Forum (album)
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Forum (album)
''Forum'' is an album by Australian guitar pop group Invertigo. The album was released on 16 July 2001 with some tracks recorded in the previous year. It peaked at No. 11 on the ARIA Charts, ARIA Albums Chart. Three singles were issued ahead of the album, "Desensitized" (No. 29, June 2000), "Chances Are..." (No. 19, December 2000) and "Say You Do" (No. 31, June 2001). Track listing All songs written by James and Vincent Leigh, except as indicated. # "Desensitized" – 4:06 # "Chances Are..." – 4:40 # "Man Enough" – 3:34 # "Say You Do" – 4:29 # "What If It's Me" – 3:38 # "If I" – 4:14 # "Blame It on the Stars" – 4:30 # "It's Getting Personal" – 5:07 # "Slave" (James Leigh, Vincent Leigh, Gerome Leigh) – 4:56 # "Typical" – 5:19 # "Damage Control" – 3:43 Personnel * Christian Argenti – lead vocals * Vincent Leigh – drums * Gerry Leigh – guitar * James Leigh – guitar, vocals, keyboards Charts References

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Invertigo
Invertigo were an Australian four-piece pop, rock group active in the early 2000s. They originally formed as Vertigo in 1996, by the three Leigh brothers: Gerry (born 10 May 1966) on guitar, James (born 1 December 1967) on keyboards and Vince (born 19 November 1965) on drums (the latter two are former members of Pseudo Echo); together with Hugh Wilson on lead vocals. They had a top 40 hit on the ARIA Singles Chart with "Forever Lately" and released an album before disbanding in 1999. The Leigh brothers formed Invertigo in 2000 with Christian Argenti (born 3 January 1975) on lead vocals. Their highest charting single, "Chances Are..." , reached No. 19 and their sole album, '' Forum'', peaked at No. 11. That group broke up in 2003. Career 1996–1999: Early incarnation (as Vertigo) Invertigo were originally formed as Vertigo in 1996 in Melbourne, by the three Leigh brothers: Gerry (born Jerome William Dingli, 10 May 1966) on guitar, James (born James Joseph Dingl ...
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Pop Rock
Pop rock (also typeset as pop/rock) is a fusion genre with an emphasis on professional songwriting and recording craft, and less emphasis on attitude than rock music. Originating in the late 1950s as an alternative to normal rock and roll, early pop rock was influenced by the beat, arrangements, and original style of rock and roll (and sometimes doo-wop). It may be viewed as a distinct genre field rather than music that overlaps with pop and rock. The detractors of pop rock often deride it as a slick, commercial product and less authentic than rock music. Characteristics and etymology Much pop and rock music has been very similar in sound, instrumentation and even lyrical content. The terms "pop rock" and "power pop" have been used to describe more commercially successful music that uses elements from, or the form of, rock music. Writer Johan Fornas views pop/rock as "one single, continuous genre field", rather than distinct categories. To the authors Larry Starr and Chri ...
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Power Pop
Power pop (also typeset as powerpop) is a form of pop rock based on the early music of bands such as the Who, the Beatles, the Beach Boys, and the Byrds. It typically incorporates melodic hooks, vocal harmonies, an energetic performance, and cheerful sounding music underpinned by a sense of yearning, longing, or despair. The sound is primarily rooted in pop and rock traditions of the early to mid-1960s, although some acts have occasionally drawn from later styles such as punk, new wave, glam rock, pub rock, college rock, and neo-psychedelia. Originating in the 1960s, power pop developed mainly among American musicians who came of age during the British Invasion. Many of these young musicians wished to retain the "teenage innocence" of pop and rebelled against newer forms of rock music that were thought to be pretentious and inaccessible. The term was coined in 1967 by the Who guitarist and songwriter Pete Townshend to describe his band's style of music. However, power po ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Gui ...
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Allmusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Gui ...
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Blender (magazine)
''Blender'' was an American music magazine that billed itself as "the ultimate guide to music and more". It was also known for sometimes steamy pictorials of celebrities. It compiled lists of albums, artists, and songs, including both "best of" and "worst of" lists. In each issue, there was a review of an artist's entire discography, with each album being analyzed in turn. ''Blender'' was published by Dennis Publishing. The magazine began in 1994 as the first digital CD-ROM magazine by Jason Pearson, David Cherry, and Regina Joseph, acquired by Felix Dennis/Dennis Publishing, UK it published 15 digital CD issues, and launched on the web in 1996. It started publishing a print edition again in 1999 in its most recent form. Blender CD-ROM showcased the earliest digital editorial formats, as well as the first forms of digital advertising. The first digital advertisers included Calvin Klein, Apple Computer, Toyota and Nike. In June 2006, the ''Chicago Tribune'' named it one of ...
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ARIA Charts
The ARIA Charts are the main Australian music sales charts, issued weekly by the Australian Recording Industry Association. The charts are a record of the highest selling songs and albums in various genres in Australia. ARIA became the official Australian music chart in June 1988, succeeding the Kent Music Report, which had been Australia's national music sales charts since 1974. History The ''Go-Set'' charts were Australia's first national singles and albums charts, published from 5 October 1966 until 24 August 1974. Succeeding ''Go-Set'', the Kent Music Report began issuing the national top 100 charts in Australia from May 1974. The compiler, David Kent, also published Australia's national charts from 1940 to 1974 in a retrospective fashion using state-based data. In mid-1983, the Australian Recording Industry Association commenced licensing the Kent Music Report chart. The first printed national top 50 chart available in record stores, branded the '' Countdown'' chart, w ...
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2001 Albums
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by  2, although by other definitions 1 is the second natural number, following  0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the ...
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