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Fantin-Latour
Henri Fantin-Latour (14 January 1836 – 25 August 1904) was a French painter and lithographer best known for his flower paintings and group portraits of Parisian artists and writers. Biography He was born Ignace Henri Jean Théodore Fantin-Latour in Grenoble, Isère. As a youth, he received drawing lessons from his father, who was an artist.Poulet & Murphy 1979, p. 73. In 1850 he entered the Ecole de Dessin, where he studied with Lecoq de Boisbaudran. After studying at the ''École des Beaux-Arts'' in Paris from 1854, he devoted much time to copying the works of the old masters in the Musée du Louvre. Although Fantin-Latour befriended several of the young artists who would later be associated with Impressionism, including Whistler and Manet, Fantin's own work remained conservative in style. Whistler brought attention to Fantin in England, where his still-lifes sold so well that they were "practically unknown in France during his lifetime". In addition to his realistic painti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victoria Dubourg
Victoria Dubourg or Victoria Fantin-Latour (1 December 1840 – 30 September 1926) was a French still life painter. Dubourg was born in Paris and trained with artist Fanny Chéron.Victoria Dubourg in the RKD There, she met the painter Henri Fantin-Latour, whom she married in 1876. She collaborated with him on his floral paintings, but also produced works under her own name that she signed "V Dubourg". Dubourg has been critiqued as an artist whose work lacks originality, simply reproducing the styles of her well known husband. However, a careful review of her early work shows that Dubourg began producing still life two years prior to meeting Fantin-Latour. Her painting ''A Basket of Flowers'' was included in the 1905 book ''Women Painters of the World''. Biography Dubourg was born in 1840, and her parents recognized her when they married in 1843. She had one sister, Charlotte Dubourg (1850–1921). Dubourg's maternal family was originally from Orne. Her mother Françoise Bienve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James McNeill Whistler
James Abbott McNeill Whistler (; July 10, 1834July 17, 1903) was an American painter active during the American Gilded Age and based primarily in the United Kingdom. He eschewed sentimentality and moral allusion in painting and was a leading proponent of the credo "art for art's sake". His signature for his paintings took the shape of a stylized butterfly possessing a long stinger for a tail. The symbol combined both aspects of his personality: his art is marked by a subtle delicacy, while his public persona was combative. He found a parallel between painting and music, and entitled many of his paintings "arrangements", "harmonies", and "nocturnes", emphasizing the primacy of tonal harmony. His most famous painting, ''Arrangement in Grey and Black No. 1'' (1871), commonly known as ''Whistler's Mother'', is a revered and often parodied portrait of motherhood. Whistler influenced the art world and the broader culture of his time with his theories and his friendships with other lea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museum Of Grenoble
The Museum of Grenoble (french: Musée de Grenoble) is a municipal museum of Fine Arts and antiquities in the city of Grenoble in the Isère region of France. Located on the left bank of the Isère River, place Lavalette, it is known both for its collections of ancient art for its collections of modern and contemporary art. Thanks to the action of one of its curators of the interwar period (Andry-Farcy), it is considered the very first museum of modern art in France. Its temporary rooms allow it to organize two exhibitions each year. History The Museum of Grenoble was founded on 16 February 1798 by Louis-Joseph Jay, well before other French provincial museums. That day, an order of the local administration detailed the creation of a ''museum'' in Grenoble, in which article 10 stipulated that « the citizen Louis-Joseph Jay is appointed curator of this museum. » In May of that year, the Interior Minister canceled the creation of the museum but a provisional authorization was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symbolism (arts)
Symbolism was a late 19th-century art movement of French art, French and Art of Belgium, Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against Naturalism (literature), naturalism and Realism (arts), realism. In literature, the style originates with the 1857 publication of Charles Baudelaire's ''Les Fleurs du mal''. The works of Edgar Allan Poe, which Baudelaire admired greatly and translated into French, were a significant influence and the source of many stock Trope (literature), tropes and images. The aesthetic was developed by Stéphane Mallarmé and Paul Verlaine during the 1860s and 1870s. In the 1880s, the aesthetic was articulated by a series of manifestos and attracted a generation of writers. The term "symbolist" was first applied by the critic Jean Moréas, who invented the term to distinguish the Symbolists from the related decadent movement, Decadents of literat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Still-life
A still life (plural: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or man-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.). With origins in the Middle Ages and Ancient Greco-Roman art, still-life painting emerged as a distinct genre and professional specialization in Western painting by the late 16th century, and has remained significant since then. One advantage of the still-life artform is that it allows an artist much freedom to experiment with the arrangement of elements within a composition of a painting. Still life, as a particular genre, began with Netherlandish painting of the 16th and 17th centuries, and the English term ''still life'' derives from the Dutch word ''stilleven''. Early still-life paintings, particularly before 1700, often contained religious and allegorical symbolism relating to the objects dep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Power, Corruption & Lies
''Power, Corruption & Lies'' is the second studio album by English rock band New Order, released on 2 May 1983 by Factory Records. The album features more electronic tracks than their 1981 debut ''Movement'', with heavier use of synthesizers. The album was met with widespread acclaim, and has been included in music industry lists of the greatest albums of the 1980s and of all time. The cover artwork was by Peter Saville, and in 2010 it was one of ten classic album covers from British artists commemorated on a UK postage stamp issued by the Royal Mail. Artwork Peter Saville's design for the album had a colour-based code to represent the band's name and the title of the album, but they were not actually written on the original UK sleeve itself (they were present on some non-UK versions), although the catalogue number "FACT 75" does appear on the top-right corner. The decoder for the code was featured prominently on the back cover of the album and can also be seen on the " Blue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Saville (graphic Designer)
Peter Andrew Saville (born 9 October 1955) is an English art director and graphic designer. He came to prominence for the many record sleeves he designed for Factory Records, which he co-founded in 1978 alongside Tony Wilson and Alan Erasmus. Early life Peter Saville was born in Manchester, Lancashire, and attended St Ambrose College. He studied graphic design at Manchester Polytechnic from 1975 to 1978. Saville became involved in the music scene after meeting Tony Wilson, the journalist and broadcaster. The meeting resulted in Wilson commissioning the first Factory poster ( FAC 1). Saville was a partner in Factory Records along with Wilson, Martin Hannett, Rob Gretton and Alan Erasmus. Factory Records Peter Saville designed many record sleeves for Factory artists, most notably for Joy Division and New Order. Influenced by fellow student Malcolm Garrett, who had begun designing for the Manchester punk group, Buzzcocks and by Herbert Spencer's ''Pioneers of Modern Typograp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Édouard Manet
Édouard Manet (, ; ; 23 January 1832 – 30 April 1883) was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism. Born into an upper-class household with strong political connections, Manet rejected the naval career originally envisioned for him; he became engrossed in the world of painting. His early masterworks, ''The Luncheon on the Grass'' (''Le déjeuner sur l'herbe'') and '' Olympia'', both 1863, caused great controversy and served as rallying points for the young painters who would create Impressionism. Today, these are considered watershed paintings that mark the start of modern art. The last 20 years of Manet's life saw him form bonds with other great artists of the time; he developed his own simple and direct style that would be heralded as innovative and serve as a major influence for future painters. Early life Édouard Manet was born in Par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Revue Wagnérienne
''La Revue wagnérienne'' was a French magazine covering the artistic and philosophical ideas of German composer Richard Wagner based in Paris, France. It was established by Édouard Dujardin, Téodor de Wyzewa, and Houston Stewart Chamberlain. It was first published in February 1885, and thereafter appeared bimonthly from July 1885 to December 1887. The final issue was published in July 1888. It published concert listings, book reviews, translations of Wagner's writings, reprints of pieces on Wagner, correspondence, as well as original analytical essays dealing with topics relating to Wagner in on average about 30 pages a month. The magazine was associated with the symbolism arts movement and provided a space for literary criticism, inspired greatly by Charles Baudelaire's interpretation of Wagner's aesthetic theories. Much of the magazine was dedicated to exploring the links between the musical theories of Wagner and symbolism. Founding The ''Revue Wagnérienne'' was conceiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lithography
Lithography () is a planographic method of printing originally based on the immiscibility of oil and water. The printing is from a stone (lithographic limestone) or a metal plate with a smooth surface. It was invented in 1796 by the German author and actor Alois Senefelder and was initially used mostly for musical scores and maps.Meggs, Philip B. A History of Graphic Design. (1998) John Wiley & Sons, Inc. p 146 Carter, Rob, Ben Day, Philip Meggs. Typographic Design: Form and Communication, Third Edition. (2002) John Wiley & Sons, Inc. p 11 Lithography can be used to print text or images onto paper or other suitable material. A lithograph is something printed by lithography, but this term is only used for fine art prints and some other, mostly older, types of printed matter, not for those made by modern commercial lithography. Originally, the image to be printed was drawn with a greasy substance, such as oil, fat, or wax onto the surface of a smooth and flat limestone plat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horace Lecoq De Boisbaudran
Horace Lecoq de Boisbaudran (May 14, 1802 – August 7, 1897) was a French artist and teacher. He was born in Paris. Boisbaudran was admitted in 1819 to the École des Beaux-Arts where he studied under Peyron and Guillon Lethière. He exhibited at the Salon in 1831 and 1840, and became a professor at the academy. As a drawing instructor he became known for his innovative method which emphasized memorization.McConkey and Robin 1995, p. 11. His students were instructed to visit the Louvre, where they were to carefully study a painting in order to reproduce it from memory later, in the studio. This exercise was intended to help the student to discover his own visual language. Among Lecoq de Boisbaudran's best-known students were Rodin, Fantin-Latour, and Alphonse Legros.State University of New York at Binghamton 1974, p. 34. Others who studied with him include Jules Chéret, Léon Lhermitte, Jean-Charles Cazin, Jules Dalou Aimé-Jules Dalou (31 December 183815 April 1902) was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lithograph
Lithography () is a planographic method of printing originally based on the immiscibility of oil and water. The printing is from a stone (lithographic limestone) or a metal plate with a smooth surface. It was invented in 1796 by the German author and actor Alois Senefelder and was initially used mostly for musical scores and maps.Meggs, Philip B. A History of Graphic Design. (1998) John Wiley & Sons, Inc. p 146 Carter, Rob, Ben Day, Philip Meggs. Typographic Design: Form and Communication, Third Edition. (2002) John Wiley & Sons, Inc. p 11 Lithography can be used to print text or images onto paper or other suitable material. A lithograph is something printed by lithography, but this term is only used for fine art prints and some other, mostly older, types of printed matter, not for those made by modern commercial lithography. Originally, the image to be printed was drawn with a greasy substance, such as oil, fat, or wax onto the surface of a smooth and flat limestone plat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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