Fourth Dimension In Literature
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Fourth Dimension In Literature
The idea of a fourth dimension has been a factor in the evolution of modern art, but use of concepts relating to higher dimensions has been little discussed by academics in the literary world. From the late 19th century onwards, many writers began to make use of possibilities opened up by the exploration of such concepts as hypercube geometry. While many writers took the fourth dimension to be one of time (as it is commonly considered today), others preferred to think of it in spatial terms, and some associated the new mathematics with wider changes in modern culture. In science fiction, a higher "dimension" often refers to parallel or alternate universes or other imagined planes of existence. This usage is derived from the idea that to travel to parallel/alternate universes/planes of existence one must travel in a direction/dimension besides the standard ones. In effect, the other universes/planes are just a small distance away from our own, but the distance is in a fourth (or hig ...
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Four-dimensional Space
A four-dimensional space (4D) is a mathematical extension of the concept of three-dimensional or 3D space. Three-dimensional space is the simplest possible abstraction of the observation that one only needs three numbers, called ''dimensions'', to describe the sizes or locations of objects in the everyday world. For example, the volume of a rectangular box is found by measuring and multiplying its length, width, and height (often labeled ''x'', ''y'', and ''z''). The idea of adding a fourth dimension began with Jean le Rond d'Alembert's "Dimensions" being published in 1754, was followed by Joseph-Louis Lagrange in the mid-1700s, and culminated in a precise formalization of the concept in 1854 by Bernhard Riemann. In 1880, Charles Howard Hinton popularized these insights in an essay titled "What is the Fourth Dimension?", which explained the concept of a " four-dimensional cube" with a step-by-step generalization of the properties of lines, squares, and cubes. The simplest form ...
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Tesseract
In geometry, a tesseract is the four-dimensional analogue of the cube; the tesseract is to the cube as the cube is to the square. Just as the surface of the cube consists of six square faces, the hypersurface of the tesseract consists of eight cubical cells. The tesseract is one of the six convex regular 4-polytopes. The tesseract is also called an 8-cell, C8, (regular) octachoron, octahedroid, cubic prism, and tetracube. It is the four-dimensional hypercube, or 4-cube as a member of the dimensional family of hypercubes or measure polytopes. Coxeter labels it the \gamma_4 polytope. The term ''hypercube'' without a dimension reference is frequently treated as a synonym for this specific polytope. The ''Oxford English Dictionary'' traces the word ''tesseract'' to Charles Howard Hinton's 1888 book ''A New Era of Thought''. The term derives from the Greek ( 'four') and from ( 'ray'), referring to the four edges from each vertex to other vertices. Hinton originally spell ...
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Max Weber (artist)
Max Weber (April 18, 1881 – October 4, 1961) was a Jewish-American painter and one of the first American Cubist painters who, in later life, turned to more figurative Jewish themes in his art. He is best known today for ''Chinese Restaurant'' (1915), in the collection of the Whitney Museum of American Art, "the finest canvas of his Cubist phase," in the words of art historian Avis Berman. Biography Early years Born in the Polish city of Białystok, then part of the Russian Empire, Weber emigrated to the United States and settled in Brooklyn with his Orthodox Jewish parents at the age of ten. He studied art at the Pratt Institute in Brooklyn under Arthur Wesley Dow. Dow was a fortunate early influence on Weber as he was an "enlightened and vital teacher" in a time of conservative art instruction, a man who was interested in new approaches to creating art. Dow had met Paul Gauguin in Pont-Aven, was a devoted student of Japanese art, and defended the advanced modernist painti ...
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Marcel Proust
Valentin Louis Georges Eugène Marcel Proust (; ; 10 July 1871 – 18 November 1922) was a French novelist, critic, and essayist who wrote the monumental novel ''In Search of Lost Time'' (''À la recherche du temps perdu''; with the previous English title translation of ''Remembrance of Things Past''), originally published in French in seven volumes between 1913 and 1927. He is considered by critics and writers to be one of the most influential authors of the 20th century. Background Proust was born on 10 July 1871 at the home of his great-uncle in the Paris Borough of Auteuil (the south-western sector of the then-rustic 16th arrondissement), two months after the Treaty of Frankfurt formally ended the Franco-Prussian War. His birth took place at the very beginning of the Third Republic, during the violence that surrounded the suppression of the Paris Commune, and his childhood corresponded with the consolidation of the Republic. Much of ''In Search of Lost Time'' concerns the ...
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In Search Of Lost Time
''In Search of Lost Time'' (french: À la recherche du temps perdu), first translated into English as ''Remembrance of Things Past'', and sometimes referred to in French as ''La Recherche'' (''The Search''), is a novel in seven volumes by French author Marcel Proust. This early 20th-century work is his most prominent, known both for its length and its theme of involuntary memory. The most famous example of this is the "episode of the madeleine", which occurs early in the first volume. The novel gained fame in English in translations by C. K. Scott Moncrieff and Terence Kilmartin as ''Remembrance of Things Past'', but the title ''In Search of Lost Time'', a literal rendering of the French, became ascendant after D. J. Enright adopted it for his revised translation published in 1992. ''In Search of Lost Time'' follows the narrator's recollections of childhood and experiences into adulthood in the late 19th-century and early 20th-century high-society France, while reflecting on ...
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Materialism
Materialism is a form of philosophical monism which holds matter to be the fundamental substance in nature, and all things, including mental states and consciousness, are results of material interactions. According to philosophical materialism, mind and consciousness are by-products or epiphenomena of material processes (such as the biochemistry of the human brain and nervous system), without which they cannot exist. This concept directly contrasts with idealism, where mind and consciousness are first-order realities to which matter is dependent while material interactions are secondary. Materialism is closely related to physicalism—the view that all that exists is ultimately physical. Philosophical physicalism has evolved from materialism with the theories of the physical sciences to incorporate more sophisticated notions of physicality than mere ordinary matter (e.g. spacetime, physical energies and forces, and dark matter). Thus, the term ''physicalism'' is preferred ...
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The Inheritors (Joseph Conrad And Ford Madox Ford)
''The Inheritors: An Extravagant Story'' (1901) is a quasi-science fiction novel on which Joseph Conrad and Ford Madox Ford (writing as Ford M. Heuffer) collaborated. Written before the first World War, its themes of corruption and the effect of the 20th century on British aristocracy were prescient. It was first published in London by William Heinemann and later the same year in New York by McClure, Phillips and Company. In the novel, the metaphor of the " fourth dimension" is used to explain a societal shift from a generation of people who have traditional values of interdependence, being overtaken by a modern generation who believe in expediency, callously using political power to bring down the old order. Its narrator is an aspiring writer who himself makes a similar transition at a personal level only to feel he has lost everything. Plot introduction The inheritors are a breed of cold materialists, calling themselves Fourth Dimensionists, whose task is to occupy the earth. ...
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Ford Madox Ford
Ford Madox Ford (né Joseph Leopold Ford Hermann Madox Hueffer ( ); 17 December 1873 – 26 June 1939) was an English novelist, poet, critic and editor whose journals ''The English Review'' and ''The Transatlantic Review'' were instrumental in the development of early 20th-century English and American literature. Ford is now remembered for his novels ''The Good Soldier'' (1915), the ''Parade's End'' tetralogy (1924–1928) and ''The Fifth Queen'' trilogy (1906–1908). ''The Good Soldier'' is frequently included among the great literature of the 20th century, including the Modern Library 100 Best Novels, ''The Observer''′s "100 Greatest Novels of All Time", and ''The Guardian''′s "1000 novels everyone must read". Early life Ford was born in Wimbledon in London to Catherine Madox Brown and Francis Hueffer, the eldest of three; his brother was Oliver Madox Hueffer and his sister was Juliet Hueffer, the wife of David Soskice and mother of Frank Soskice. Ford's father, who bec ...
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Joseph Conrad
Joseph Conrad (born Józef Teodor Konrad Korzeniowski, ; 3 December 1857 – 3 August 1924) was a Poles in the United Kingdom#19th century, Polish-British novelist and short story writer. He is regarded as one of the greatest writers in the English language; though he did not speak English fluently until his twenties, he came to be regarded a master prose stylist who brought a non-English sensibility into English literature. He wrote novels and stories, many in nautical settings, that depict crises of human individuality in the midst of what he saw as an indifferent, inscrutable and amoral world. Conrad is considered a Impressionism (literature), literary impressionist by some and an early Literary modernism, modernist by others, though his works also contain elements of 19th-century Literary realism, realism. His narrative style and anti-heroic characters, as in ''Lord Jim'', for example, have influenced numerous authors. Many dramatic films have been adapted from and ins ...
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Short Story
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a single effect or mood. The short story is one of the oldest types of literature and has existed in the form of legends, mythic tales, folk tales, fairy tales, tall tales, fables and anecdotes in various ancient communities around the world. The modern short story developed in the early 19th century. Definition The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella/short novel, authors generally draw from a common pool of literary techniques. The short story is sometimes referred to as a genre. Determining what exactly defines a short story has been recurrently problematic. A classic definition of a short story ...
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The Chronic Argonauts
"The Chronic Argonauts" is an 1888 short story by the British science-fiction writer H. G. Wells. It features an inventor who builds a time machine and travels in time using it, and it pre-dates Wells's best-selling 1895 time travel novel ''The Time Machine'' by seven years. Writing and publication "The Chronic Argonauts" was written in serial parts while Wells was ill and staying with friends in Stoke-on-Trent, from early April to early July 1888. Wells later recalled that: "at Etruria my real writing began. ... Moreover I began ... the original draft of what later became ''The Time Machine''...". It was published in the April, May, and June 1888 issues of the Royal College of Science student magazine ''The Science Schools Journal''. Two digital versions of the text, available online April 2020, both show four subheadings: * Being the Account of Dr. Nebogipfel's Sojourn in Llyddwdd * How an Esoteric Story Became Possible * The Esoteric Story Based on the Clergyman's Deposition ...
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The Time Machine
''The Time Machine'' is a science fiction novella by H. G. Wells, published in 1895. The work is generally credited with the popularization of the concept of time travel by using a vehicle or device to travel purposely and selectively forward or backward through time. The term "time machine", coined by Wells, is now almost universally used to refer to such a vehicle or device. Utilizing a frame story set in then-present Victorian England, Wells' text focuses on a recount of the otherwise anonymous Time Traveller's journey into the far future. A work of future history and speculative evolution, ''Time Machine'' is interpreted in modern times as a commentary on the increasing inequality and class divisions of Wells' era, which he projects as giving rise to two separate human species: the fair, childlike Eloi, and the savage, simian Morlocks, distant descendants of the contemporary upper and lower classes respectively. It is believed that Wells' depiction of the Eloi as a rac ...
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