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Fasch Repertorium
Johann Friedrich Fasch (15 April 1688 – 5 December 1758) was a German violinist and composer. Much of his music is in the Baroque-Classical transitional style known as galant. Life Fasch was born in the town of Buttelstedt, 11 km north of Weimar, the eldest child of schoolmaster Friedrich Georg Fasch and his wife Sophie Wegerig, from Leißling near Weißenfels. After his father's death in 1700, Fasch lived with his maternal uncle, the clergyman Gottfried Wegerig in Göthewitz, and it was presumably in this way that he made the acquaintance of the Opera composer Reinhard Keiser. Fasch was a choirboy in Weissenfels and studied under Johann Kuhnau at the St. Thomas School in Leipzig. It was in Leipzig in 1708 that he founded a Collegium Musicum. In 1711 he wrote an opera to be performed at the Peter-Paul Festival in Naumburg, and a second one for the festival in 1712. In 1714, unable to procure aristocratic patronage for a journey to Italy, Fasch instead travelled to Darm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fasch Memorial Stone Wikipedia
Fasch is a surname. Notable people with the surname include: * Carl Friedrich Christian Fasch (1736–1800), German composer and harpsichordist, son of Johann * Johann Friedrich Fasch (1688–1758), German violinist and composer See also * Fasching (surname) {{surname ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gottfried Grünewald
Gottfried Grünewald (also Grunewald; baptised 15 October 1673 – 19 December 1739) was a German operatic bass, harpsichordist, pantaleon virtuoso and composer. Life Grünewald was baptised in Seifhennersdorf near Zittau, on 15 October 1673. He studied music under his father, a school teacher, and attended the Zittau Gymnasium as a student. In 1696 he began studying at Leipzig University. During his studies, he performed as a bass singer at the Thomaskirche and in various operas. From 1703 he was a bass singer and composer at the Oper am Gänsemarkt in Hamburg. Two of his operas were performed there with him in the title roles: ''Der ungetreue Schäfer Cardillo in'' 1704 and ''Germanicus'' in 1705 which had received its world premiere in Leipzig the previous year. From 1709, he worked as vice ''kapellmeister'' at the court of Johann Georg, Duke of Saxe-Weissenfels, where he married Johanna Rosina Krieger, the daughter of Johann Philipp Krieger. Together, they had ten children. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chamber Music
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances. Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for playing solo or symphonic works. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movement (music), movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), Brass instrument, brass, Woodwind instrument, woodwind, and Percussion instrument, percussion Musical instrument, instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a Full score, musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Ludwig van Beethoven, Beethoven's Symphony No. 9 (Bee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerto
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three- movement structure, a slow movement (e.g., lento or adagio) preceded and followed by fast movements (e.g. presto or allegro), became a standard from the early 18th century. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such as Giuseppe Torelli started to publish their concertos. A few decades later, Venetian composers, such as Antonio Vivaldi, had written hundreds of violin concertos, while also producing solo concertos for other instruments such as a cello or a woodwind instrument, and concerti grossi for a group of soloists. The first keyboard concertos, such as George Frideric Handel's organ concertos and Johann Sebastia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantata; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Telemann and Johann Sebastian Bach composed cycles of church cantatas for the occasions of the liturgical year. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomaskantor
(Cantor at St. Thomas) is the common name for the musical director of the , now an internationally known boys' choir founded in Leipzig in 1212. The official historic title of the Thomaskantor in Latin, ', describes the two functions of cantor and director. As the cantor, he prepared the choir for service in four Lutheran churches, Thomaskirche (St. Thomas), Nikolaikirche (St. Nicholas), Neue Kirche (New Church) and Peterskirche (St. Peter). As director, he organized music for city functions such as town council elections and homages. Functions related to the university took place at the Paulinerkirche. Johann Sebastian Bach was the most famous , from 1723 to 1750. Position Leipzig has had a university dating back to 1409, and is a commercial center, hosting a trade fair first mentioned in 1165. It has been mostly Lutheran since the Reformation. The position of Thomaskantor at Bach's time has been described as "one of the most respected and influential musical offices of P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Ulich
Johann Ulich, the younger (Wittenberg, 1677-Zerbst, 1742) was a German organist and composer in Zerbst, and music teacher to the princely family. Ulich was born in 1677 in Wittenberg, Germany. His father, also called Johann Ulich (1634-1712), was organist and Kantor, director of music for Wittenberg's churches, and teacher at the city school. Ulich studied with his father and then from 1695 at the University of Wittenberg. He was employed at the court in Zerbst from 1708 (although his official contract is dated 6 March 1709, the accounts of the St. Bartholomäikirche show that he was paid at least one quarterly salary installment and some of the bonuses that all permanent staff there enjoyed annually in 1708). Almost immediately he started composing music for the court; on 24 June 1708, his cantata ''"Glückselige Stunden! gesegnetes Licht"'' for the birthday of Princess Sophia (wife of Prince Carl Wilhelm) was performed and, at least for some years, Ulich seems to have been con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zerbst
Zerbst () is a town in the district of Anhalt-Bitterfeld, in Saxony-Anhalt, Germany. Until an administrative reform in 2007, Zerbst was the capital of the former Anhalt-Zerbst district. Geography Zerbst is situated in the Anhalt-Wittenberg region, with its town centre located on the river Nuthe about northeast of the Elbe, halfway between Magdeburg and Wittenberg. With the 1 January 2010 local government reform, the 21 formerly independent communities of the disbanded ''Verwaltungsgemeinschaft'' (municipal association) Elbe-Ehle-Nuthe were incorporated into the town. Zerbst today counts about 24,000 inhabitants and, at , is the fifth largest town in Germany by area. The current municipal area stretches from the Elbe in the southwest up to the Fläming Heath and the state border with Brandenburg in the northeast. Divisions The town Zerbst consists of Zerbst proper and the following 24 ''Ortschaften'' or municipal divisions: [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kapellmeister
(, also , ) from German ''Kapelle'' (chapel) and ''Meister'' (master)'','' literally "master of the chapel choir" designates the leader of an ensemble of musicians. Originally used to refer to somebody in charge of music in a chapel, the term has evolved considerably in its meaning and is today used for denoting the leader of a musical ensemble, often smaller ones used for TV, radio, and theatres. Historical usage In German-speaking countries during the approximate period 1500–1800, the word often designated the director of music for a monarch or nobleman. For English speakers, it is this sense of the term that is most often encountered, since it appears frequently in biographical writing about composers who worked in German-speaking countries. During that period, in Italy, the position (Italian: ''maestro di capella'') largely referred to directors of music assigned to cathedrals and sacred institutions rather than those under royal or aristocratic patronage. A Kapellmeister ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Count Morzin
Count Morzin (Karl Joseph, Count Morzin) was an aristocrat of the Holy Roman Empire during the 18th century. He is remembered today as the first person to employ the composer Joseph Haydn as his Kapellmeister, or music director. The first few of Haydn's many symphonies were written for the Count. Biography Different authorities give a different interpretation to the phrase "Count Morzin" (the sole words by which early Haydn biographies identified the man); the phrase is ambiguous because the title of count was hereditary, so that there was a whole line of Counts Morzin. The New Grove (article by James Webster) asserts that the "Count Morzin" who played an important role in Haydn's life was Karl Joseph Franz Morzin (1717–1783), whereas a biography by the leading Haydn scholar H. C. Robbins Landon asserts that it was Ferdinand Maximilan Franz Morzin' (1693–1763). The difference apparently involves the question of whether Haydn was hired by the reigning count (Ferdinand Maxi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
