Flight (Thorgeir Stubø Album)
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Flight (Thorgeir Stubø Album)
''Flight'' (released 1988 in Oslo, Norway, by Hot Club Records - HCR 25) is a studioalbum (LP) by the Norwegian guitarist Thorgeir Stubø, including two live recordings. Review This is the fourth album by Thorgeir Stubø, released in 1985, and is a mixture of studio and live recordings from a concert in Tromsø, and consists of a variety of lineups. The record is perhaps the Stubø album that has the greatest diversification of styles. In addition to the traditional hard bop format, presented through songs like "Swinging till the girls come home" (Oscar Pettiford), "Nica's Dream" (Horace Silver), Stubø presents more modern, Pat Martino oriented influence through his own, more modal-based compositions, "Flight" and "For Wes and Pat". On Wayne Shorter's classic "Fall", there is also used synthesizer, and electric piano is also represented on a track. Fred Lacey's gorgeous ballad "Theme for Ernie" as made famous by Coltrane, also interpreted the great trio with acoustic guitars, ...
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Thorgeir Stubø
Thorgeir Stubø (12 November 1943 – 22 October 1986) was a Norwegian jazz musician (guitar) and composer. He was the father of Jazz guitarist Håvard, jazz singer Kjersti and theater director Eirik Stubø, and grandfather of electronica musician Mathias Stubø. Store Norske Leksikon (in Norwegian) (in Norwegian) NRK.no (in Norwegian) Store Norske Leksikon (in Norwegian) Early life Stubø was born and raised in Narvik, and listened to music on radio from an early age. His attention was drawn to American Jazz an especially the music of John Coltrane, Tal Farlow, Wes Montgomery, Jimmy Raney and Jim Hall was important for his early musical development. Stubø started playing the guitar in an environment of flowering jazz music in Narvik, but moved to Oslo to get his education in the 1960'es. He studied philology at the University of Oslo and got a masters with the German languish as main subject. At the Oslo Jazz scene he was soon recognised for his expressive guitar style a ...
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Autumn In New York (song)
"Autumn in New York" is a jazz standard and popular song composed by Vernon Duke in Westport, Connecticut in the summer of 1934. It was written without a commission or for a specific show, but Duke offered it to producer Murray Anderson for his Broadway musical '' Thumbs Up!''. The play opened on December 27, 1934 where the song was performed by singer J. Harold Murray. Many versions of the song have been recorded over the years by numerous musicians and singers. The only version to achieve chart success as a single in the USA was that by Frank Sinatra, which reached No. 27 in 1949. Jazz versions have been performed by The Hi Lo's, Charlie Parker, Billie Holiday, Bing Crosby, Mary Lou Williams, Stan Kenton, Sarah Vaughan, Sheila Jordan, Bill Evans, Tal Farlow, Ahmad Jamal, Buddy De Franco, Salvador Sobral, Al Haig, Diana Krall, and a duet version by Scottish singers Todd Gordon and Carol Kidd. The song was also recorded by Jo Stafford, and by Louis Armstrong and Ella Fitzgerald ...
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Drums
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other Percussion instrument, auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair of matching Drum stick, drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a snare drum stand, stand * A bass drum, played with a percussion mallet, beater moved by a foot-operated pedal * One or more Tom drum, tom-toms, including Rack tom, rack toms and/or floor tom, floor toms * One or more Cymbal, cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock music, rock and pop music, pop to blues and jazz. __TOC__ ...
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Alex Riel
Alex Riel (born 13 September 1940) is a Danish jazz and rock drummer.''Jeg skal sgu sidde ved trommerne'' Af Bine Madsen. Dagbladenes Bureau, 9 February 2010. Same interview in Flensborg Avis, 17 February 2010, Side 18''Alex Riel'' Horsens Folkeblad, 16 February 2010, 2. sektion, Side 12 His first group Alex Riel/Palle Mikkelborg Quintet won Montreux Grand Prix Award at the Montreux Jazz Festival in 1968 and it was published in ''Billboard's'' June 1968 edition. He is married to the writer Ane Riel. Biography Riel has recorded with, among others, Kenny Drew, Kenny Werner, Bob Brookmeyer, Thomas Clausen, Bill Evans, Eddie "Lockjaw" Davis, Jackie McLean, and Dexter Gordon. He has also worked with a wide range of important jazz musicians, including Ray Brown, Donald Byrd, Don Cherry, Art Farmer, Stéphane Grappelli, Hank Jones, Thad Jones, and Ben Webster. He formed a renowned jazz ensemble with bass player Niels-Henning Ørsted Pedersen and Kenny Drew. He was also a founding ...
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Terje Venaas
Terje Venaas (born 30 March 1947 in Molde, Norway) is a Norwegian jazz musician (upright bass), known from dozens of recordings and a number of international cooperation. Career Venaas started playing music within several local bands in the Molde area from 1962, among others within his brother Åge Venås Orchestra (including Geir Schumann piano and Svein Jens Thorsø). He debuted on Moldejazz in 1967, and moved to Oslo where he joined the music scene Club 7 (1967–). There he started performing with musicians like Jan Garbarek, Espen Rud and Carl Magnus Neumann, and debuted on record with Terje Rypdal in 1968. He is one of the most prominent Norwegian jazz artists, recording with international jazz greats as within Per Husby Trio featuring Chet Baker (''The improviser'', Cadence Jazz Records), and performed with Dexter Gordon (Club 7, 1972), Toots Thielemans (1986), Michel Petrucciani (Kongsberg Jazz Festival, 1986). Venaas has also been county musician in Sogn og Fjor ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Jesper Lundgaard
Jesper Lundgaard (born 12 June 1954) is a Danish jazz bassist, bandleader, composer and record producer. Since his debut in the mid-1970s, he has been among the most prominent bassists in Danish jazz and as a sideman he has appeared on more than 400 albums both with Danish and leading American jazz musicians. Biography Jesper Lundgaard was born in 1954 in Hillerød, Denmark. After first playing guitar for a few years, he started to play bass at age 16. In 1976 he began to study music at Århus University and the same year he became part of Århus' jazz scene when he joined Bent Eriksen's trio. There he met Danish jazz musicians such as Thomas Clausen, Alex Riel, Niels Jørgen Steen, Finn Ziegler, Jesper Thilo, Jørgen Emborg and Jan Zum Vohrde as well as many American musicians, including Dexter Gordon, Harry Sweets Edison, Eddie Lockjaw Davis, Joe Newman, Benny Waters, Hal Singer, Thad Jones, Mel Lewis, Pepper Adams, Howard McGhee, Roy Eldridge and Doug and Jimmy Raney. Lund ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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Krister Andersson
Krister Andersson (born 3 May 1951 in Eskilstuna, Sweden) is a Swedish musician (tenor saxophone, alt saxophone and clarinet) and composer. Career Anderson started his professional career at the age of 16 as a clarinetist in a military band, and at the same time played saxophone in dance bands. He was originally trained in classical music as a clarinet soloist at Kungliga Musikhögskolan (Royal College of Music) in Stockholm. During the early part of the 1970s, he starred as clarinet soloist in the Jeunesses Musicales World Orchestra, led by the conductor Leonard Bernstein. Later, he was influenced by Bernt Rosengren, John Coltrane and Joe Henderson, and he turned to jazz, and early in his jazz career he participated on two live album releases with the Norwegian guitarist Thorgeir Stubø. Andersson has twice been awarded the jazz magazine ''Orkesterjournalen''s golden disc for best jazz recording. He has also received numerous awards such as Christer Boustedt's and Börje Fr ...
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Lars Sjösten
Lars Sjösten (7 May 1941 – October 2011)Berit Nygren,Jazzpianisten Lars Sjösten död, Mitt i musiken, Sverigesradio.se, 19 October 2011. Retrieved 19 October 2011. was a Swedish jazz pianist and composer. Sjösten was born in Oskarshamn. During the 1960s, he often worked at the jazz restaurant The Golden Circle in Stockholm. He performed with many jazz musicians including Ben Webster, Dexter Gordon, Art Farmer, Wayne Shorter, and Bernt Rosengren. He was the first person to receive the Jan Johansson prize in 1969. Sjösten also played in Lars Gullin's groups. Sjösten and Gullin became friends and in 1997, Sjösten was given the inaugural Lars Gullin Prize, for his work within the musical heritage of Lars Gullin. Through the years, Sjösten led his own groups and worked as a freelancer and a composer. He recorded with the musicians Benny Bailey, Rolf Ericson, Bjarne Nerem, Lee Konitz, and Putte Wickman, Gordon, Webster, Gullin, and Rosengren. He has made tours to Paris, ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Ivar Antonsen
Ivar Antonsen (born April 16, 1946, in Fauske, Norway) is a Norwegian jazz pianist and composer and had his debut at the Oslo jazz scene in 1967 together with Jan Garbarek, Palle Mikkelborg, Arild Andersen, and Espen Rud. Career Antonsen started early playing the accordion and organ, inspired by jazz musician Art van Damme. 18-year-old he came in touch with bassist Bjørn Alterhaug, and they started their first jazz band together in Mo i Rana. He moved to Oslo and studied modern composition at Norges Musikkhøgskole under Finn Mortensen and came in contact with major jazz profiles. All along he was inspired, both as jazz musician and composer, by the piano music of Johann Sebastian Bach and Igor Stravinskij. In the late 1960s he started his own Ivar Antonsen Trio including Espen Rud (drums) and alternately Terje Venaas, Sture Janson and Bjørn Alterhaug on bass. His strong contribution to guitarist Thorgeir Stubø's album ''Flight'' (1985) can be cited as a good example of ...
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