciabigio or Francia Bigio. Life and career He was born in Florence, and initially worked under Mariotto Albertinelli, Albertinelli until about 1506. In 1505 he befriended Andrea del Sarto; and by the next year, the two painters set up common shop in the Piazza del Grano. Franciabigio paid much attention to anatomy and perspective (graphical), perspective, and to the proportions of his figures, though these are often squat in form. He had a large stock of artistic knowledge, and was at first noted for diligence. He was proficient in fresco and Giorgio Vasari, Vasari claimed that he surpassed all his contemporaries in this method. It is in his portraits, and not his religious paintings and frescoes, that his painting gathers naturalistic power. As years went on, and he re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basilica Della Santissima Annunziata Di Firenze
The Basilica della Santissima Annunziata (Basilica of the Most Holy Annunciation) is a Renaissance-style, Catholic minor basilica in Florence, region of Tuscany, Italy. This is considered the mother church of the Servite Order. It is located at the northeastern side of the Piazza Santissima Annunziata near the city center. History The church was founded in 1250 by the seven original members of the Servite Order. In 1252, a painting of the ''Annunciation'' had been begun by a friar Bartolomeo, commissioned by the Servite monks. It is said he despaired about being able to paint a virgin with a beautiful enough face, and fell asleep, only to find the painting completed. This miracle he attributed to an angel. The painting now housed in the church, acquired increasing veneration, such that in 1444 the Gonzaga family from Mantua financed a special tribune. Initially Michelozzo, who was the brother of the Servite prior, was commissioned to build it, but since Ludovico III Gonzaga had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mariotto Albertinelli
Mariotto di Bindo di Biagio Albertinelli (13 October 1474 – 5 November 1515) was an Italian Renaissance painter active in Florence. He was a close friend and collaborator of Fra Bartolomeo.Ludovico Borgo and Margot Borgo.Albertinelli, Mariotto. Grove Art Online. Oxford Art Online. Oxford University Press. Web. 20 May 2016 Some of his works have been described as "archaic" or "conservative"; others are considered exemplary of the grandiose classicism of High Renaissance art. Life and work Albertinelli was born in Florence to a local gold beater. He was a pupil of Cosimo Rosselli, in whose workshop he met Baccio della Porta, later known as Fra Bartolomeo. The two were so close that in 1494 they formed a "compagnia," or partnership, in which they operating a joint studio and divided the profits of anything produced within it. The partnership lasted until 1500, when Baccio joined the Dominican order and spent two years in cloister. At the beginning of his career Albertinelli w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Del Sarto
Andrea del Sarto (, , ; 16 July 1486 – 29 September 1530) was an Italian painter from Florence, whose career flourished during the High Renaissance and early Mannerism. He was known as an outstanding fresco decorator, painter of altar-pieces, portraitist, draughtsman, and colorist. Although highly regarded during his lifetime as an artist ("without errors"), his renown was eclipsed after his death by that of his contemporaries Leonardo da Vinci, Michelangelo, and Raphael. Early life and training Andrea del Sarto was born Andrea d'Agnolo di Francesco di Luca in Florence on 16 July 1486. Since his father, Agnolo, was a tailor (Italian: '' sarto''), he became known as "del Sarto" (meaning "tailor's son"). Since 1677 some have attributed the surname Vannucchi with little documentation. By 1494 Andrea was apprenticed to a goldsmith, and then to a woodcarver and painter named Gian Barile, with whom he remained until 1498. According to his late biographer Vasari, he then apprent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marriage Of The Virgin
The Marriage of the Virgin is the subject in Christian art depicting the marriage of the Virgin Mary and Saint Joseph. The marriage is not mentioned in the canonical Gospels but is covered in several apocryphal sources and in later redactions, notably the 14th century compilation the ''Golden Legend''. Unlike many other scenes in Life of the Virgin cycles (like the Nativity of Mary and Presentation of Mary), it is not a feast in the church calendar, though it sometimes has been in the past. In the Eastern Orthodox tradition, essentially the same scene, with very similar iconography, is considered to represent the earlier scene of the "Entrusting of Mary to Joseph", with Joseph being made Mary's guardian by the temple authorities. In art the subject could be covered in several different scenes, and the betrothal of Mary, with Joseph's blossoming rod, was often shown, despite its apocryphal origin. The wedding procession may also be shown, especially in the Early Medieval perio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poggio A Caiano
Poggio a Caiano is a town and ''comune'' in the province of Prato, Tuscany region Italy. The town, birthplace of Philip Mazzei, lies south of the provincial capital of Prato. Sister towns Poggio a Caiano has two sister cities: * Charlottesville, Virginia * Agounit, Sahrawi Arab Democratic Republic Main sights The Medici villa In 1473, a ruined fortified house at Poggio a Caiano called the Ambra, and land and a mill owned by Giovanni di Paolo Rucellai, were bought by Lorenzo de' Medici. Initially, only agricultural improvements were carried out; then in 1485, work began on the villa itself, to designs by Giuliano da Sangallo, who created a large fortified, quadrangular country house built around a central courtyard. A large central hall gave access to rooms with windows overlooking the surrounding countryside; at the time, this design was innovative. On Lorenzo’s death in 1492, the villa was still largely unfinished; however, work resumed under Lorenzo’s second son, Gio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vertumnus And Pomona (Pontormo)
''Vertumnus and Pomona'' is a fresco decoration in the Medici country villa at Poggio a Caiano (near Montalbano), executed ''c.'' 1519-1521 by Jacopo Pontormo. The villa is set among orchards and gardens, and in summer, served as a retreat from the heat in Florence. The fresco surrounds a lunette, high in a barrel-vaulted central hall. The allegorical figures over the doors and the facing fresco depicting Julius Caesar, begun by Pontormo’s mentor, Andrea del Sarto, were completed decades later by Alessandro Allori. Pontormo initially received the commission from Ottaviano de' Medici and Cardinal Giulio de' Medici, the future Clement VII, and Giovanni de’ Medici (later pope as Leo X). The painting depicts peasants, including a naked youth, picking fruit or lounging beneath trees in a walled framework. Putti garland the window. The stated theme is the classical myth of Vertumnus and Pomona taken from a story in Ovid's Metamorphoses. The myth is that of Pomona, a beautiful but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quattrocento
The cultural and artistic events of Italy during the period 1400 to 1499 are collectively referred to as the Quattrocento (, , ) from the Italian word for the number 400, in turn from , which is Italian for the year 1400. The Quattrocento encompasses the artistic styles of the late Middle Ages (most notably International Gothic), the early Renaissance (beginning around 1425), and the start of the High Renaissance, generally asserted to begin between 1495 and 1500. Historical context After the decline of the Western Roman Empire in 476, economic disorder and disruption of trade spread across Europe. This was the beginning of the Early Middle Ages, which lasted roughly until the 11th century, when trade increased, population began to expand and the people regained their authority. In the late Middle Ages, the political structure of the European continent slowly coalesced from small, turbulent fiefdoms into larger, more stable nation states ruled by monarchies. In Italy, urban ce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raphael
Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. List of works by Raphael, His work is admired for its clarity of form, ease of composition, and visual achievement of the Renaissance Neoplatonism, Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He trained in the workshop of Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of the pope, to work on the Vatican Palace. He was given a series of important commissions there and elsewhere in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pitti Palace
The Palazzo Pitti (), in English sometimes called the Pitti Palace, is a vast, mainly Renaissance, palace in Florence, Italy. It is situated on the south side of the River Arno, a short distance from the Ponte Vecchio. The core of the present palazzo dates from 1458 and was originally the town residence of Luca Pitti, an ambitious Florentine banker. The palace was bought by the Medici family in 1549 and became the chief residence of the ruling families of the Grand Duchy of Tuscany. It grew as a great treasure house as later generations amassed paintings, plates, jewelry and luxurious possessions. In the late 18th century, the palazzo was used as a power base by Napoleon and later served for a brief period as the principal royal palace of the newly united Italy. The palace and its contents were donated to the Italian people by King Victor Emmanuel III in 1919. The palazzo is now the largest museum complex in Florence. The principal palazzo block, often in a building of this ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naturalism (arts)
Realism in the arts is generally the attempt to represent subject matter truthfully, without artificiality and avoiding speculative and supernatural elements. The term is often used interchangeably with naturalism, although these terms are not synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the common man and the rise of leftist politics. The Realist painters rejected Romanticism, which had come to dominate Fre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Mantegna
Andrea Mantegna (, , ; September 13, 1506) was an Italian painter, a student of Roman archeology, and son-in-law of Jacopo Bellini. Like other artists of the time, Mantegna experimented with perspective, e.g. by lowering the horizon in order to create a sense of greater monumentality. His flinty, metallic landscapes and somewhat stony figures give evidence of a fundamentally sculptural approach to painting. He also led a workshop that was the leading producer of prints in Venice before 1500. Biography Youth and education Mantegna was born in Isola di Carturo, Venetian Republic close to Padua (now Italy), second son of a carpenter, Biagio. At the age of 11, he became the apprentice of Paduan painter Francesco Squarcione. Squarcione, whose original profession was tailoring, appears to have had a remarkable enthusiasm for ancient art, and a faculty for acting. Like his famous compatriot Petrarca, Squarcione was an ancient Rome enthusiast: he traveled in Italy, and perhaps a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
