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Fernando Leal (artist)
Fernando Leal (February 26, 1896 – October 7, 1964) was one of the first painters to participate in the Mexican muralism movement starting in the 1920s. After seeing one of his paintings, Secretary of Education José Vasconcelos invited Leal to paint at the Escuela Nacional Preparatoria. The resulting work is ''Los danzantes de Chalma''. Leal also painted a mural dedicated to Simón Bolívar Simón José Antonio de la Santísima Trinidad Bolívar y Palacios (24 July 1783 – 17 December 1830) was a Venezuelan military and political leader who led what are currently the countries of Colombia, Venezuela, Ecuador, Peru, Panama and B ... at the Anfiteatro Bolivar, as well as religious murals such as those at the chapel dedicated to the Virgin of Guadalupe at the Basilica Villa in Tepeyac. Life Fernando Leal was born in Mexico City on February 26, 1896. He first studied art at the Academy of San Carlos, then switched to the Escuela al Aire Libre de Coyoacán, studying under Alf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diego Rivera
Diego María de la Concepción Juan Nepomuceno Estanislao de la Rivera y Barrientos Acosta y Rodríguez, known as Diego Rivera (; December 8, 1886 – November 24, 1957), was a prominent Mexican painter. His large frescoes helped establish the mural movement in Mexican and international art. Between 1922 and 1953, Rivera painted murals in, among other places, Mexico City, Chapingo, and Cuernavaca, Mexico; and San Francisco, Detroit, and New York City, United States. In 1931, a retrospective exhibition of his works was held at the Museum of Modern Art in New York; this was before he completed his 27-mural series known as ''Detroit Industry Murals''. Rivera had four wives and numerous children, including at least one natural daughter. His first child and only son died at the age of two. His third wife was fellow Mexican artist Frida Kahlo, with whom he had a volatile relationship that continued until her death. His fourth and final wife was his agent. Due to his importance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chiaroscuro
Chiaroscuro ( , ; ), in art, is the use of strong contrasts between light and dark, usually bold contrasts affecting a whole composition. It is also a technical term used by artists and art historians for the use of contrasts of light to achieve a sense of volume in modelling three-dimensional objects and figures. Similar effects in cinema, and black and white and low-key photography, are also called chiaroscuro. Further specialized uses of the term include chiaroscuro woodcut for coloured woodcuts printed with different blocks, each using a different coloured ink; and chiaroscuro drawing for drawings on coloured paper in a dark medium with white highlighting. Chiaroscuro is one of the canonical painting modes of the Renaissance (alongside cangiante, sfumato and unione) (see also Renaissance art). Artists known for using the technique include Leonardo da Vinci, Caravaggio Rembrandt, Vermeer and Goya, and Georges de La Tour. History Origin in the chiaroscuro drawing The term ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Encaustic Painting
Encaustic painting, also known as hot wax painting, is a form of painting that involves a heated wax medium to which colored pigments have been added. The molten mix is applied to a surface—usually prepared wood, though canvas and other materials are sometimes used. The simplest encaustic medium could be made by adding pigments to wax, though recipes most commonly consist of beeswax and damar resin, potentially with other ingredients. For pigmentation, dried powdered pigments can be used, though some artists use pigmented wax, inks, oil paints or other forms of pigmentation. Metal tools and special brushes can be used to shape the medium as it cools. Also, heated metal tools, including spatulas, knives and scrapers, can be used to manipulate the medium after it has cooled onto the surface. Additionally, heat lamps, torches, heat guns, and other methods of applying heat are used by encaustic artists to fuse and bind the medium. Because encaustic medium is thermally malleab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museo De Arte Moderno
The Museo de Arte Moderno (Museum of Modern Art) is located in Chapultepec park, Mexico City, Mexico. The museum is part of the Instituto Nacional de Bellas Artes y Literatura and provides exhibitions of national and international contemporary artists. The museum also hosts a permanent collection of art from Remedios Varo, Gelsen Gas, Frida Kahlo, Olga Costa, Diego Rivera, David Alfaro Siqueiros, José Clemente Orozco, Manuel Álvarez Bravo, Leonora Carrington, Rufino Tamayo, Juan Soriano, and Vicente Rojo Almazán. In 1971 the posthumous retrospective exhibition of Varo drew the largest audiences in its history - larger than those for Rivera and Orozco. Background A forerunner of the MAM, the National Museum of Plastic Arts, was created in 1947 by Carlos Chávez. This first museum was located inside the Palacio de Bellas Artes. However, this museum was more than modest and provisional in part because of the museological conception of modern art since it was considered ju ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basilica Of Our Lady Of Guadalupe
The Basilica of Santa María de Guadalupe, officially called Insigne y Nacional Basílica de Santa María de Guadalupe (in English: Basilica of Our Lady of Guadalupe) is a sanctuary of the Catholic Church, dedicated to the Virgin Mary in her invocation of Guadalupe, located at the foot of the Hill of Tepeyac in the Gustavo A. Madero borough of Mexico City. It belongs to the Primate Archdiocese of Mexico through the Guadalupana Vicariate, which since November 4, 2018, is in the care of Monsignor Salvador Martínez Ávila, who has the title of general and episcopal vicar of Guadalupe and abbot of the basilica. It is the most visited Marian precinct in the world, surpassed only by Saint Peter's Basilica. Although the figures cited are not uniform, annually some twenty million pilgrims visit the sanctuary, of which about nine million do so in the days around December. Every year some twenty million pilgrims visit the sanctuary, of which about nine million do so in the days around D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muses
In ancient Greek religion and mythology, the Muses ( grc, Μοῦσαι, Moûsai, el, Μούσες, Múses) are the inspirational goddesses of literature, science, and the arts. They were considered the source of the knowledge embodied in the poetry, lyric songs, and myths that were related orally for centuries in ancient Greek culture. Melete, Aoede, and Mneme are the original Boeotian Muses, and Calliope, Clio, Erato, Euterpe, Melpomene, Polyhymnia, Terpsichore, Thalia, and Urania are the nine Olympian Muses. In modern figurative usage, a Muse may be a source of artistic inspiration. Etymology The word ''Muses'' ( grc, Μοῦσαι, Moûsai) perhaps came from the o-grade of the Proto-Indo-European root (the basic meaning of which is 'put in mind' in verb formations with transitive function and 'have in mind' in those with intransitive function), or from root ('to tower, mountain') since all the most important cult-centres of the Muses were on mountains or hills. R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-Impressionist
Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction against Impressionists' concern for the naturalistic depiction of light and colour. Its broad emphasis on abstract qualities or symbolic content means Post-Impressionism encompasses Les Nabis, Neo-Impressionism, Symbolism, Cloisonnism, the Pont-Aven School, and Synthetism, along with some later Impressionists' work. The movement's principal artists were Paul Cézanne (known as the father of Post-Impressionism), Paul Gauguin, Vincent van Gogh and Georges Seurat. The term Post-Impressionism was first used by art critic Roger Fry in 1906.Peter Morrin, Judith Zilczer, William C. Agee, ''The Advent of Modernism. Post-Impressionism and North American Art, 1900-1918'', High Museum of Art, 1986 Critic Frank Rutter in a review of the Salon d'Automne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chalma, Malinalco, Mexico State
Chalma is a small community, which is part of the municipality of Malinalco, Mexico State. Its small population is almost completely dedicated to the pilgrims who come to visit the Sanctuary of Chalma, the second most-important pilgrimage site in Mexico. The sanctuary is dedicated to an image of what many people describe as a "black Christ" on a cross that legend says miraculously appeared in an area cave where the worship of a deity commonly known as Oxtoteotl used to take place. Some contend that as Oxtoteotl is an aspect of Tezcatlipoca, the "Smoking Mirror," then the "black Christ" is really Tezcatlipoca, which the Spanish friars superimposed on the existing representation of Tezcatlipoca in order to convert the natives. Pilgrimages to this Christian sanctuary follow many of the patterns of the prehispanic rituals, including walking the narrow paths to the town itself, bathing in the waters of a special fresh-water spring and dancing at the sanctuary. Appearance of the Christ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Ildefonso College
Colegio de San Ildefonso, currently is a museum and cultural center in Mexico City, considered to be the birthplace of the Mexican muralism movement. San Ildefonso began as a prestigious Jesuit boarding school, and after the Reform War it gained educational prestige again as National Preparatory School. This school and the building closed completely in 1978, then reopened as a museum and cultural center in 1992. The museum has permanent and temporary art and archeological exhibitions in addition to the many murals painted on its walls by José Clemente Orozco, Fernando Leal, Diego Rivera and others. The complex is located between San Ildefonso Street and Justo Sierra Street in the historic center of Mexico City. The college was founded 1588 and it is composed of six sections, that are five colonial baroque: the Colegio Grande, Colegio Chico, the chapel, El Generalito and the courtyard of los Pasantes, all completed in 1749; and one modern neo-baroque: the Amphitheater Bolíva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Alfaro Siqueiros
David Alfaro Siqueiros (born José de Jesús Alfaro Siqueiros; December 29, 1896 – January 6, 1974) was a Mexican social realist painter, best known for his large public murals using the latest in equipment, materials and technique. Along with Diego Rivera and José Clemente Orozco, he was one of the most famous of the " Mexican muralists". He was a member of the Mexican Communist Party, and a Stalinist and supporter of the Soviet Union who led an unsuccessful attempt to assassinate Leon Trotsky in May 1940. By accordance with Spanish naming customs, his surname would normally have been ''Alfaro''; however, like Picasso (Pablo Ruiz y Picasso) and Lorca (Federico García Lorca), Siqueiros used his mother's surname. It was long believed that he was born in Camargo in Chihuahua state, but in 2003 it was proven that he had actually been born in the city of Chihuahua, but grew up in Irapuato, Guanajuato, at least from the age of six. The discovery of his birth certificate in 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
