Feast Of Gods
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Feast Of Gods
''The Feast of the Gods'' (Italian: ''Il festino degli dei'') is an oil painting by the Italian Renaissance master Giovanni Bellini, with substantial additions in stages to the left and center landscape by Dosso Dossi and Titian. It is one of the few mythological pictures by the Venetian artist. Completed in 1514, it was his last major work. It is now in the National Gallery of Art in Washington D.C., which calls it "one of the greatest Renaissance paintings in the United States". The painting is the first major depiction of the subject of the " Feast of the Gods" in Renaissance art, which was to remain in currency until the end of Northern Mannerism over a century later. It has several similarities to another, much less sophisticated, treatment painted by the Florentine artist Bartolomeo di Giovanni in the 1490s, now in the Louvre. Commission The painting is signed by an inscription on the fictive paper attached to the wooden tub at the lower right: "joannes bellinus venetus / ...
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Oil Painting
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority ...
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Renaissance Humanist
Renaissance humanism was a revival in the study of classical antiquity, at first in Italy and then spreading across Western Europe in the 14th, 15th, and 16th centuries. During the period, the term ''humanist'' ( it, umanista) referred to teachers and students of the humanities, known as the , which included grammar, rhetoric, history, poetry, and moral philosophy. It was not until the 19th century that this began to be called ''humanism'' instead of the original ''humanities'', and later by the retronym ''Renaissance humanism'' to distinguish it from later humanist developments. During the Renaissance period most humanists were Christians, so their concern was to "purify and renew Christianity", not to do away with it. Their vision was to return ''ad fontes'' ("to the sources") to the simplicity of the New Testament, bypassing the complexities of medieval theology. Under the influence and inspiration of the classics, humanists developed a new rhetoric and new learning. Some scho ...
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Nereus
In Greek mythology, Nereus ( ; ) was the eldest son of Pontus (the Sea) and Gaia (the Earth), with Pontus himself being a son of Gaia. Nereus and Doris became the parents of 50 daughters (the Nereids) and a son ( Nerites), with whom Nereus lived in the Aegean Sea. Etymology R. S. P. Beekes suggests a Pre-Greek origin. Mythology In the ''Iliad'', the Old Man of the Sea is the father of Nereids, though Nereus is not directly named. He was never more manifestly the Old Man of the Sea than when he was described, like Proteus, as a shapeshifter with the power of prophecy, who would aid heroes such as Heracles who managed to catch him even as he changed shapes. Nereus and Proteus (the "first") seem to be two manifestations of the god of the sea who was supplanted by Poseidon when Zeus overthrew Cronus. The earliest poet to link Nereus with the labours of Heracles was Pherekydes, according to a ''scholion'' on Apollonius of Rhodes. During the course of the 5th century BC, Ne ...
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Neptune (mythology)
Neptune ( la, Neptūnus ) is the god of freshwater and the sea in Roman religion. He is the counterpart of the Greek god Poseidon.''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. In the Greek tradition, he is a brother of Jupiter and Pluto; the brothers preside over the realms of heaven, the earthly world (including the underworld), and the seas. Salacia is his wife. Depictions of Neptune in Roman mosaics, especially those in North Africa, were influenced by Hellenistic conventions. He was likely associated with freshwater springs before the sea. Like Poseidon, he was also worshipped by the Romans as a god of horses, as ''Neptunus equestris'' (a patron of horse-racing). Worship The theology of Neptune is limited by his close identification with the Greek god Poseidon, one of many members of the Greek pantheon whose theology was later tied to a Roman deity. The ''lectisternium'' of 399 BC indicated that the Greek figures of Poseidon, Art ...
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Nymph
A nymph ( grc, νύμφη, nýmphē, el, script=Latn, nímfi, label=Modern Greek; , ) in ancient Greek folklore is a minor female nature deity. Different from Greek goddesses, nymphs are generally regarded as personifications of nature, are typically tied to a specific place or landform, and are usually depicted as maidens. They were not necessarily immortal, but lived much longer than human beings. They are often divided into various broad subgroups, such as the Meliae (ash tree nymphs), the Dryads (oak tree nymphs), the Naiads (freshwater nymphs), the Nereids (sea nymphs), and the Oreads (mountain nymphs). Nymphs are often featured in classic works of art, literature, mythology, and fiction. Since the Middle Ages, nymphs have been sometimes popularly associated or even confused with fairies. Etymology The Greek word has the primary meaning of "young woman; bride, young wife" but is not usually associated with deities in particular. Yet the etymology of the noun remains ...
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Lotis (mythology)
In Greek mythology, Lotis (Ancient Greek: Λωτίς) was a nymph mentioned by Ovid. Mythology In his (Ovid) account, at the Liberalia festival, Priapus tried to rape her when everyone had fallen asleep, but she was awakened by a sudden cry of Silenus's donkey and ran off, leaving Priapus in embarrassment as everyone else woke up too and became aware of his intentions. In another account, she was changed into a lotus tree to escape Priapus; later, Dryope picked a flower off the tree Lotis had become, and was transformed into a black poplar. In Book 6 of the ''Fasti'' Ovid tells much the same story, but with the goddess Vesta rather than Lotis as the intended victim. According to some sources, Lotis was the daughter of Neptune (Poseidon) or Nereus. Ovid suggests that Priapus later kills the donkey. In art The story does not seem to feature in Ancient Greek vase-painting, and only occasionally in later art. Priapus and Lotis appear in the right foreground of ''The Feast of t ...
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Giovanni Bellini And Titian - The Feast Of The Gods - Detail- Figures Right & Tub With Script
Giovanni may refer to: * Giovanni (name), an Italian male given name and surname * Giovanni (meteorology), a Web interface for users to analyze NASA's gridded data * '' Don Giovanni'', a 1787 opera by Wolfgang Amadeus Mozart, based on the legend of Don Juan * Giovanni (Pokémon), boss of Team Rocket in the fictional world of Pokémon * Giovanni (World of Darkness), a group of vampires in ''Vampire: The Masquerade/World of Darkness'' roleplay and video game * "Giovanni", a song by Band-Maid from the 2021 album ''Unseen World'' * ''Giovanni's Island'', a 2014 Japanese anime drama film * '' Giovanni's Room'', a 1956 novel by James Baldwin * Via Giovanni, places in Rome See also * * * Geovani * Giovanni Battista * San Giovanni (other) *San Giovanni Battista (other) San Giovanni Battista is the Italian translation of Saint John the Baptist. It may also refer to: Italian churches * San Giovanni Battista, Highway A11, a church in Florence, Italy * San Giovanni Ba ...
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Thebes, Greece
Thebes (; ell, Θήβα, ''Thíva'' ; grc, Θῆβαι, ''Thêbai'' .) is a city in Boeotia, Central Greece. It played an important role in Greek myths, as the site of the stories of Cadmus, Oedipus, Dionysus, Heracles and others. Archaeological excavations in and around Thebes have revealed a Mycenaean settlement and clay tablets written in the Linear B script, indicating the importance of the site in the Bronze Age. Thebes was the largest city of the ancient region of Boeotia and was the leader of the Boeotian confederacy. It was a major rival of ancient Athens, and sided with the Persians during the 480 BC invasion under Xerxes I. Theban forces under the command of Epaminondas ended Spartan hegemony at the Battle of Leuctra in 371 BC, with the Sacred Band of Thebes, an elite military unit of male lovers celebrated as instrumental there. Macedonia would rise in power at the Battle of Chaeronea in 338 BC, bringing decisive victory to Philip II over an alliance of Thebes ...
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Prado
The Prado Museum ( ; ), officially known as Museo Nacional del Prado, is the main Spanish national art museum An art museum or art gallery is a building or space for the display of art, usually from the museum's own collection. It might be in public or private ownership and may be accessible to all or have restrictions in place. Although primarily con ..., located in central Madrid. It is widely considered to house one of the world's finest collections of Art of Europe, European art, dating from the 12th century to the early 20th century, based on the former Spanish royal collection, and the single best collection of Spanish art. Founded as a museum of paintings and sculpture in 1819, it also contains important collections of other types of works. The Prado Museum is one of the most visited sites in the world, and is considered one of the greatest art museums in the world. The numerous works by Francisco Goya, the single most extensively represented artist, as well as by ...
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The Worship Of Venus
__NOTOC__ ''The Worship of Venus'' is an oil on canvas painting by the Italian artist Titian completed between 1518 and 1519, housed at the Museo del Prado in Madrid, Spain. It describes a Roman rite of worship conducted in honour of the goddess Venus each 1 April. On this occasion, women would make offerings to representations of the goddess so as to cleanse "every blemish on their bodies".Hope & Fletcher & Dunkerton, 110 In Titian's work, two nymphs, one young and one matronly, are situated to the right of the ceremony, attending to a shrine holding a representation of Venus. The shrine is surrounded by votive tablets. The older woman checks on the decorations with the use of a mirror which she holds high in her extended right hand. The foreground of the canvas is thronged with a swarm of male infants, or ''putti'', who distract themselves in activities such as climbing trees, leaping, flying, gathering apples, lying around, fighting, fondling, shooting arrows and pulling each ...
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The Bacchanal Of The Andrians
''The Bacchanal of the Andrians'' or ''The Andrians'' is an oil painting by Titian. It is signed "TICIANUS F. ciebat and is dated to 1523–1526. History The painting was made by Titian for the Sala dei Baccanali in the Camerini d'alabastro for Alfonso I d'Este, after ''The Worship of Venus'' (1518–1519) and ''Bacchus and Ariadne'' (1520–1523) and Titian's intervention on ''The Feast of the Gods'' by Bellini in 1524–1525 where he retouched the landscape to match the style of the other paintings. In 1598, control of Ferrara passed to the Papal State and the Este family had to withdraw to Modena. During the transfer, cardinal and papal legate Pietro Aldobrandini appropriated many paintings, among which were ''The Bacchanal'' and ''The Worship of Venus''. Aldobrandini never exhibited the taken paintings. His theft only became known in 1629 after the paintings had come into the Ludovisi inheritance and then were sold to the Duke of Monterrey in payment of the Principality o ...
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National Gallery, London
The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London, England. Founded in 1824, it houses a collection of over 2,300 paintings dating from the mid-13th century to 1900. The current Director of the National Gallery is Gabriele Finaldi. The National Gallery is an exempt charity, and a non-departmental public body of the Department for Digital, Culture, Media and Sport. Its collection belongs to the government on behalf of the British public, and entry to the main collection is free of charge. Unlike comparable museums in continental Europe, the National Gallery was not formed by nationalising an existing royal or princely art collection. It came into being when the British government bought 38 paintings from the heirs of John Julius Angerstein in 1824. After that initial purchase, the Gallery was shaped mainly by its early directors, especially Charles Lock Eastlake, and by private donations, which now account for two-thirds ...
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