Farpi Vignoli
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Farpi Vignoli
Farpi Vignoli (21 August 1907 – 3 November 1997) was a 20th century Italian sculptor who was born and died in Bologna. Biography Farpi Vignoli was born in Bologna in August 1907, the son of Callisto Vignoli, a carpenter, and Ersilia Tagliavini, a homemaker. He was the youngest of three brothers. He spent his childhood and early adolescence in a house near the Arcoveggio racecourse (which would inspire him to sculpt both his "Il Guidatore di Sulki" (The Sulky Driver)" and for his "Horse"). In 1919, he was admitted to the College Venturoli, where he studied architecture, painting and sculpture, following sculptor Enrico Barberi's teachings. In this period Vignoli formed a close friendship with Paolo Manaresi and a friendship with the sculptor Luciano Minguzzi. He continued in the Academy with the same teacher Ercole Drei, who was busy sculpting the marble images of Liberty and Victory for the Certosa di Bologna monestery in Bologna. After concluding his studies at Bologne's ...
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Art Competitions At The Summer Olympics
Art competitions formed part of the modern Olympic Games during its early years, from 1912 to 1948. The competitions were part of the original intention of the Olympic Movement's founder, Pierre de Frédy, Baron de Coubertin. Medals were awarded for works of art inspired by sport, divided into five categories: architecture, literature, music, painting, and sculpture. The juried art competitions were abandoned in 1954 because artists were considered to be professionals, while Olympic athletes were required to be amateurs. Since 1956, the Olympic cultural programme has taken their place. History With the founding of the International Olympic Committee (IOC) in 1894, and the celebration of the first modern Olympic Games, French Baron Pierre de Coubertin saw the fulfillment of his ideals—men being educated in both mind and body, and competing in sport rather than war. One of his other desires was to combine both art and sport, and he thus considered including artistic compet ...
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Bas-reliefs
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs ar ...
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Bronze
Bronze is an alloy consisting primarily of copper, commonly with about 12–12.5% tin and often with the addition of other metals (including aluminium, manganese, nickel, or zinc) and sometimes non-metals, such as phosphorus, or metalloids such as arsenic or silicon. These additions produce a range of alloys that may be harder than copper alone, or have other useful properties, such as ultimate tensile strength, strength, ductility, or machinability. The three-age system, archaeological period in which bronze was the hardest metal in widespread use is known as the Bronze Age. The beginning of the Bronze Age in western Eurasia and India is conventionally dated to the mid-4th millennium BCE (~3500 BCE), and to the early 2nd millennium BCE in China; elsewhere it gradually spread across regions. The Bronze Age was followed by the Iron Age starting from about 1300 BCE and reaching most of Eurasia by about 500 BCE, although bronze continued to be much more widely used than it is in mod ...
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Gabor Acs
Gábor Ács (born 21 December 1926) is a Hungarian-born architect who was active primarily between 1953 and 1990. He worked early in his career with the noted architect I. M. Pei, and was the chief architect for the Italian international real estate developer Società Generale Immobiliare (for whom he helped to successfully build the Watergate complex in the United States). Personal information Gábor Ács was born in Budapest, Kingdom of Hungary (1920-44), on 21 December 1926. He enrolled at the Faculty of Architecture-Engineering at the University of Technology of Budapest, graduating in 1948. When the military forces of the Soviet Union occupied Hungary after World War II, his father took his family to Italy, where they settled in Rome. Ács enrolled at the Politecnico di Milano, graduating in 1953 with a degree in architecture. Ács currently lives in Rome with his wife, Armelle. Professional career After obtaining his degree in architecture, Ács, in 1956, traveled to ...
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Scenography
Scenography (inclusive of scenic design, lighting design, sound design, costume design) is a practice of crafting stage environments or atmospheres. In the contemporary English usage, scenography is the combination of technological and material stagecrafts to represent, enact, and produce a sense of place in performance. While inclusive of the techniques of scenic design and set design, scenography is a holistic approach to the study and practice of all aspects of design in performance. Etymology and cultural interpretations The term scenography is of Greek origin (''skēnē'', meaning 'stage or scene building'; ''grapho'', meaning 'to describe') originally detailed within Aristotle's ''Poetics'' as 'skenographia'. Nevertheless, within continental Europe, the term has been closely aligned with the professional practice of scénographie and is synonymous with the English-language term 'theatre design'. More recently, the term has been used in museography with regards to the curati ...
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Accademia Di Belle Arti Di Bologna
The Accademia di Belle Arti di Bologna ("academy of fine arts of Bologna") is a public tertiary academy of fine art in Bologna, in Emilia-Romagna in northern Italy. It has a campus in Cesena. Giorgio Morandi taught engraving at the Accademia for more than 25 years. History Background The earliest art academy documented in Bologna was the Accademia dei Desiderosi, later known as the Accademia degli Incamminati, founded in or before 1582 by Ludovico, Agostino and Annibale Carracci, and sometimes known also as the Accademia dei Carracci. In 1706, Giampietro Zanotti and other artists met at Palazzo Fava to establish a new academy. The Accademia dei Pittori was inaugurated in the house of Luigi Ferdinando Marsili on 2 January 1710; the statute was approved by pope Clement XI in October 1711, and the academy took the name Accademia Clementina. It became part of the Istituto delle Scienze e Arti Liberali, founded with the support of the pope by Marsili on 12 December 1711, whic ...
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Henry King (director)
Henry King (January 24, 1886June 29, 1982) was an American actor and film director. Widely considered one of the finest and most successful filmmakers of his era, King was nominated for two Academy Awards for Best Director, and directed seven films nominated for the Academy Award for Best Picture. Biography Before coming to film, King worked as an actor in various repertoire theatres and first started to take small film roles in 1912. Between 1913 and 1925, he appeared as an actor in approximately sixty films. He directed for the first time in 1915 and grew to become one of the most commercially successful Hollywood directors of the 1920s and '30s. He was twice nominated for the Best Director Oscar. In 1944, he was awarded the first Golden Globe Award for Best Director for his film '' The Song of Bernadette''. He worked most often with Tyrone Power and Gregory Peck and for 20th Century Fox. Henry King was one of the 36 founders of the Academy of Motion Picture Arts and Scien ...
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Tyrone Power
Tyrone Edmund Power III (May 5, 1914 – November 15, 1958) was an American actor. From the 1930s to the 1950s, Power appeared in dozens of films, often in swashbuckler roles or romantic leads. His better-known films include '' Jesse James'', '' The Mark of Zorro'', ''Marie Antoinette'', '' Blood and Sand'', '' The Black Swan'', ''Prince of Foxes'', ''Witness for the Prosecution'', ''The Black Rose'', and ''Captain from Castile''. Power's own favorite film among those that he starred in was '' Nightmare Alley''. Though largely a matinee idol in the 1930s and early 1940s and known for his striking good looks, Power starred in films in a number of genres, from drama to light comedy. In the 1950s he began placing limits on the number of films he would make in order to devote more time to theater productions. He received his biggest accolades as a stage actor in ''John Brown's Body'' and '' Mister Roberts''. Power died from a heart attack at the age Family background and early l ...
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Certosa Di Bologna
The Certosa di Bologna is a former Carthusian monastery (or charterhouse) in Bologna, northern Italy, which was founded in 1334 and suppressed in 1797. In 1801 it became the city's Monumental Cemetery which would be much praised by Byron and others. In 1869 an Etruscan necropolis, which had been in use from the sixth to the third centuries BC, was discovered here. The Certosa is located just outside the walls of the city, near the Stadio Renato Dall'Ara, at the foot of the Monte della Guardia and the Sanctuary of the Madonna di San Luca. The church The church is dedicated to Saint Jerome (San Girolamo). The painting over the high altar is ''The Crucifixion'' by Bartolomeo Cesi; to the left is a ''Prayer in the Garden of Gethsemane'' and to the right a ''Deposition'', also by Cesi. The wooden inlaid choir stalls were restored by Biagio De' Marchi in 1538 after a fire started by the Landsknechts of Charles V, Holy Roman Emperor. There is a series of large (450 x 350 cm) ...
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Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ...
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Watercolor
Watercolor (American English) or watercolour (British English; see spelling differences), also ''aquarelle'' (; from Italian diminutive of Latin ''aqua'' "water"), is a painting method”Watercolor may be as old as art itself, going back to the Stone Age when early ancestors combined earth and charcoal with water to create the first wet-on-dry picture on a cave wall." London, Vladimir. The Book on Watercolor (p. 19). in which the paints are made of pigments suspended in a water-based solution. ''Watercolor'' refers to both the medium and the resulting artwork. Aquarelles painted with water-soluble colored ink instead of modern water colors are called ''aquarellum atramento'' (Latin for "aquarelle made with ink") by experts. However, this term has now tended to pass out of use. The conventional and most common ''support''—material to which the paint is applied—for watercolor paintings is watercolor paper. Other supports or substrates include stone, ivory, silk, reed, papy ...
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Alfonso Gatto
Alfonso Gatto (17 July 1909 – 8 March 1976) was an Italian writer. Along with Giuseppe Ungaretti and Eugenio Montale, he is one of the foremost Italian poets of the 20th century and a major exponent of hermetic poetry. Biography Gatto studied at the Salerno classic lycaeum, where he discovered his passion for poetry and literature. In 1926 he attended the University of Naples Federico II, but he had to discontinue his studies due to financial problems. Like many Italian poets of his age, such as Eugenio Montale and Salvatore Quasimodo, he never graduated. Gatto fell in love with Jole, the daughter of his mathematics teacher, and at the age of 21, he eloped with her to Milan. He worked many different jobs: bookshop assistant, college instructor, proofreader, journalist, and teacher. In 1936, due to his anti-fascist activism, he was arrested and jailed at the San Vittore prison in Milan. During those years, Gatto had been a contributor to various innovative journals and ma ...
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