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French Organ Mass
The French Organ Mass is a type of Low Mass that came into use during the Baroque era. Essentially it is a Low Mass with organ music playing throughout: part of the so-called alternatim practice. History The French Organ Mass is a classic example of the so-called ''alternatim'' practice, a term which indicates a type of liturgy when alternate sections of liturgical items (such as a Mass or a Magnificat) were performed by different forces.Higginbottom, Grove. In organ ''alternatim'' practice—and so, in the French Organ Mass—the organist plays when texts would otherwise have been sung. The tradition stemmed from the antiphonal psalmody of the early Western church. In France, organ playing was regulated by printed "ceremonials", which specified precisely when the organist should play. The surviving ceremonials are all similar in outline, but differ widely in details. A typical organ Mass comprised versets for the ordinary of the Mass except for the Credo (which was to be sung in it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Low Mass
Low Mass (Latin ''Missa lecta'', "read Mass") is a Tridentine Mass defined officially in the Code of Rubrics included in the 1962 edition of the Roman Missal as a Mass in which the priest does not chant the parts that the rubrics assign to him. A sung Mass celebrated with the assistance of sacred ministers (deacon and subdeacon) is a High or Solemn Mass; without them it is a '' Missa Cantata''. History Low Mass originated in the early Middle Ages as a shortened or simplified form of Solemn Mass. In the early church, as in the Orthodox church today, all services were chanted, and there was no equivalent to the Roman Low Mass or to the Anglican "said celebration". Masses without solemnity in early Christianity Alongside the public solemn Masses, the practice developed from the 4th century onwards, of smaller private Masses for smaller groups of believers. These masses were often celebrated in the catacombs, for the deceased or on a special anniversary. An example is provided by Sai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guillaume-Gabriel Nivers
Guillaume-Gabriel Nivers (c. 1632, Paris – 13 November 1714) was a French organist, composer and theorist. His first ''livre d'orgue'' is the earliest surviving published collection with traditional French organ school forms (a collection by Louis Couperin that is in manuscript does not seem to have been published. See Guy Oldham, "Louis Couperin: A New Source of French Keyboard Music of the Mid-17th Century", Recherches sur la musique française classique, Vol. I (1960), pp. 51–59). Nivers's other music is less known; however, his treatises on Gregorian chant and basso continuo are still considered important sources on 17th century liturgical music and performance practice. Life Nivers was born into a prosperous Parisian family: his father was a fermier générale (tax collector) for the bishop. Nothing is known of his early years or his musical training except that he may have received a degree from the University of Paris. In the early 1650s Nivers became organist of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catholic Liturgy
In the Catholic Church, liturgy is divine worship, the proclamation of the Gospel, and active charity. Catholic liturgies are broadly categorized as the Latin liturgical rites of the Latin Church and the Eastern Catholic liturgies of the Eastern Catholic Churches. Liturgical principles As explained in greater detail in the ''Catechism of the Catholic Church'' and its shorter ''Compendium'', the liturgy is something that "the whole Christ", Head and Body, celebrates — Christ, the one High Priest, together with his Body, the Church in heaven and on earth. Involved in the heavenly liturgy are the angels and the saints of the Old Covenant and the New, in particular Mary, the Mother of God, the Apostles, the Martyrs and "a great multitude, which no man could number, out of every nation and of all tribes and peoples and tongues" (Revelation 7:9). The Church on earth, "a royal priesthood" (1 Peter 2:9), celebrates the liturgy in union with these: the baptized offering themselves as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willi Apel
Willi Apel (10 October 1893 – 14 March 1988) was a German-American musicologist and noted author of a number of books devoted to music. Among his most important publications are the 1944 edition of '' The Harvard Dictionary of Music'' and ''French Secular Music of the Late Fourteenth Century''. Life and career Apel was born in Konitz, West Prussia, now Chojnice in Poland. He studied mathematics from 1912 to 1914, and then again after World War I from 1918 to 1922, in various universities in Weimar Germany. Throughout his studies, he had an interest in music and taught piano lessons. He then turned to music full-time, and essentially taught himself about musicology. He received his Ph.D. in 1936 in Berlin (with a dissertation on 15th and 16th century tonality) and immigrated to the USA the same year. He taught at Harvard from 1938 to 1942, but moved on to spend twenty years at Indiana University beginning in 1950. In 1972 he was awarded an honorary doctorate by the university. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deutsche Singmesse
The Deutsche Singmesse is a form of ( Tridentine) Low Mass that developed in German-speaking countries. Historical precursors In Austria, congregational singing of sacred texts in Old High German at Easter Masses is attested by medieval manuscripts dating as early as the twelfth century. The hymn ''Christ ist erstanden'', translated from the Easter sequence '' Victimae paschali laudes'', became very popular, sung with processions and also sung before the Gospel at Mass, in alternation with the Latin text. With the success of that translation, vernacular versions of other feast-day sequences followed. In addition, vernacular adaptations of parts of the Ordinary of the Mass appeared as early as the 1260s, when a homily of Berthold of Regensburg describes a profession of faith which was sung after the Latin ''Credo'': "I believe in the Father, I believe in the Son of my Lady Saint Mary, and in the Holy Spirit, ''Kyrie eleison''." By the time of the Council of Trent, vernacular si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Nicolas Geoffroy
Jean-Nicolas Geoffroy (1633 – 11 March 1694) was a French harpsichordist, organist and composer.The registration of baroque organ music Barbara Owen - 1997 "Jean-Nicolas Geoffrey (fl. 1633-94)" His birthplace is unknown; he died in Perpignan. His life before 1690 is unknown; he was probably a pupil of Nicolas Lebègue and served as titular organist of the Saint-Nicolas-du-Chardonnet church in Paris. He was considered an expert in organ building and at some point in life settled in Perpignan where he played the organ of Perpignan Cathedral (''Cathédrale Saint-Jean-Baptiste''). Geoffroy's harpsichord oeuvre is, along with those of François Couperin and Jean-François Dandrieu, one of the most important contributions to French music of the Baroque era. A single collection of his pieces survives in manuscript A manuscript (abbreviated MS for singular and MSS for plural) was, traditionally, any document written by hand – or, once practical typewriters became avai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amédée Gastoué
Amédée Henri Gustave Noël Gastoué (19 March 1873 – 1 June 1943) was a French musicologist and composer. Biography A Kapellmeister at the , professor of gregorian chant at the Schola Cantorum of Paris, Gastoué was particularly interested in Byzantine music, that of the Middle Ages and Armenian musical art. He also taught choral chant and Medieval music at the Institut catholique de Paris, the Collège Stanislas and the Lycée Montaigne. He was president of the (1934–1936) and remains known for his studies and writings. He was raised to the dignity of Commander of the Pontifical Order of Pope Gregory I by Pope Pius X. Gastoué is the great-great-grandfather of Emmanuel Trenque, himself an organist and choral conductor. Studies List according to the « Principaux ouvrages du même auteur » of ''Graduel et l'antiphonaire romains, histoire et description'' (fac-similé) * ''Le Graduel et l'antiphonaire romains, histoire et description'', Jeanin frères, Lyon 1913, 30 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josse-François-Joseph Benaut .Josse-François-Joseph Benaut (c. 1743 in Gullegem – 13 July 1794, Paris) was a Flemish composer, organist, harpsichordist, music educator and priest who had a career in France. Life His father Charles Benaut was an organist in Wulveringen in Flanders. Josse-François-Joseph Benaut set himself up in Paris as a harpsichord tutor and in 1771 married the daughter of a Flemish merchant. He was guillotined during the French Revolution on what is now Place de la Nation, Paris as he was suspected of being in contact with the rebels of the Vendée Vendée (; br, Vande) is a department in the Pays de la Loire region in Western France, on the Atlantic coast. In 2019, it had a population of 685,442. External links * {{DEFAULTSORT:Benaut, Josse 1743 births[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel Corrette
Michel Corrette (10 April 1707 – 21 January 1795) was a French composer, organist and author of musical method books. Life Corrette was born in Rouen, Normandy. His father, Gaspard Corrette, was an organist and composer. Little is known of his early life. In 1726, Corrette entered into a competition for the post of organist at the Church of Sainte Marie-Madeleine in Paris, but was not selected. He then earned his living as a music teacher (which in fact made him more money than he would have as an organist), and in 1727 he published his first collections of sonatas for various instruments such as the flute, violin, brass, musette, and hurdy-gurdy. On 8 January 1733, Corrette married Marie-Catherine Morize, with whom he had two children, Marie-Anne (1734 - ca. 1822), and a son, Pierre-Michel (1744 - 1801), who also became an organist. In 1737, Corrette was appointed as the organist at the Church of Sainte Marie du Temple in Paris - a position he held for 54 years until 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaspard Corrette
Gaspard Corrette (c. 1671before 1733) was a French composer and organist. He was born around 1671, probably in Rouen, where he was organist for the church of St-Herbland. In approximately 1720 he moved to Paris. The exact date of his death is not known. His son, Michel Corrette, also was a musician, composer, violinist, harpsichordist and organist. Works The only surviving work by Corrette is an organ mass in the eighth Church Mode, published in 1703. The mass consists of 24 pieces, all in Tone 5, except for the ''Elevation'' which is in Tone 1. ''Messe du 8e Ton pour l’Orgue à l’Usage des Dames Religieuses, et utile à ceux qui touchent l’orgue.'' * ''Premier Kyrie - Grand Plein Jeu'' * ''Fugue'' * ''Cromhorne en Taille'' * ''Trio à deux dessus'' * ''Dialogue à deux Choeurs'' * ''Gloria In Excelsis - Prélude à deux Choeurs'' * ''Concert pour les Flûtes'' * ''Duo'' * ''Récit tendre pour le Nasard'' * ''Dialogue de Voix humaine'' * ''Basse de Trompette ou de Cromhor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas De Grigny
Nicolas de Grigny (baptized 8 September 1672 – November 30, 1703) was a French organist and composer. He died young and left behind a single collection of organ music, and an ''Ouverture'' for harpsichord. Life Nicolas de Grigny was born in Reims in the parish of Saint-Pierre-Le-Vieil.Halbreich. The exact date of his birth is unknown; he was baptized on September 8. He was born into a family of musicians: his father, his grandfather, and his uncle, Robert, were organists at the Reims Cathedral, the Basilica of St. Pierre and St. Hilaire, respectively.Howell, Sabatier, Grove. Few details about his life are known, nothing at all about his formative years. Between 1693 and 1695 he served as organist of the abbey church of Saint Denis, in Paris (where his brother André de Grigny was sub-prior). It was also during that period that Grigny studied with Nicolas Lebègue, who was by then one of the most famous French keyboard composers.Higginbottom, Grove. In 1695 Grigny married Marie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Couperin
François Couperin (; 10 November 1668 – 11 September 1733) was a French Baroque composer, organist and harpsichordist. He was known as ''Couperin le Grand'' ("Couperin the Great") to distinguish him from other members of the musically talented Couperin family. Life Couperin was born in Paris, into a prominent musical family. His father Charles was organist at the Church of Saint-Gervais in the city, a position previously held by Charles's brother Louis Couperin, the esteemed keyboard virtuoso and composer whose career was cut short by an early death. As a boy François must have received his first music lessons from his father, but Charles died in 1679 leaving the position at Saint-Gervais to his son, a common practice known as ''survivance'' that few churches ignored. With their hands tied, the churchwardens at Saint-Gervais hired Michel Richard Delalande to serve as new organist on the understanding that François would replace him at age 18. However, it is likely Couperin b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
