Figuralchor Frankfurt
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Figuralchor Frankfurt
Figuralchor Frankfurt is a mixed choir in Frankfurt, Hesse, Germany. It was founded in 1966 as a youth choir for the broadcaster Hessischer Rundfunk by Alois Ickstadt, who conducted it for 45 years. From 1977 to the 1990s, the choir was known as Figuralchor des Hessischen Rundfunks. It performs in concerts, radio productions and recordings, with a focus on a cappella music, but has also participated in joint symphonic productions such as Mahler's ''Symphony of a Thousand'' for the opening of the Alte Oper concert hall in 1981. The choir has been conducted by Paul Leonard Schäffer since 2016. History The choral conductor and pedagogue Alois Ickstadt, who had founded the children's choir for the broadcaster Hessischer Rundfunk (hr) in 1961, founded a youth choir, which would become the Figuralchor, for the station in 1966, according to his concept to educate choral singers from childhood to adulthood in both vocal training and background information. The name Figuralchor was deri ...
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Hessischer Rundfunk
Hessischer Rundfunk (HR; "Hesse Broadcasting") is the German state of Hesse's public broadcasting, public broadcasting corporation. Headquartered in Frankfurt, it is a member of the national consortium of German public broadcasting corporations, ARD (broadcaster), ARD. Studios Broadcasting House Dornbusch, Dornbusch Broadcasting House, in Bertramstraße, Frankfurt am Main, is home to HR's principal radio and television studios. There are additional radio and television studios in Kassel and Wiesbaden, as well as further radio studios in Darmstadt, Fulda, and Gießen. HR also maintains offices in Berlin, Eltville, Erbach im Odenwald, Erbach, Limburg an der Lahn, and Marburg. In 2000, HR opened studios on the 53rd floor of the Main Tower in Frankfurt city centre. The corporation is also responsible for the management of ARD's studios in Madrid and Prague. Finance television licence, Licensing fees are currently €17.50 per month. Since 2013, every household has been liable for ...
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Mallory Walker
Mallory Elton Walker (May 22, 1935 — December 7, 2014) was an American operatic tenor and music educator who had an active international singing career in operas and concerts from the late 1950s until his death in 2014. His career was at its height during the 1960s and 1970s when he was busy with many important opera companies in the United States and had engagements in European opera houses. His career hit a slump in the early 1980s due to vocal difficulties, and afterwards his major engagements became less frequent. He taught on the voice faculty at the Boston Conservatory of Music and out of a private voice studio in Los Angeles. Life and career Born in New Orleans, Walker earned a Bachelor of Music degree from Occidental College in Los Angeles which he attended on a full vocal scholarship. He began his singing career as a member of the United States Army Chorus in 1957. He made his professional opera debut portraying Tom Rakewell in ''The Rake's Progress'' at the Washington N ...
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Adalbert Kraus
Adalbert Kraus (born 27 April 1937 in Aschaffenburg) is a German tenor in opera and concert, known for singing the works of Johann Sebastian Bach. Career Adalbert Kraus first graduated in German studies, theology, and philosophy and in 1967, began to study voice at the Hochschule für Musik Würzburg with Henriette Klink-Schneider.Adalbert Kraus
on the bach-cantatas website
He was a at the from 1970 to 1974. His roles included Andres in Berg's ''

Alison Browner
Alison Margaret Browner (born 22 September 1957) is an Irish mezzo-soprano opera singer. Life Born in Dublin, Ireland, Browner graduated in Music at Trinity College (Dublin), Trinity College with Bachelor of Arts, a Bachelor of Arts while she also studied singing and violin at the College of Music (now the DIT Conservatory of Music and Drama). Through a scholarship from the German Academic Exchange Service (''DAAD'') she went to the Hamburg Academy of Music and completed her studies with a recital and concert diploma with Hans Hotter Her married name is Alison Gries and she is based in Limburg an der Lahn, Germany. Career Her singing career began at the Opera Studio of the Bavarian State Opera in Munich, the Staatstheater Darmstadt working with Hans Hotter. Browner sang in Richard Strauss' ''Ariadne auf Naxos'' and the title role in ''Der Rosenkavalier'' and the great Wolfgang Amadeus Mozart, Mozart and Gioacchino Rossini, Rossini parts in 1987 as an ensemble member of the Nat ...
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Ulrike Sonntag
Ulrike Sonntag (born 1959) is a German operatic soprano and academic voice teacher at the Staatliche Hochschule für Musik und Darstellende Kunst Stuttgart. She was previously a member of the Staatstheater Stuttgart, Vienna State Opera, and other ensembles, and has performed in operas and concerts, and taught masterclasses, in several countries. Among her recordings are rarely performed oratorios by Fanny Hensel and Paul Hindemith. Life Born in Esslingen am Neckar, she attended the Georgii-Gymnasium at her hometown, concluding with the Abitur. She studied music pedagogy and German in Stuttgart, and then studied voice in Romania and at the Hochschule der Künste Berlin with Irmgard Hartmann-Dressler (1924–2013). She took master classes with Elisabeth Schwarzkopf, Dietrich Fischer-Dieskau and Aribert Reimann. In 1985, Sonntag won the second prize at the Deutscher Musikwettbewerb in Bonn.
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Mass In B Minor Structure
The Mass in B minor is Johann Sebastian Bach's only setting of the complete Latin text of the . Towards the end of his life, mainly in 1748 and 1749, he finished composing new sections and compiling it into a complex, unified structure. Bach structured the work in four parts: # # # # The four sections of the manuscript are numbered, and Bach's usual closing formula (S.D.G = ) is found at the end of the . Some parts of the mass were used in Latin even in Lutheran Leipzig, and Bach had composed them: five settings of the Missa, containing the and the , and several additional individual settings of the and the . To achieve the , a setting of the complete text of the mass, he combined his most elaborate Missa, the Missa in B minor, written in 1733 for the court in Dresden, and a written for Christmas of 1724. He added a few new compositions, but mostly derived movements from cantata movements, in a technique known as parody. The Mass is a compendium of many different styles i ...
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Alfred Sous
Alfred Sous (24 November 1925 – 6 April 2011) was a German classical oboist, University lecturer and writer. Life Born in Rheydt, at the age of 14 Sous began his music education at the . In 1942 he was drafted. After his training as a soldier he was sent to the Eastern Front and in 1943 to Soviet war captivity. After seven years as a prisoner of war, where he was "intendant" of a camp theatre group, he finished his music studies with Winschermann. His first engagement was in Darmstadt. Afterwards, in 1952, he went to Frankfurt as a solo oboist for the hr-Sinfonieorchester of the Hessischer Rundfunk. He was also a member of the ''Cappella Coloniensis'' and the Bayreuth Bayreuth Festival Orchestra. Sous was oboe professor at the Frankfurt University of Music and Performing Arts. He has published works on the history of the Bayreuth Festival Orchestra and the hr-Sinfonieorchester. He became known with his crime novel ''Tosca'' and the satire ''Broderich komponiert schwarze Löc ...
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Ernst Gerold Schramm
Ernst Gerold Schramm (8 July 1938 – 8 June 2004) was a German baritone in opera and concert, and an academic voice teacher. He was a member of the Staatstheater Hannover and Oper Frankfurt ensembles and performed internationally. He taught at the Musikhochschule Frankfurt and the Universität der Künste Berlin. Career Born in Steinheim am Main, Schramm learned piano as a child and sang solo parts in the renowned choir of his uncle. He became a pianist and choral conductor. He studied voice at the Musikhochschule Frankfurt with Ernst Arnold, Martin Gründler and , the leader of the opera class. In 1965, he won the International Singing Competition in Geneva. It led to a concert at the Wiener Musikverein, where he performed ''Ein deutsches Requiem'' by Brahms, conducted by Wolfgang Sawallisch. He was then engaged to perform and record Bach's '' St John Passion'', '' St Matthew Passion'' and Mass in B Minor with Karl Richter. With the Münchener Bach-Chor, he toured South A ...
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Ria Bollen
Ria Bollen (born 11 February 1942) is a Flemish contralto, who had an international career as a concert singer between 1965 and 1992. Her broad repertoire included Bach's Passions, Mozart's Requiem, Beethoven's ''Missa solemnis'', especially works by Gustav Mahler and works of the 20th century. She was the soloist in the world premiere of Frank Martin's Requiem. She sang many art songs, including by Belgian composers. Life Born in Sint-Truiden, Bollen a school of classical humanities, and then studied psychology. After two years, she studied voice at the Royal Conservatoire Antwerp with Lucie Frateur, who accompanied her throughout her career. She graduated in 1968 with the major distinction. She also studied with Pierre Bernac, Felix de Nobel, Erik Werba and Christa Ludwig. She made her debut as a soloist in 1965, in ''Godelieve'' by Edgar Tinel conducted by Léonce Gras. Also before she graduated, she obtained the first prize of the Maria Canalswedstrijd in Barcelona, ...
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Nun Komm, Der Heiden Heiland, BWV 62
Johann Sebastian Bach composed the church cantata (Now come, Savior of the heathens), 62, in Leipzig for the first Sunday in Advent and first performed it on 3 December 1724. The chorale cantata is based on Martin Luther's Advent hymn "Nun komm, der Heiden Heiland". It is part of his chorale cantata cycle. History and words Bach wrote the cantata in 1724, his second year as ''Thomaskantor'' in Leipzig, for the First Sunday of Advent. The prescribed readings for the Sunday were from the Epistle to the Romans, night is advanced, day will come (), and from the Gospel of Matthew, the Entry into Jerusalem (). The cantata is based on Martin Luther's Advent hymn in eight stanzas "", the number one hymn to begin the Liturgical year in all Lutheran hymnals. The unknown poet retained the first and last stanza, paraphrased stanzas 2 and 3 to an aria, stanzas 4 and 5 to a recitative, the remaining stanzas to an aria and a duet recitative. Bach first performed the cantata on 3 December 17 ...
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Frankfurter Opern- Und Museumsorchester
The Frankfurter Opern- und Museumsorchester ''(Frankfurt Opera House and Museum's Orchestra)'' is the resident orchestra of the Oper Frankfurt. Its somewhat peculiar name is derived from the series of "Museum Concerts", organized by the Frankfurter Museumsgesellschaft since 1808. The orchestra is ranked as an "A-list" ensemble under the German TVK regulations. Its music director and principal conductor is Sebastian Weigle. History and repertory With a history spanning more than 200 years, the Frankfurter Opern- und Museumsorchester is one of Germany's oldest symphonic ensembles. It was founded in the late 18th century as the orchestra of the Oper Frankfurt, Frankfurt's municipal opera. In addition to playing in the opera house, the orchestra maintains a series of 10 subscription programs per season (each played twice, on Sundays 11 a.m. and Mondays 8 p.m. CET, respectively), performed at the Alte Oper Frankfurt, a former opera house converted into a concert hall. The orchestra h ...
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Limburger Domsingknaben
Limburger Domsingknaben (; "Limburg Cathedral singing boys") is the name of the boys' choir at the Limburg Cathedral in Limburg, Hesse, Germany. The choir was founded in 1967 by the then bishop of Limburg, Wilhelm Kempf. Its conductors were Hans Bernhard, Mathias Breitschaft, Klaus Knubben and, since 2014, Andreas Bollendorf. The choir's main task is singing in services at the Limburg Cathedral. The choir also performs in other services and performs concerts internationally. The repertoire is from all eras of classical music. They took part in recordings of Mahler symphonies, conducted by Eliahu Inbal and Paavo Järvi, and in the premiere of Kagel's ''Sankt-Bach-Passion''. In their home Musisches Internat, which served as a boarding school until 2007, the boys receive thorough training, four vocal rehearsals per week, individual voice coaching, and instrumental instructions. They study not only choral but also solo parts of the works they perform. Many tours took them to Europea ...
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