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Filmzauber
''Filmzauber'', literally 'Film Magic', is a Posse mit Gesang (a kind of popular musical drama) in four scenes by Walter Kollo and Willy Bredschneider, with a German libretto by Rudolf Bernauer and Rudolph Schanzer. A parody of (then popular) silent films, ''Filmzauber'' premiered in Berlin in 1912. An English version, ''The Girl on the Film'', translated and adapted by James T. Tanner with additional music by Albert Szirmai, premiered in London in 1913 and was later performed in New York and elsewhere. Performance history ''Filmzauber'' was first performed at the Berliner Theater, Berlin on 19 October 1912 with Lisa Weise, and the celebrated Austrian singer and later film actor, Oscar Sabo. It was revived (with an updated text) at the Heimathafen Neukölln Berlin on 18 April 2009, directed by Stefanie Aehnelt and conducted by Bruno Franceschini. Main roles *Adalbert Musenfett, ''film producer and actor'' *Maria Gesticulata, ''Italian tragedienne'' *Fränze Papendieck, ''Musenf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filmzauber Score 1912
''Filmzauber'', literally 'Film Magic', is a Posse mit Gesang (a kind of popular musical drama) in four scenes by Walter Kollo and Willy Bredschneider, with a German libretto by Rudolf Bernauer and Rudolph Schanzer. A parody of (then popular) silent films, ''Filmzauber'' premiered in Berlin in 1912. An English version, ''The Girl on the Film'', translated and adapted by James T. Tanner with additional music by Albert Szirmai, premiered in London in 1913 and was later performed in New York and elsewhere. Performance history ''Filmzauber'' was first performed at the Berliner Theater, Berlin on 19 October 1912 with Lisa Weise, and the celebrated Austrian singer and later film actor, Oscar Sabo. It was revived (with an updated text) at the Heimathafen Neukölln Berlin on 18 April 2009, directed by Stefanie Aehnelt and conducted by Bruno Franceschini. Main roles *Adalbert Musenfett, ''film producer and actor'' *Maria Gesticulata, ''Italian tragedienne'' *Fränze Papendieck, ''Musenf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adrian Ross
Arthur Reed Ropes (23 December 1859 – 11 September 1933), better known under the pseudonym Adrian Ross, was a prolific writer of lyrics, contributing songs to more than sixty British musical comedies in the late 19th and early 20th centuries. He was the most important lyricist of the British stage during a career that spanned five decades. At a time when few shows had long runs, nineteen of his West End shows ran for over 400 performances. Starting out in the late 1880s, Ross wrote the lyrics for the earliest British musical theatre hits, including '' In Town'' (1892), ''The Shop Girl'' (1894) and '' The Circus Girl'' (1896). Ross next wrote the lyrics for a string of hit musicals, beginning with '' A Greek Slave'' (1898), ''San Toy'' (1899), '' The Messenger Boy'' (1900) and '' The Toreador'' (1901) and continuing without a break through World War I. He also wrote the English lyrics for a series of hit adaptations of European operettas beginning with ''The Merry Widow'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Kollo
Walter Kollo (28 January 1878 – 30 September 1940) was a German composer of operettas, Possen mit Gesang, and Singspiele as well as popular songs. He was also a conductor and a music publisher. Kollo was born in Neidenburg, East Prussia. His best known work, the operetta ' (1913), was the basis of a 1917 Sigmund Romberg operetta in America entitled '' Maytime''. A merchant's son, he was expected to take his father's trade, but devoted himself to the study of music in the Königsberg Sondershausen music conservatory with his mother's help. He became a theater conductor for a brief time in Königsberg before going to Berlin in 1899. In Berlin, he turned towards popular / light music, and from 1908, wrote music for the popular musical theater. In 1910 with Willy Bredschneider he composed his first great success, ''Große Rosinen'', produced on New Year's Eve 1911. Somewhat prolifically, he continued composing musical comedies, farces and operettas, with including ''Wie eins ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Posse Mit Gesang
''Posse mit Gesang'' ("farce with singing", plural: Possen) is a form of popular German-language music drama, that developed in the late 18th and early 19th centuries. Early examples are sometimes called 'Possenspil' or 'Possenspiel'. It is also sometimes referred to simply as 'Posse' (farce). Associated with Vienna, and also Berlin and Hamburg, the Posse mit Gesang was similar to the Singspiel, but generally had more action and less music than the more operatic form. Viennese examples included Ferdinand Raimund's ''Der Alpenkönig und der Menschenfeind'' of 1828 and many of the works of Johann Nestroy. Composers who contributed music for Posse included Wenzel Müller, Conradin Kreutzer, and Philip Jakob Riotte. Some 20th-century examples of posse written by Walter Kollo were '' Filmzauber'' (1912) and ' (1913). More specialized examples of the genre were 'Lokalposse' (daily life themes), 'Zauberposse' (magic), 'Charakterposse' (personalities), 'Situationsposse' (situations), an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudolf Bernauer
Rudolf Bernauer (20 January 1880, in Vienna – 27 November 1953, in London) was an Austrian lyricist, librettist, screenwriter, film director, producer, "Rudolph Bernauer" (aka Rudolf Bernauer), IMDb, 2009, webpageIMDb-76587 and actor. His autobiography is ''"Theater meines Lebens. Erinnerungen"'' ("Theater of my life: Memories"), published in Berlin in 1955. Life He made his 1900 debut as an actor at the Deutsches Theater (Berlin), Deutsches Theater in Berlin. In 1907, he took over the Berlin Theater with Carl Meinhardt, then in 1911 to the Hebbel Theater and 1913, the comedy house. Finally, he was the owner of the theater at Nollendorfplatz. Rudolf Bernauer wrote lyrics for the Berlin operettas: ''Der liebe Augustin'' (1912), ' (1913), ''The mysterious history of the conductor Kreisler'' (1922), for which his own simultaneous stage ("Kreislerbühne") was developed, and ''Kreislers Eckfenster'' (1923). His songs include: ''"Die Männer sind alle Verbrecher"'' ("All men ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudolph Schanzer
Rudolf (or Rudolph) Schanzer (12 January 1875 – 1944) was an Austrian playwright and journalist. He is primarily known for the numerous operetta librettos that he wrote for composers such as Leo Fall, Jean Gilbert, Emmerich Kálmán, and Ralph Benatzky. He was born in Vienna and died in Italy where he committed suicide after his arrest by the Gestapo. Life and career Schanzer was born into a Jewish family in Vienna where his father worked as a shipping agent. From 1894 to 1895 he studied law at the University of Vienna and then went to Paris where he worked as a private secretary and journalist. After Paris, he settled in Berlin working there as a journalist, critic, and editor for the '. He also began writing theatrical pieces in his spare time. Some of his earliest works were for pantomimes and cabaret and variety shows. He then began collaborating on operetta librettos with his friends and fellow writers Rudolf Bernauer and Ernst Welisch. Their success led him to becoming a fu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emmy Wehlen
Emily "Emmy" Wehlen (1887–1977) was a German-born Edwardian musical comedy and silent film actress who vanished from the public eye while in her early thirties. Biography Wehlen was born in Mannheim, Germany, where, as a teenager, she received her musical training at the Mannheim Conservatory.''The Play Pictorial'', Vol. 15, 1909 She began her career with the Thalia-Theater company performing in musical theatre productions in Stuttgart, Munich and Berlin. She was later brought to London as a possible successor to Lily Elsie.Gänzl, Kurt. ''The Encyclopedia of the Musical Theatre'', 2001 In 1909 she played the lead role, Sonia, in ''The Merry Widow'' at Daly's Theatre. and later that year, at the same venue, played Olga, in the hit musical, ''The Dollar Princess'', which had a run of 428 performances. Soon she was in New York playing Rosalie in the musical comedy '' Marriage a la Carte'' that opened January 2, 1911 at the Casino Theatre on Broadway (music by Ivan Caryll). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julius Klinger - Filmzauber
The gens Julia (''gēns Iūlia'', ) was one of the most prominent patrician families in ancient Rome. Members of the gens attained the highest dignities of the state in the earliest times of the Republic. The first of the family to obtain the consulship was Gaius Julius Iulus in 489 BC. The gens is perhaps best known, however, for Gaius Julius Caesar, the dictator and grand uncle of the emperor Augustus, through whom the name was passed to the so-called Julio-Claudian dynasty of the first century AD. The Julius became very common in imperial times, as the descendants of persons enrolled as citizens under the early emperors began to make their mark in history.''Dictionary of Greek and Roman Biography and Mythology'', vol. II, pp. 642, 643. Origin The Julii were of Alban origin, mentioned as one of the leading Alban houses, which Tullus Hostilius removed to Rome upon the destruction of Alba Longa. The Julii also existed at an early period at Bovillae, evidenced by a very a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operetta
Operetta is a form of theatre and a genre of light opera. It includes spoken dialogue, songs, and dances. It is lighter than opera in terms of its music, orchestral size, length of the work, and at face value, subject matter. Apart from its shorter length, the operetta is usually of a light and amusing character. It sometimes also includes satirical commentaries. "Operetta" is the Italian diminutive of "opera" and was used originally to describe a shorter, perhaps less ambitious work than an opera. Operetta provides an alternative to operatic performances in an accessible form targeting a different audience. Operetta became a recognizable form in the mid-19th century in France, and its popularity led to the development of many national styles of operetta. Distinctive styles emerged across countries including Austria-Hungary, Germany, England, Spain, the Philippines, Mexico, Cuba, and the United States. Through the transfer of operetta among different countries, cultural cosmop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Grossmith Jr
George Grossmith Jr. (11 May 1874 – 6 June 1935) was an English actor, theatre producer and manager, director, playwright and songwriter, best remembered for his work in and with Edwardian musical comedies. Grossmith was also an important innovator in bringing "cabaret" and "revues" to the London stage. Born in London, he took his first role on the musical stage at the age of 18 in ''Haste to the Wedding'' (1892), a West End collaboration between his famous songwriter and actor father and W. S. Gilbert. Grossmith soon became an audience favourite playing "dude" roles. Early appearances in musicals included George Edwardes's hit ''A Gaiety Girl'' in 1893, and ''Go-Bang'' and ''The Shop Girl'' in 1894. In 1895, Grossmith left the musical stage, instead appearing in straight comedies, but after a few years he returned to performing in musicals and Victorian burlesques. Early in the new century, he had a string of successes in musicals for Edwardes, including ''The Toreador'' (1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Edwardes
George Joseph Edwardes (né Edwards; 8 October 1855 – 4 October 1915) was an English theatre manager and producer of Irish ancestry who brought a new era in musical theatre to the British stage and beyond. Edwardes started out in theatre management, soon working at a number of West End theatres. By the age of 20, he was managing theatres for Richard D'Oyly Carte. In 1885, Edwardes became a manager at the Gaiety Theatre with John Hollingshead, who soon retired. For the next three decades, Edwardes ruled a theatrical empire including the Gaiety, Daly's Theatre, the Adelphi Theatre and others, and sent touring companies around Britain and abroad. In the early 1890s, Edwardes recognised the changing tastes of musical theatre audiences and led the movement away from burlesque and comic opera to Edwardian musical comedy. Life and career Edwardes was born at Great Grimsby, Lincolnshire, England. He was the eldest of four sons and three daughters of James Edwards, comptroller of c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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