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Faust (Spohr)
''Faust'' is an opera by the German composer Louis Spohr. The libretto, by Joseph Karl Bernard, is based on the legend of Faust; it is not influenced by Goethe's ''Faust'', though ''Faust, Part One'' had been published in 1808. Instead, Bernard's libretto draws mainly on Faust plays and poems by Friedrich Maximilian Klinger and Heinrich von Kleist. Spohr's ''Faust'' is an important work in the history of German Romantic opera. Performance history Spohr had left his court appointment at Gotha and taken up a post in Vienna at the Theater an der Wien, which had recently been purchased by Count Ferdinánd Pálffy de Erdöd. Spohr composed the opera in less than four months, May to September 1813 but had difficulties with Count Pálffy that interfered with getting it staged in Vienna. Though he took the manuscript score privately to Giacomo Meyerbeer, who played it, with Spohr singing — supplementing his vocal range by whistling — it was not until Carl Maria von Weber took an i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Spohr
Louis Spohr (, 5 April 178422 October 1859), baptized Ludewig Spohr, later often in the modern German form of the name Ludwig, was a German composer, violinist and conductor. Highly regarded during his lifetime, Spohr composed ten symphonies, ten operas, eighteen violin concerti, four clarinet concerti, four oratorios, and various works for small ensemble, chamber music, and art songs.Clive Brown. "Spohr, Louis." Grove Music Online. Oxford Music Online. 18 May 2012 Spohr invented the violin chinrest and the orchestral rehearsal mark. His output spans the transition between Classical and Romantic music, but fell into obscurity following his death, when his music was rarely heard. The late 20th century saw a revival of interest in his oeuvre, especially in Europe. Life Spohr was born in Braunschweig in the duchy of Brunswick-Wolfenbüttel to Karl Heinrich Spohr and Juliane Ernestine Luise Henke, but in 1786 the family moved to Seesen. Spohr's first musical encouragement ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinánd Pálffy
Count Ferdinánd Pálffy de Erdőd (1 February 1774 – 4 February 1840) was a mining engineer and civil servant of the Austrian Empire who is better remembered for his role in managing the Theater an der Wien, Vienna, in pursuit of which he lost his not inconsiderable fortune and retired from his creditors in Vienna. Life Born in the Habsburg residence Vienna the son of Count Lipót Pálffy de Erdőd (1739–1799), he was a distant relative of the Imperial field marshal and Hungarian palatine János Pálffy (1664–1751). He attended the mining institute at Schemnitz, Hungary (now Banská Štiavnica, Slovakia) from 1794 to 1796, where he remained in government service before returning to Vienna in 1806 to work in the Austrian ministry of mines. In 1807 Pálffy was among the association of court nobles that acquired the Theater an der Wien, as well as the leases of the other two theatres patronised by the court, the Burgtheater and the Theater am Kärntnertor. By degrees he b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classic Produktion Osnabrück
Classic Produktion Osnabrück (often referred to as cpo, in lowercase) is a record label founded in 1986 by Georg Ortmann and several others. Its declared mission is to fill niches in the recorded classical repertory, with an emphasis on romantic, late romantic and 20th-century music. The label also aims to release complete cycles of recordings, such as complete sets of symphonies, concertos, chamber music, and so forth. It is the house label of online retailer jpc. Recordings Recordings issued by cpo include (see second external link; some of these are no longer available) *Concertos, suites, cantates, chambermusic etc. of Georg Philipp Telemann *The complete orchestral works and string quartets of Paul Hindemith *The complete string quartets of Mieczysław Weinberg *The complete orchestral works of Erich Wolfgang Korngold *The orchestral works of Hans Pfitzner (and a substantial amount of his chamber works as well) *The symphonies and string quartets of Benjamin Frankel *The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geoffrey Moull
Geoffrey Moull is a Canadian professional conductor. He was principal conductor of the Bielefeld Philharmonic Orchestra and music director of the Thunder Bay Symphony Orchestra. Education Geoffrey Moull was born in London, Ontario, Canada and studied conducting with Kirill Kondrashin, Sergiu Celibidache and Martin Stephani. He holds a Bachelor of Music degree in performance from McGill University and post-graduate degrees in conducting and piano from the Hochschule für Musik Detmold in Germany. Career Moull was Principal Conductor and coach of the Trier Opera and Symphony Orchestra in Germany from 1986 to 1989, conducting both opera and concert performances, and was additionally responsible for the development of music education programs and school concerts. He was Associate Conductor of the Münster Symphony Orchestra and Opera from 1989 to 1992. The opera magazine Opernwelt presented Moull with their 'Production of the Year' award in 1992 for Francesco Cavalli's ''"La Cal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bielefeld Opera
The Bielefeld Opera is the venue of Städtische Bühnen Bielefeld (Municipal stages Bielefeld) in Bielefeld, Germany. It is a ''Dreisparten Haus'' (three-department house), offering plays, music (opera, musical theatre), and ballet. The main performance venue is the ''Stadttheater am Niederwall'' (Municipal Theatre at the Lower Wall), built in 1904 and extensively renovated from 2004 to 2006. It is the largest theater in East Westphalia, offering 500 performances annually. It is under the direction of Michael Heicks; its resident orchestra is the 72-member Bielefeld Philharmonic Orchestra that also performs symphonic concerts at the Rudolf-Oetker-Halle. History Plans to build an opera house in Bielefeld were laid in 1885 by a foundation set up the widow of the founder of the Crüwell Tobacco Company. Bernhard Sehring was chosen as architect and construction was started in 1901 on the Niederwall. The Art Nouveau building was inaugurated with a performance of Carl Maria von Webe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bloomsbury Theatre
The Bloomsbury Theatre is a theatre on Gordon Street, Bloomsbury, in the London Borough of Camden, owned by University College London. The Theatre has a seating capacity of 547 and offers a professional programme of innovative music, drama, comedy and dance all year round as well as providing a space for student-led productions. Funded by a UGC grant and a considerable private donation, the theatre was opened in 1968 as the Collegiate Theatre, and was renamed the Bloomsbury Theatre in 1982. Between 2001 and 2008, the theatre was known as The UCL Bloomsbury, to emphasise links with UCL, who use it for student productions 12 weeks a year. The Bloomsbury Theatre recently returned to the logo designed by cartoonist Gerald Scarfe which it had used for nearly twenty years until 2001. The main theatre was closed for building works in 2015 and reopened in February 2019. The theatre building also provides access to the UCL Union Fitness Centre and Clubs and Societies Centre on the 2nd, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
University College Opera
University College Opera, or UCOpera, is the student opera company of University College London. The operas are staged by professional singers, directors and designers, with the orchestra and chorus drawn from the student body. Founded in 1951, UCOpera is known for its productions of rarely performed operas, including 3 world premières, and 22 British premières. On 10 March 2008 UCOpera staged the UK premiere of Édouard Lalo's ''Fiesque'', at the Bloomsbury Theatre. 2009 saw another British première, Ernest Bloch's '' Macbeth''. UCOpera extended its list of British premières by staging Gounod's '' Polyeucte'' at Theatre Royal Stratford East in 2018, and Smetana's Czech national opera, '' Libuše'' in 2019. History The brainchild of the conductor Anthony Addison, (UCL's then Director of Music), University College Opera gave its first performance in 1951 with an all-student production of Purcell's ''Dido and Aeneas'', followed by Mozart's ''Bastien und Bastienne''. Even ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recitative
Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do. It resembles sung ordinary speech more than a formal musical composition. Recitative can be distinguished on a continuum from more speech-like to more musically sung, with more sustained melodic lines. The mostly syllabic ''recitativo secco'' ("dry", accompanied only by continuo, typically cello and harpsichord) is at one end of the spectrum, through ''recitativo accompagnato'' (using orchestra), the more melismatic arioso, and finally the full-blown aria or ensemble, where the pulse is entirely governed by the music. Secco recitatives can be more improvisatory and free for the singer, since the accompaniment is so sparse; in contrast, when recitative is accompanied by orchestra, the singer must per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grand Opera
Grand opera is a genre of 19th-century opera generally in four or five acts, characterized by large-scale casts and orchestras, and (in their original productions) lavish and spectacular design and stage effects, normally with plots based on or around dramatic historic events. The term is particularly applied (sometimes specifically used in its French language equivalent grand opéra, ) to certain productions of the Paris Opéra from the late 1820s to around 1850; 'grand opéra' has sometimes been used to denote the Paris Opéra itself. The term 'grand opera' is also used in a broader application in respect of contemporary or later works of similar monumental proportions from France, Germany, Italy, and other countries. It may also be used colloquially in an imprecise sense to refer to 'serious opera without spoken dialogue'. Origins Paris at the turn of the 19th century drew in many composers, both French and foreign, and especially those of opera. Several Italians working d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Singspiel
A Singspiel (; plural: ; ) is a form of German-language music drama, now regarded as a genre of opera. It is characterized by spoken dialogue, which is alternated with ensembles, songs, ballads, and arias which were often strophic, or folk-like. Singspiel plots are generally comic or romantic in nature, and frequently include elements of magic, fantastical creatures, and comically exaggerated characterizations of good and evil. __TOC__ History Some of the first Singspiele were miracle plays in Germany, where dialogue was interspersed with singing. By the early 17th century, miracle plays had grown profane, the word "Singspiel" is found in print, and secular Singspiele were also being performed, both in translated borrowings or imitations from English and Italian songs and plays, and in original German creations. In the 18th century, some Singspiele were translations of English ballad operas. In 1736, the Prussian ambassador to England commissioned a translation of the ballad op ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Maria Von Weber
Carl Maria Friedrich Ernst von Weber (18 or 19 November 17865 June 1826) was a German composer, conductor, virtuoso pianist, guitarist, and critic who was one of the first significant composers of the Romantic era. Best known for his operas, he was a crucial figure in the development of German ''Romantische Oper'' (German Romantic opera). Throughout his youth, his father, , relentlessly moved the family between Hamburg, Salzburg, Freiberg, Augsburg and Vienna. Consequently he studied with many teachers – his father, Johann Peter Heuschkel, Michael Haydn, Giovanni Valesi, Johann Nepomuk Kalcher and Georg Joseph Vogler – under whose supervision he composed four operas, none of which survive complete. He had a modest output of non-operatic music, which includes two symphonies; a viola concerto; bassoon concerti; piano pieces such as Konzertstück in F minor and '' Invitation to the Dance''; and many pieces that featured the clarinet, usually written for the virtuoso c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
