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Filmfarsi
Filmfarsi ( fa, فیلم‌فارسی, literary ''Persian Film''), is a term used in Pre-revolutionary Iranian cinema criticism that was coined by Iranian film critic Hushang Kavusi. The term is used to describe what was perceived as low-quality films mostly copied from the Bollywood cinema and with poor plots, mostly arranged with dance and singing. ''Filmfarsi'' were suppressed after the Iranian Cultural Revolution by more strict laws on relations between men and women, as well as religious opposition to the content of the films. The suppression of the ''Filmfarsi'' genre encouraged the Iranian New Wave of modern films in Iranian cinema. Many ''of the Filmfarsi'' that survived the Iranian revolution did so thanks to the existence of illegal VHS copies. Description According to BBC's Yousef Latifpour (یوسف لطیف پور), the plots of many ''Filmfarsi'' are based on "incredible accidents" or "exaggerated misunderstandings", where conflicts between tradition and modernism ...
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Pre-revolutionary Iranian Cinema
Pre-revolutionary Iranian cinema ( fa, سینمای ایران قبل از انقلاب) contains films and cinematic events made in Pahlavi Iran, Iran before Iranian Revolution era. Hooshang Kavoosi, an Iranian film critic first used term ''Persian Film, Filmfarsi'' ( fa, فیلمفارسی) to point to Iranian popular films before revolution. History The 1960s was a significant decade for Iranian cinema, with 25 commercial films produced annually on average throughout the early ‘60s, increasing to 65 by the end of the decade. The majority of production focused on melodrama and thrillers. From 1937 till 1947 because of the world economic conditions and then the involvement in World War Two, the motion picture industry in Iran did not produce a single film, but the flow of foreign film to Iran did not stop. In 1947, Esmail Koushan, with the help of some of his colleagues, established Mitra Films (1997), the first real film company in Tehran. Through their persistence, local fea ...
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Iranian New Wave
Iranian New Wave refers to a movement in Iranian cinema. It started in 1964 with Hajir Darioush's second film ''Serpent's Skin'', which was based on D.H. Lawrence's ''Lady Chatterley's Lover'' featuring Fakhri Khorvash and Jamshid Mashayekhi. Darioush's two important early social documentaries ''But Problems Arose'' in 1965, dealing with the cultural alienation of the Iranian youth, and ''Face 75'', a critical look at the westernization of the rural culture, which was a prizewinner at the 1965 Berlin Film Festival, also contributed significantly to the establishment of the New Wave. In 1968, after the release of ''Shohare Ahoo Khanoom'' directed by Davoud Mollapour, '' The Cow'' directed by Dariush Mehrjui followed by Masoud Kimiai's '' Qeysar'' in 1969, Nasser Taqvai's ''Tranquility in the Presence of Others'' (banned in 1969 and re-released in 1972), and immediately followed by Bahram Beyzai's '' Downpour'', the New Wave became well established as a prominent cultural, dynamic a ...
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King Of Hearts (1968 Film)
''Soltane Ghalbha'' ( fa, سلطان قلب‌ها; literally: King of Hearts) is a 1968 melodrama Iranian film directed by Mohammad Ali Fardin and starring Azar Shiva, Victoria Nerssisian, Leila Forouhar and Mohammad Ali Fardin. Aref Arefkia and Ahdieh did the singing voices of the film and dubbed the lead performers. The film's songs and lyrics were composed by pianist Anoushiravan Rohani. Plot A young couple lives apart for years during an accident, each assuming that their spouse has died. The man becomes a famous singer and the woman loses her sight in an accident. Years later, the man happens to meet a girl and, without knowing what the girl has to do with him, treats the girl's mother and his wife. The man intends to marry a wealthy woman, but on the wedding night, the wife and child come to thank him, and thus the old couple find each other again after a long time and start a new life together. Cast *Mohammad Ali Fardin *Azar Shiva *Leila Forouhar Leila Forouhar ( ...
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Persian-language Films
Persian (), also known by its endonym Farsi (, ', ), is a Western Iranian language belonging to the Iranian branch of the Indo-Iranian subdivision of the Indo-European languages. Persian is a pluricentric language predominantly spoken and used officially within Iran, Afghanistan, and Tajikistan in three mutually intelligible standard varieties, namely Iranian Persian (officially known as ''Persian''), Dari Persian (officially known as ''Dari'' since 1964) and Tajiki Persian (officially known as ''Tajik'' since 1999).Siddikzoda, S. "Tajik Language: Farsi or not Farsi?" in ''Media Insight Central Asia #27'', August 2002. It is also spoken natively in the Tajik variety by a significant population within Uzbekistan, as well as within other regions with a Persianate history in the cultural sphere of Greater Iran. It is written officially within Iran and Afghanistan in the Persian alphabet, a derivation of the Arabic script, and within Tajikistan in the Tajik alphabet, a derivatio ...
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Cinema Of Iran
The Cinema of Iran (Persian: سینمای ایران), also known as the Cinema of Persia, refers to the cinema and film industries in Iran which produce a variety of commercial films annually. Iranian art films have garnered international fame and now enjoy a global following. Iranian films are usually written and spoken in the Persian language. Iranian cinema has had many ups and downs. Along with China, Iran has been lauded as one of the best exporters of cinema in the 1990s. Some critics now rank Iran as the world's most important national cinema, artistically, with a significance that invites comparison to Italian neorealism and similar movements in past decades. A range of international film festivals have honoured Iranian cinema in the last twenty years. Many film critics from around the world have praised Iranian cinema as one of the world's most important artistic cinemas. History Visual arts in Iran The earliest examples of visual representations in Iranian history ...
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The Crookes (1974 Film)
''The Crookes'' (Persian title: ''Najoorha''- fa, ناجورها) is a 1974 Iranian Persian-genre crime film directed by Saied Motallebi and starring Mohammad Ali Fardin, Reza Beyk Imanverdi , Morteza Aghili, Sorayya Hekmat, Ali Azad, Simin Alizadeh, and Ali Miri. ناجورها ( ۱۳۵۳ )
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Persian language Persian (), also known by its endonym Farsi (, ', ), is a Western Iranian language belonging to the Iranian branch of the Indo-Iranian subdivision of the Indo-European languages. Persian is a pluricentric language predominantly spoken and ...
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References


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The Beehive (1975 Film)
''The Beehive'' ''(Persian title: Kandoo- fa, کندو)'' is a 1975 Iranian '' Persian-genre'' drama film directed by Fereydun Gole and starring Behrouz Vossoughi, Davoud Rashidi, Jalal Pishvaeian and Reza Karam Rezaei.Parvīz Jāhid - Directory of World Cinema: Iran 2012 1841503991 Page 137 "The film starts from the day that the two main characters are released and it ends when they return to the prison during an artificial sunset at dawn. The main parts of the film that include those scenes depicting Ebi wandering in the coffee .. The main parts of the film that include those scenes depicting Ebi wandering in the coffee houses and restaurants happen at ... In the next saloon, Ebi the popular Iranian singer ends one of most well-known Persian hits with the words 'call me ..." Cast * Behrouz Vossoughi as Ebi * Davoud Rashidi Davoud Rashidi ( fa, داوود رشیدی; July 16, 1933 – August 26, 2016) was an Iranian actor. His daughter, Leili Rashidi, is also an actres ...
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Mashti Mamdali's Car
''Mashti Mamdali's Car'' ( fa, ماشین مشتی ممدلی, italic=yes, ''Māšīn-e Maštī Mamdalī'') is a 1974 Iranian Persian-genre action comedy film directed by Reza Fazeli and starring Reza Fazeli, Parvin Malakouti, Mansour Sepehrnia, Nooshafarin, Shahrashoob, Kamal Motiei, Mastaneh Jazayeri, Nematollah Gorji, and Ali Zahedi.ماشین مشتی ممدلی
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Persian language Persian (), also known by its endonym Farsi (, ', ), is a Western Iranian language belonging to the Iranian branch of the Indo-Iranian subdivision of the Indo-European languages. ...
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Torkaman (1974 Film)
''Torkaman'' ( fa, ترکمن ''Torkaman'', English: ''Turkmen'') is a 1974 Iranian Persian-genre romance film directed by Amir Shervan and starring Naser Malek Motiee, Iraj Ghaderi, Azam Mirhosseini, Abolfazl Mirzaei, Nariman Shirifard, Rafi Madadkar and Majid Mozafari.ترکمن
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Persian language Persian (), also known by its endonym Farsi (, ', ), is a Western Iranian language belonging to the Iranian branch of the Indo-Iranian subdivision of the Indo-European languages. Persian is a pluricentric language predominantly spoken and ...
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References


External links

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Mehdi In Black And Hot Mini Pants
''Mehdi in Black and Hot Mini Pants'' ( fa, مهدی مشکی و شلوارک داغ, translit=Mehdi Meshki Va Shalvarak-e Dagh) is a 1972 Iranian romance film directed by Nezam Fatemi, and starring Naser Malek Motiee, Farrokhlagha Houshmand, Fereshteh Jenabi, Abdolali Homayoun, Morteza Aghili, Hamideh Kheirabadi Hamideh Kheirabadi ( fa, حمیده خیرآبادی; 21 December 1924 – 19 April 2010) was an Iranian film and theatre actress. She played in more than 200 feature films and in over 20 television series. In Iran, she is affectionately ref ... and Christian Patterson. Plot Mehdi in Black falls in love with a foreign girl who loves him back. However, in order for them to get married, Mehdi has to fulfill his father's will and marry off her sisters first. He is able to quickly solve this problem with the help of his sisters' suitors and marry his beloved. References External links * 1972 films 1970s romantic comedy-drama films 1970s Persian-language ...
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The Dagger (1972 Film)
''Dagger'' (Persian title: Deshneh – fa, دشنه) is a 1972 Iranian drama romance film directed by Fereydun Gole and starring Behrouz Vossoughi, Forouzan, Jalal Pishvaeian and Hossein Gil.دشنه
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Cast

* – Abbas * Hossein Gil – Mohammad *

Nikah Halala (1971 Film)
''Nikah Halala'' (English Title:The Interim Husband; Persian title: Mohallel, fa, محلل) is a 1971 Iranian Persian-language romance comedy directed by Nosrat Karimi and starring Karimi, Irene Zazians, Reza Karam Rezaei, Rouholah Mofidi, Gholamhoseein Mofidi, and Akhtar Karimi Zand (Diana).محلل
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Plot

After divorcing his wife in rage due to a misunderstanding, a man wishes to reunite with her only to find out that the divorce office clerk by mistake has register ...
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