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Fiori Musicali
''Fiori musicali'' ("''Musical Flowers''") is a collection of liturgical organ music by Girolamo Frescobaldi, first published in 1635. It contains three organ masses and two secular capriccios. Generally acknowledged as one of Frescobaldi's greatest works, ''Fiori musicali'' influenced composers during at least two centuries. Johann Sebastian Bach was among its admirers, and parts of it were included in the celebrated ''Gradus ad parnassum'', a highly influential 1725 treatise by Johann Joseph Fux which was in use even in the 19th century. History ''Fiori musicali'' was first published in Venice in 1635, when Frescobaldi was working as organist of St. Peter's Basilica in Rome, under the patronage of Pope Urban VIII and his nephew Cardinal Francesco Barberini. It may have been conceived as music for St Mark's Basilica or a similarly important church. The collection was printed by Giacomo Vincenti (a celebrated publisher who had previously published reprints of Frescobaldi's capri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Brunelli
Antonio Brunelli (20 December 1577 in Pisa – 19 November 1630 in Pisa) was an Italian composer and theorist of the early Baroque music, Baroque period. He was a student of Giovanni Maria Nanino and served as the organist at San Miniato in Tuscany from 1604 to 1607, then moved to Prato where he served as ''maestro di capella'' at the Cathedral there. On 12 April 1612 he was appointed as ''maestro di capella'' to the Grand Duke of Tuscany. Between 1605 and 1621 he published works including motets, canzonette, Psalms, madrigal (music), madrigals, Requiems, and other sacred works, some of which were included in Johannes Donfried, Donfried's ''Promptuarium musicum'' (1623). Brunelli wrote and published several theoretical treatises, most notably the ''Regole utilissime per i scolari che desiderano imperare a cantare'' (Florence, 1606), one of the first published methods for voice. His other writings include ''Esercizi ad 1 e 2 voci'' (Florence, 1607) and ''Regole et dichiarazione ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Feast Day
The calendar of saints is the traditional Christian method of organizing a liturgical year by associating each day with one or more saints and referring to the day as the feast day or feast of said saint. The word "feast" in this context does not mean "a large meal, typically a celebratory one", but instead "an annual religious celebration, a day dedicated to a particular saint". The system arose from the early Christian custom of commemorating each martyr annually on the date of their death, or birth into heaven, a date therefore referred to in Latin as the martyr's ''dies natalis'' ('day of birth'). In the Eastern Orthodox Church, a calendar of saints is called a ''Menologion''. "Menologion" may also mean a set of icons on which saints are depicted in the order of the dates of their feasts, often made in two panels. History As the number of recognized saints increased during Late Antiquity and the first half of the Middle Ages, eventually every day of the year had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Twelve Apostles
In Christian theology and ecclesiology, the apostles, particularly the Twelve Apostles (also known as the Twelve Disciples or simply the Twelve), were the primary disciples of Jesus according to the New Testament. During the life and ministry of Jesus in the 1st century AD, the apostles were his closest followers and became the primary teachers of the gospel message of Jesus. There is also an Eastern Christian tradition derived from the Gospel of Luke of there having been as many as seventy apostles during the time of Jesus' ministry. The commissioning of the Twelve Apostles during the ministry of Jesus is described in the Synoptic Gospels. After his resurrection, Jesus sent eleven of them (as Judas Iscariot by then had died) by the Great Commission to spread his teachings to all nations. This event has been called the dispersion of the Apostles. In the Pauline epistles, Paul, although not one of the original twelve, described himself as an apostle, saying he was called b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass (liturgy)
Mass is the main Eucharistic liturgical service in many forms of Western Christianity. The term ''Mass'' is commonly used in the Catholic Church, in the Western Rite Orthodox, in Old Catholic, and in Independent Catholic churches. The term is used in some Lutheran churches, as well as in some Anglican churches. The term is also used, on rare occasion, by other Protestant churches. Other Christian denominations may employ terms such as '' Divine Service'' or ''worship service'' (and often just "service"), rather than the word ''Mass''. For the celebration of the Eucharist in Eastern Christianity, including Eastern Catholic Churches, other terms such as ''Divine Liturgy'', '' Holy Qurbana'', ''Holy Qurobo'' and ''Badarak'' (or ''Patarag'') are typically used instead. Etymology The English noun ''mass'' is derived from the Middle Latin . The Latin word was adopted in Old English as (via a Vulgar Latin form ), and was sometimes glossed as ''sendnes'' (i.e. 'a sending, dismiss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Fasolo
Giovanni Battista Fasolo, O.F.M.Conv ( Asti, ca. 1598 Palermo after 1664), was a Franciscan friar, organist and composer. In his middle years Fasolo was primarily known for his 1645 organ annual, which, like ''L'organo suonarino'' of Adriano Banchieri, from the generation before him, was intended for use in small parish churches, and are much simpler than those used in Venice. In 1659 Fasolo became ''maestro di cappella'' to the Archbishop of Monreale. Until recently many of G.B. Fasolo's secular works were attributed to other composers, particularly the Venetian Francesco Manelli, the composer of the first commercial operas in music history, or to a third unknown composer known as "Il Fasolo?". However following the work of Francesco Luisi, Mariangela Donà, and Claudio Bacciagaluppi the attribution of the major works under the heading "Il Fasolo?" to G.B. Fasolo is now reasonably secure, and listed under his own entry, by Eleanor Selfridge-Field, in the current ''New Grove ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Croci
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language-speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, Toñín, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António (Portuguese orthography) or Antônio (Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In Galician ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Salvatore
Giovanni Salvatore (ca.1620ca.1688) was a Neapolitan composer and organist. Salvatore was born in Castelvenere. He is thought to have studied under Giovanni Maria Sabino and Erasmo di Bartolo at the Conservatorio della Pietà dei Turchini, Naples in Naples. He was first organist for the church of Santi Severino e Sossio, then ''maestro di cappella'' at San Lorenzo Maggiore (Naples). From 1662 to 1673 he taught at the Conservatorio della Pietà dei Turchini, then moved to be ''maestro di cappella'' of the Conservatorio dei Poveri di Gesù Cristo. He died in Naples Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's adminis .... Works * Requiem - Missa defunctorum * Mass and vespers * Messa della Domenica * Magnificat 5 voices and two violins Polychoral motets: * Audite coeli for 4 choirs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Organ Mass
The French Organ Mass is a type of Low Mass that came into use during the Baroque era. Essentially it is a Low Mass with organ music playing throughout: part of the so-called alternatim practice. History The French Organ Mass is a classic example of the so-called ''alternatim'' practice, a term which indicates a type of liturgy when alternate sections of liturgical items (such as a Mass or a Magnificat) were performed by different forces.Higginbottom, Grove. In organ ''alternatim'' practice—and so, in the French Organ Mass—the organist plays when texts would otherwise have been sung. The tradition stemmed from the antiphonal psalmody of the early Western church. In France, organ playing was regulated by printed "ceremonials", which specified precisely when the organist should play. The surviving ceremonials are all similar in outline, but differ widely in details. A typical organ Mass comprised versets for the ordinary of the Mass except for the Credo (which was to be sung in it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Titelouze
Jean (''Jehan'') Titelouze (c. 1562/63 – 24 October 1633) was a French Catholic priest, composer, poet and organist of the early Baroque period. He was a canon and organist at Rouen Cathedral. His style was firmly rooted in the Renaissance vocal tradition, and as such was far removed from the distinctly French style of organ music that developed during the mid-17th century. However, his hymns and Magnificat settings are the earliest known published French organ collections, and he is regarded as the first composer of the French organ school. Life In a 1930 study Amédée Gastoué suggested that the surname Titelouze may be of English or Irish origin (more specifically, derived from "Title-House"), but recently this supposition has been disproven, and "Titelouze" is now linked to "de Toulouse".Howell, Cohen, Grove. Titelouze was born in Saint-Omer in 1562/3 (his exact date of birth is unknown) and educated there; by 1585 he entered the priesthood and served as organist of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernardino Bottazzi
Bernardino is a name of Italian, Hispanic, or Portuguese origin, which can refer to: Given name * Bernardino Baldi (1533–1617), Italian mathematician and writer *Bernardino Bertolotti (born 1547), Italian composer and instrumentalist *Bernardino Bilbao Rioja (1895–1983), Bolivian air force officer *Bernardino Blaceo ( fl. c. 1550), Italian painter of the Renaissance period * Bernardino Borlasca (1580–1631), Italian composer of the Renaissance era *Bernardino Butinone (a.k.a. Bernardo da Treviglio)c. 1436–c. 1508, Italian painter of the Renaissance *Bernardino Caballero (1839–1912), President of Paraguay 1881–1886 *Bernardino Cametti (1669–1736), Italian sculptor of the late Baroque period * Bernardino Campi (1522–1591), Italian Renaissance painter from Reggio Emilia * Bernardino Campilius ( fl. 1502), Italian painter * Bernardino Capitelli (1589–1639), Italian painter and etcher of the Baroque period * Bernardino Carboni (died after 1779), Italian decorator and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adriano Banchieri
Adriano Banchieri (Bologna, 3 September 1568 – Bologna, 1634) was an Italian composer, music theorist, organist and poet of the late Renaissance and early Baroque eras. He founded the Accademia dei Floridi in Bologna. Biography He was born and died in Bologna (then in the Papal States). In 1587 he became a monk of the Benedictine order, taking his vows in 1590, and changing his name to Adriano (from Tommaso). One of his teachers at the monastery was Gioseffo Guami, who had a strong influence on his style. Like Orazio Vecchi he was interested in converting the madrigal to dramatic purposes. Specifically, he was one of the developers of a form called "madrigal comedy" — unstaged but dramatic collections of madrigals which, when sung consecutively, told a story. Formerly, madrigal comedy was considered to be one of the important precursors to opera, but most music scholars now see it as a separate development, part of a general interest in Italy at the time in c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
