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Vertumnus And Pomona (Pontormo)
''Vertumnus and Pomona'' is a fresco decoration in the Medici country villa at Poggio a Caiano (near Montalbano), executed ''c.'' 1519-1521 by Jacopo Pontormo. The villa is set among orchards and gardens, and in summer, served as a retreat from the heat in Florence. The fresco surrounds a lunette, high in a barrel-vaulted central hall. The allegorical figures over the doors and the facing fresco depicting Julius Caesar, begun by Pontormo’s mentor, Andrea del Sarto, were completed decades later by Alessandro Allori. Pontormo initially received the commission from Ottaviano de' Medici and Cardinal Giulio de' Medici, the future Clement VII, and Giovanni de’ Medici (later pope as Leo X). The painting depicts peasants, including a naked youth, picking fruit or lounging beneath trees in a walled framework. Putti garland the window. The stated theme is the classical myth of Vertumnus and Pomona taken from a story in Ovid's Metamorphoses. The myth is that of Pomona, a beautiful but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Pontormo 048
Jacopo (also Iacopo) is a masculine Italian given name, derivant from Latin ''Iacōbus''. It is an Italian variant of Giacomo. * Jacopo Aconcio (), Italian religious reformer * Jacopo Bassano (1592), Italian painter * Iacopo Barsotti (1921–1987), Italian mathematician * Jacopo da Bologna (), Italian composer * Jacopo Comin (1518–1594), Italian painter otherwise known as Tintoretto * Jacopo Carucci (1494–1557), Italian painter otherwise known as Pontormo * Jacopo Corsi (1561–1602), Italian composer * Jacopo da Leona (died 1277), Italian poet * Jacopo Peri (1561–1633), Italian composer * Jacopo della Quercia (1438), Italian sculptor * Jacopo Riccati (1676–1754), Italian mathematician * Jacopo Sadoleto (1477–1547), Italian Catholic cardinal * Jacopo M. (1989), Italian Communicator, upholder of the European Commission Fictional characters: * Jacopo, a key character in the 2002 film version of ''The Count of Monte Cristo'' (and a minor character in the book). * Jacopo Be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pomona (mythology)
Pomona (, ) was a goddess of fruitful abundance in ancient Roman religion and myth. Her name comes from the Latin word ''pomum'', "fruit", specifically orchard fruit. Pomona was said to be a wood nymph. Etymology The name ''Pōmōna'' is a derivation from Latin ''pōmus'' ('fruit-tree, fruit'), possibly stemming from Proto-Italic ''*po-e/omo'' ('taken off, picked?'), cognate with Umbrian Puemune, ultimately from Proto-Indo-European ''*h₁e/omo'' ('what is (to be) taken'). Mythology In the myth narrated by Ovid, she scorned the love of the woodland gods Silvanus and Picus, but married Vertumnus after he tricked her, disguised as an old woman. She and Vertumnus shared a festival held on August 13. Her priest was called the ''flamen Pomonalis''. The pruning knife was her attribute. There is a grove that is sacred to her called the ''Pomonal'', located not far from Ostia, the ancient port of Rome. Pomona was the goddess of fruit trees, gardens, and orchards. Unlike many other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Pontormo
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco Paintings In Tuscany
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sfumato
Sfumato (, ) is a painting technique for softening the transition between colours, mimicking an area beyond what the human eye is focusing on, or the out-of-focus plane. It is one of the canonical painting modes of the Renaissance. Leonardo da Vinci was the most prominent practitioner of sfumato, based on his research in optics and human vision, and his experimentation with the camera obscura. He introduced it and implemented it in many of his works, including the ''Virgin of the Rocks'' and in his famous painting of the ''Mona Lisa''. He described sfumato as "without lines or borders, in the manner of smoke". According to the theory of the art historian Marcia B. Hall, which has gained considerable acceptance, ''sfumato'' is one of four modes of painting colours available to Italian High Renaissance painters, along with cangiante, chiaroscuro, and unione. Etymology The word ''sfumato'' comes from the Italian language and is derived from ''fumo'' ("smoke", "fume"). Sfumato trans ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genre Works
Genre art is the pictorial representation in any of various media of scenes or events from everyday life, such as markets, domestic settings, interiors, parties, inn scenes, work, and street scenes. Such representations (also called genre works, genre scenes, or genre views) may be realistic, imagined, or romanticized by the artist. Some variations of the term ''genre art'' specify the medium or type of visual work, as in ''genre painting'', ''genre prints'', ''genre photographs'', and so on. The following concentrates on painting, but genre motifs were also extremely popular in many forms of the decorative arts, especially from the Rococo of the early 18th century onwards. Single figures or small groups decorated a huge variety of objects such as porcelain, furniture, wallpaper, and textiles. Genre painting ''Genre painting'', also called ''genre scene'' or ''petit genre'', depicts aspects of everyday life by portraying ordinary people engaged in common activities. One comm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mythology
Myth is a folklore genre consisting of narratives that play a fundamental role in a society, such as foundational tales or origin myths. Since "myth" is widely used to imply that a story is not objectively true, the identification of a narrative as a myth can be highly controversial. Many adherents of religions view their own religions' stories as truth and so object to their characterization as myth, the way they see the stories of other religions. As such, some scholars label all religious narratives "myths" for practical reasons, such as to avoid depreciating any one tradition because cultures interpret each other differently relative to one another. Other scholars avoid using the term "myth" altogether and instead use different terms like "sacred history", "holy story", or simply "history" to avoid placing pejorative overtones on any sacred narrative. Myths are often endorsed by secular and religious authorities and are closely linked to religion or spirituality. Many soc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carpe Diem
is a Latin aphorism, usually translated "seize the day", taken from book 1 of the Roman poet Horace's work ''Odes'' (23 BC). Translation is the second-person singular present active imperative of '' carpō'' "pick or pluck" used by Horace to mean "enjoy, seize, use, make use of". ''Diem'' is the accusative of '' dies'' "day". A more literal translation of would thus be "pluck the day s it is ripe—that is, enjoy the moment. It has been argued by various authors that this interpretation is closer to Horace's original meaning. History Sources Text from ''Odes'' 1.11: In ancient literature Perhaps the first written expression of the concept is the advice given by Siduri to Gilgamesh, telling him to forgo his mourning and embrace life, although some scholars see it as simply urging Gilgamesh to abandon his mourning, "reversing the liminal rituals of mourning and returning to the normal and normative behaviors of Mesopotamian society." Meaning In Horace, the phrase is par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satyr
In Greek mythology, a satyr ( grc-gre, :wikt:σάτυρος, σάτυρος, sátyros, ), also known as a silenus or ''silenos'' ( grc-gre, :wikt:Σειληνός, σειληνός ), is a male List of nature deities, nature spirit with ears and a tail resembling those of a horse, as well as a permanent, exaggerated erection. Early artistic representations sometimes include horse-like legs, but, by the sixth century BC, they were more often represented with human legs. Comically hideous, they have mane-like hair, bestial faces, and snub noses and are always shown naked. Satyrs were characterized by their ribaldry and were known as lovers of wine, music, dancing, and women. They were companions of the god Dionysus and were believed to inhabit remote locales, such as woodlands, mountains, and pastures. They often attempted to seduce or rape nymphs and mortal women alike, usually with little success. They are sometimes shown masturbation, masturbating or engaging in bestiality. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metamorphoses (poem)
The ''Metamorphoses'' ( la, Metamorphōsēs, from grc, μεταμορφώσεις: "Transformations") is a Latin narrative poem from 8 CE by the Roman poet Ovid. It is considered his ''magnum opus''. The poem chronicles the history of the world from its creation to the deification of Julius Caesar in a mythico-historical framework comprising over 250 myths, 15 books, and 11,995 lines. Although it meets some of the criteria for an epic, the poem defies simple genre classification because of its varying themes and tones. Ovid took inspiration from the genre of metamorphosis poetry and some of the ''Metamorphoses'' derives from earlier treatment of the same myths; however, he diverged significantly from all of his models. One of the most influential works in Western culture, the ''Metamorphoses'' has inspired such authors as Dante Alighieri, Giovanni Boccaccio, Geoffrey Chaucer, and William Shakespeare. Numerous episodes from the poem have been depicted in works of sculpture, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vertumnus
In Roman mythology, Vertumnus (; also Vortumnus or Vertimnus) is the god of seasons, change and plant growth, as well as gardens and fruit trees. He could change his form at will; using this power, according to Ovid's ''Metamorphoses'' (xiv), he tricked Pomona into talking to him by disguising himself as an old woman and gaining entry to her orchard, then using a narrative warning of the dangers of rejecting a suitor (the embedded tale of Iphis and Anaxarete) to seduce her. The tale of Vertumnus and Pomona has been called "the first exclusively Latin tale." Vertumnus' festival was called the Vertumnalia and was held 13 August. Cult and origin The name ''Vortumnus'' most likely derives from Etruscan ''Voltumna''. Its formation in Latin was probably influenced by the Latin verb ''vertere'' meaning "to change", hence the alternative form ''Vertumnus''. Ancient etymologies were based on often superficial similarities of sound rather than the principles of modern scientific li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poggio A Caiano
Poggio a Caiano is a town and ''comune'' in the province of Prato, Tuscany region Italy. The town, birthplace of Philip Mazzei, lies south of the provincial capital of Prato. Sister towns Poggio a Caiano has two sister cities: * Charlottesville, Virginia * Agounit, Sahrawi Arab Democratic Republic Main sights The Medici villa In 1473, a ruined fortified house at Poggio a Caiano called the Ambra, and land and a mill owned by Giovanni di Paolo Rucellai, were bought by Lorenzo de' Medici. Initially, only agricultural improvements were carried out; then in 1485, work began on the villa itself, to designs by Giuliano da Sangallo, who created a large fortified, quadrangular country house built around a central courtyard. A large central hall gave access to rooms with windows overlooking the surrounding countryside; at the time, this design was innovative. On Lorenzo’s death in 1492, the villa was still largely unfinished; however, work resumed under Lorenzo’s second son, Gio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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