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Fallen Words
is a collection of short stories by manga artist Yoshihiro Tatsumi. The manga was published on July 3, 2009, by Basilico, with Drawn & Quarterly publishing it in North America on May 8, 2012. Plot ; :A scammer stays at a poor innkeeper's inn, boasting of his wealth. The innkeeper talks him into buying a lottery ticket with his last quarter. At the drawing for the winners, the townspeople discuss what they would do if they won. When the man discovers that he had won the grand prize of 1,000 , he starts shaking and goes back to the inn to lie down. The innkeeper finds out the man had won, and having been promised half of the winnings, excitedly wakes him up for some congratulatory sake. However, the man downplays the amount again and chides the innkeeper for wearing his sandals indoors. The innkeeper forcefully lifts his covers and discovers that the man is wearing sandals in bed. ; :On the Japanese New Year, a father plans to visit a shrine. His wife tells him to ta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yoshihiro Tatsumi
was a Japanese manga artist whose work was first published in his teens, and continued through the rest of his life. He is widely credited with starting the gekiga style of alternative manga in Japan, having allegedly coined the term in 1957. His work frequently illustrated the darker elements of life. Biography Childhood and early work Tatsumi grew up in Osaka, near a U.S. military base called Itami Airfield. As a child, with his old brother Okimasa, Tatsumi contributed amateur four-panel manga to magazines that featured readers' work, winning several times. After corresponding with like-minded children, Tatsumi helped form the Children's Manga Association. This led to a round-table discussion for the grade school edition of ''Mainichi Shimbun'' with pioneering manga artist Osamu Tezuka. Tatsumi formed a relationship with Tezuka, who encouraged him to try making longer stories. Another well-known manga artist, , also gave Tatsumi feedback and advice. Ōshiro later asked t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hitodama
In Japanese folklore, Hitodama (Japanese ; meaning "human soul") are balls of fire that mainly float in the middle of the night.広辞苑 第五版 p.2255 「人魂」 They are said to be "souls of the dead that have separated from their bodies," which is where their name comes from. Summary Hitodama are mentioned in literature from ancient times. In the Man'yōshū, there is the following poem: They are frequently confused with onibi and kitsunebi, but since hitodama are considered to be the "appearance of souls that have left the body and fly through the air," they are strictly speaking a different general idea. Concerning their shape and nature, there are common features throughout Japan, but some differences could also be seen depending on the area. They fly crawling along at an elevation that is not very high. They have a color that is blue, orange, or red, and also have a tail, but it can either be short or long. There are also a few that have been seen during daytime ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
One-shot Manga
In comics, a one-shot is a work composed of a single standalone issue or chapter, contrasting a limited series or ongoing series, which are composed of multiple issues or chapters.Albert, Aaron"One Shot Definition" About Entertainment. Retrieved July 8, 2016. One-shots date back to the early 19th century, published in newspapers, and today may be in the form of single published comic books, parts of comic magazines/anthologies or published online in websites. In the marketing industry, some one-shots are used as promotion tools that tie in with existing productions, movies, video games or television shows. Overview In the Japanese manga industry, one-shots are called , a term which implies that the comic is presented in its entirety without any continuation. One-shot manga are often written for contests, and sometimes later developed into a full-length series, much like a television pilot. Many popular manga series began as one-shots, such as ''Dragon Ball'', ''Fist of the North S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2009 Manga
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the Brahmi numerals, beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an Ascender (typography), ascender in most modern typefaces, in typefaces with text figures the character usually has a desc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Crumb
Robert Dennis Crumb (; born August 30, 1943) is an American cartoonist and musician who often signs his work R. Crumb. His work displays a nostalgia for American folk culture of the late 19th and early 20th centuries, and satire of contemporary American culture. Crumb is a prolific artist and contributed to many of the seminal works of the underground comix movement in the 1960s, including being a founder of the first successful underground comix publication, ''Zap Comix'', contributing to all 16 issues. He was additionally contributing to the ''East Village Other'' and many other publications, including a variety of one-off and anthology comics. During this time, inspired by psychedelics and cartoons from the 1920s and 1930s, he introduced a wide variety of characters that became extremely popular, including countercultural icons Fritz the Cat and Mr. Natural, and the images from his '' Keep On Truckin''' strip. Sexual themes abounded in all these projects, often shading ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paste (magazine)
''Paste'' is a monthly music and entertainment digital magazine, headquartered in Atlanta, Georgia, with studios in Atlanta and Manhattan, and owned by Paste Media Group. The magazine began as a website in 1998. It ran as a print publication from 2002 to 2010 before converting to online-only. History The magazine was founded as a quarterly in July 2002 and was owned by Josh Jackson, Nick Purdy, and Tim Regan-Porter. In October 2007, the magazine tried the " Radiohead" experiment, offering new and current subscribers the ability to pay what they wanted for a one-year subscription to ''Paste''. The subscriber base increased by 28,000, but ''Paste'' president Tim Regan-Porter noted the model was not sustainable; he hoped the new subscribers would renew the following year at the current rates and the increase in web traffic would attract additional subscribers and advertisers. Amidst an economic downturn, ''Paste'' began to suffer from lagging ad revenue, as did other magazine pub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Publishers Weekly
''Publishers Weekly'' (''PW'') is an American weekly trade news magazine targeted at publishers, librarians, booksellers, and literary agents. Published continuously since 1872, it has carried the tagline, "The International News Magazine of Book Publishing and Bookselling". With 51 issues a year, the emphasis today is on book reviews. The magazine was founded by bibliographer Bibliography (from and ), as a discipline, is traditionally the academic study of books as physical, cultural objects; in this sense, it is also known as bibliology (from ). English author and bibliographer John Carter describes ''bibliography ... Frederick Leypoldt in the late 1860s, and had various titles until Leypoldt settled on the name ''The Publishers' Weekly'' (with an apostrophe) in 1872. The publication was a compilation of information about newly published books, collected from publishers and from other sources by Leypoldt, for an audience of booksellers. By 1876, ''The Publishers' Weekly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gekiga
, literally "dramatic pictures", is a style of Japanese comics aimed at adult audiences and marked by a more cinematic art style and more mature themes. ''Gekiga'' was the predominant style of adult comics in Japan in the 1960s and 1970s. It is aesthetically defined by sharp angles, dark hatching, and gritty lines, and thematically by realism, social engagement, maturity, and masculinity. History In the 1950s, mainstream Japanese comics (manga) came from Tokyo and was aimed at children, led by the work of Osamu Tezuka. Before Tezuka moved to Tokyo, he lived in Osaka and mentored artists such as Yoshihiro Tatsumi and Masahiko Matsumoto who admired him. Although influenced by Tezuka and his cinematic style, Tatsumi and his colleagues were not interested in making comics for children. They wanted to write comics for adults that were more graphic and showed more violence. Tatsumi explained, "Part of that was influenced by the newspaper stories I would read. I would have an emotiona ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rakugo
is a form of ''yose'', which is itself a form of Japanese verbal entertainment. The lone sits on a raised platform, a . Using only a and a as props, and without standing up from the seiza sitting position, the rakugo artist depicts a long and complicated comical (or sometimes sentimental) story. The story always involves the dialogue of two or more characters. The difference between the characters is depicted only through change in pitch, tone, and a slight turn of the head. Lexical background Rakugo was originally known as . The oldest appearance of the kanji which refers specifically to this type of performance dates back to 1787, but at the time the characters themselves (落とし噺) were normally read as ''otoshibanashi'' (falling discourse). In the middle of the Meiji period (1868–1912) the expression ''rakugo'' first started being used, and it came into common usage only in the Shōwa period (1926–1989). Description The speaker is in the middle of the audience ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shinigami
() are kami (spirits) that invite humans toward death, according to Japanese religion and culture. have been described as monsters, helpers, and creatures of darkness. are used for tales and religions in Japanese culture. Japanese religion In Buddhism, there is the Mara that is concerned with death, the Mrtyu-mara. It is a demon that makes humans want to die, and it is said that upon being possessed by it, in a shock, one should suddenly want to die by suicide, so it is sometimes explained to be a . Also, in the Yogacarabhumi-sastra, a writing on Yogacara, a demon decided the time of people's deaths. Yama, the king of the Underworld, as well as such as the Ox-Head and Horse-Face are also considered a type of . In Shinto and Japanese mythology, Izanami gave humans death, so Izanami is sometimes seen as a . However, Izanami and Yama are also thought to be different from the death gods in Western mythology. Some forms of Buddhism do not involve believing in any deities, so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
