Francesco Caracciolo, 5th Prince Of Avellino
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Francesco Caracciolo, 5th Prince Of Avellino
Francesco, the Italian (and original) version of the personal name "Francis", is the most common given name among males in Italy. Notable persons with that name include: People with the given name Francesco * Francesco I (other), several people * Francesco Barbaro (other), several people * Francesco Bernardi (other), several people *Francesco di Giorgio Martini (1439-1501), Italian architect, engineer and painter * Francesco Berni (1497–1536), Italian writer * Francesco Canova da Milano (1497–1543), Italian lutenist and composer * Francesco Primaticcio (1504–1570), Italian painter, architect, and sculptor * Francesco Albani (1578–1660), Italian painter * Francesco Borromini (1599–1667), Swiss sculptor and architect * Francesco Cavalli (1602–1676), Italian composer * Francesco Maria Grimaldi (1618–1663), Italian mathematician and physicist * Francesco Bianchini (1662–1729), Italian philosopher and scientist * Francesco Galli Bibiena (1659 ...
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Francesco I Of Gonzaga
Francesco, the Italian (and original) version of the personal name " Francis", is the most common given name among males in Italy. Notable persons with that name include: People with the given name Francesco * Francesco I (other), several people * Francesco Barbaro (other), several people * Francesco Bernardi (other), several people *Francesco di Giorgio Martini (1439-1501), Italian architect, engineer and painter * Francesco Berni (1497–1536), Italian writer * Francesco Canova da Milano (1497–1543), Italian lutenist and composer * Francesco Primaticcio (1504–1570), Italian painter, architect, and sculptor * Francesco Albani (1578–1660), Italian painter * Francesco Borromini (1599–1667), Swiss sculptor and architect * Francesco Cavalli (1602–1676), Italian composer * Francesco Maria Grimaldi (1618–1663), Italian mathematician and physicist * Francesco Bianchini (1662–1729), Italian philosopher and scientist * Francesco Galli Bib ...
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Francesco I (other)
Francesco I may refer to: Persons * Pope Francis (born 1936, reigned 2013-present), the current Pope, also known in Latin as Franciscus * Francesco I Ordelaffi (c. 1300 – 1332) * Francesco I of Lesbos (died 1384) * Francesco I Crispo (died 1397) * Francesco I Gonzaga (1366–1407) * Francesco I Acciaioli (fl. 1451–1453) * Francesco I Sforza (1401–1466) * Francesco I d'Este, Duke of Modena (1610–1658) * Francesco I of the Two Sicilies (1777–1830) Fictional characters * Papa Francesco I, the fictional pope / character in the 1979 Walter Murphy novel ''Vicar of Christ Vicar of Christ (from Latin ) is a term used in different ways and with different theological connotations throughout history. The original notion of a vicar is as an "earthly representative of Christ", but it's also used in the sense of "person a ...'' See also * Francis I (other) {{hndis, Francesco 01 ...
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Francesco Antonio Bonporti
Francesco Antonio Bonporti (11 June 1672 – 19 December 1749) was an Italian priest and amateur composer. Born in Trento, he was admitted in 1691 to the ''Collegium Germanicum'' in Rome, where he studied theology. While in Rome, he also studied composition under the guidance of Giuseppe Ottavio Pitoni and possibly (since this is unconfirmed) violin with Arcangelo Corelli. Moving back to Trento, he was ordained in 1695. Bonporti's musical work consists of twelve ''opera'', published between 1696 and 1736. He influenced Johann Sebastian Bach in the development of the invention, and several of his works were mistakenly included in a set of Bach's inventions. In reality, Bach had transcribed for harpsichord four violin pieces from Bonporti's op. X (1712). He lived in Padua from 1740 until his death in 1749. Works This is a listing of his twelve ''opera'', first the Italian original, generally by Giuseppe Sala in Venice, then the French edition as published by Estienne Roger in ...
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Francesco Galli Bibiena
Francesco Galli, called Francesco da Bibiena (or da Bibbiena), a member of the theatrical Galli da Bibiena family and younger brother of Ferdinando Galli, was born at Bologna in 1659. He first studied under Lorenzo Pasinelli; but he was afterwards instructed in the school of Carlo Cignani. His knowledge of architecture and perspective was considerable; but he excelled in figures. Francesco worked at Piacenza, Parma, and Rome, and then became ducal architect at Mantua. After a stay in Genoa and Naples he was called to Vienna, where he built a large theatre. He worked successively for the Emperors Leopold I and Joseph I, and was invited to Madrid by Philip V Philip V may refer to: * Philip V of Macedon (221–179 BC) * Philip V of France (1293–1322) * Philip II of Spain, also Philip V, Duke of Burgundy (1526–1598) * Philip V of Spain Philip V ( es, Felipe; 19 December 1683 – 9 July 1746) was ..., who appointed him his principal architect. He died in 1739. Francesco wa ...
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Francesco Bianchini
Francesco Bianchini (13 December 16622 March 1729) was an Italian philosopher and scientist. He worked for the curia of three popes, including being ''camiere d'honore'' of Clement XI, and secretary of the commission for the reform of the calendar, working on the method to calculate the astronomically correct date for Easter in a given year. Life and work Bianchini was born of a noble family at Verona, the son of Giuseppe Bianchini and his wife, Cornelia Vailetti. Educated by Jesuits in Bologna, and by the Paduan astronomer, Geminiano Montanari, Bianchini spent most of his university years in Padua studying comets while enrolled in Theology. This early training in astronomy established Bianchini's commitment to the experimental and physical sciences. In 1684 he went to Rome, and became librarian to Cardinal Ottoboni, who, as Pope Alexander VIII (1689), raised him to the offices of papal chamberlain and canon of Santa Maria Maggiore. Clement XI sent him on a mission to Paris in ...
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Francesco Maria Grimaldi
Francesco Maria Grimaldi, SJ (2 April 1618 – 28 December 1663) was an Italian Jesuit priest, mathematician and physicist who taught at the Jesuit college in Bologna. He was born in Bologna to Paride Grimaldi and Anna Cattani. Work Between 1640 and 1650, working with Riccioli, he investigated the free fall of objects, confirming that the distance of fall was proportional to the square of the time taken. Grimaldi and Riccioli also made a calculation of gravity at the earth's surface by recording the oscillations of an accurate pendulum. In astronomy, he built and used instruments to measure lunar mountains as well as the height of clouds, and drew an accurate map or, ''selenograph'', which was published by Riccioli and now adorns the entrance to the National Air and Space Museum in Washington D.C. He was the first to make accurate observations on the diffraction of light (although by some accounts Leonardo da Vinci had earlier noted it), and coined the word 'diffraction'. T ...
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Francesco Cavalli
Francesco Cavalli (born Pietro Francesco Caletti-Bruni; 14 February 1602 – 14 January 1676) was a Republic of Venice, Venetian composer, organist and singer of the early Baroque music, Baroque period. He succeeded his teacher Claudio Monteverdi as the dominant and leading opera composer of the mid 17th-century. A central figure of Venetian musical life, Cavalli wrote more than forty operas, almost all of which premiered in the city's theaters. His best known works include ''Ormindo'' (1644), ''Giasone'' (1649) and ''La Calisto'' (1651). Life Cavalli was born at Crema, Lombardy, Crema, then an Domini di Terraferma, inland province of the Venetian Republic. He became a singer (boy soprano) at St Mark's Basilica in Venice in 1616, where he had the opportunity to work under the tutorship of Claudio Monteverdi. He became second organist in 1639, first organist in 1665, and in 1668 ''Kapellmeister, maestro di cappella''. He took the name "Cavalli" from his patron, Venetian nobleman ...
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Francesco Borromini
Francesco Borromini (, ), byname of Francesco Castelli (; 25 September 1599 – 2 August 1667), was an Italian architect born in the modern Swiss canton of Ticino"Francesco Borromini."
''.'' Web. 30 Oct. 2010.
who, with his contemporaries Gian Lorenzo Bernini and , was a leading figure in the emergence of Roman



Francesco Albani
Francesco Albani or Albano (17 March or 17 August 1578 – 4 October 1660) was an Italian Baroque painter who was active in Bologna (1591–1600), Rome (1600–1609), Bologna (1609), Viterbo (1609–1610), Bologna (1610), Rome (1610–1617), Bologna (1618–1660), Mantova (1621–1622), Roma (1623–1625) and Florence (1633). Early years in Bologna Albani was born in Bologna, Italy in 1578. His father was a silk merchant who intended his son to go into his own trade. By the age of twelve, however, he had become an apprentice to the competent mannerist painter Denis Calvaert, in whose studio he met Guido Reni. He soon followed Reni to the so-called "Academy" run by Annibale, Agostino, and Ludovico Carracci. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni. Mature work in Rome In 1600, Albani moved to Rome to work on the ...
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Francesco Primaticcio
Francesco Primaticcio (April 30, 1504 – 1570) was an Italian Mannerist painter, architect and sculptor who spent most of his career in France. Biography Born in Bologna, he trained under Giulio Romano in Mantua and became a pupil of Innocenzo da Imola, executing decorations at the Palazzo Te before securing a position in the court of Francis I of France in 1532. Together with Rosso Fiorentino he was one of the leading artists to work at the Chateau Fontainebleau (where he is grouped with the so-called "First School of Fontainebleau") spending much of his life there. Following Rosso's death in 1540, Primaticcio took control of the artistic direction at Fontainebleau, furnishing the painters and stuccators of his team, such as Nicolò dell'Abate, with designs. He made cartoons for tapestry-weavers and, like all 16th-century court artists, was called upon to design elaborate ephemeral decorations for masques and fêtes, which survive only in preparatory drawings and, so ...
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Francesco Canova Da Milano
Francesco Canova da Milano (Francesco da Milano, also known as ''Il divino'', ''Francesco da Parigi'', etc.) (18 August 1497 – 2 January 1543) was an Italian lutenist and composer. He was born in Monza, near Milan, and worked for the papal court for almost all of his career. Francesco was heralded throughout Europe as the foremost lute composer of his time. More of his music is preserved than of any other lutenist of the period, and his work continued to influence composers for more than a century after his death. Life Francesco da Milano was almost certainly born in Monza, a small city some 15 km north-northeast of Milan. His father Benedetto was a musician, as was his elder brother Bernardino. According to Luca Gaurico's ''Tractatus astrologicus'' (1552), Francesco studied under Giovanni Angelo Testagrossa, but today this is considered somewhat unlikely. By 1514 Francesco was a member of the papal household in Rome. From that time for most of his career he was closely as ...
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Francesco Berni
Francesco Berni Francesco Berni (1497/98 – 26 May 1535) was an Italian poet. He is credited for beginning what is now known as " Bernesque poetry", a serio-comedic type of poetry with elements of satire. Biography Life Berni was born 1497 or 1498 in Lamporecchio (Tuscany). His father Nicolò was a doctor of a long-established Florentine family, but excessively poor. At an early age he was sent to Florence, where he remained until his nineteenth year and wrote a pastoral play, ''Catrina''. In 1517 he set out for Rome, in the service of Bernardo Dovizi, Cardinal Bibbiena. After the cardinal's death (1520), he was thrown on his own devices. At the time of the election of Adrian VI he circulated witty lampoons, for which he was obliged for a time to leave Rome. Later he returned to accept a situation as clerk or secretary to Gian Matteo Giberti, datary to Clement VII. The duties of his office, for which Berni was in every way unfit, were exceedingly irksome to the poet, who, ...
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