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Feminist Art Criticism
Feminist art criticism emerged in the 1970s from the wider feminist movement as the critical examination of both visual representations of women in art and art produced by women. It continues to be a major field of art criticism. Emergence Linda Nochlin's 1971 groundbreaking essay, "Why Have There Been No Great Women Artists?", analyzes the embedded privilege in the predominantly white, male, Western art world and argued that women's outsider status allowed them a unique viewpoint to not only critique women's position in art, but to additionally examine the discipline's underlying assumptions about gender and ability. Nochlin's essay develops the argument that both formal and social education restricted artistic development to men, preventing women (with rare exception) from honing their talents and gaining entry into the art world. In the 1970s, feminist art criticism continued this critique of the institutionalized sexism of art history, art museums, and galleries, as well as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Feminist Movement
The feminist movement (also known as the women's movement, or feminism) refers to a series of social movements and political campaigns for Radical politics, radical and Liberalism, liberal reforms on women's issues created by the inequality between men and women. Such issues are Women's liberation movement, women's liberation, reproductive rights, domestic violence, Parental leave, maternity leave, Equal pay for women, equal pay, women's suffrage, sexual harassment, and sexual violence. The movement's priorities have expanded since its beginning in the 1800s, and vary among nations and communities. Priorities range from opposition to female genital mutilation in one country, to opposition to the glass ceiling in another. Feminism in parts of the Western world has been an ongoing movement since the turn of the century. During its inception, feminism has gone through a series of four high moments termed Waves of feminism, Waves. The First-wave feminism was oriented around the st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Women Artists
The absence of women from the canon of Western culture, Western Art history, art has been a subject of inquiry and reconsideration since the early 1970s. Linda Nochlin's influential 1971 essay, "Why Have There Been No Great Women Artists?, Why Have There Been No Great Women Artists?" examined the social and institutional barriers that blocked most women from entering artistic professions throughout history, prompted a new focus on women artists, their art and experiences, and contributed inspiration to the Feminist art movement in the United States, Feminist art movement. Although women artists have been involved in the making of art throughout history, their work, when compared to that of their male counterparts, has been often obfuscated, overlooked and undervalued. The Western canon has historically valued men's work over womens' and attached gendered stereotypes to certain media, such as Textile arts, textile or fiber arts, to be primarily associated with women.Aktins, Robe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Criticism
Art criticism is the discussion or evaluation of visual art. Art critics usually criticize art in the context of aesthetics or the theory of beauty. A goal of art criticism is the pursuit of a rational basis for art appreciation but it is questionable whether such criticism can transcend prevailing socio-political circumstances. The variety of artistic movements has resulted in a division of art criticism into different disciplines which may each use different criteria for their judgements. The most common division in the field of criticism is between historical criticism and evaluation, a form of art history, and contemporary criticism of work by living artists. Despite perceptions that art criticism is a much lower risk activity than making art, opinions of current art are always liable to drastic corrections with the passage of time. Critics of the past are often ridiculed for dismissing artists now venerated (like the early work of the Impressionists). Some art movements th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linda Nochlin
Linda Nochlin (''née'' Weinberg; January 30, 1931 – October 29, 2017) was an American art historian, Lila Acheson Wallace Professor Emerita of Modern Art at New York University Institute of Fine Arts, and writer. As a prominent feminist art historian, she became well known for her pioneering 1971 article "Why Have There Been No Great Women Artists?" published by ''ARTnews''.Nochlin, Linda. "Why Have There Been No Great Women Artists?" ''ARTnews'' January 1971: 22-39, 67-71. Early life and education Linda Natalie Weinberg was born the daughter of Jules Weinberg and Elka Heller (Weinberg) in Brooklyn, New York and raised in the borough's Crown Heights neighborhood. She attended Brooklyn Ethical Cultural School, a progressive grammar school. She received her B.A. in Philosophy from Vassar College in 1951, her M.A. in English from Columbia University in 1952, and her Ph.D in the history of art from the Institute of Fine Arts at New York University in 1963. Academic career After ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Why Have There Been No Great Women Artists?
"Why Have There Been No Great Women Artists?" is a 1971 essay by American art historian Linda Nochlin. It was praised for its new slant on feminist art history and theory, and examining the institutional obstacles that prevent women from succeeding in the arts. Content In this essay, Nochlin explores the institutional – as opposed to the individual – obstacles that have prevented women in the West from succeeding in the arts. She divides her argument into several sections, the first of which takes on the assumptions implicit in the essay's title, followed by "The Question of the Nude," "The Lady's Accomplishment," "Successes," and "Rosa Bonheur." In her introduction, she acknowledges "the recent upsurge of feminist activity" in America as a condition for her interrogation of the ideological foundations of art history, while also invoking John Stuart Mill's suggestion that "we tend to accept whatever ''is'' as natural". In her conclusion, she states: "I have tried to deal with on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Judy Chicago
Judy Chicago (born Judith Sylvia Cohen; July 20, 1939) is an American feminist artist, art educator, and writer known for her large collaborative art installation pieces about birth and creation images, which examine the role of women in history and culture. During the 1970s, Chicago founded the first feminist art program in the United States at California State University, Fresno (formerly Fresno State College) and acted as a catalyst for feminist art and art education. Her inclusion in hundreds of publications in various areas of the world showcases her influence in the worldwide art community. Additionally, many of her books have been published in other countries, making her work more accessible to international readers. Chicago's work incorporates a variety of artistic skills, such as needlework, counterbalanced with skills such as welding and pyrotechnics. Chicago's most well known work is "The Dinner Party", which is permanently installed in the Elizabeth A. Sackler Center fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catherine De Zegher
Catherine de Zegher (born Marie-Catherine Alma Gladys de Zegher Groningen, April 14, 1955) is a Belgian curator and a modern and contemporary art historian. She has a degree in art history and archaeology from the University of Ghent. From 1988 to 1998, de Zegher was director of the Kunststichting Kanaal, Kortrijk,http://www.liebaertprojects.be/site/wp-content/uploads/2011/03/nieuwsblad98.pdf from 1999 to 2006, executive director and chief curator of the Drawing Center, New York, from 2007 to 2009, director of exhibitions and publications of the Art Gallery of Ontario, Toronto, and from 2013 to 2017, director of the Museum of Fine Arts, Ghent. In 2017, she was temporarily suspended from this post as a result of the Toporovski Collection Controversy. She was permanently suspended in 2019 and in 2020, she retired. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Whitechapel
Whitechapel is a district in East London and the future administrative centre of the London Borough of Tower Hamlets. It is a part of the East End of London, east of Charing Cross. Part of the historic county of Middlesex, the area formed a civil and ecclesiastical parish after splitting from the ancient parish of Stepney in the 14th century. It became part of the County of London in 1889 and Greater London in 1965. Because the area is close to the London Docklands and east of the City of London, it has been a popular place for immigrants and the working class. The area was the centre of the London Jewish community in the 19th and early 20th centuries. Whitechapel, along with the neighbouring district of Spitalfields, were the location of the infamous 11 Whitechapel murders (1888–91), some of which were attributed to the mysterious serial killer known as Jack the Ripper. In the latter half of the 20th century, Whitechapel became a significant settlement for the British ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bracha L
In Judaism, a ''berakhah'', ''bracha'', ', ' ( he, בְּרָכָה; pl. , ''berakhot'', '; "benediction," "blessing") is a formula of blessing or thanksgiving, recited in public or private, usually before the performance of a Mitzvah, commandment, or the enjoyment of food or fragrance, and in praise on various occasions. The function of a ''berakhah'' is to acknowledge God as the source of all blessing. Berakhot also have an educational function to transform a variety of everyday actions and occurrences into religious experiences designed to increase awareness of God at all times. For this purpose, the Chazal, Talmudic sage, Rabbi Meir, declared that it was the duty of every Jew to recite one hundred ''berakhot'' every day. The Mishnah of Berakhot (Talmud), tractate Berakhot, and the gemara in Talmuds#Babylonian and Jerusalem, both Talmuds contain detailed rabbinical discussions of ''berakhot'', upon which the laws and practice of reciting blessings are founded. ''Berakhot'' ty ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matrixial Gaze
''The Matrixial Gaze'' is a 1995 book by artist, psychoanalyst, clinical psychologist, writer and painter Bracha L. Ettinger.Ettinger Bracha L. (1995). ''The Matrixial Gaze.'' Feminist Arts & Histories Network, It is a work of feminist film theory that examines the gaze as described by Jacques Lacan, criticises it, and offers an original theory concerning feminine and female gaze. Beginning in 1985, Ettinger's artistic practice and her theoretical invention of a matrixial space (matricial space) articulated around her proposal of a feminine-maternal sphere of encounter that begins in the most archaic (pre-maternal-prenatal) humanised encounter-event, led her to publish a long series of academic articles starting 1992, articulating and developing for some decades what she has called the matrixial (matricial, matrixiel) theory of trans-subjectivity. The matrixial (matricial, matriciel, matrixiel) theory formulates Aesthetics and artistic creativity in terms of withnessing, compassion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Griselda Pollock
Griselda Frances Sinclair Pollock''The International Who's Who of Women''; 3rd ed.; ed. Elizabeth Sleeman, Europa Publications, 2002, p. 453 (born 11 March 1949) is an art historian and cultural analyst of international, postcolonial feminist studies in visual arts and visual culture. Since 1977, Pollock has been an influential scholar of modern art, avant-garde art, postmodern art, and contemporary art. She is a major influence in feminist theory, Feminist art, feminist art history, and gender studies. She is renowned for her innovative feminist approaches to art history which aim to deconstruct the lack of appreciation and importance of women in art as other than objects for the male gaze. Pollock conducts various studies that offer concrete historical analyses regarding the dynamics of the social structures that cause the sexual political environment within art history. Through her contributions to feminism, Pollock has written various texts exclusively focused on women in orde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lisa Tickner
Lisa Tickner FBA is a British art historian. She has taught at Middlesex University (where she is now Emeritus Professor), Northwestern University, and the Courtauld Institute of Art (where she is now Honorary Professor). In 2008 she was elected a Fellow of the British Academy. Tickner's work focuses on the history of modern art in Britain, and on feminist and theoretical approaches to the history of art. In 1979 she was one of the founders of BLOCK magazine. Her first book, ''The Spectacle of Women'', looked at the imagery of the Suffragette movement in Britain, and has been seen as an early model for visual culture studies. Her second book, ''Modern Life and Modern Subjects'', was described on publication as 'simply the best book yet written by an art historian about British modernism'. Early life Tickner initially studied Fine Art at the Hornsey School of Art, but was encouraged to pursue art history by Nikolaus Pevsner. She completed a PhD on the arts and crafts movement in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
