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Francesco Meli
Francesco Meli (born 15 May 1980 is an Italian operatic tenor particularly associated with the romantic repertoire. Life and career Born in Genoa, Meli began his vocal studies at age 17 with Norma Palacios at the Conservatorio di Musica "Niccolò Paganini" in Genoa. He later became a pupil of mezzo-soprano Franca Mattiucci. In 2002 he debuted in Verdi's ''Macbeth'' and as the tenor soloist in Rossini's '' Petite messe solennelle'' and Puccini's ''Messa di Gloria'', broadcast by RAI (the Italian state broadcasting company) from the Festival dei Due Mondi in Spoleto. He has gone on to sing leading roles in La Scala, The Metropolitan Opera, Teatro Regio di Torino, London's Royal Opera House, Opéra National de Lyon, Opernhaus Zürich, and the Rossini Opera Festival in Pesaro. In 2017, he made his debut as Verdi's Don Carlo at La Scala and as Radames in Salzburg next to Anna Netrebko's Aida. Recordings * Donizetti: ''Pia de' Tolomei'' - Cast: Patrizia Ciofi, Laura Polverel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trovatore 6879 Michelides
A troubadour (, ; oc, trobador ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female troubadour is usually called a ''trobairitz''. The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to the Italian and Iberian Peninsulas. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, ''trovadorismo'' in Galicia, Spain, Galicia and Portugal, and that of the trouvères in northern France. Dante Alighieri in his ''De vulgari eloquentia'' defined the troubadour lyric as ''fictio rethorica musicaque poita'': rhetorical, musical, and poetical fiction. After the "classical" period around the turn of the 13th century and a mid-century resurgence, the art of the troubadours declined in the 14th century and around the time of the Black Death (1348) it died out. The tex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rossini Opera Festival
The Rossini Opera Festival (ROF) is an international music festival held in August of each year in Pesaro, Italy, the birthplace of the opera composer Gioachino Rossini. Its aim, in addition to studying the musical heritage of the composer, is to revive and perform his works in a unique setting that allows collaboration of scholars, artists, and audience. It is often simply referred to as the Pesaro Festival. Performances are given in the 850-seat theatre built in 1818, the Teatro Rossini and, since 1988, the modified sports arena (Palasport) which holds 1,500, as well as, since 2006, Vitrifrigo Arena, with over 10,000. Since 2000 another venue, the Teatro Sperimentale (Experimental Theatre), has offered the opportunity to present smaller-scale or minor works by contemporaries of Rossini such as Mosca, Generali, and Coccia. The main square of Pesaro, the Piazza del Popolo, also hosts outdoor performances. It will be extensively used during the Festival's 2020 season, which was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sara Mingardo
Sara Mingardo (born 2 March 1961) is an Italian classical contralto who has had an active international career in concerts and operas since the 1980s. Her complete recording of Anna in Hector Berlioz's ''Les Troyens'' won a Gramophone Award and both the Grammy Award for Best Opera Recording and the Grammy Award for Best Classical Album in 2002. Some of the other roles she has performed on stage or on disc include Andronico in ''Tamerlano'', Mistress Quickly in '' Falstaff'', Rosina in ''The Barber of Seville'', and the title roles in ''Carmen'', ''Giulio Cesare'', ''Riccardo Primo'', and '' Rinaldo''. She has also recorded several Vivaldi cantatas, Bach cantatas, and such concert works as Mozart's ''Requiem'', Rossini's '' Stabat Mater'', and Vivaldi's ''Gloria'' among others. Life and career Born in Venice, Mingardo studied singing with Paolo Ghitti in her native city at the Conservatorio di Musica Benedetto Marcello di Venezia. She won first prize at the Toti dal Monte internatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Colombara
Carlo Colombara (born 1964) is an Italian operatic bass. He has sung leading roles in many major opera houses including Teatro alla Scala (Milan, Italy); the Vienna State Opera (Vienna, Austria); the Real Teatro di San Carlo (Naples, Italy); the Arena di Verona (Verona, Italy); the Royal Opera House (London, United Kingdom), and the Metropolitan Opera (New York City). Biography Colombara was born in Bologna, Italy in 1964. He began his training at age twelve with piano lessons and began singing from age fifteen, studying with Paride Venturi in Bologna. In 1986 he won the prize for the best Italian singer in the G.B. Viotti competition and the following year he won the As.Li.Co. competition in Milan. He then made his professional début as Silva in Giuseppe Verdi's ''Ernani'' at the Teatro dell'Opera di Roma (Rome, Italy). With Zubin Mehta conducting, he performed in an open-air production of Giacomo Puccini's ''Turandot'' in the Forbidden City, (Beijing, China), which was rec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natalie Dessay
Natalie Dessay (; born 19 April 1965) is a French singer, known for her former career as an operatic soprano. She gained wide recognition after her portrayal of Olympia in ''The Tales of Hoffmann'' in 1992, and then performing at leading stages, such as the Paris Opera, Vienna State Opera, and the Metropolitan Opera. Since her earlier career she had been known in coloratura soprano roles in the German and French repertoire, such as Olympia in ''The Tales of Hoffmann'', the title role in ''Lakmé'', Zerbinetta in ''Ariadne auf Naxos'' and the Queen of the Night in ''The Magic Flute''. After two vocal surgeries she turned her focus to heavier bel canto roles, such as Amina in ''La sonnambula'', Lucia in ''Lucia di Lammermoor'', Marie in ''La fille du régiment'', Violetta in ''La traviata'', and further explored Baroque music with her collaborations with Emmanuelle Haïm. Since retiring from opera stage, she has pursued a career in theatre and in concert, where she now performs, bes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Sonnambula
''La sonnambula'' (''The Sleepwalker'') is an opera semiseria in two acts, with music in the '' bel canto'' tradition by Vincenzo Bellini set to an Italian libretto by Felice Romani, based on a scenario for a ''ballet-pantomime'' written by Eugène Scribe and choreographed by Jean-Pierre Aumer called ''La somnambule, ou L'arrivée d'un nouveau seigneur''. The ballet had premiered in Paris in September 1827 at the height of a fashion for stage works incorporating somnambulism. The role of Amina was originally written for the soprano sfogato Giuditta Pasta and the tenor Giovanni Battista Rubini, but during Bellini's lifetime another soprano sfogato, Maria Malibran, was a notable exponent of the role. The first performance took place at the Teatro Carcano in Milan on 6 March 1831. The majority of twentieth-century recordings have been made with a soprano cast as Amina, usually with added top-notes and other changes according to tradition, although it was released in soprano sfogat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Torvaldo E Dorliska
''Torvaldo e Dorliska'' is an operatic dramma semiserio in two acts by Gioachino Rossini to an Italian libretto by Cesare Sterbini, based on the novel/memoir ' (1787–1790) by the revolutionary Jean-Baptiste Louvet de Couvrai, whose work was the source of the '' Lodoïska'' libretto set by Luigi Cherubini (1791), and ''Lodoiska'' set by Stephen Storace (1794), and Simon Mayr (1796). ''Torvaldo e Dorliska'' is a rescue opera with an eventual happy ending. The inclusion of buffo roles is the reason for its designation as a 'semiserio' work, similar to Rossini's ''La gazza ladra''. Performance history ''Torvaldo and Dorliska'' was first performed at the Teatro Valle, Rome, on 26 December 1815. It remained in the repertory and appeared in several Italian cities including Venice for the next twenty five years, though it was never a great critical success. While there were no productions staged in London nor New York, it was staged in ten European cities in the ten years after its Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bianca E Falliero
''Bianca e Falliero, ossia Il consiglio dei tre'' (English: ''Bianca and Falliero, or The Counsel of Three'') is a two-act operatic ''melodramma'' by Gioachino Rossini to an Italian libretto by Felice Romani. The libretto was based on Antoine-Vincent Arnault's play ''Les Vénitiens, ou Blanche et Montcassin''. Performance history The opera premiered on 26 December 1819 at La Scala. Giuseppe Fioravanti, a popular basso buffo of the day and the son of composer Valentino Fioravanti, sang in the premiere.Warrack & West 1992, pp. ? Carolina Bassi, Italian contralto considered one of the best in her day, also created a role in this opera. The work was performed thirty times during the initial season in Milan and was performed throughout Italy and elsewhere to some extent before largely disappearing into obscurity after 1846. It was revived at the Rossini Opera Festival in Pesaro in 1986 with Katia Ricciarelli, Marilyn Horne, and Chris Merritt. The opera is considered very dif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro La Fenice
Teatro La Fenice (, "The Phoenix") is an opera house in Venice, Italy. It is one of "the most famous and renowned landmarks in the history of Italian theatre" and in the history of opera as a whole. Especially in the 19th century, La Fenice became the site of many famous operatic premieres at which the works of several of the four major bel canto era composers – Rossini, Bellini, Donizetti, Verdi – were performed. Its name reflects its role in permitting an opera company to "rise from the ashes" despite losing the use of three theatres to fire, the first in 1774 after the city's leading house was destroyed and rebuilt but not opened until 1792; the second fire came in 1836, but rebuilding was completed within a year. However, the third fire was the result of arson. It destroyed the house in 1996 leaving only the exterior walls, but it was rebuilt and re-opened in November 2004. In order to celebrate this event the tradition of the Venice New Year's Concert started. Histor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laura Polverelli
Laura Polverelli (born 1967) is an Italian operatic mezzo-soprano who has sung leading roles in the opera houses of Europe and North America and has recorded on the Decca, Naïve, and Opera Rara labels amongst others. Polverelli was born in Siena where she received her initial training under Anastasia Tomaszewski Schepis and went on to further training with Carlo Bergonzi and Alfredo Kraus at the Accademia Musicale Chigiana followed by two years with Rita Hirner-Lill at the Hochschule für Musik und Theater in Munich. She made her debut at the Teatro Comunale di Treviso as Alisa in ''Lucia di Lammermoor''. After winning second prize in the 1993 Neue Stimmen competition, she began an international career, appearing in Germany, France, Austria and Italy. She made her North American debut in 1996 at Seattle Opera in the title role of Rossini's ''La Cenerentola''. Later that year she sang the title role in Cesti's '' L'Argia'' in its first performance in modern times.Bargreen, Me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patrizia Ciofi
Patrizia Ciofi (born 7 June 1967) is an Italian operatic coloratura soprano. Career Born in Casole d'Elsa, Ciofi studied at the Istituto Musicale Pietro Mascagni in Livorno. She subsequently took part in master classes at the Accademia Musicale Chigiana, Siena, with Carlo Bergonzi and Shirley Verrett. She made her debut in Gino Negri's ''Giovanni Sebastiano'' at the Teatro Comunale, Florence in 1989. She began her collaboration with the Festival della Valle d'Itria, featuring in ''La sonnambula'' (1994), Cherubini's ''Médée'' (1995), Piccinni's '' L'americano'' (1996), French version of ''Lucia di Lammermoor'' (1997), Giordano's '' Mese mariano'' and ''Il re'' (1998), Traetta's ''Ippolito ed Aricia'' (1999), Rossini's ''Otello'' and Meyerbeer's ''Robert le diable'' (2000). She made her La Scala debut in 1997 with ''La traviata'', conducted by Riccardo Muti, and returned for ''L'elisir d'amore'' in 1998 and 2001. She has sung in most of the major Italian opera houses as well ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pia De' Tolomei (opera)
''Pia de' Tolomei'' is a ''tragedia lirica'' (tragic opera) in two acts by Gaetano Donizetti. Salvadore Cammarano wrote the Italian language, Italian libretto after Bartolomeo Sestini's verse novella ''Pia de' Tolomei (novella), Pia de' Tolomei'', which was based on Canto V, vv. 130–136 from Dante's narrative poem ''The Divine Comedy'' part 2: ''Purgatorio#Purgatorio, Purgatorio''. It premiered on 18 February 1837 at the Teatro Goldoni (Venice), Teatro Apollo in Venice. Composition history Background Pia de' Tolomei is a tragic figure whom Dante encountered in Purgatory. Her story was so familiar to Dante's readers that an understated allusion was enough to call it to mind: Performance history 19th century Donizetti agreed to write ''Pia de' Tolomei'' for the Teatro La Fenice in Venice and began composing it in October 1836 before the premiere of ''L'assedio di Calais'' in Naples in November. In early December he left for Venice, but was delayed in Genoa by an eighteen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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