Fire Performance (Indonesia)
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Fire Performance (Indonesia)
In Indonesia, a fire performance is a group of performance arts or skills that involve the manipulation of fire. Fire performance in Indonesia (Indonesian: ''Pertunjukan Api'') reflects the country's diversity of ethnicities and cultures. There are more than 1,300 ethnic groups in Indonesia. Each ethnic group has its own performances: there are many fire performance forms in Indonesia. Fire performance has various styles of performance including fire dancing; the use of fire as a finale in an otherwise non-fire performance; and the use of fire skills. Performances can be done as choreographed routines to music (this type being related to dance). Variation Pepe-Pepeka ri Makka Pepe'-pepeka ri Makka is a traditional Makassar fire dance originating from South Sulawesi, Indonesia. In various literatures, the narrative of the early entry of Islam in South Sulawesi can be traced back to the 17th century AD, the spread of Islam was carried out through the arts or culture of the loca ...
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Hanuman Playing With The Fire
Hanuman (; sa, हनुमान, ), also called Anjaneya (), is a Hindu god and a divine ''vanara'' companion of the god Rama. Hanuman is one of the central characters of the Hindu epic ''Ramayana''. He is an ardent devotee of Rama and one of the Chiranjivis. Hanuman is regarded to be the son of the wind-god Vayu, who in several stories played a direct role in Hanuman's birth, and considered to be an incarnation or son of Shiva in Shaivism. Hanuman is mentioned in several other texts, such as the epic ''Mahabharata'' and the various Puranas. Evidence of devotional worship to Hanuman is largely absent in these texts, as well as in most archeological sites. According to Philip Lutgendorf, an American Indologist, the theological significance of Hanuman and devotional dedication to him emerged about 1,000 years after the composition of the ''Ramayana'', in the 2nd millennium CE, after the arrival of Islamic rule in the Indian subcontinent.Paula Richman (2010), ''Review: Lutge ...
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Mantra
A mantra (Pali: ''manta'') or mantram (मन्त्रम्) is a sacred utterance, a numinous sound, a syllable, word or phonemes, or group of words in Sanskrit, Pali and other languages believed by practitioners to have religious, magical or spiritual powers. Feuerstein, Georg (2003), ''The Deeper Dimension of Yoga''. Shambala Publications, Boston, MA Some mantras have a syntactic structure and literal meaning, while others do not. The earliest mantras were composed in Vedic Sanskrit in India. At its simplest, the word ॐ (Aum, Om) serves as a mantra, it is believed to be the first sound which was originated on earth. Aum sound when produced creates a reverberation in the body which helps the body and mind to be calm. In more sophisticated forms, mantras are melodic phrases with spiritual interpretations such as a human longing for truth, reality, light, immortality, peace, love, knowledge, and action. Some mantras without literal meaning are musically uplifting an ...
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Culture Of Indonesia
The culture of Indonesia has been shaped by long interaction between original indigenous customs and multiple foreign influences. Indonesia is centrally-located along ancient trading routes between the Far East, South Asia and the Middle East, resulting in many cultural practices being strongly influenced by a multitude of religions, including Buddhism, Christianity, Confucianism, Hinduism, and Islam, all strong in the major trading cities. The result is a complex cultural mixture, often different from the original indigenous cultures. Examples of the fusion of Islam with Hinduism include Javanese Abangan belief. Balinese dances have stories about ancient Buddhist and Hindu kingdoms, while Islamic art forms and architecture are present in Sumatra, especially in the Minangkabau and Aceh regions. Traditional art, music and sport are combined in a martial art form called Pencak Silat. The Western world has influenced Indonesia in science, technology and modern entertainment suc ...
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Dance In Indonesia
Dance in Indonesia ( id, Tarian Indonesia) reflects the country's diversity of ethnicities and cultures. There are more than 1,300 ethnic groups in Indonesia. Austronesian roots and Melanesian tribal forms are visible, and influences ranging from neighboring Asian and even western styles through colonization. Each ethnic group has its own dances: there are more than 3,000 original dance forms in Indonesia. The old traditions of dance and drama are being preserved in the many dance schools which flourish not only in the courts but also in the modern, government-run or supervised art academies. For classification purposes, the dances of Indonesia can be divided according to several aspects. In the historical aspect it can be divided into three eras; the prehistoric-tribal era, the Hindu-Buddhist era, and the era of Islam. According to its patrons, it can be divided into two genres; court dance and folk dance. In its tradition, Indonesian dances can be divided into two types; t ...
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Piring Dance
Piring dance (Minangkabau: ''Piriang''; Jawi: تاري ڤيريڠ) is a traditional Minangkabau plate dance originated from West Sumatra, Indonesia and performed both here and Negeri Sembilan, Malaysia. The dance might be performed by a group of women, men or couples, each of them holds plates in each hands, and vigorously rotate or half rotate them in various formations and fast movements''.'' The dance demonstrates the skill of the dancers that manage balance and to move the ceramics plate swiftly without dropping or breaking the plates. Sometimes candles are lit on the plate, and this variant is called '' tari lilin'' (candle dance). Dancers hold the bottom of plates in the palm of their hands and swing them wildly using the inertia to keep the plate from falling. Dancers tap their plates with a ring on one of their fingers to animate their movement with sonic accompaniment. This dance is usually performed as a ceremonial welcoming dance to honor the guests and elders to a ...
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Reog
or ( jv, ꦫꦺꦪꦺꦴꦒ꧀) is a traditional Indonesian dance in an open arena that serves as folk entertainment, contains magical elements, the main dancer is a lion-headed person with a peacock feather decoration, plus several masked dancers and Kuda Lumping. Reog is one of the performing arts from the northwestern region of East Java and Ponorogo is the region where Reog originated. The city gate of Ponorogo is decorated with warok and gemblak, two characters who were present at the time when Reog is performed. Reog is one of Indonesia culture that is still very strong with mystical elements and mysticism. In 2013, Reog Ponorogo tradition is recognized as National Intangible Cultural Heritage of Indonesia by the Indonesia Ministry of Education and Culture. Etymology In the book of ''"Pedoman Dasar Kesenian Reog Ponorogo dalam Pentas Budaya Bangsa"'' published by the Ponorogo Regional Government in 1993, it is stated that the words reog or reyog is Javanese in ori ...
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Bali
Bali () is a province of Indonesia and the westernmost of the Lesser Sunda Islands. East of Java and west of Lombok, the province includes the island of Bali and a few smaller neighbouring islands, notably Nusa Penida, Nusa Lembongan, and Nusa Ceningan to the southeast. The provincial capital, Denpasar, is the most populous city in the Lesser Sunda Islands and the second-largest, after Makassar, in Eastern Indonesia. The upland town of Ubud in Greater Denpasar is considered Bali's cultural centre. The province is Indonesia's main tourist destination, with a significant rise in tourism since the 1980s. Tourism-related business makes up 80% of its economy. Bali is the only Hindu-majority province in Indonesia, with 86.9% of the population adhering to Balinese Hinduism. It is renowned for its highly developed arts, including traditional and modern dance, sculpture, painting, leather, metalworking, and music. The Indonesian International Film Festival is held every year in Bal ...
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Hindu
Hindus (; ) are people who religiously adhere to Hinduism.Jeffery D. Long (2007), A Vision for Hinduism, IB Tauris, , pages 35–37 Historically, the term has also been used as a geographical, cultural, and later religious identifier for people living in the Indian subcontinent. The term ''"Hindu"'' traces back to Old Persian which derived these names from the Sanskrit name ''Sindhu'' (सिन्धु ), referring to the river Indus. The Greek cognates of the same terms are "''Indus''" (for the river) and "''India''" (for the land of the river). The term "''Hindu''" also implied a geographic, ethnic or cultural identifier for people living in the Indian subcontinent around or beyond the Sindhu (Indus) River. By the 16th century CE, the term began to refer to residents of the subcontinent who were not Turkic or Muslims. Hindoo is an archaic spelling variant, whose use today is considered derogatory. The historical development of Hindu self-identity within the local In ...
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Balinese Dance
Balinese dance ( id, Tarian Bali; ban, ᬇᬕᬾᬮᬦ᭄​ᬩᬮᬶ) is an ancient dance tradition that is part of the religious and artistic expression among the Balinese people of Bali island, Indonesia. Balinese dance is dynamic, angular and intensely expressive. Balinese dancers express the stories of dance-drama through the bodily gestures including gestures of fingers, hands, head and eyes. There is a great richness of dance forms and styles in Bali; and particularly notable are those ritualistic dance dramas which involve Rangda, the witch, and the great beast Barong. Most of the dances in Bali are connected to Hindu or traditional folk rituals, such as the Sanghyang Dedari sacred dance that invoke benevolent hyang spirits, believed to possess the dancers in a trance state during the performance. Other Balinese dances are not linked to religious rituals and are created for certain occasions or purposes, such as the Baris or Pendet welcoming dances and Joged dance, ...
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Kecak Dance In Bali 6
''Kecak'' (pronounced ("kechak"), alternate spellings: ''kechak'' and ''ketjak''), known in Indonesian as ''tari kecakilolahhe'', is a form of Balinese Hindu dance and music drama that was developed in the 1930s in Bali, Indonesia. Since its creation, it has been performed primarily by men, with the first women's ''kecak'' group having started in 2006. The dance is based on the story of the ''Ramayana'' and is traditionally performed in temples and villages across Bali. Also known as the Ramayana monkey chant, the dance is performed by a circle of as many as 150 performers wearing checked cloths around their waists, percussively chanting "''chak''" and moving their hands and arms. The performance depicts a battle from the ''Ramayana'', in which the monkey-like Vanaras, led by Hanuman, help Prince Rama fight the evil King Ravana. ''Kecak'' has roots in ''sanghyang,'' a trance-inducing exorcism dance. History ''Kecak'' was originally a trance ritual accompanied by a male chor ...
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Sanghyang Jaran Fire Dance
( ban, ᬲᬂᬳ᭄ᬬᬂ​) is a traditional sacred Balinese dance originated from the Indonesian island of Bali, it is based on the premise that an unseen force enters the body of an entranced performer. The force, identified as ''hyang'', is an important type of spiritual entity in ancient Indonesian mythology. The ''sanghyang'' dances are considered sacred ritual dances and are performed exclusively at Balinese religious ceremonies. Variants ''Sanghyang bojog'' The dancer is a man dressed like a monkey (''bojog'') and accompanied by a chorus of chanting ''sanghyang''. Before it begins, the dancer goes through the phases of summoning ape spirits. After conceding, the dancer will jump into a tree and mimic the behavior of an ape. This dance is only found in Bugbug, Karangasem. ''Sanghyang celeng'' This is a ''sanghyang'' dance variant only found in Duda, Karangasem, danced by a man wearing palm fiber clothing. The dancer mimics the movements of a pig. ''Sanghyang ded ...
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Sacred Waters
Sacred waters are sacred natural sites characterized by tangible topographical land formations such as rivers, lakes, springs, reservoirs, and oceans, as opposed to holy water which is water elevated with the sacramental blessing of a cleric. These organic bodies of water have attained religious significance not from the modern alteration or blessing, but were sanctified through mythological or historical figures. Sacred waters have been exploited for cleansing, healing, initiations, and death rites. Ubiquitous and perpetual fixations with water occur across religious traditions. It tends to be a central element in the creations accounts of almost every culture with mythological, cosmological, and theological myths. In this way, many groups characterize water as "living water", or the "water of life". This means that it gives life and is the fundamental element from which life arises. Each religious or cultural group that feature waters as sacred substances tends to favor cer ...
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